Brahms's Elegies Nicole Grimes Index More Information Www

Cambridge University Press 978-1-108-47449-8 — Brahms's Elegies Nicole Grimes Index More Information

Index

Abrams, M. H., 7, 38, 39, 40, 81 Badiou, Alain Adam and Eve, 151, 152 on Wagner, 238 Adorno, Theodor W. (1903–1969), 3, 12, 14, Bahr, Erhard, 67, 85, 86, 88, 113 18, 62, 67, 206, 235, 242 Bauer, Amy, 248 ‘Brahms Aktuell’, 12, 207–9, 213–14, 215, Beckett, Samuel, 207 229, 250–3 Beethoven, Ludwig van (1770–1827), 8, 14, 68, ‘On the Problem of Musical Analysis’, 222 90, 210, 212, 235, 238, 245, 252 Aesthetic Theory, 214 ‘Lebewohl’ Sonata, Op. 81a, 95–9, 102, 114, and authenticity, 239 118 and Beethoven’s late style, 212 An die ferne Geliebte, Op. 98, 102, 104–10, and formal functions, 222 118 and inauthenticity, 238 Symphony No. 5, 51 and lateness, 216 Symphony No. 9, 201, 202 and resignation, 238 Behler, Constantin, 4, 33, 85 and Schumann’s subjectivity, 214, 251 Bekker, Paul (1882–1937), 14 and sonata form, 214 Beller-McKenna, Daniel, 135, 164, 181, 200 as exile, 218 Berg, Alban (1885–1935), 208 Beethoven manuscript, 15, 207, 212, 216, Wozzeck, 238 217, 219, 236 Berlioz, Hector (1803–1869), 238 Mahler, A Musical Physiognomy, 208, 216, Bible, The, 145, 148, 152, 179 222 Brahms, Bible notebook. See entry under Minima Moralia, 247 Johannes Brahms on Beethoven and history, 212–13 Luther Bible, 2, 12, 163, 171, 202 on failure, 16, 237–9 Speciﬁc passages Philosophie der neuen Musik, 211 1 Kings, 184 Philosophy of New Music, 216 Corinthians, 11, 163, 165, 172, Adorno, Theodor W. and Max Horkheimer 186, 189 Dialectic of Enlightenment,67 Ecclesiastes, 102, 184, 185 Aeschylus, 9, 19, 71, 121, 147 Ecclesiasticus, 184 The Oresteia, 147 Isaiah, 2, 102 Allgemeine musikalische Zeitung,28 Job, 9, 121, 133, 141, 151, 152, 154 Allgeyer, Julius (1829–1900), 68, 74, 75 John, 102 ‘Anselm Feuerbach’,75 Song of Solomon, 186 Anzengruber, Ludwig (1839–1889), 168 Wisdom of Solomon, 183, 187, 189 Der Pfarrer von Kirchfeld, 177 Biblical justice, 133 Aristotle, 102 Bildung, 13, 14–15, 16, 31, 33–4, 63, 123, 174, Aurelius, Marcus (121–180), 6 218, 244, 248 Austrian Constitution (1867), 173 and the rise of fascism, 14 Avins, Styra, 128, 131 Bildungsroman, 30, 38, 47, 52 Billroth, Theodor (1829–1894), 9, 12, 78, 127, Bach, Johann Sebastian, 1, 12, 71 129, 137, 140, 141, 154, 168, 172, 173 Christ lag in Todesbanden, BWV 4, 1 letters to Brahms on religion, 175 Ich hatte viel Bekümmernis, BWV 21, 1 Bismarck, Otto von, 171, 181 271

