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CURRICULUM VITAE FOR MARGARET NOTLEY
Business Contact Information: Personal Contact Information: College of Music 1904 Hollyhill Lane University of North Texas Denton, TX 76205 (940) 565–3751 (940) 390–1980 [email protected] [email protected]
EDUCATION
Yale University: M.Phil., PhD in music (1985–1992)
Mannes College of Music: piano major (Fall 1972–Winter 1973)
Barnard College of Columbia University: A.B. magna cum laude; English major (1967–71)
Full-time piano studies with Edith Oppens (1972–76) and Sophia Rosoff (1976–80)
EMPLOYMENT
Professor of Music at University of North Texas (Fall 2011–)
Associate Professor of Musicology at University of North Texas (Fall 2006–Spring 2011)
Assistant Professor of Musicology at University of North Texas (Fall 2000–Spring 2006)
Full-time Lecturer in Musicology at University of North Texas (1999–2000)
Part-time Lecturer at University of Connecticut, Storrs (Fall 1997)
Full-time Lecturer at Yale University (1992–93)
Part-time Instructor at Yale University (Spring 1990)
Part-time research assistant (1971–83) for The Poetical Works of Oliver Wendell Holmes, revised and with a new introduction by Eleanor M. Tilton (Boston: Houghton Mifflin Company, 1975); and volumes 7–9 of The Letters of Ralph Waldo Emerson, edited by Eleanor M. Tilton (New York, Columbia University Press, 1990, 1991, 1994).
GRANTS AND FELLOWSHIPS
External October 2015: Franklin Research Grant, American Philosophical Society ($6,000)
Mid-May through June 2011: Franklin Research Grant, American Philosophical Society ($6,000)
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Mid-May through mid-July 2001: Fulbright Scholar Grant, Austrian-American Educational Commission and J. William Fulbright Foreign Scholarship Board (70,000 Schillings)
January-December 1996: Fellowship for College Teachers and Independent Scholars, National Endowment for the Humanities ($22,750)
1996–97: I was offered a fellowship by the American Council of Learned Societies but had to decline it because I accepted the NEH Fellowship instead.
Mid-May through mid-June 1995: Research Grant, American Philosophical Society ($3,760)
Internal University of North Texas Faculty Development Leave, University of North Texas (Fall 2017)
Research and Creativity Enhancement Award (2011)
Research and Creativity Enhancement Award (2009–2010)
Small Grant, University of North Texas (2008–2009)
Faculty Development Leave, University of North Texas (Fall 2007)
Faculty Research Grant, University of North Texas (2007–2008)
Small Grant, University of North Texas (2006–2007)
Small Grant, University of North Texas (2005–2006)
Faculty Research Grant, University of North Texas (2003–2004)
Junior Faculty Summer Research Fellowship, University of North Texas (2002)
Faculty Research Grant, University of North Texas (2001–2002)
Junior Faculty Summer Research Fellowship, University of North Texas (2001)
Yale University Dissertation Fellowship, Yale University (1990–1991)
Richard French Summer Traveling Fellowship, Yale University (1989)
Tuition and Teaching Assistant Fellowships, Yale University (1987–1989)
Barnard College Merit-based Scholarships, Barnard College (1967–1971) 3
AWARDS
Elected to the Advisory Board of the American Brahms Society (November 2009)
Faculty Award for Excellence in Doctoral Mentoring, University of North Texas Graduate Student Council (December 2006): I was the first professor to receive this award
Alfred Einstein Award, The American Musicological Society (2000)
Karl Geiringer Scholarship in Brahms Studies, American Brahms Society (1991)
Phi Beta Kappa, Barnard College, received in junior year (1970)
PROFESSIONAL ACTIVITIES
Current Membership in Professional Organizations
American Musicological Society American Brahms Society German Studies Association Phi Beta Kappa
Offices and Committee Assignments in Professional Organizations
Chair, Lewis Lockwood Award Committee, American Musicological Society (2016); Member (2014–2015)
Member, Alfred Einstein Award Committee, American Musicological Society (2010–2012)
Member, Committee on the Status of Women, American Musicological Society (2000–2005)
Chair, Committee on the Status of Women, American Musicological Society (2003)
Organized panel at AMS-Houston (2003): “Obstacles to Gender Parity in Musicology”
Member, Membership and Professional Development Committee, AMS (2003)
Member, Council of the American Musicological Society (2001–2003)
Vice-President, American Brahms Society (2002–2007)
Member, Editorial Board of Brahms Studies and Board of Directors, American Brahms Society (1997–2007)
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Editorial Work and Article Manuscript Reviewing
Associate Editor, 19th-Century Music (from Fall 2006): as an Associate Editor, I have edited 16 articles and read scores of article manuscripts for this journal in the past eleven years
Member, Editorial Board, Journal of Musicology (2001–2016): I organized two special issues and read scores of article manuscripts for this journal over my tenure of sixteen years
Editor, The American Brahms Society Newsletter (1997–2002)
Manuscript reviewer for Journal of the American Musicological Society (from 2004), Journal of Musicological Research (from 2000), Journal of the Royal Musicological Society (from 2007), Music & Letters (from 2011), and Notes (from 2003).
