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Goethe, the Japanese National Identity Through Cultural Exchange, 1889 to 1989
Jahrbuch für Internationale Germanistik pen Jahrgang LI – Heft 1 | Peter Lang, Bern | S. 57–100 Goethe, the Japanese National Identity through Cultural Exchange, 1889 to 1989 By Stefan Keppler-Tasaki and Seiko Tasaki, Tokyo Dedicated to A . Charles Muller on the occasion of his retirement from the University of Tokyo This is a study of the alleged “singular reception career”1 that Goethe experi- enced in Japan from 1889 to 1989, i. e., from the first translation of theMi gnon song to the last issues of the Neo Faust manga series . In its path, we will high- light six areas of discourse which concern the most prominent historical figures resp. figurations involved here: (1) the distinct academic schools of thought aligned with the topic “Goethe in Japan” since Kimura Kinji 木村謹治, (2) the tentative Japanification of Goethe by Thomas Mann and Gottfried Benn, (3) the recognition of the (un-)German classical writer in the circle of the Japanese national author Mori Ōgai 森鴎外, as well as Goethe’s rich resonances in (4) Japanese suicide ideals since the early days of Wertherism (Ueruteru-zumu ウェル テルヅム), (5) the Zen Buddhist theories of Nishida Kitarō 西田幾多郎 and D . T . Suzuki 鈴木大拙, and lastly (6) works of popular culture by Kurosawa Akira 黒澤明 and Tezuka Osamu 手塚治虫 . Critical appraisal of these source materials supports the thesis that the polite violence and interesting deceits of the discursive history of “Goethe, the Japanese” can mostly be traced back, other than to a form of speech in German-Japanese cultural diplomacy, to internal questions of Japanese national identity . -
Brahms Complete Edition
BRAHMS COMPLETE EDITION CONTENT Page ORCHESTRAL WORKS: CD 1 – 5 . 2 CONCERTOS: CD 6 – 8 . 7 CHAMBER MUSIC: CD 9 – 19 . 9 PIANO AND ORGAN WORKS: CD 20– 28 . 18 LIEDER: CD 29 – 35 . 30 VOCAL ENSEMBLES: CD 36 – 39 . 44 CHORAL WORKS: CD 40 – 43 . .53 WORKS FOR CHORUS AND ORCHESTRA: CD 44 – 46 . 61 ORCHESTRAL WORKS CD 1 [77’51] Symphony no. 1 in C minor, op. 68 [44’19] c-moll · en ut mineur A 1. Un poco sostenuto – Allegro [13’25] B 2. Andante sostenuto [8’26] C 3. Un poco Allegretto e grazioso [4’48] D 4. Adagio – Più Andante – Allegro non troppo, ma con brio [17’38] Symphony no. 3 in F major, op. 90 [33’24] F-dur · en fa majeur E 1. Allegro con brio [9’40] F 2. Andante [8’14] G 3. Poco Allegretto [6’17] H 4. Allegro [9’13] BERLINER PHILHARMONIKER · HERBERT VON KARAJAN CD 2 [74’29] Symphony no. 2 in D major, op. 73 [40’14] D-dur · en ré majeur A 1. Allegro non troppo [15’45] B 2. Adagio non troppo – L’istesso tempo, ma grazioso [9’47] 2 C 3. Allegretto grazioso (Quasi Andantino) – Presto ma non assai – Tempo I [5’22] D 4. Allegro con spirito [9’20] BERLINER PHILHARMONIKER · HERBERT VON KARAJAN Serenade no. 2 in A major, op. 16 [33’55] A-dur · en la majeur E 1. Allegro moderato [9’35] F 2. Scherzo. Vivace – Trio [2’38] G 3. Adagio non troppo [9’41] H 4. Quasi Menuetto – Trio [5’44] I 5. -
Goethe, with Special Consideration of His Philosophy
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. -
The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL and INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors
