Snowboarder's Start-Up
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Masaryk University Brno
MASARYK UNIVERSITY BRNO FACULTY OF EDUCATION Department of English language and literature The origin and development of skateboarding subculture Bachelor thesis Brno 2017 Supervisor: Mgr. Zdeněk Janík, M.A., Ph.D. author: Jakub Mahdal Bibliography Mahdal, Jakub. The origin and development of skateboarding subculture; bachelor thesis. Brno; Masaryk University, Faculty of Education, Department of English Language and Literature, 2017. NUMBER OF PAGES. The supervisor of the Bachelor thesis: Mgr. Zdeněk Janík, M.A., Ph.D. Bibliografický záznam Mahdal, Jakub. The origin and development of skateboarding subculture; bakalářská práce. Brno; Masarykova univerzita, Pedagogická fakulta, Katedra anglického jazyka a literatury, 2017. POČET STRAN. Vedoucí bakalářské práce: Mgr. Zdeněk Janík, M.A., Ph.D. Abstract This thesis analyzes the origin and development of skateboarding subculture which emerged in California in the fifties. The thesis is divided into two parts – a theoretical part and a practical part. The theoretical part introduces the definition of a subculture, its features and functions. This part further describes American society in the fifties which provided preconditions for the emergence of new subcultures. The practical part analyzes the origin and development of skateboarding subculture which was influenced by changes in American mass culture. The end of the practical part includes an interconnection between the values of American society and skateboarders. Anotace Tato práce analyzuje vznik a vývoj skateboardové subkultury, která vznikla v padesátých letech v Kalifornii. Práce je rozdělena do dvou částí – teoretické a praktické. Teoretická část představuje pojem subkultura, její rysy a funkce. Tato část také popisuje Americkou společnost v 50. letech, jež poskytla podmínky pro vznik nových subkultur. -
1 Saltlakeunderground
SaltLakeUnderGround 1 2 SaltLakeUnderGround SaltLakeUnderGround 3 SaltLakeUnderGround • Vol. 22• Issue # 266 • February 2011 • slugmag.com Publisher: Eighteen Percent Gray Marketing Coordinator: Bethany Editor: Angela H. Brown Fischer Managing Editor: Marketing: Ischa Buchanan, Jea- Jeanette D. Moses nette D. Moses, Jessica Davis, Billy Editorial Assistant: Ricky Vigil Ditzig, Hailee Jacobson, Stephanie Action Sports Editor: Buschardt, Giselle Vickery, Veg Vol- Adam Dorobiala lum, Chrissy Hawkins, Emily Burkhart, Copy Editing Team: Jeanette D. Rachel Roller, Jeremy Riley. Moses, Rebecca Vernon, Ricky Vigil, Esther Meroño, Liz Phillips, Katie SLUG GAMES Coordinators: Mike Panzer, Rio Connelly, Joe Maddock, Brown, Jeanette D. Moses, Mike Reff, Alexander Ortega, Mary Enge, Kolbie Sean Zimmerman-Wall, Adam Doro- Stonehocker, Cody Kirkland, Hannah biala, Jeremy Riley, Katie Panzer, Jake Christian. Vivori, Chris Proctor, Dave Brewer, Billy Ditzig. Cover Artist: Lindsey Kuhn Issue Design: Joshua Joye Distribution Manager: Eric Granato Design Interns: Adam Dorobiala, Distro: Eric Granato, Tommy Dolph, Eric Sapp, Bob Plumb. Tony Bassett, Joe Jewkes, Jesse Ad Designers: Todd Powelson, Hawlish, Nancy Burkhart, Brad Barker, Kent Farrington, Sumerset Bivens, Adam Okeefe, Manuel Aguilar, Ryan Jaleh Afshar, Lionel WIlliams, Christian Worwood, David Frohlich. Broadbent, Kelli Tompkins, Maggie Office Interns: Jeremy Riley, Chris Poulton, Eric Sapp, Brad Barker, KJ, Proctor. Lindsey Morris, Paden Bischoff, Mag- gie Zukowski. Senior Staff Writers: Mike Brown, -
Stanton Rounds up New Food and Lifestyle Center, Rodeo 39
SUNDAY,OCTOBER 11,2020 /// Times Community News publication serving Orange County /// timesoc.com Voters assured fraud won’t be tolerated At a news conference, county officials maintain ballots will be protected and intimidation will not be allowed. BY BEN BRAZIL Following President Trump’s repeated — and disproven — statements about widespread election fraud, Orange County officials sought to assure voters Monday that they would defend ballot integrity and protect polling places from outside inter- ference. “I think one of the messages that I want to make clear is that we’re not going to tolerate intim- idation, we’re not going to toler- Photos courtesy of Rodeo 39 ate rule-breaking in the vote cen- RODEO 39, a new dining and lifestyle center in Stanton, is set to