Grant, Textbook, and Book Proposal Reviewing
Textbook reviewer, Norton Press (2016)
Grant reviewer, Social Sciences and Humanities Research Council of Canada (2014)
Grant reviewer, Research Council, Katholieke Universiteit, Leuven, Belgium (2012)
Grant reviewer, Art and Humanities Research Council, United Kingdom (2011)
Textbook reviewer, Norton Press (2011)
Book proposal reviewer for AMS Studies, Oxford University Press (2011)
Grant reviewer, Irish Royal Research Council (2010)
Book proposal reviewer, Ashgate Press (2010)
Grant reviewer, Social Sciences and Humanities Research Council of Canada (2002)
Other Professional Service
Promotion letter, Penn State University, October 2013
Grant letter for a Radcliffe Institute Fellowship, September 2013
Promotion letter, University of Notre Dame, October 2010
Community-Oriented Activities
Panel member in a discussion of Tristan und Isolde at the Dallas Opera (July 2011)
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Lecturer, Dallas Symphony Orchestra Performance Preludes (2008, 2000–2001, 2001–2002)
Speaker at A Symposium on Johannes Brahms, Manhattan School of Music (October 1999)
Auditor, New York State Council on the Arts (1997–1999)
Consultant for “The Case for and against Anton Bruckner,” Canadian Broadcasting Corporation (September 1995)
Areas of Expertise
Topics in Nineteenth- and Twentieth-Century Music: Johannes Brahms Opera after 1900 Alban Berg and His Milieus Music, Politics, and Culture in Late Nineteenth- and Early Twentieth-Century Vienna Hermeneutics Censorship
PUBLICATIONS
Monograph
Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism. AMS Studies in Music. New York: Oxford University Press, 2007. Paperback edition, 2016. Reviews: Journal of the American Musicological Society 61/3 (2008): 670–; The Times Literary Supplement; Musical Quarterly; Austrian Studies Journal; Music Analysis 27/1 (2008):179–; and Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft 2/4 (2008): 511–.
Monograph in Progress
“Taken by the Devil: Censorship and Alban Berg’s Second Opera, Lulu” (working title): submitted to editor of AMS Studies in fall 2017; publication possibly already in fall 2018.
Edited Volume of Previously Published Articles
Opera after 1900, Volume 6 of The Ashgate Library of Essays in Opera. I selected the articles and wrote a substantial original introduction. Farnham, UK: Ashgate, 2010.
Organized or Edited Journal Issues
I organized an all-Berg issue of Journal of Musicology in honor of Douglas Jarman (2008). After the submissions were evaluated by referees who did not include me, I served as guest editor.
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At the request of the President of the American Brahms Society, I organized an issue of Journal of Musicology in memory of John Daverio published in 2004. I read the submissions other than my own but did not edit them.
Articles
2019 “Political Conditions” (working title). In Gustav Mahler in Context, edited by Charles Youmans. Cambridge and New York: Cambridge University Press, 2019. Contracted; in progress.
2014 “Fortwirkungen der Kammermusik Beethovens.“ In Die Kammermusik, edited by Martina Sichardt and Friedrich Geiger, 499–514. Vol. 3, Beethoven-Handbuch, edited by Albrecht Riethmüller. Laaber: Laaber-Verlag, 2014. [I wrote this chapter is German.]
2012 “Ancient Tragedy and Anachronism: Form as Expression in Brahms’s Gesang der Parzen.” In Expressive Intersections in Brahms: Essays in Analysis and Meaning, edited by Heather Platt and Peter H. Smith, 111–143. Bloomington, IN: Indiana University Press, 2012. Reviews of book: Notes 70/3 (2014): 468-471; Music Theory Online 20/3 (2014); and Nineteenth-Century Music Review 12/1 (2015): 136–140.