The Ninth Season Through Brahms CHAMBER MUSIC FESTIVAL AND INSTITUTE July 22–August 13, 2011 David Finckel and Wu Han, Artistic Directors Music@Menlo Through Brahms the ninth season July 22–August 13, 2011 david finckel and wu han, artistic directors Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 Through Brahms Program Overview 6 Essay: “Johannes Brahms: The Great Romantic” by Calum MacDonald 8 Encounters I–IV 11 Concert Programs I–VI 30 String Quartet Programs 37 Carte Blanche Concerts I–IV 50 Chamber Music Institute 52 Prelude Performances 61 Koret Young Performers Concerts 64 Café Conversations 65 Master Classes 66 Open House 67 2011 Visual Artist: John Morra 68 Listening Room 69 Music@Menlo LIVE 70 2011–2012 Winter Series 72 Artist and Faculty Biographies 85 Internship Program 86 Glossary 88 Join Music@Menlo 92 Acknowledgments 95 Ticket and Performance Information 96 Calendar Cover artwork: Mertz No. 12, 2009, by John Morra. Inside (p. 67): Paintings by John Morra. Photograph of Johannes Brahms in his studio (p. 1): © The Art Archive/Museum der Stadt Wien/ Alfredo Dagli Orti. Photograph of the grave of Johannes Brahms in the Zentralfriedhof (central cemetery), Vienna, Austria (p. 5): © Chris Stock/Lebrecht Music and Arts. Photograph of Brahms (p. 7): Courtesy of Eugene Drucker in memory of Ernest Drucker. Da-Hong Seetoo (p. 69) and Ani Kavafian (p. 75): Christian Steiner. Paul Appleby (p. 72): Ken Howard. Carey Bell (p. 73): Steve Savage. Sasha Cooke (p. 74): Nick Granito. -
STUDY the AESTHETIC ASPECTS of GOETHE's POEM Zeynab
International Journal of Asian Social Science, 2016, 6(6): 347-358 International Journal of Asian Social Science ISSN(e): 2224-4441/ISSN(p): 2226-5139 URL: www.aessweb.com STUDY THE AESTHETIC ASPECTS OF GOETHE’S POEM Zeynab Rahmanyan1 1Department of Persian Language Literature, Payame Noor University, Tehran, Iran ABSTRACT Goethe, the prominent German poet, writer, philosopher and scholar should be regarded as a joint between the literature of Classicism and Romanticism. Some of his works belong to the classical movement and another part of his work belongs to the radical and progressive movement in German Romanticism. In fact, Goethe is known as a poet, scholar and philosopher between the two main streams in Europe: Classicism and Romanticism. He carries the ideas of Classicism and also establishes new ideas of Romanticism. Hence, in terms of aesthetics, he is considered to be among the leading theorists of Romanticism school because he has reflected many creative and pure ideas of Romanticism in his literary and philosophical works. German literature owes to Goethe's intellectual and aestheticism. This article tries to display aesthetic aspects of Goethe’s poem in addition to study the literary and artistic features and characteristics of Romanticism school. © 2016 AESS Publications. All Rights Reserved. Keywords: Poetry, Aesthetics, German literature, Romanticism, Goethe. Contribution/ Originality This study is one of very few studies which have investigated about Goethe and its Aesthetic poetry. Johann Wolfgang von Goethe is one of the German Poets, Writers, Philosophers, and thinkers that he should see a Joint among Classicism and Romanticism literature. Some of his works has belong to the classical movement and another part of his Works belonged to the Radical Movement Romantic is in Germany. -
WAGNER 3 Cds the Royal Swedish Orchestra Traces Its Origins from the Court Chapel of the Sixteenth Century and Is One of the World’S Oldest Orchestras
660152-54 bk Tristan US 24/05/2005 09:59am Page 12 The Royal Swedish Orchestra WAGNER 3 CDs The Royal Swedish Orchestra traces its origins from the Court Chapel of the sixteenth century and is one of the world’s oldest orchestras. In 1773 Gustav III transformed it into an opera band. As the only professional orchestra in nineteenth-century Sweden it also regularly gave concerts with symphonic and vocal works. Its first encounter with Wagner’s music was probably with the Tannhäuser Overture in 1856. During the twentieth century, the orchestra Tristan und Isolde grew from around sixty to almost a hundred