272 Index

Bloom, Harold ‘Mit vierzig Jahren’ Op. 94 No. 1, 196 Anxiety of Inﬂuence, 232 ‘Regenlied’ Op. 59 No. 3, 223 Böcklin, Arnold (1827–1901), 76 ‘Salome’ Op. 69 No. 8, 195 Boym, Svetlana, 92, 241 ‘Therese’ Op. 86 No. 1, 195 Bozarth, George, 200 ‘Todessehnen’ Op. 86 No. 6, 242 Brachmann, Jan, 173, 179 ‘Wie Melodien zieht es mir’ Op. 105 No. 1, Brahms, Christiane Johanna (1789–1865) 220 death of, 75, 102 ‘Wiegenlied’ Op. 49 No. 4, 219 Brahms, Johannes (1833–1897) 49 Deutsches Volkslieder, WoO 33, 167 and anti-Catholicism, 181 Academic Festival Overture, Op. 80, 128 and classical antiquity, 2, 18, 69, 78, Acht Lieder und Gesänge, Op. 59, 220 90, 162 Alto Rhapsody, Op. 53, 51, 240 and cultural pessimism, 204 Begräbnisgesang, Op. 13, 1 and cultural Protestantism, 11 Deutsche Volkskinderlieder, WoO 31, 219 and German patriotism, 11, 172 Ein deutsches Requiem, Op. 45, 1, 3, 50, 51, and his German circle in Vienna, 174 102–4, 110, 128, 151, 168, 180, 226 and his liberal Viennese circle, 172–7 Eleven Chorale Preludes, Op. 122, 172 and Italian journeys, 78, 129, 178 Fünf Gesänge, Op. 104, 196 and Italian Renaissance art, 10, 72, 75, 76, 78, Fünf Lieder, Op. 105, 220, 226 90, 121, 129, 137, 148, 154 Gesang der Parzen, Op. 89, 2, 5, 7, 9, 11, 22, and Mahler, Symphony No. 2, 200, 201 69, 74, 119, 140, 155, 163, 206 and melancholy, 130–4, 204 Nänie, Op. 82, 2, 5, 7–9, 11, 97, 102, 104, 106, and musical modernism, 208 111, 117, 120, 163, 206 and the literature of humanity, 63, 244 and plagal harmony, 118 and the Schumanns’ library, 71 Orchestral sketch A121, 201 apartment at Karlsgasse 4, Vienna, 171 Orchestral sketch A122, 195–201, 202 Bible notebook, 164, 183, 184, 189 Parzenlied. See Gesang der Parzen, Op. 89, choice of Biblical texts, 151 Piano Concerto No. 1 in D Minor, Op. 15, Des jungen Kreislers Schatzkästlein,5,20 240 E♭ as a tonality related to bereavement, 49, Piano Concerto No. 2 in B♭ Major, Op. 83, 50, 196 200, 242 Gesellschaft der Musikfreunde, 6, 161 Piano Quartet No. 3 in C Minor, Op. 60, 182, his reading of Nietzsche, 165–72 240 his summer retreats, 128 Piano Trio No. 3 in C Minor, Op. 101, 16, lack of religious faith, 180 177, 217, 219, 220, 221, 229–36, 240 Library, 5, 6, 7, 9, 19, 71, 145 Rinaldo, Op. 50, 74 Lutheran upbringing, 172 Schicksalslied, Op. 54, 2, 5, 7, 11, 25, 43, 46, on immortality, 180–1 48, 64, 69, 74, 122, 163, 206, 243, 244 Study of counterpoint, 71 Serious Songs. See Vier ernste Gesänge, views on organized religion, 172 Op. 121 views on the Bible, 173 Sonata for Cello and Piano No. 2 in F Major, Brahms, Johannes, works Op. 99, 177, 219 ‘Abendregen’ Op. 70 No. 4, 195 Sonata for Violin and Piano No. 1 in ‘Auf dem Kirchhofe’ Op. 105 No. 4, 220, 227 G Major, Op. 78, 16, 50, 200, 217, 220, ‘Dammrung senkte sich von oben’ Op. 59 223–5, 235, 240, 242 No. 1, 246 Sonata for Violin and Piano No. 2 in ‘Fahrwohl’ Op. 93a No. 4, 195 A Major, Op. 100, 16, 177, 200, 217, ‘Geistliches Wiegenlied’ Op. 91 No. 2, 219 219, 220, 225–9, 230, 240, 242 ‘Heimweh’ Lieder,Op. 63 Nos 7–9, 219 Sonata for Violin and Piano No. 3 in ‘Immer leiser wird mein Schlummer’ Op. D Minor, Op. 108, 220 105 No. 2, 220, 226, 242 Song of Destiny. See Schicksalslied, Op. 54 ‘Mir lächelt kein Frühling’, WoO 25, 132, Song of the Fates. See Gesang der Parzen, Op. 137, 159 89