2010 “1934, Alban Berg, and the Shadow of Politics: Documents of a Troubled Year.” In Alban Berg and His World, edited by Christopher Hailey, 223–268. Princeton, NJ: Princeton University Press, 2010. Review of book: Music & Letters 93/2 (May 2012): 261–264. Reviews of book: Opera News 75/6 2010): 88–; The Musical Times vol. 152, no. 1915 (Summer 2011), 115–16; and Music & Letters 93/2 (May 2012): 261–264.
2010 “Questions of Lateness and the Opening Allegro of Brahms’s E-Flat Clarinet Sonata.” In Spätphase(n)?—Johannes Brahms’ Werke der 1880er und 1890er Jahre: Internationales musikwissenschaftliches Symposium, Meiningen 2008, edited by Maren Goltz, Wolfgang Sandberger, and Christiane Wiesenfeldt, 313–324. Munich: Henle-Verlag, 2010. Review of book: American Brahms Society Newsletter (2012): 6–8.
2008 “Berg’s Propaganda Pieces: The ‘Platonic Idea’ of Lulu.” Journal of Musicology 28/2 (Spring 2008): 95–142.
2006 “Bruckner Problems, in Perpetuity.” 19th-Century Music 30/2 (Summer 2006): 81–93.
2005 “Plagal Harmony as Other: Asymmetrical Dualism in Instrumental Music by Brahms.” Journal of Musicology 22/1 (Winter 2005): 90–130.
2004 “Formal Process as Spiritual Progress: The Symphonic Slow Movements.” In The Cambridge Companion to Bruckner, edited by John Williamson, 186–200. Cambridge and New York: Cambridge University Press, 2004.
2000 “‘With a Beethoven-Like Sublimity’: Beethoven in the Works of Other Composers.” In The Cambridge Companion to Beethoven, edited by Glenn Stanley, 239–254. Cambridge 7
and New York: Cambridge University Press, 2000. Reviews of book: Music & Letters 84/1 (2003): 106–; The Beethoven Journal 15/2 (2000): 79–; and The Musical Times vol. 142, no. 1876 (2000): 52–.
2000 Translation of Birgit Lodes, “Beethoven’s Sacred and Liturgical Compositions: Songs, Oratorio, and Masses.” In The Cambridge Companion to Beethoven, edited by Glenn Stanley, 218–236. Cambridge and New York: Cambridge University Press, 2000. Reviews of book: Music & Letters 84/1 (2003): 106–; The Beethoven Journal 15/2 (2000): 79–; and The Musical Times vol. 142, no. 1876 (2000): 52–.
1999 “Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio.” 19th- Century Music 23/1 (Summer 1999): 33–61. This article received the Alfred Einstein Award from the American Musicological Society in 2000.
1999 “Musical Culture in Vienna at the Turn of the Twentieth Century.” In Schoenberg, Berg, and Webern: A Companion to the Second Viennese School, edited by Bryan R. Simms, 37–71. Westport, CT and London: Greenwood Press, 1999. Reviews of book: Notes 57/2 (2000): 401–; and Journal of the American Musicological Society 54/2 (2001): 396–.
1999 Essays on Brahms’s Piano Trio in B (op. 8), String Sextet in B-Flat (op. 18), Piano Quartet in A (op. 26), String Quintet in F (op. 88), String Quintet in G (op. 111), and Clarinet Quintet in B Minor (op. 115). In The Compleat Brahms: A Guide to the Musical Works of Johannes Brahms, edited by Leon Botstein, 104–106, 119–121, 134–144. New York and London: W. W. Norton & Company, 1999.
1998 “Discourse and Allusion: The Chamber Music of Brahms.” In Nineteenth-Century Chamber Music, edited by Stephen E. Hefling, 242–286. Studies in Musical Genres and Repertories, vol. 8. New York: Schirmer Books, 1998; London: Routledge, 2003 (2nd ed.). Review of book: The Beethoven Journal 14/2 (1999): 92–.
1998 “Brain-Music by Brahms: Toward an Understanding of Sound and Expression in the Allegro of the Clarinet Trio.” American Brahms Society Newsletter 16/2 (Autumn 1998): 1–3.
1997 “Volksconcerte in Vienna and Late Nineteenth-Century Ideology of the Symphony.” Journal of the American Musicological Society 50/2–3 (Summer–Fall 1997): 421–454.