open Saturday. It is the creation of San Juan Capistrano developer Dan Almquist. ters, and we want to make sure that the laws, the regulations and the rules are followed,” Orange County Registrar Neal Kelley said at a news conference outside the Stanton rounds up new food Santa Ana office. During the event, crews loaded semi-trucks with 1.7million bal- lots set to be mailed this week to and lifestyle center, Rodeo 39 registered voters. Trump has urged supporters to monitor voting centers for fraud, BY LORI BASHEDA adirective that has led to con- cerns nationwide about the po- Mention that you’re headed to Stanton and tential for intimidation and dis- you’re likely to hear something along the ruption. lines of: Where’s Stanton? Trump has repeated the widely But a new public market is putting the tiny discredited claim that mail-in city on Orange County’s map in a big way. -
Resource Guide 4
WILLIAM D. CANNON AR T G A L L E R Y TABLE OF CONTENTS Steps of the Three-Part-Art Gallery Education Program 3 How to Use This Resource Guide 4 Making the Most of Your Gallery Visit 5 The Artful Thinking Program 7 Curriculum Connections 8 About the Exhibition 10 About Street Skateboarding 11 Artist Bios 13 Pre-visit activities 33 Lesson One: Emphasizing Color 34 Post-visit activities 38 Lesson Two: Get Bold with Design 39 Lesson Three: Use Text 41 Classroom Extensions 43 Glossary 44 Appendix 53 2 STEPS OF THE THREE-PART-ART GALLERY EDUCATION PROGRAM Resource Guide: Classroom teachers will use the preliminary lessons with students provided in the Pre-Visit section of the Full Deck: A Short History of Skate Art resource guide. On return from your field trip to the Cannon Art Gallery the classroom teacher will use Post-Visit Activities to reinforce learning. The guide and exhibit images were adapted from the Full Deck: A Short History of Skate Art Exhibition Guide organized by: Bedford Gallery at the Lesher Center for the Arts, Walnut Creek, California. The resource guide and images are provided free of charge to all classes with a confirmed reservation and are also available on our website at www.carlsbadca.gov/arts. Gallery Visit: At the gallery, an artist educator will help the students critically view and investigate original art works. Students will recognize the differences between viewing copies and seeing works first and learn that visiting art galleries and museums can be fun and interesting. Hands-on Art Project: An artist educator will guide the students in a hands-on art project that relates to the exhibition. -
Skate Parks: a Guide for Landscape Architects and Planners
SKATE PARKS: A GUIDE FOR LANDSCAPE ARCHITECTS AND PLANNERS by DESMOND POIRIER B.F.A., Rhode Island School of Design, Providence, Rhode Island, 1999. A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF LANDSCAPE ARCHITECTURE Department of Landscape Architecture College of Regional and Community Planning KANSAS STATE UNIVERSITY Manhattan, Kansas 2008 Approved by: Major Professor Stephanie A. Rolley, FASLA, AICP Copyright DESMOND POIRIER 2008 Abstract Much like designing golf courses, designing and building skateboard parks requires very specific knowledge. This knowledge is difficult to obtain without firsthand experience of the sport in question. An understanding of how design details such as alignment, layout, surface, proportion, and radii of the curved surfaces impact the skateboarder’s experience is essential and, without it, a poor park will result. Skateboarding is the fastest growing sport in the US, and new skate parks are being fin- ished at a rate of about three per day. Cities and even small towns all across North America are committing themselves to embracing this sport and giving both younger and older participants a positive environment in which to enjoy it. In the interest of both the skateboarders who use them and the people that pay to have them built, it is imperative that these skate parks are built cor- rectly. Landscape architects will increasingly be called upon to help build these public parks in conjunction with skate park design/builders. At present, the relationship between landscape architects and skate park design/builders is often strained due to the gaps in knowledge between the two professions. -
Return to Form: Analyzing the Role of Media in Self-Documenting Subcultures