members. Today it numbers 114. Millgramm • Forsén • Fassbender The Royal Opera Chorus Lundberg • Kyhle • Dike The Royal Opera Chorus was created from scratch in 1773 for the first Swedish opera. At the transfer to the newly built Gustavian Opera House at Gustav Adolfs Torg in 1782, it is said to have numbered eighty members. The Royal Swedish Opera Male Chorus and Orchestra number dwindled during the nineteenth century. During its co-existence with the Royal Dramatic Theatre until 1887 chorus members also frequently took minor spoken parts in drama and musical plays. Today the chorus numbers sixty members. The chorus masters are Christina Hörnell and Folke Alin. Leif Segerstam The Royal Swedish Opera Gustav III founded the Royal Swedish Opera in 1773. The first opera house on the current site was inaugurated in 1782. From the early nineteenth century until 1887, the Royal Theatre was the national theatre for opera and ballet as well as spoken drama and concerts. -
The Life of Goethe. Conclusion
THE LIFE OF GOETHE.* BY THE EDITOR. GOETHE began his great drama Got::: von Bcrlichingcn at the it in end of 1771 : he finished it in 1772 and submitted manu- script to Herder, but when Herder called the poet's attention to its shortcomings Goethe recast the whole, mercilessly canceled long pas- sages and introduced new material. In this revised shape he had it printed at his own expense in June 1773. because he could not find a publisher in Germany who would risk its publication. JOHANN BERNHARD BASEDOW. Many men of prominence had become interested in Goethe and visited him in his father's house. Among them must be mentioned first Johann Caspar Lavater (1741-1801), a pious pastor of Zurich, and Johann Bernhard Basedow, an educator of Hamburg. In com- pany with these two men, both with outspoken theological interests, the young worldling, as Goethe called himself in a poem of that period, undertook a trip along the Rhine in the summer of 1774. * The first instalment of this sketch appeared in the June number. 462 THE OPEN COURT. They visited Friedrich Heinrich Jacobi (1743-1819) on his estate at Pempelfort near Diisseldorf. Lavater was a well-known pulpiteer and the founder of the study of physioo^nomw a subject in which Goethe too was interested: JOHANN KASPAR LAVATER. After a water color by H. Lips in the K. K. Familien-Fideikommiss-Bibliothek. and Basedow the founder of an educational institution called the Philanthropin. Jacobi had deep philosophical interests and regarded himself as a disciple of Spinoza, whose philosophy, however, he THE LIFE OF GOETHE. -
Alphabetical List of Composers and Their Works
CATALOGUECATALOGUE 20022002 Alphabetical list of Composers and their Works LAST UPDATED 17 -June -2002 SearchingSearching thethe NaxosNaxos CatalogueCatalogue You can search for any word, like the name of a composer, a particular work or an artist’s name, by either clicking the icon on the top right-hand corner of the menu bar, or by pressing Ctrl–F, and then entering the word to start searching. To continue the search for more entries under the same keyword, press the icon again or Ctrl-G (Command+G in Mac). CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 116 American Classics 116 Flute 130 Organ 138 Ballet 116 Funeral Music 130 Piano 139 Baroque 116 Glassharmonica 130 Russian 140 Bassoon 117 Guitar 130 Samplers 141 Best of series 117 Gypsy 132 Saxophone 142 Cello 120 Harp 132 Trombone 142 Chamber Music 120 Horn 132 Trumpet 142 Christmas 120 Light Classics 132 Viennese 142 Cinema Classics 122 Oboe 132 Violin 142–143 Clarinet 124 Operatic 133 Vocal and Choral 143 Early Music 124 Operetta 134 Wedding 145 Easy Listening 127 Orchestral 135 Wind 145 Naxos Jazz . 