Index 273

String Quartet No. 1 in C Minor, Op. 51 Dahlhaus, Carl, 66, 221 No. 1, 240 Dante Alighieri (1265–1321) Symphony No. 1 in C Minor, Op. 68, 51, 166 Divine Comedy,71 Symphony No. 2 in D Major, Op. 73, 127, Danuser, Hermann, 247 130–2 Darcy, Warren, 10, 45, 231 Symphony No. 4 in E Minor, Op. 98, 253 Darwin, Charles (1809–1882), 176 Thirteen Canons for Female Voices, Op. 113, Daumer, Georg Friedrich (1800–1875), 70 196 Daverio, John, 7, 44–5, 46 Tragic Overture, Op. 81, 128 Deutsch-Römer, 8, 69, 76–81, 90 Trio for Piano, Violin, and Horn, Op. 40, Dietrich, Albert (1829–1908), 71 49 Directional tonality, 47 Triumphlied, Op. 55, 201 Disenchantment, 65, 66, 67, 77, 92, 106, 207, Two Motets, Op. 74, 168 217 No. 1, ‘Warum’, 128, 132–41, 159 Divine justice, 9, 121, 141 Variations on a Theme by Robert Schumann, Divine punishment, 9 Op. 23, 49, 51 Domenichino (1581–1641), 72 Vier ernste Gesänge, Op. 121, 2, 6, 12, 120, Dreikaiserjahr (1888), 183, 196 151, 163, 180, 184, 201, 242 Durante, Francesco (1684–1755), 71 Vier Gesänge, Op. 17, 1 Dvořák, Antonin (1841–1904), 164 Zwei Gesänge, Op. 91 Religious faith, 180 No. 1, ‘Gestillte Sehnsucht’, 196 Brahms-Institut, Lübeck, 6, 56, 144 Eisler, Hanns (1898–1962), 62 Breitkopf & Härtel, 97 Eliot, T. S. (1888–1965), 39 Brinkmann, Reinhold, 8, 69, 91, 128, 130, 133, The Four Quartets,55 204, 208 Engelmann (née Vick), Emma Brandes late idyll, 91–5 (1853–1940), 130 Britten, Benjamin (1913–1976), 63 Engelmann, Theodor (1843–1909), 130 Brodbeck, David, 136 Enlightenment, The, 4, 77, 174 Bruckner, Anton (1824–1896), 92, 181, 215, Eternal punishment, 9, 121, 149 252 Euripides, 9, 127 Büchner, Ludwig (1824–1899), 176 Iphigenia at Tauris, 147 Bülow, Hans von (1830–1894), 130 Iphigenia in Aulis, 147 Burckhardt, Jacob (1818–1897), 129 Die Kultur der Renaissance in Italien, 129 Faber (née Porubsky), Bertha (1814–1910), Burckhardt, Sigurd, 127 130, 174 Burgtheater, Vienna, 126 Fates, The, 123, 127 Burnham, Scott, 160 Feuerbach, Anselm (1829–1880), 8, 9, 118, 173 Byrd, William (1538–1632), 71 Arentino,75 Christus im Grab,75 Caplin, William, 46, 154 Dante,75 Carlyle, Thomas (1795–1881) Das Liebespaar,75 Past and Present,38 death of, 80 Cartesius, Renatus (1596–1650), 6 Dem kleinen an der Küste,75 Chopin, Frederic (1810–1849), 214, 251 Haﬁs,75 Chua, Daniel, 212 Iphigenie, 9, 72, 74, 75, 81, 98, 153 Cicero, Marcus Tullius (106 BCE–43 BCE), 6 Medea, 75, 79, 98 Correggio, Antonio da (1489–1534), 72 Plato’s Symposium, 74, 75 Corsi, Jacopo (1561–1602), 71 Feuerbach, Henriette (1812–1892), 68, 80, 90 Couture, Thomas (1815–1879), 71 Feuerbach, Johann Paul Anselm (1775–1833), Cultural pessimism, 66, 201, 205, 249 70 Cultural Protestantism. See Feuerbach, Josef Anselm (1768–1851), 70 Kulturprotestantismus Feuerbach, Ludwig (1804–1872), 70, 167, 176