RETURN TO FORM: ANALYZING THE ROLE OF MEDIA IN SELF-DOCUMENTING SUBCULTURES GLEN WOOD A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN CINEMA AND MEDIA STUDIES YORK UNIVERSITY TORONTO, ONTARIO August 2020 © Glen Wood, 2020 Abstract This dissertation examines self-documenting subcultures and the role of media within three case studies: hardcore punk, skateboarding, and urban dirt-bike riding. The production and distribution of subcultural media is largely governed by intracultural industries. Elite practitioners and media-makers are incentivized to document performances that are deemed essential to the preservation of the status quo. This constructed dependency reflects and reproduces an ethos of conformity that pervades both social interactions and subcultural representations. Within each self-documenting subculture, media is the primary mode of socialization and representation. The production of media and meaning is constrained by the presence of prescriptive formal conventions propagated by elite producers. These conditions, in part, result in the institutionalization of conformity. The three case studies illustrate the theoretical and methodological framework that classifies these formations under a new typology. Accordingly, this dissertation introduces an alternative approach to the study of subcultures. ii Acknowledgments My academic career is based upon the support of numerous individuals, organizations, and institutions. I would like to thank John McCullough for his inspiring words and utter confidence in my work. Moreover, Markus Reisenleitner and Steve Bailey were integral throughout the dissertation process, encouraging my progress and providing their thoughtful commentary along the way. I am also greatly appreciative of the external reviewers for their time and evaluations. -
Magazine Media Factbook
MAGAZINE MEDIA FACTBOOK 2020 The latest edition of MPA’s Factbook reinforces the vitality of the industry. The brand audience across platforms for magazine media continues to grow, up 6.6% in 2019 versus the prior year to 1.5 billion. The average audience of the top three magazine publishers is competitive with the average audience for Google, Facebook, Amazon, and Apple. Magazines are read by a diverse group of readers, on virtually every topic, throughout the year. The total number of print consumer magazines remains strong and print remains the primary way readers subscribe to From its founding in 1919, MPA has been the primary voice for magazine media publishers and brands that inspire, magazine media content. Last year alone, 139 new print magazine brands were launched to appeal to a broad educate, and entertain readers. Today, MPA represents over 500 magazine media brands that span a vast range of range of reader interests. At the same time, magazine media brands continue to expand their reach with genres across online, mobile, video and print media. MPA advocates for the magazine media industry’s efforts to compelling content shared via video and mobile web, platforms that are enjoying robust growth. Magazine media provide professionally researched and edited content across multiple channels. subscribers are willing to pay for compelling content from their favorite magazine brands across multiple channels. The magazine media industry is also a major contributor to the economy. The industry has more than 82,000 direct Magazine publishers maintain a unique relationship of trust with readers, demonstrated by the strong engagement employees across the United States and is responsible for a total of more than 240,000 direct, indirect, and magazine brands enjoy across print, web, mobile, video, social media and other platforms. -
Title Publisher ISSN Category Start Date Expire Date (Inside) Niche Media Pty Ltd 13269631 Art & Design 01/01/2019 12/31/2019 .Net Future Publishing Ltd