146 Naxos World . 146 Naxos Historical . 147 Naxos Nostalgia . 152 Naxos Jazz Legends . 153 Naxos Instrumental . 153 Naxos International . 154 Naxos Audiobooks . 155 Naxos Educational . 158 Naxos DVD . 159 Arthaus DVD . 159 Key Classical Collection . 162 Classical Music Used in Films . 169 List of Naxos Distributors . 180 Cover Painting: Lady seated at a virginal by Jan Vermeer (1632-1675) Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2001 Catalogue $ Recording scheduled to be released before 31 December, 2001 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. -
Strauss US 13/8/07 2:59 Pm Page 5
570297bk Strauss US 13/8/07 2:59 pm Page 5 offered four songs with orchestral accompaniment, with ‘o Glück!’( ‘O happiness!’) in music penetrated again Hilko Dumno four more songs in 1898 in Op. 36. Op. 37, in the same and again by shafts of light. Hilko Dumno studied the piano, chamber music and song form at the year, offered six songs, with texts by various writers, The present recording contains songs from the Musikhochschule in Detmold and Franfurt am Main. His teachers included Gregor STRAUSS dedicated to Strauss’s wife. Ich liebe dich (I love you) # earlier part of Strauss’s long career, but he continued to Weichert, Rainer Hoffmann, Tabea Zimmermann and Charles Spencer. He held takes a poem by the soldier-writer Detlev von write songs throughout his life, with the Four Last Songs scholarships from the German Music Council, Villa Musica Mainz and the Yehudi Liliencron, a heroic pledge of loyalty. composed in 1948, the year before his death. They make Menuhin Foundation. Hilko Dumno has appeared regularly with Christoph Songs of Love and Death Op. 39 brings five more songs and chronologically up an important and essential part of German Lieder Prégardien, Christine Schäfer, Hedwig Fassbender, Julia Kleiter and Johannes the last of those included here, Befreit (Set Free) ^, a tradition, a remarkable contribution by a musician of the Schende as their partner at the Schleswig-Holstein Festival, the Schwarzenberg Allerseelen • Zueignung • Rote Rosen setting of a poem by Richard Dehmel, a friend of greatest versatility. Schubertiade, the Dresden Music Festival, the Lucerne Festival and the Amadeus Liliencron and a prolific writer. -
Private Musiksammlung Archiv CD/DVD
Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Sacchini Sacchini L'Isola d'amore - 1980 Wiesbaden Lella Cuberli - Roestta Pizzo - Ignazio Daniel Chorzempa O - hr-klassik Claves - Alan Opie - - - - - - 308,01 Antonio Maria Gaspare - Sacchini (1730 - 1786) - Die Insel der Liebe Cappella coloniensis 14.02.2004 - Oper 22 - cda402 T- VHS-Audi 2 CD o Sacchini Oedipe à Colone - 2004 Dijon Manon Feubel - Fabrice Mantegna - Jean-Paul Penin O - 05.06.2004 Auditorium Daniel Galvez-Vallejo - Sviatoslav 993,01 Antonio Maria Gaspare - Smirnov - Raphaëlle Farman - Sacchini (1730 - 1786) - Ödipus auf Kolonos Orchestre de la 20.08.2007 - Géraldine Casey - Jacques Gay - - - Camerata de Oper 46 - cda708 T- Dok 486 2 CD Sacchini EDIPO À COLONE - 2004 Dijon - - - - - - - - - n O - 05.06.2004 Antonio Maria Gaspare - Sacchini (1730 - 1786) - 01.01.1900 - Oper 46 - cda1411 TA-an Manon Feubel, Fabrice Mantegna, Daniel Galvez-Vallejo, Sviatoslav Smirnov, Jean-Paul Penin A Raphaëlle Farman, Géraldine Casey, Jacques Gay. alne 2 CD Sacchini Oedipe à Colone - 2005 Nathalie Paulin - Robert Getchell - n O - Stephansdom Tony Boutté - Francois Loup - Kirsten Antonio Maria Gaspare - Blaise - Kara Morgan - Jonathan Sacchini (1730 - 1786) - Ödipus auf Kolonos Opera Lafayette 07.06.2012 - Kimple - - - Orchestra and Chorus Oper 46 - cda1206 T- Int-A2/mp CD 3 0 Saint-Saëns Samson et Dalila - 1956 Stockholm Blanche Thebom - Set Svanholm - Herbert Sandberg O - 04.09.1956 Concertzender Sigurd Björling - - - - - - - Camille Saint-Saëns - (1835 - 1921) - 2. -