1997 “Schubert’s Social Music: The ‘Forgotten Genres.’” In The Cambridge Companion to Schubert, edited by Christopher Gibbs, 138–154. Cambridge and New York: Cambridge University Press, 1997. Reviews of book: Notes 55/1 (1998): 110–; The Opera Quarterly 14/4 (1998): 111–; The Beethoven Journal 13/1 (1998): 38–; The Times Literary Supplement (28 Nov. 1997) The Musical Times vol. 138, no. 1857 (1997): 30–; Musica Antiqua: Actuele Informatie over Oude Muziek 14/3 (1997): 127–.
1997 “Bruckner and Viennese Wagnerism.” In Bruckner Studies, edited by Paul Hawkshaw and Timothy L. Jackson, 54–71. Cambridge and New York: Cambridge University 8
Press, 1997. Reviews of book: The Times Literary Supplement (8 May 1998): 18–; BBC Music Magazine, 6/10(1998): 82–; Canadian University Music Review 19/1 (1998): 99–; Music & Letters 79/4 (1998): 617–; Music Analysis 18/1 (1999): 155–; The Musical Times vol. 139, no. 1865 (1998): 69–; and Bollettino di analisi e teoria musicale 6/2 (1999): 65–.
1994 “Brahms’s Cello Sonata in F Major and Its Genesis: A Study in Half-Step Relations.” In Brahms Studies, vol. 1, edited by David Brodbeck, 139–160. Lincoln and London: University of Nebraska Press, 1994. Reviews of book: The Times Literary Supplement (19 Jan. 1996): 20–; Die Musikforschung 50/4 (1997): 473–; and Music & Letters 80/3 (1999): 465–.
1993 “Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna.” 19th- Century Music 17/2 (Fall 1993): 107–123.
Reviews and Tributes
2016 Obituary for Cecil Adkins (1932–2015). American Musicological Society Newsletter 46/1 (February 2016): 30.
2014 Review of Robert Pascall, Brahms beyond Mastery: His Sarabande and Gavotte, and its Recompositions. Music & Letters 95/2 (May 2014): 296–298.
2007 Review of music of Johannes Brahms, Antonín Dvorák, and Josef Suk performed by Steven Isserlis, cello, and Stephen Hough, piano (Hyperion CD A67529). Nineteenth- Century Music Review 4 (2007): 146–148.
2006 “Developing Variation Reconsidered Again.” Review of Elisabeth Reiter, Sonatensatz in der späten Kammermusik von Brahms. American Brahms Society Newsletter 23/1 (Spring 2006): 5–8.
2005 “In Memory of John Daverio (1954–2003).” Journal of Musicology 22/1 (Winter 2005): 3–4.
2003 Review of John Daverio, Crossing Paths: Schubert, Schumann, and Brahms. Notes 60/2 (September 2003): 165–167.
2002 Review of Johannes Brahms: Neue Ausgabe sämtlicher Werke, Serie II, Band 4: Klavierquintett, edited by Carmen Debryn and Michael Struck. American Brahms Society Newsletter 20/2 (Fall 2002): 9.
2001 Review of Michael Musgrave, A Brahms Reader. American Brahms Society Newsletter 19/2 (Fall 2001): 8–9.
2001 Review of Brahms & Friends: Music for Viola and Piano Performed by the Zaslav Duo (Music & Arts CD 1087[2]). American Brahms Society Newsletter 19/2 (Fall 2001): 9. 9
2000 Review of Johannes Brahms: Life and Letters, ed. Styra Avins, trans. Styra Avins and Josef Eisinger; Johannes Brahms: Versuch einer kritischen Dokumentar-Biographie, by Siegfried Kross; Johannes Brahms und seine Zeit, 2nd ed., by Christian Martin Schmidt; and Johannes Brahms: A Biography, by Jan Swafford. American Brahms Society Newsletter 17/2 (Fall 1999): 8–9 and 18/1 (Spring 2000): 6–7.
1998 Review of Schubert’s Vienna, ed. Raymond Erickson. Notes 55/2 (December 1998): 390–391.
1998 Review of Johannes Brahms: Life and Letters, ed. Styra Avins, trans. Styra Avins and Josef Eisinger. Musicology Australia 21 (1998): 69–70.
1993 Liner Notes for Brahms: Violin Sonatas, performed by Vladimir Spivakov and Mikhail Rudy. Red Seal, 1993.
1993 Review of Johannes Brahms: An Annotated Bibliography of the Literature through 1982, by Thomas Quigley. Notes 50/2 (December 1993): 577–579.