274 Index

Floros, Constantin, 67 review of Brahms, Nänie, Op. 82, 74 Fontane, Theodor (1818–1898), 93, 95 review of Brahms, Schicksalslied, Op. 54, 28 Foucault, Michel (1926–1984), 54 views on religion, 174 Franco-Prussian war, 8, 66, 118, 173 Harper-Scott, J. P. E., 157, 232 Frankfurt School, 10 Haydn, Joseph (1732–1809), 51 French Revolution, 5, 35, 65, 66 The Creation,51 Friedrich III, German Emperor (1831–1888), Hegar, Friedrich (1841–1927), 201 183 Hegel, Georg Wilhelm Friedrich (1770–1831), Frisch, Walter, 210, 244 5, 6, 35, 65, 117, 122, 174, 212, 213, 234 Phänomenologie des Geistes, 5, 36, 38, 39, 54 Gadamer, Hans-Georg (1900–2002), 5 Heidegger, Martin (1889–1976), 3, 5, 18, 36, 62 Gefühlsreligiosität, 178 Heller, Erich, 125 Geiringer, Karl (1899–1989), 13 Henze, Hans Werner (1926–2012), 63 German Idealism, 8, 10, 12, 16, 54, 65–6, 68, 77, Hepokoski, James, 10, 45–7, 158–9, 231, 232 81, 118, 248 Rotational structure, 159 death of, 66 Sonata failure, 16, 235 German Idealist aesthetics, 31, 65 Heraclitus, 36 German Idealist philosophy, 65 Herder, Johann Gottfried (1744–1803), 6 German Idealist poetry, 2 Herzogenberg, Elisabet von (1847–1892), 22, German Reformation, 170 130, 135, 145–6, 162, 172, 183 Gesellschaft der Musikfreunde, 6, 11, 145, 164, Herzogenberg, Heinrich von (1843–1900), 130, 195, 201 182, 203 Gillespie, Susan, 211 Heuberger, Richard (1850–1914) Giraud, Albert (1860–1929), 208 Erinnerungen an Johannes Brahms, 180 Goethe, Johann Wolfgang von (1749–1832), 2, Hildebrand, Adolf von (1847–1921), 77 4–5, 6, 8–9, 12, 19, 33, 54, 69, 76–7, 249 Hilliard, Kevin F., 86, 88, 110, 114 ‘Dämmrung senkte sich von oben’, 246 Hindemith, Paul (1895–1963), 213, 251 ‘Die erste Walpurgisnacht’, 136 Hinrichsen, Hans-Joachim, 114, 117 Die Leiden des jungen Werthers,38 Hirsch, Marjorie, 219, 240 Faust,5 Hofmann, Kurt, 6 Hermann und Dorothea,5 Hölderlin, Friedrich (1770–1843), 2, 4, 5, 6, 7, Iphigenie auf Tauris, 9, 70, 122, 141, 151, 153 8, 12, 18, 65, 69, 77, 244, 249, 253 ‘Song of the Fates’, 124, 125, 143, 144, 154 ‘An die Parzen’,22 Italienische Reise, 142, 144 ‘Brot und Wein’,22 Wilhelm Meister, 4, 5, 38, 120 Caesura, 36, 42, 53, 55 Greek mythology, 67 ‘Die Heimath’,22 Grillparzer, Franz (1791–1872) ‘Die Nacht’,22 Medea,70 Catastrophe, 37, 40 Grimm, Hermann (1828–1901), 129 Hyperion, Or the Hermit in Greece,4,5,7,42, Groeber, Heinrich, 181 122, 244 Groth, Klaus (1819–1899), 206, 219 ‘Lebenslauf’,22 ‘Nachklang’, 220 ‘Schicksalslied’, 23, 123, 243 ‘O wüsst ich doch den Weg zurück’, 219 Thalia fragment, 20, 37, 39 ‘Regenlied’, 220 Unity in diversity, 36 Gurlitt, Cornelius (1850–1938), 77 ‘Verfahrungsweise’ essay, 42 Holliger, Heinz (1939–), 63 Hall, Edith, 121 Homer, 8, 9, 19, 68, 86, 102, 121, 147, 243 Hamburger Frauenchor,1 Iliad, 68, 70, 86 Handel, George Frideric (1685–1759), 161 Odyssey, 64, 70, 86, 146, 151 Saul, 161 Horkheimer, Max (1895–1973), 67 Hanslick, Eduard (1825–1904), 28, 74, Humboldt, Wilhelm von (1767–1835), 174 134, 176 Husserl, Edmund (1859–1938), 5, 246

