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Brahms's Elegies Nicole Grimes Index More Information Www Cambridge University Press 978-1-108-47449-8 — Brahms's Elegies Nicole Grimes Index More Information Index Abrams, M. H., 7, 38, 39, 40, 81 Badiou, Alain Adam and Eve, 151, 152 on Wagner, 238 Adorno, Theodor W. (1903–1969), 3, 12, 14, Bahr, Erhard, 67, 85, 86, 88, 113 18, 62, 67, 206, 235, 242 Bauer, Amy, 248 ‘Brahms Aktuell’, 12, 207–9, 213–14, 215, Beckett, Samuel, 207 229, 250–3 Beethoven, Ludwig van (1770–1827), 8, 14, 68, ‘On the Problem of Musical Analysis’, 222 90, 210, 212, 235, 238, 245, 252 Aesthetic Theory, 214 ‘Lebewohl’ Sonata, Op. 81a, 95–9, 102, 114, and authenticity, 239 118 and Beethoven’s late style, 212 An die ferne Geliebte, Op. 98, 102, 104–10, and formal functions, 222 118 and inauthenticity, 238 Symphony No. 5, 51 and lateness, 216 Symphony No. 9, 201, 202 and resignation, 238 Behler, Constantin, 4, 33, 85 and Schumann’s subjectivity, 214, 251 Bekker, Paul (1882–1937), 14 and sonata form, 214 Beller-McKenna, Daniel, 135, 164, 181, 200 as exile, 218 Berg, Alban (1885–1935), 208 Beethoven manuscript, 15, 207, 212, 216, Wozzeck, 238 217, 219, 236 Berlioz, Hector (1803–1869), 238 Mahler, A Musical Physiognomy, 208, 216, Bible, The, 145, 148, 152, 179 222 Brahms, Bible notebook. See entry under Minima Moralia, 247 Johannes Brahms on Beethoven and history, 212–13 Luther Bible, 2, 12, 163, 171, 202 on failure, 16, 237–9 Specific passages Philosophie der neuen Musik, 211 1 Kings, 184 Philosophy of New Music, 216 Corinthians, 11, 163, 165, 172, Adorno, Theodor W. and Max Horkheimer 186, 189 Dialectic of Enlightenment,67 Ecclesiastes, 102, 184, 185 Aeschylus, 9, 19, 71, 121, 147 Ecclesiasticus, 184 The Oresteia, 147 Isaiah, 2, 102 Allgemeine musikalische Zeitung,28 Job, 9, 121, 133, 141, 151, 152, 154 Allgeyer, Julius (1829–1900), 68, 74, 75 John, 102 ‘Anselm Feuerbach’,75 Song of Solomon, 186 Anzengruber, Ludwig (1839–1889), 168 Wisdom of Solomon, 183, 187, 189 Der Pfarrer von Kirchfeld, 177 Biblical justice, 133 Aristotle, 102 Bildung, 13, 14–15, 16, 31, 33–4, 63, 123, 174, Aurelius, Marcus (121–180), 6 218, 244, 248 Austrian Constitution (1867), 173 and the rise of fascism, 14 Avins, Styra, 128, 131 Bildungsroman, 30, 38, 47, 52 Billroth, Theodor (1829–1894), 9, 12, 78, 127, Bach, Johann Sebastian, 1, 12, 71 129, 137, 140, 141, 154, 168, 172, 173 Christ lag in Todesbanden, BWV 4, 1 letters to Brahms on religion, 175 Ich hatte viel Bekümmernis, BWV 21, 1 Bismarck, Otto von, 171, 181 271 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-47449-8 — Brahms's Elegies Nicole Grimes Index More Information 272 Index Bloom, Harold ‘Mit vierzig Jahren’ Op. 94 No. 1, 196 Anxiety of Influence, 232 ‘Regenlied’ Op. 59 No. 3, 223 Böcklin, Arnold (1827–1901), 76 ‘Salome’ Op. 69 No. 8, 195 Boym, Svetlana, 92, 241 ‘Therese’ Op. 86 No. 1, 195 Bozarth, George, 200 ‘Todessehnen’ Op. 86 No. 6, 242 Brachmann, Jan, 173, 179 ‘Wie Melodien zieht es mir’ Op. 105 No. 1, Brahms, Christiane Johanna (1789–1865) 220 death of, 75, 102 ‘Wiegenlied’ Op. 49 No. 4, 219 Brahms, Johannes (1833–1897) 49 Deutsches Volkslieder, WoO 33, 167 and anti-Catholicism, 181 Academic Festival Overture, Op. 80, 128 and classical antiquity, 2, 18, 69, 78, Acht Lieder und Gesänge, Op. 59, 220 90, 162 Alto Rhapsody, Op. 53, 51, 240 and cultural pessimism, 204 Begräbnisgesang, Op. 13, 1 and cultural Protestantism, 11 Deutsche Volkskinderlieder, WoO 31, 219 and German patriotism, 11, 172 Ein deutsches Requiem, Op. 45, 1, 3, 50, 51, and his German circle in Vienna, 174 102–4, 110, 128, 151, 168, 180, 226 and his liberal Viennese circle, 172–7 Eleven Chorale Preludes, Op. 122, 172 and Italian journeys, 78, 129, 178 Fünf Gesänge, Op. 104, 196 and Italian Renaissance art, 10, 72, 75, 76, 78, Fünf Lieder, Op. 105, 220, 226 90, 121, 129, 137, 148, 154 Gesang der Parzen, Op. 89, 2, 5, 7, 9, 11, 22, and Mahler, Symphony No. 2, 200, 201 69, 74, 119, 140, 155, 163, 206 and melancholy, 130–4, 204 Nänie, Op. 82, 2, 5, 7–9, 11, 97, 102, 104, 106, and musical modernism, 208 111, 117, 120, 163, 206 and the literature of humanity, 63, 244 and plagal harmony, 118 and the Schumanns’ library, 71 Orchestral sketch A121, 201 apartment at Karlsgasse 4, Vienna, 171 Orchestral sketch A122, 195–201, 202 Bible notebook, 164, 183, 184, 189 Parzenlied. See Gesang der Parzen, Op. 89, choice of Biblical texts, 151 Piano Concerto No. 1 in D Minor, Op. 15, Des jungen Kreislers Schatzkästlein,5,20 240 E♭ as a tonality related to bereavement, 49, Piano Concerto No. 2 in B♭ Major, Op. 83, 50, 196 200, 242 Gesellschaft der Musikfreunde, 6, 161 Piano Quartet No. 3 in C Minor, Op. 60, 182, his reading of Nietzsche, 165–72 240 his summer retreats, 128 Piano Trio No. 3 in C Minor, Op. 101, 16, lack of religious faith, 180 177, 217, 219, 220, 221, 229–36, 240 Library, 5, 6, 7, 9, 19, 71, 145 Rinaldo, Op. 50, 74 Lutheran upbringing, 172 Schicksalslied, Op. 54, 2, 5, 7, 11, 25, 43, 46, on immortality, 180–1 48, 64, 69, 74, 122, 163, 206, 243, 244 Study of counterpoint, 71 Serious Songs. See Vier ernste Gesänge, views on organized religion, 172 Op. 121 views on the Bible, 173 Sonata for Cello and Piano No. 2 in F Major, Brahms, Johannes, works Op. 99, 177, 219 ‘Abendregen’ Op. 70 No. 4, 195 Sonata for Violin and Piano No. 1 in ‘Auf dem Kirchhofe’ Op. 105 No. 4, 220, 227 G Major, Op. 78, 16, 50, 200, 217, 220, ‘Dammrung senkte sich von oben’ Op. 59 223–5, 235, 240, 242 No. 1, 246 Sonata for Violin and Piano No. 2 in ‘Fahrwohl’ Op. 93a No. 4, 195 A Major, Op. 100, 16, 177, 200, 217, ‘Geistliches Wiegenlied’ Op. 91 No. 2, 219 219, 220, 225–9, 230, 240, 242 ‘Heimweh’ Lieder,Op. 63 Nos 7–9, 219 Sonata for Violin and Piano No. 3 in ‘Immer leiser wird mein Schlummer’ Op. D Minor, Op. 108, 220 105 No. 2, 220, 226, 242 Song of Destiny. See Schicksalslied, Op. 54 ‘Mir lächelt kein Frühling’, WoO 25, 132, Song of the Fates. See Gesang der Parzen, Op. 137, 159 89 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-47449-8 — Brahms's Elegies Nicole Grimes Index More