ORAL PRESENTATIONS
2017 Chair of Session, “Masculinity and Its Discontents,” at the Annual Meeting of the American Musicological Society, Rochester (November 2017)
2011 “Ancient Tragedy and Anachronism: Form as Expression in Brahms’s Gesang der Parzen,” at the Freie Universität, Berlin (23 May 2011)
2010 “Ancient Tragedy and Anachronism in Brahms’s Gesang der Parzen,” at the Annual Meeting of the American Musicological Society, Indianapolis (November 2010)
2008 “Brahms and Questions of Lateness,” at Spätphase(n)?—Johannes Brahms’ Werke der 1880er und 1890er Jahre / Late Phase(s)? —Johannes Brahms’ Works from the 1880’s and 1890’s, International Conference, Meiningen, Germany (September 2008)
2008 “Finding History in Brahms’s Music: Goals, Problems, and Methodology,” keynote address at Symposium: Muziek en (meer?) Geschiedenis / Music and (More?) History, sponsored by the University of Ghent and the Royal Society for Music History (March 2008)
2007 “Alban Berg’s ‘Propaganda Pieces’: Questions of Genre and Meaning,” at the Annual Meeting of the American Musicological Society, Quebec City, Canada (November 2007)
2007 “Alban Berg’s ‘Propaganda Pieces’: Questions of Genre and Meaning,” paper for a panel entitled “Music Criticism 1900–1934: Modernism, Politics and the Press,” at the Annual Meeting of the German Studies Association, San Diego (October 2007)
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2007 “Berg’s ‘Propaganda Pieces’: Questions of Genre and Meaning,” at Symposium on 20th- Century Modernism in Music, at the University of North Texas (January 2007)
2005 “Music as First and Second Nature: The Vierteljahrsschrift für Musikwissenschaft and Brahms’s ‘Octaves and Fifths,’” at the Annual Meeting of the American Musicological Society, Washington D. C. (October 2005)
2005 “Brahms and the Problem of Late Style,” at Cross-Currents: Explorations in the History and Theory of Music, at Yale University (December 2005)
2005 “Music as First and Second Nature: The Vierteljahrsschrift für Musikwissenschaft and Brahms’s ‘Octaves and Fifths,’” at the Fall Meeting of the Southwest Chapter of the American Musicological Society, Baylor University (September 2005)
2004 “Themes and Sonata Form in Late Brahms and the Question of Nineteenth-Century Individualism,” at the International Conference on Nineteenth-Century Music, Durham University, Great Britain (July 2004)
2003 “Themes and Sonata Form in Late Brahms and the Question of Nineteenth-Century Individualism,” at the University of North Texas (April 2003)
2002 “Lyricism in The Rake’s Progress and the Limits of Irony,” at the University of Texas, Austin (March 2002)
2001 “Brahms in the Twilight of Viennese Liberalism,” at A Sense of Place: Seventy Years of Musicological Scholarship at Yale, Yale University (December 2001)
2001 “Volksconcerte and Concepts of Genre in Brahms’s Vienna,” at Brahms: Perspectives on Performance, Boston University (April 2001)
2000 “Stravinsky’s Concerto for Two Solo Pianos and Ideology of the Classical,” at the University of North Texas (March 2000)
1999 “The Cult of the Classical Adagio and Brahms’s ‘First Maturity,’” at the Annual Meeting of the American Musicological Society, Kansas City (November 1999)
1997 “Absolute Music as Universal Language in Turn-of-the-Century Vienna,” at the Annual Meeting of the American Musicological Society, Phoenix (October 1997)
1997 “Genre and Style as Ideology in Late Nineteenth-Century Vienna,” at Brahms the Contemporary: Perspectives on Two Centuries, Harvard University (April 1997)
1997 “Types of Intertextuality in Brahms’s Chamber Music,” at The Brahms Symposium, University of Kentucky (April 1997)
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1994 “Bruckner’s Offenbarungsmusik: The F-Major String Quintet,” at the Annual Meeting of the American Musicological Society, Minneapolis (October 1994)
1994 “Sociopolitical Implications of the Symphony in the Vienna of Bruckner and Brahms,” at the International Conference on Nineteenth-Century Music, University of Surrey (July 1994)
1994 “Bruckner and His Symphonies in Wagnerian Ideologies of the Late Nineteenth Century,” at Perspectives on Anton Bruckner as Composer, Theorist, Teacher, and Performer, Connecticut College (February 1994)