Index 275

Jackson, Timothy, 43, 44, 53 Loges, Natasha, 129 Jean Paul, 71 Lotti, Antonio (1667–1740), 71 Jeitteles, Alois Isidor (1794–1858), 107 Lübke, Wilhelm (1826–1893) ‘Auf dem Hügel sitz ich, spähend’, 109 History of Architecture, 129 ‘Nimm Sie hin den, diese Lieder’, 107 Lucerne Festival, 245 Joachim, Joseph (1831–1907), 173 Lueger, Karl (1844–1910), 203 Juno at the Villa Ludovisi, 9, 122, 141–5, 154 Lukács, György (1885–1971) The Theory of the Novel, 211, 218 Kaiser, Gerhard, 68, 114 Luther, Martin (1483–1546), 11, 170, 202 Kalbeck, Max (1850–1921), 12, 56, 69, 70, 126, 180, 183, 200, 205, 227 Mahler, Gustav (1860–1911), 92, 204, 208, 221, and Brahms, Vier ernste Gesänge, 202 236, 242, 245, 247 views on religion, 175 ‘Des Antonius von Padua Fischpredigt’, 201 Kant, Immanuel (1724–1804), 4, 6, 33, 35, 82 Das Lied von der Erde, 237 Karnes, Kevin, 150, 243, 249 Symphony No. 2, 200, 201, 202 Keller, Gottfried (1819–1890), 195, 196 Symphony No. 3, 202, 248 ‘Nixe im Grundquell’, 199 Symphony No. 5, 217, 236 Kiefer, Anselm, 245 Symphony No. 6, 237 Klinger, Max (1857–1920), 150 Symphony No. 7, 217, 236 as dedicatee of the Vier ernste Gesänge, 203 Symphony No. 9, 208, 237 Beethoven, 151, 153 Urlicht, 200 Brahms-Phantasie, 203, 243–4 Mann, Thomas, 14, 117 Koeßler, Hans (1853–1926), 200 March Revolutions (1848), 66, 92, 174 Koran, The, 22, 145–6, 148, 152 Marcuse, Herbert (1898–1979), 5 Brahms’s 1877 German translation, 145 Marées, Hans von (1837–1887), 76 Kretzschmar, Hermann (1848–1924), 27 Marston, Nicholas, 108, 109 Kulturprotestantismus, 165, 176 Marx, Karl (1818–1883), 38 Mary of Hungary (1505–1558), 148, 151 Lachner, Vincenz (1811–1893), 132 Materialism, 174, 176 Laocoön group, 143 McClelland, Ryan, 229, 233 Late style, 15 Meiningen Orchestra, 130 Alterstil,15 Melancholy, 67, 91, 92, 130, 204, 219 Spätstil, 15, 241 Menzel, Adolph (1815–1905), 93, 95, 208 Lateness, 77, 210 Berlin-Potsdamer Eisenbahn,93 Leibnitz, Gottfried Wilhelm (1646–1716), 6 Das Balkonzimmer, 93, 94, 95 Levi, Hermann (1839–1900), 7, 56, 57, 62, 75 Meßvelleitäten, 181 letter to Brahms, 62 Michelangelo (1475–1564), 72 piano reduction of Brahms’s proposed Modernism, 12, 13, 95, 208, 242, 248 ending for Schicksalslied,62 rise of, 66 transcription of Brahms’s proposed ending Modernity, 10, 13, 33, 218 for Schicksalslied,56 Monahan, Seth, 232 Ligeti, György (1923–2006), 63, 244, 245 Mozart, Wolfgang Amadeus (1759–1791), 213 Drei Phantasien nach Friedrich Hölderlin, Müller, Wilhelm (1794–1827), 196 248 Murdoch, Iris, 120, 153 Lontano, 248 Musikalisches Wochenblatt, 136 on nostalgia in music, 247, 248 Muther, Richard (1860–1909), 77 Trio for Violin, Horn, and Piano, 248 Mythic justice, 133 Liliencron, Detlef von (1844–1909) ‘Auf dem Kirchhofe’, 226, 227 National Socialists, 62 Lingg, Hermann von (1820–1905) Neo-Romanticism, 247, 248 ‘Immer leiser wird mein Schlummer’, 226 Neue Freie Presse, 126 Lipiner, Siegfried (1856–1911), 167 New German School, 214, 251 Locke, John (1632–1704), 6 New Humanism, 8, 69, 76, 77