Ein Deutsches Requiem
San Francisco Lyric Chorus Robert Gurney, Music Director Johannes Brahms EIN DEUTscHes REQUIem Jennifer Brody, Soprano Boyd Jarrell, Bass David Hatt, Organ Allen Biggs, Timpani Novello Quartet Saturday, August 27, 8 pm & Sunday, August 28, 5 pm Trinity Episcopal Church Bush & Gough Streets San Francisco, California San Francisco Lyric Chorus Board of Directors Helene Whitson, President Anne Brenneis, Secretary Bill Whitson, Treasurer Anna Barr, Director Sophie Henry, Director Catherine Lewis, Director Wylie Sheldon, Director Welcome to the Summer 005 Concert of the San Francisco Lyric Chorus. Since its formation in 1995, the Chorus has offered diverse and innovative music to the community through a gathering of singers who believe in a commonality of spirit and sharing. The début concert featured music by Gabriel Fauré and Louis Vierne. The Chorus has been involved in several premieres, including Bay Area composer Brad Osness’ Lamentations, Ohio composer Robert Witt’s Four Motets to the Blessed Virgin Mary (West Coast premiere), New York composer William Hawley’s The Snow That Never Drifts (San Francisco premiere), and San Francisco composer Kirke Mechem’s Christmas the Morn, Blessed Are They, and To Music (San Francisco premieres). Our 004-005 musical year has been very exciting. In Fall 004, we took a wonderful journey through French choral history from the 15th century to the 0th century, presenting Choral Music of France and featuring choral jewels by Guillaume Dufay, Josquin des Pres, Marc-Antoine Charpentier, Gabriel Fauré, César Franck, Francis Poulenc, Camille Saint-Saëns, Hector Berlioz and Arthur Honegger. For our Spring 005 program, we explored the music of two Austrian master composers, presenting Joseph Haydn’s joyous Harmoniemesse, the last major composition of this graceful and ebullient composer, and Anton Bruckner’s rarely performed Mass No. -
The Harvard Classics Eboxed
I HARVARD CLASSICS -THE FIVE-FOOT SHELFOFBOOKS f AUST I6MONT ETC DOCTOR FAUSTUS GOETHE MAKLOWE OS Biiai Biiai BBBfl m THE HARVARD CLASSICS The Five-Foot Shelf of Books THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. Johann Wolfgang von Goethe Faust, Part I • Egmont Hermann and Dorothea Christopher Marlowe Doctor Faustus W/M Introduction and Notes Yo/ume 19 P. F. Collier & Son Corporation NEW YORK Copyright, 1909 By p. F. Collies & Sow UANUFACTUKKD m U. S. A. CONTENTS THE TRAGEDY OF FAUST PAOE Dedication 9 Prologue for the Theatre 11 Prologue in Heaven 18 Part I 23 THE TRAGICAL HISTORY OF DOCTOR FAUSTUS . .205 EGMONT 253 HERMANN AND DOROTHEA Calliope 337 Terpsichore 345 Thalia 354 Euterpe 35^ Polyhymnia 3^ Clio 37^ Erato 3^7 Melpomene 395 Urania 400 THE TRAGEDY OF FAUST BY GOETHE TRANSLATED BY ANNA SWANWICX INTRODUCTORY NOTE JoHANN WoLFCANC VON GoETHE, the greatest of German men of letters, was born at Frankfort-on-the-Main, August 28, 1749. His father was a man of means and f)Osition, and he personally supervised the early education of his son. The young Goethe studied at the universities of Leipsic and Strasburg, and in 1772 entered upon the practise of law at Wetzlar. At the invitation of Karl August, Duke of Saxe-Weimar, he went in 1775 to live in Weimar, where he held a succession of political offices, becoming the Duke's chief adviser. From 1786 to 1788 he traveled in Italy, and from 1791 to 1817 directed the ducal theater at Weimar. He took part in the wars against France, 1792-3, and in the following year began his friendship with Schiller, which lasted till the latter's death in 1805.