1993 “Sociopolitical Implications of the Symphony in the Vienna of Bruckner and Brahms,” at the Fall Meeting of the New England Chapter of the American Musicological Society, New Haven (September 1993)
1992 “Brahms as Liberal: The Bruckner-Brahms Controversy Reconsidered,” at the Annual Meeting of the American Musicological Society, Pittsburgh (October 1992)
UNIVERSITY COMMITTEES AND PANELS
Chair of University Writing Committee (November 2008–May 2011)
Member, R. C. E. panel (Fall 2009)
Committee on the Status of Women (2001–2006)
University Library Committee (2001–2004)
COLLEGE COMMITTEES
Graduate Council (Fall 2012–Spring 2014)
G.P.E. Task Force member (2010–2011)
Tenured Faculty Focus Group as part of the evaluation of Dean Scott (2010)
College of Music Elections Committee (2001–2004)
Faculty Secretary for the College of Music (2002–2003)
Undergraduate Curriculum Committee (Fall 2000)
DIVISION COMMITTEES AND ADMINISTRATION
Area Coordinator for Music History (Fall 2014–) 12
Member of Reappointment, Promotion, and Tenure Committee (Fall 2016–Spring 2017)
Musicology Search Committee (Fall 2014)
Chair, Graduate Academic Degrees Committee (Fall 2012–Spring 2014)
Member of Graduate Academic Degrees Committee (Fall 2011–Spring 2012)
Member of Senior Search Committee (Spring 2012)
Member of Junior Search Committee (Spring 2012)
Area Coordinator for Music History (Spring 2008–Spring 2011)
Musicology Search Committee (Fall 2009–Spring 2010)
Chair of Reappointment, Promotion, and Tenure Committee (Fall 2010–Spring 2011)
Member of Reappointment, Promotion, and Tenure Committee (Fall 2008–Spring 2010)
Ad Hoc Committee on the Criteria for Satisfactory Performance (2008–present)
Music in General Studies Search Committee (Spring 2008): initial phase
Musicology Search Committee (Spring 2007)
Graduate Academic Degrees Committee (Fall 2003–Spring 2007)
Musicology Search Committee (Spring 2006): through first interview
Designed, solicited contributions to, and edited Graduate Student Handbook (Spring 2003)
Organized and edited documents having to do with course renumbering (Spring 2003)
Masters of Music Thesis Committee (2002–2003)
PhD Committee, College of Music (2000–2002)
Co-director, Lecture Series (2000–2002)
Musicology Search Committee (Spring 2001)
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DOCTORAL DISSERTATIONS COMPLETED UNDER MY SUPERVISION
Clare Carrasco. “All Art Is Under the Spell of Music: Music and Expressionism in Critical Discourse, 1918–1923.” Defended April 2016; PhD awarded August 2016. Assistant Professor, Butler University.
Judson Cole Ritchie. “Foreignizing Mahler: Uri Caine’s Mahler Project as Intertraditional Musical Translation.” Defended April 2015; PhD awarded August 2015. Employed in private sector.
Kara Van Dine. “Musical Arrangements and Questions of Genre: A Study of Liszt’s Interpretive Approaches.” PhD awarded May 2010. Employed in private sector.
Forest Randall Kinnett. “‘Now His Time Really Seems to Have Come’: Ideas about Mahler’s Music in Late Imperial and First Republic Vienna.” PhD awarded December 2009. Associate faculty, Collin College.
William L. McGinney. “The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966–1976.” PhD awarded May 2009. Associate faculty, Collin College and Adjunct faculty, U. N. T.
Hee Seung Lee. “The ‘Beethoven Folksong Project’ in the Reception of Beethoven and His Music.” PhD awarded December 2006. Professor, University of Northern Colorado.
Kevin M. Salfen. “Myth in the Early Collaborations of Benjamin Britten and William Plomer.” PhD awarded August 2005. Associate Professor, University of the Incarnate Word.
NATIONAL AND INTERNATIONAL AWARDS WON BY MY ADVISEES
2017: Ernst Mach Fellowship (Robert Anderson)
2016: Dena Epstein Award for Archival and Library Research in American Music (Jessica Stearns)
2015: AMS-50 Fellowship (Clare Carrasco)
2014–2015: DAAD Short-Term Research Fellowship (Clare Carrasco)
2013: DAAD for Language Study (Clare Carrasco)
2009: Hispanic Scholarship Fund (Clare Carrasco)
2008: Hispanic Scholarship Fund (Jonathan Sauceda)
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MASTER’S THESES COMPLETED UNDER MY SUPERVISION
AnnaGrace Strange. “The Intimacy of Death: Mahler’s Dramatic Narration in Kindertotenlieder.” MM awarded May 2014.