276 Index

New Musicology, 17 Reni, Guido (1575–1642), 72 Niemann, Walter (1876–1953), 13, 74, 160, 196 Reynolds, Christopher, 7, 29, 52, 240 Nietzsche, Friedrich (1844–1900), 6, 11, 12, 36, Rihm, Wolfgang (1952–), 63, 244, 245, 247, 248 169, 202, 204, 208, 249 ‘Dämmrung senkte sich von oben’, 246 and Luther, 170, 171, 202 Goethe Lieder, 246 Antichrist, The, 11, 164, 165, 169, 170, 172, Harzreise im Winter, 246 178, 183 Hölderlin-Fragmente, 246 Beyond Good and Evil, 179 Symphonie ‘Nähe Fern’, 245, 246 Birth of Tragedy, The, 122, 151–3 Romantic longing for childhood, 15, 16, 207, Case of Wagner, The, 11, 165–6 217, 218, 219, 240, 241 death of, 182 Romanticism, 66, 77, 214, 248, 252 Human, All Too Human, 166 demise of, 66 Hymn to Life, The, 178 Rosegger, Peter (1843–1918), 168 Nietzsche contra Wagner, 11, 165 The God Seeker, 176 On the Genealogy of Morals, 152, 167, 169, Rosen, Charles, 45, 96, 97, 109 170–1, 178, 181 Rousseau, Jean-Jacques (1712–1778), 6 on Wagner as ascetic, 167–8 La nouvelle Héloïse,38 Twilight of the Idols, 11, 165 Rückert, Friedrich (1788–1866), 196 Nono, Luigi (1924–1990), 63, 244, 245 ‘Einförmig ist der liebe Gram’, 196 Nordau, Max (1849–1923), 13 Trauerlieder, 195, 199–200 Nostalgia, 66, 92, 109, 208, 219, 239–41 Ryan, Lawrence, 40 Nostalgic teleology, 4, 33, 85, 95, 106, 208, 245, 247, 248 Sandberger, Wolfgang, 201 Notley, Margaret, 147, 154, 158, 175, 207, 216, Savage, Robert, 62 219 Schack, Adolf Friedrich von (1915–1894), 78 Novalis (Friedrich von Hardenberg, Schadow, Wilhelm von (1789–1862), 71 1772–1801), 65, 217 Schelling, Friedrich (1775–1854), 35 System of Transcendental Idealism,54 Ophüls, Gustav (1866–1926), 160, 162 Schenker, Heinrich (1868–1935), 14, 49 Recollections of Johannes Brahms, 203, 204 Schiller, Friedrich (1759–1805), 2, 4, 5, 6, 8, 12, Ossian, 71 18, 19, 31, 36, 39, 54, 64, 65, 102, 143, Ovid, 9, 121, 147 206, 249 Metamorphoses, 147 ‘Auch das Schöne muß sterben’, 64, 68, 81, 87 Paddison, Max, 215, 237 ‘Die Götter Griechenlands’,67 Palestrina, Giovanni Pierluigi da (1525–1594), ‘Die Künstler’,65 71 aesthetic theory of mourning, 8, 83 Papanikolaou, Eftychia, 128 and the death of Beauty, 67, 89, 114 Paris Commune (1870–1871), 8, 66, 118 categorization of poetic genres, 83–5 Pernerstorfer circle, 167, 168 Elegy, 84 Petersen, Peter, 7, 29, 160 Idyll, 8, 66, 69, 84, 85 Pietas Austriaca, 12, 203 Satirical, 84 Plato (427 BCE–?), 6 deﬁnition of Beauty, 89 Positivism, 66, 174, 176 On Naïve and Sentimental Poetry, 32, 83, 86, Preißinger, Cornelia, 200 91, 217 Prometheus, 152, 243 On the Aesthetic Education of Mankind, 32, 81, 82, 83, 143 Rafael (1483–1520), 72 Schirmer, Johann (1807–1863), 72 Rainer, Arnulf, 245 Schlegel, August Wilhelm (1767–1845), 65 Ranke, Leopold von (1795–1866), 174 Schleiermacher, Friedrich (1768–1834) Realism, 66 On Religion, 178 Reger, Max (1873–1916), 213, 251 Schnaderhüpfeln, 163, 182–3, 201–2 Reinthaler, Karl (1822–1896), 55, 58, 62 Schneider, Helmut, 64