Information Index 273 String Quartet No. 1 in C Minor, Op. 51 Dahlhaus, Carl, 66, 221 No. 1, 240 Dante Alighieri (1265–1321) Symphony No. 1 in C Minor, Op. 68, 51, 166 Divine Comedy,71 Symphony No. 2 in D Major, Op. 73, 127, Danuser, Hermann, 247 130–2 Darcy, Warren, 10, 45, 231 Symphony No. 4 in E Minor, Op. 98, 253 Darwin, Charles (1809–1882), 176 Thirteen Canons for Female Voices, Op. 113, Daumer, Georg Friedrich (1800–1875), 70 196 Daverio, John, 7, 44–5, 46 Tragic Overture, Op. 81, 128 Deutsch-Römer, 8, 69, 76–81, 90 Trio for Piano, Violin, and Horn, Op. 40, Dietrich, Albert (1829–1908), 71 49 Directional tonality, 47 Triumphlied, Op. 55, 201 Disenchantment, 65, 66, 67, 77, 92, 106, 207, Two Motets, Op. 74, 168 217 No. 1, ‘Warum’, 128, 132–41, 159 Divine justice, 9, 121, 141 Variations on a Theme by Robert Schumann, Divine punishment, 9 Op. 23, 49, 51 Domenichino (1581–1641), 72 Vier ernste Gesänge, Op. 121, 2, 6, 12, 120, Dreikaiserjahr (1888), 183, 196 151, 163, 180, 184, 201, 242 Durante, Francesco (1684–1755), 71 Vier Gesänge, Op. 17, 1 Dvořák, Antonin (1841–1904), 164 Zwei Gesänge, Op. 91 Religious faith, 180 No. 1, ‘Gestillte Sehnsucht’, 196 Brahms-Institut, Lübeck, 6, 56, 144 Eisler, Hanns (1898–1962), 62 Breitkopf & Härtel, 97 Eliot, T. S. (1888–1965), 39 Brinkmann, Reinhold, 8, 69, 91, 128, 130, 133, The Four Quartets,55 204, 208 Engelmann (née Vick), Emma Brandes late idyll, 91–5 (1853–1940), 130 Britten, Benjamin (1913–1976), 63 Engelmann, Theodor (1843–1909), 130 Brodbeck, David, 136 Enlightenment, The, 4, 77, 174 Bruckner, Anton (1824–1896), 92, 181, 215, Eternal punishment, 9, 121, 149 252 Euripides, 9, 127 Büchner, Ludwig (1824–1899), 176 Iphigenia at Tauris, 147 Bülow, Hans von (1830–1894), 130 Iphigenia in Aulis, 147 Burckhardt, Jacob (1818–1897), 129 Die Kultur der Renaissance in Italien, 129 Faber (née Porubsky), Bertha (1814–1910), Burckhardt, Sigurd, 127 130, 174 Burgtheater, Vienna, 126 Fates, The, 123, 127 Burnham, Scott, 160 Feuerbach, Anselm (1829–1880), 8, 9, 118, 173 Byrd, William (1538–1632), 71 Arentino,75 Christus im Grab,75 Caplin, William, 46, 154 Dante,75 Carlyle, Thomas (1795–1881) Das Liebespaar,75 Past and Present,38 death of, 80 Cartesius, Renatus (1596–1650), 6 Dem kleinen an der Küste,75 Chopin, Frederic (1810–1849), 214, 251 Hafis,75 Chua, Daniel, 212 Iphigenie, 9, 72, 74, 75, 81, 98, 153 Cicero, Marcus Tullius (106 BCE–43 BCE), 6 Medea, 75, 79, 98 Correggio, Antonio da (1489–1534), 72 Plato’s Symposium, 74, 75 Corsi, Jacopo (1561–1602), 71 Feuerbach, Henriette (1812–1892), 68, 80, 90 Couture, Thomas (1815–1879), 71 Feuerbach, Johann Paul Anselm (1775–1833), Cultural pessimism, 66, 201, 205, 249 70 Cultural Protestantism. See Feuerbach, Josef Anselm (1768–1851), 70 Kulturprotestantismus Feuerbach, Ludwig (1804–1872), 70, 167, 176 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-47449-8 — Brahms's Elegies Nicole Grimes Index More Information 274 Index Floros, Constantin, 67 review of Brahms, Nänie, Op.
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