Curtis Cole Freeman. “Educating American Audiences: Claire Reis and the Development of Modern Music Institutions, 1912–1930.” MM awarded August 2013.
Kristin Wolski. “Repetition and Difference: Parodic Narration in Kander and Ebb’s Scottsboro Boys.” Co-Chair with Dr. Mark McKnight. MM awarded August 2013.
Amy Cooper. “Criticism of Beethoven's Pastoral Symphony in Nineteenth-Century London and Boston: A Forum for Public Discussion of Musical Topics.” MM awarded December 2011.
Benjamin Haas. “Singing Songs of Social Significance: Leftist Children’s Culture and American Art Music in the 1930s.” MM awarded December 2008.
Krista Houser. “‘Schattenhaft’ in Mahler’s Seventh and Ninth Symphonies: An Examination of a Passage in Adorno’s Mahler: A Musical Physiognomy.” MM awarded December 2007.
Joseph E. Broughton. “The Waning of Victorian Imperialism: Stylistic Dualism in Gustav Holst's One-Act Opera Savitri (1908-9).” MM awarded May 2005.
Forest Randall Kinnett. “Asserting Identity in Wagner’s Shadow: The Case of Humperdinck’s Königskinder.” MM awarded August 2004.
DISSERTATIONS IN PROGRESS
Robert Anderson. “‘Ideale Hausmusik’: The Aesthetics of Sociability in Brahms's Vocal Quartets”; in progress.
Jessica Stearns. Untitled PhD dissertation on Christian Wolff’s notational innovations; in progress.
STUDENTS WHO WROTE AWARD-WINNING PAPERS IN MY SEMINARS
Robert Anderson won the Hewitt-Oberdörffer Award given by the Southwest Chapter of the American Musicological Society in 2013–2014 (paper from MUMH 5711, fall 2013)
Megan Varvir Coe won the Hewitt-Oberdörffer Award given by the Southwest Chapter of the American Musicological Society in 2009–2010 (paper from MUMH 6770, spring 2010)
Clare Carrasco won First Place in the Graduate Expository Category of the University Writing Competition, 2008–2009 (paper from MUMH 6080, fall 2008) 15
Forest Randolph Kinnett won the Hewitt-Oberdörffer Award given by the Southwest Chapter of the American Musicological Society in 2005–2006 (paper from MUMH 6160, spring 2005)
William McGinney won Second Place in the Graduate Expository Category of the University Writing Competition, 2003–2004 (paper from MUMH 5200, fall 2003)
William McGinney won the Hewitt-Oberdörffer Award given by the Southwest Chapter of the American Musicological Society in 2001–2002 (paper from MUMH 5200, fall 2001)
Kevin Salfen won the Hewitt-Oberdörffer Award given by the Southwest Chapter of the American Musicological Society in 2000–2001 (paper from MUMH 6080, fall 1999)
PARTICIPATION IN STUDENT COMMITTEES (INCOMPLETE LISTS)
Related Field Advising
DMA Students
Kenneth Adams, organ (2015–) Lindsay Braun, clarinet, graduated 2016 Walter Ellis Hampton, percussion, graduated 2014 Andrea Harrell, clarinet, graduated 2014 Shu-Yuan Huang, piano, graduated 2014 Kellie Lignitz, clarinet, graduated 2013 Mike Morey, guitar, graduated 2011 Greg Dewhirst, saxophone, graduated 2007 Madeleine Johnson, clarinet, graduated 2007 Jay Smith, guitar, graduated 2006 Tim Courtney, guitarist: took qualifying exam in 2009
PhD Students
Jason Fick, composition, graduated May 2013 Colleen Conlon, theory, graduated May 2009 Hidetoshi Fukuchi, theory, graduated May 2004 Colin Davis, theory, took qualifying exam in August 2010 Charles Wu, theory, took related field exam in October 2012 and March 2013 Dell Smith, theory, took related field exam in April 2013
Master’s Students
Tanner Jordan, clarinet (2017–) Ryan Hardcastle, viola (2015) James Sterrett, saxophone (2014) 16
