FINAL EXAM)—April 26Th, 9:00 A.M
ART OF LISTENING, MUAR 211 STUDY GUIDE FOR EXAM #3 (FINAL EXAM)—April 26th, 9:00 a.m. Composer Work title___ Naxos # / track Claude Debussy Nocturnes, no. 1, Nuages 8.553275, tr. 5 Igor Stravinsky The Rite of Spring, part I, i-iii 8.557501, tr. 1-3 Arnold Schoenberg Pierrot lunaire, no. 18, “Der Mondfleck” BCD9032, tr. 18 Bela Bartok Music for Strings, Percussion and Celesta, 8.550261, tr. 7 2nd movement, Allegro *Pierre Boulez Le marteau sans maître, 4th movement CAP21581, tr. 4 Edgard Varèse Poème électronique (excerpt) not on Naxos György Ligeti Lux Aeterna COLCD125, tr. 18 *John Cage Sonatas and Interludes for Prepared Piano, 8.559042, tr. 6 No. 6 (Sonata no. 5) *Tan Dun Pipa Concerto, iv. Allegro vivace ONYX4027, tr. 4 Steve Reich Music for 18 Musicians INNOVA678, tr. 1-2 *Arvo Pärt Cantate Domino canticum novum 8.557299, track 1 Josquin Desprez Kyrie from Pange lingua Mass [Exam #1] Johann Sebastian Bach Brandenburg Concerto No. 5, 1st movement [Exam #1] Ludwig van Beethoven Symphony No. 5 in C Minor, 1st movement [Exam #2] Frédéric Chopin Nocturne in F# Major, op. 15 no. 2 [Exam #2] *denotes a piece that is not included on the CDs that accompany the Listen textbook. TERMS LIST Arnold Schoenberg (1874-1951) impressionism (style term) Anton Webern (1883-1945) characteristics in painting Alban Berg (1885-1935) musical characteristics Wozzeck and Lulu (Berg’s operas) symbolist poetry Sprechstimme Claude Debussy (1862-1918) atonal music / atonality (harmony term) tone poem / symphonic poem 12-tone music / dodecaphonic / serialism pentatonic
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