Title Publisher ISSN Category Start Date Expire Date (inside) Niche Media Pty Ltd 13269631 Art & Design 01/01/2019 12/31/2019 .net Future Publishing Ltd. 13557602 Science & Technology 01/01/2019 12/31/2019 Immediate Media London Company 220 Triathlon 0958675X Sports 01/01/2019 12/31/2019 Limited 24 Images Revue 24 Images 7079389 French 01/01/2019 12/31/2019 25 Beautiful Homes Time Inc. UK 14475693 Home & Garden 01/01/2019 12/31/2019 3D Artist Future Publishing Ltd. 17599636 Art & Design 01/01/2019 12/31/2019 3D World Future Publishing Ltd. 14704382 Science & Technology 01/01/2019 12/31/2019 3x3: The Magazine of Contemporary Illustration ARTISANAL MEDIA LLC 1546640X Art & Design 01/01/2019 12/31/2019 5 Ingredients 15 Minutes Editions Pratico-Pratiques 19235038 French 01/01/2019 12/31/2019 50 United States Coloring Book Really Big Coloring Books Adult Coloring Books 01/01/2019 12/31/2019 5280 5280 Publishing Inc. 10826815 Travel & Regional 01/01/2019 12/31/2019 5280 Home 5280 Publishing Inc. Travel & Regional 01/01/2019 12/31/2019 7 Habits of Highly Effective Teens Workbook FranklinCovey Teens 01/01/2019 12/31/2019 7 Jours TVA Publications 8470952 French 01/01/2019 12/31/2019 AARP Bulletin AARP 10441123 Lifestyle 01/01/2019 12/31/2019 AARP: The Magazine AARP 15482014 Lifestyle 01/01/2019 12/31/2019 ABAJUB Dream Wave Publishing Inc. Family & Kids 01/01/2019 12/31/2019 ABC Soaps In Depth Bauer Publishing Company, L.P. 15257800 Entertainment 01/01/2019 12/31/2019 ABC-123 Learn My Letter & Numbers Really Big Really Big Coloring Books Adult Coloring Books 01/01/2019 12/31/2019 Coloring Book Abstract Patterns: Magic Dot Adult Coloring for Skyhorse Publishing Hobbies, Interests & DIY 01/01/2019 12/31/2019 Artists Abstract Patterns: Magic Dot Adult Coloring for Skyhorse Publishing Hobbies, Interests & DIY 01/01/2019 12/31/2019 Everyone Acadiana Profile: Magazine of the Cajun Country Renaissance Publishing, LLC 14397 Travel & Regional 01/01/2019 12/31/2019 Acres U.S.A. -
How Did Nike Get the Swoosh Into Skateboarding? a Study of Authenticity and Nike SB
Syracuse University SURFACE S.I. Newhouse School of Public Media Studies - Theses Communications 8-2012 How Did Nike Get the Swoosh into Skateboarding? A Study of Authenticity and Nike SB Brandon Gomez Syracuse University Follow this and additional works at: https://surface.syr.edu/ms_thesis Part of the Marketing Commons, and the Sports Studies Commons Recommended Citation Gomez, Brandon, "How Did Nike Get the Swoosh into Skateboarding? A Study of Authenticity and Nike SB" (2012). Media Studies - Theses. 3. https://surface.syr.edu/ms_thesis/3 This Thesis is brought to you for free and open access by the S.I. Newhouse School of Public Communications at SURFACE. It has been accepted for inclusion in Media Studies - Theses by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract Skateboarding is widely regarded as a subculture that is highly resistant to any type of integration or co-option from large, mainstream companies. In 2002 Nike entered the skateboarding market with its Nike SB line of shoes, and since 2004 has experienced tremendous success within the skateboarding culture. During its early years Nike experienced a great deal of backlash from the skateboarding community, but has recently gained wider acceptance as a legitimate company within this culture. The purpose of this study is to examine the specific aspects of authenticity Nike was able achieve in order to successfully integrate into skateboarding. In order to investigate the case of Nike SB specifically, the concept of company authenticity within skateboarding must first be clarified as well. This study involved an electronic survey of skateboarders. -
Media Kit Brand Overview for the Past 37 Years, TWS Has Showcased the Finest in Skateboarding Through It’S Progressive Lens
2020 Media Kit Brand Overview For the past 37 years, TWS has showcased the finest in skateboarding through it’s progressive lens . By supporting its founding philosophy of “Skate and Create”, it procures the highest quality content via creative and talented photographers, videographers, and editors who document the innovators and influencers within skateboarding. TWS speaks to today’s skateboarder and sets an influential, authentic and authoritative voice within skate media. With one of the largest reaches in skateboarding, TWS unites a global community to promote and inspire positive growth and longevity of the sport. Total Monthly Social Monthly Audience Audience Digital Users 4.5M 3.8M 246K Percentage Database Audience Avg. HHI Male 51K $79K 86% TRANSWORLD SKATEBOARDING Unmatched digital and social reach with influential skateboard consumers from around the world. 