Benjamin Tate, saxophone (2013) Christine Han, flute (2013) Emily Cole, violinist (2010) Danielle Harmon, harp (2010) Dobroslawa Rybinski, violinist (2009) Stacy Sherman, oboist (2009) Raymond Chow, harpsichord (2007) Jessica Flanagan, clarinet (March 2005) Beth Romig, viola (March 2005) Joshua Jennings, percussion (2005) Daniel Darrah, percussion (April 2005) Blake Arrington, clarinet (May 2004) Matthew Adams, percussion (2002) Marcy Jedlicka, violin (2002) Phillip Anderson, violin (2002) Hye-Young Lee, organ (2001)
Committee Member
DMA Students
Youna Jang Hartgraves, voice (2016–17) Leah Greenfield, violin (2016) Joanne Um Choe, voice (2015–17)
Composition Doctoral Students, Qualifying Exams
Zach Thomas (2016–17) Ermir Bejo (2015–16) Timothy Harenda (2015–16) Seth Shafer (2015–16) Brad Robin (2014) Stephen Lucas (2014 Dan Tramte (2013) Mark Oliveiro (2013) Patrick Peringer (2012 and 2013) Joshua Harris (2012) Scott Price (2011) Jason Fick (2011) Sarah Summar (2011) Gregory Dixon (2010) Paul Thomas (2009) Dajeong (Juliana) Choi (2008) Chapman Welch (2007) David Gedosh (2007) Hsiao-Lan Wang 17
Stephen Anderson (2004)
PhD Students in Musicology, Dissertation Committee
Emily Hagen, PhD, in progress Masataka Yoshioka, PhD, December 2010 Gregory Straughan, PhD, December 2004
Master’s Students in Musicology, Thesis Committee
Abigail Chaplin-Kyzer, completed December 2017 Holly Cassell, graduated August 2017 Stephanie Burgess, graduated December 2007 Katie Buehner, graduated December 2007 Jungsun Kim, graduated May 2004 William Hicks, graduated August 2003 John T. Dunn, graduated August 2002
DMA Students, Qualifying Exams
Yi-Jan Liu, percussion (2010) Noel Wallace, trombone (2010) Johannes Kleinmann, cello (2008) Jennifer Deardon, trumpet Larry Welles, trumpet Christopher Buckley, euphonium (2005) Aaron Lington, saxophone (2004) Hye-Young Lee, organ (2003) Andrew Dahlke, saxophone (2002) Emöke Ujj-Hilliard, piano (2002)
Second Adviser for Doctoral Related Field Exam
Andrew Vagts, theory (2016) Jamie Karp, trumpet (2015)
COURSES TAUGHT AT UNIVERSITY OF NORTH TEXAS
Graduate seminars
Metaphors of Ritual: Music by Stravinsky, Britten, Birtwistle, and Others
Interpreting Allusions, Quotations, and Influence in Twentieth-Century Music
Mahler’s Music and Its Reception
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Alban Berg’s Music and His Changing Viennese Milieu; also Alban Berg, “Master of the Smallest Link”; also, Alban Berg and Viennese Culture
Four Operas by Benjamin Britten and Their Literary Sources
Chamber Music in Vienna, 1885–1925 (twice)
Stravinsky’s Music and Its Legacy
After Wagner: German-Language Opera, ca. 1900–1935 (twice)
Tradition and Innovation in Selected Chamber Works from 1900 to the Present
Mahler’s Vienna, Adorno’s Mahler (two times)
Concert Music and Ritual in the Twentieth Century: Stravinsky, Britten, and Birtwistle
New Types of Opera in the Twentieth Century (two times)
Ritual and Alienation, Two Themes in the Music of Stravinsky and Its Reception
Finding Meaning in Mixed Sonorities: Chamber Music with Piano from Mozart to Ligeti
Vienna, 1889–1911: Music and Culture at the Turn of the Twentieth Century
Issues of Genre in the Music of Johannes Brahms
Twentieth-Century Neoclassicism: Style, Repertory, Ideology
Beethoven’s String Quartets
Types of Reception History: Interpreting Responses of Critics, Composers, and Audiences
Genre and Cultural Practice
Master's-level courses
The Symphony in the Twentieth Century
Wagner’s Music Dramas and Their Legacy
Music History after 1900
Introduction to Musicology
Introduction to Research in Music 19
Undergraduate courses
Symphonic Literature (three times; twice cross-listed as an elective for master’s-level students)
Music History to 1750
Music History from 1750 to the Present
Music in Human Imagination: A Multicultural Introduction (three times; twice as honors course)