Index 277

Schoenberg, Arnold (1874–1951), 13, 14, 208, Contest of Apollo and Marsyas, 148 213, 251 Four Great Sinners, 148 ‘Brahms the Progressive’,13 Tantalus, 148, 149 Brahms Lecture (1933), 13, 209, 215 The Flaying of Marsyas, 148, 150, 153 and developing variation, 209, 215 Tovey, Donald Francis, 161, 231 Pierrot Lunaire, 208 Tragedy Schopenhauer, Arthur (1788–1860), 6, 10, 11, Aristotelian, 201 12, 36, 66, 181, 201, 202, 204, 249 Greek, 34, 86 The World as Will and Representation, 163 Nietzschean, 201 Schubert, Franz (1797–1828), 216 Sophoclean, 34, 36 String Quintet, 51 Tübingen Seminary, 35 Winterreise, 161 ‘Der Leiermann’, 196 University of Vienna, 174 Schubring, Adolf (1817–1893), 50 Schumann, Clara (1819–1896), 17, 166, 180 Vande Moortele, Steven, 221, 222 and Brahms’s intellectual development, 71 Veronese, Paolo (1528–1588), 72 death of, 203 Voß, Johann Heinrich (1751–1826), 86 Schumann, Felix (1854–1879), 50 Schumann, Robert (1810–1856), 1, 8, 13, 91, Wagner, Richard (1813–1883), 167, 181, 214, 214, 215, 216, 245, 247, 252 238, 251, 252 ‘Neue Bahnen’, 70, 173 ‘Religion and Art’, 167 death of, 173 ‘What is German?’, 167 Fantasie, Op. 17, 105 Der Ring des Nibelungen, 123 Requiem für Mignon, Op. 98a, 1 Parsifal, 167 Symphony No. 2 in C Major, Op. 61, 105 Tristan und Isolde,51 Schütz, Heinrich (1585–1672), 71 Webern, Anton (1883–1945), 9, 92, 208 Second Viennese School, 211 Paths to the New Music, 157 Shakespeare, William, 71 Webster, James, 29, 233 Hamlet, 139 and Brahms’s endings, 239 Macbeth, 123 Weimar Classicists, 7, 30, 33, 117 Twelfth Night,1 Weimar Germany, 13, 216 Sibelius, Jean (1865–1957), 158 Weingartner, Felix (1863–1942), 13 Simrock, Fritz, 203 Weisse, Michael (1488–1534), 1 Smith, Peter, 231, 235 Wellek, René (1903–1995), 5 Sophocles, 9, 19, 34, 71, 121, 147 Wendt, Gustav (1827–1912), 19, 130, 147 Speidel, Ludwig (1830–1906), 126, 127 Widmann, Josef Viktor (1842–1911), 78, 129, Stekel, Hans Christian, 6, 152 168, 172 Stockhausen, Julius (1826–1906), 182, 195 anti-clericalism, 179 St-Pierre, Charles-Iréneé Castel (1658–1743), 6 God-free Christianity, 180 Strauß, David Friedrich (1808–1874), 176 reviews of Nietzsche, 165, 177 Das Leben Jesu, 174 Wilhelm I, German Emperor (1797–1888), Stravinsky, Igor (1882–1971), 248 183 Subotnik, Rose Rosengard, 212, 213, 221 Wilhelm II, German Emperor (1859–1941), Suk, Josef (1874–1935), 180 183 Swiss Theological Reform Movement, 178, 179 Winckelmann, Johann Joachim (1717–1768), 8, 72, 76, 80, 98, 129, 142 Tantalus,9,121,146,147–51, 152, 154, 158, 162 Thoughts on the Imitation of the Painting Tartarus, 124 and Sculpture of the Greeks, 72, 142 Taylor, Benedict Wolter, Charlotte (1834–1897), 126, 127 musical memory, 101–2, 109 Wordsworth, William (1770–1850) Tintoretto (1518–1594), 72 The Prelude,38 Titian (1488–1576), 72 Assumption of the Virgin,72 Zemlinsky, Alexander von (1871–1942), 208