1,749,374 1,563,044 210,431 362,000 246,075 45,177 TOTAL MONTHLY TOTAL MONTHLY TOTAL MONTHLY WEB AUDIENCE SOCIAL UNIQUES 4.5 MILLION+ 3.8 MILLION+ 246K+ DESKTOP TRAFFIC MOBILE TRAFFIC TABLET TRAFFIC 27.5% 69% 3.5% The Future For the next 12 months, TransWorld SKATEboarding has three main focuses: storytelling around skateboarding's most interesting personalities, leveraging skateboarding's most comprehensive media archive, and expanding our Digital Franchises with consistent programming. We'll activate around these focuses with a quarterly slate of documentaries, a year-long dive into past magazines and films to resurface the names, images, and segments that still move the needle, and providing seasons of shorter from Digital content and flagship franchise video edits. TABLE OF CONTENTS ● DAEWON Documentary Recap ● Documentary Film Opportunities ● Skate & Create Concept ● The History of TWS Book ● TW Skatepark Sponsorships ● “Skater’s Favorite Skater” Franchise ● “SkateHoarders” Franchise ● Digital Ad Specs DAEWON A TransWorld SKATEboarding Original Production 11M+ IMPRESSIONS 6.1% ENG. -
Kevin Harris
Kevin Harris Derailed by skateboarding in 1976, Kevin Harris was never the same. As a gangly teenager nicknamed stickman, he pulled his shorts north of the belly button, walked school hallways holding his cherished skateboard instead of girlfriends' hands and rode every day, rain or shine. He graduated high school as a national champion and member of the Ripping Squad demonstration team with zero social life outside of skateboarding. Pictures torn out of SkateBoarder covered his bedroom wall instead of the expected Farah Fawcett bathing suit poster. Unfortunately for the teenager, his daydreams of becoming a world-famous professional skateboarder were crippled by location, location, location. California was the skateboarding epicenter and Kevin may as well have been winning contests on the dark side of the moon for all the attention Canada received. No legitimate pro had ever emerged from The Great White North. In 1978, when Kevin crushed the unofficial world record of 400 two-board 360s with an official 1,032 rotations, SkateBoarder magazine awarded him a teeny black and white photo. By 1981 there were barely any pros anywhere. The skating bubble burst and stragglers were looked upon with pity, unaware they were obsessed over a deflated loser fad. Kevin's collection of trophies failed to keep him company as he skated alone every night. Paying his own way to California contests, Kevin entered the emasculated international competitive pool as a way to motivate his skating and hang with other enthusiasts. There were so few competitors at a 1982 Del Mar Skate Ranch contest that they mashed the professionals and amateurs together. -
Descriptive Opinion “Boja Have Skate” Community in Boja
DESCRIPTIVE OPINION “BOJA HAVE SKATE” COMMUNITY IN BOJA A THESIS In Partial Fulfillment of the Requirement for Thesis Project on AmericanCultural Studies in English Department Faculty of Humanities Diponegoro University Submitted by : Octy Ayu Kinasih NIM : A2B009092 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2016 PRONOUNCEMENT The writer states thruthfully that this thesis is compiled by herself without taking any results from other researchers in S-1, S-2, S-3, and in diploma degree of any universities. In addition, the writer ascertains that she does not take the material from other thesis or someone’s work except for the references mentioned. Semarang, July 2016 Octy Ayu Kinasih ii APPROVAL Approved by, Thesis Advisor 25 July 2016 Prof. Dr. Nurdien Harry Kistanto, MA NIP. 19521103 198012 1 001 iii VALIDATION iv MOTTO AND DEDICATION Ability is what you're capable of doing. Motivation determines what you do. Attitude determines how well you do it. -Lou Holtz- This paper is dedicated to My beloved Dad and Groom to be For your birthday gift v ACKNOWLEDGEMENT Alhamdulillah. Praise to God Almighty, who has given strength and blessing for the writer so this thesis on “Relationship of Mass Media towards Developments of Skateboard as Reflected as American Popular Culture in Boja”came to a completion. On this occasion, the writer would like to thank all those people who have contributed to the completion of this thesis. The deepest appreciation and gratitude are extended Prof. Dr. Nurdien Harry Kistanto, MA — as the writer’s advisor— who has given his continuous guidance, helpful corrections, moral support, advice, suggestions, and nice discussions about everything.