2019 Repor T #4

Total Page:16

File Type:pdf, Size:1020Kb

2019 Repor T #4 Audiovisual Archive forInstitutions Audiovisual 2019 REPORT #4 INTRODUCTION OnArchitecture is an audiovisual archive of architecture online, founded in 2012 by chilean architects Felipe De Ferrari and Diego Grass along with psychologist Claudio Mesa. It offers a deep and detailed panorama of the world’s main authors, works, experien- ces and issues related to the field of architecture, urban design and built environment. We have produced a series of videos of buildings and interviews with architects, artists, curators, researchers and urban designers from around the world since 2008. At the moment we have done more than 200 interviews and more than 300 portraits of buil- dings of different scale and use. OnArchitecture is nowadays the largest audiovisual architecture archive available. This database is available as a subscription service for architectu- re schools at www.onarchitecture.com. Since 2018, it is distribu- ted by EBSCO. The independent and critical aproach of our videos has attracted commissions from editorial houses such as Gustavo Gili and cul- tural institutions such as Barcelona Design Museum, Vitra Design Museum or the Heinz Architectural Center. The following pages contain some of the activities held by our team in 2018 and a complete catalogue of available films, toge- ther with a list of forthcoming titles. This is a report but also an invitation to generate collaborations -conferences, exhibitions or printed publications- with academics and culture agents in the future. For comments, suggestions or proposals, please write us to [email protected] The OnArchitecture Team OnArchitecture 2 3 Report #4 FORTHCOMING 2019 (MARCH) 33 Works 17 Interviews Andrade Morettin / Instituto Moreira Salles (Sao Paulo, Brazil) Adrien Verschuere (Baukunst) I - 2018 Atelier Bow-Wow / Kurimoto Daiichi Firewood Supply Station (Chiba, Japan) Alfredo Thiermann – 2018 Bruther / Pelleport Building (Paris, France) Anna Puigjaner (MAIO) – 2018 Cecilia Puga / Pedro Montt Building (Santiago, Chile) David Stewart - 2018 Fuminori Nousaku & Mio Tsuneyama / House Renovation (Tokyo, Japan) Gilles Delalex (Muoto) II – 2018 Izquierdo Lehmann Arquitecto / House in Lomas Suaves (Santiago, Chile) Max Kahlen (Dyvik Kahlen) - 2018 Kazuo Shinohara / Centennial Hall (Tokyo, Japan) Marta Moreira (MMBB) – 2018 Lina Bo Bardi / Casa do Jardim de Cristal (Sao Paulo, Brazil) Marc Angelil (MAS Urban Studies) – 2018 Mathias Klotz & Lillian Allen / Forest Castle (Santiago, Chile) Manabu Chiba II (Tokyo, Japan) Metro / Casa Triángulo (Sao Paulo, Brazil) Mikan / Manuel Tardits II (Tokyo, Japan) Metro / ITA (Sao Jose dos Campos, Brazil) Rahul Mehtotra II (Boston, US) - 2018 Metro / MASP Glass Easels (Sao Paulo, Brazil) Roger Tudó (Harquitectes) - 2018 Nicanor Parra / House in Conchali (Santiago, Chile) Ryuji Fujimura II (Tokyo, Japan) Nicanor Parra / House in Isla Negra (Isla Negra, Chile) Sarah Graham (agps) – 2018 Nicanor Parra / House in La Reina (Santiago, Chile) Sharon Johnston & Mark Lee (Johnston Marklee) IV (Boston, US) Nicanor Parra / House in Las Cruces (Las Cruces, Chile) Taku Sakaushi / O.F.D.A. II (Tokyo, Japan) OFFICE / Walter Koenig & Cahiers d’art (Paris, France) Tatiana Bilbao (DF, Mexico) OMA / La Fayette Anticipations (Paris, France) Office of Ryue Nishizawa / Ochoquebradas House (Los Vilos, Chile) Paulo Mendes da Rocha + MMBB / Sesc 24 de Maio (Sao Paulo, Brazil) Ryuji Fujimura / House House (Tokyo, Japan) Ryuji Fujimura / OM Terrace 2 (Tokyo, Japan) Ryuji Fujimura / Ryuji Fujimura Architects Office (Tokyo, Japan) Ryuji Fujimura / Building K (Tokyo, Japan) Ryuji Fujimura / Apartment N (Tokyo, Japan) Ryuji Fujimura / Apartment S (Tokyo, Japan) Ryuji Fujimura / Apartment B (Tokyo, Japan) Ryuji Fujimura / Subaru Nursery (Fukuoka, Japan) Shinichi Okuyama Laboratory / Midorigaoka Building 6 (Tokyo, Japan) Taku Sakaushi (O.F.D.A.) / House House (Tokyo, Japan) Tacoa / Pivo Gallery (Sao Paulo, Brazil) Terra e Tuma / Casa Maracana (Sao Paulo, Brazil) Yoshiharu Tsukamoto Lab / Earth-Life Science Institute Building (Tokyo, Japan) OnArchitecture 4 5 Report #4 Forthcoming 2019 ANNA PUIGJANER - MAIO (ES) MAX KAHLEN - DYVIK KAHLEN (EN) ROGER TUDÓ II - HARQUITECTES (ES) GILLES DELALEX II - MUOTO (FR) OnArchitecture 6 7 Report #3 Forthcoming 2019 SARAH GRAHAM - agps (US) MARC ANGÉLIL - agps / ETH MAS IN URBAN DESIGN (EG) ADRIEN VERSCHUERE - BAUKUNST (BE) GO HASEGAWA (JP) OnArchitecture 8 9 Report #3 Forthcoming 2019 RAHUL MEHROTRA II - RMA (IN) MARTA MOREIRA - MMBB (BR) DAVID STEWART (US) SHANON JOHNSTON & MARK LEE IV (US) OnArchitecture 10 11 Report #3 Forthcoming 2019 MARACANÁ HOUSE - TERRA E TUMA ARQUITETOS (BR) CASA TRIÁNGULO - METRO (BR) PIVO GALLERY - TACOA ARQUITETOS (BR) SESC 24 DE MAIO - PAULO MENDES DA ROCHA + MMBB (BR) OnArchitecture 12 13 Report #3 Forthcoming 2019 UNIVERSITY LIBRARY - OFFICE (BE) ITA CENTER - METRO (BR) WHITE O - TOYO ITO & ASSOCIATES + CHRISTIAN DE GROOTE (CL) CENTENNIAL HALL - KAZUO SHINOHARA (BR) OnArchitecture 14 15 Report #3 Forthcoming 2019 CASA DO JARDIM DO CRISTAL - LINA BO BARDI (BR) INSTITUTO MOREIRA SALLES - ANDRADE MORETTIN (BR) PEDRO MONTT BUILDING - CECILIA PUGA (CL) MASP - LINA BO BARDI (BR) OnArchitecture 16 17 Report #3 Forthcoming 2019 PELLEPORT SOCIAL HOUSING - BRUTHER (FR) HOUSE 1014 - HARQUITECTES (SP) ALFREDO THIERMANN (CL) MANUEL TARDITS II - MIKAN (JP) OnArchitecture 18 19 Report #3 CATALOGUE 2018 23 Works 27 Interviews Barbara Buser (Denkstatt) – 2017 Barbara Buser (Densktatt) / Markthalle (Basel, Switzerland) Beat Aeberhard - 2017 Christ & Gantenbein / Kunstmuseum (Basel, Switzerland) Camilo Restrepo (Agenda) - 2017 Francisco Brugnoli Cañas / Mausoleo Italiano (Santiago, Chile) Chiaki Arai – 2017 Herzog & de Meuron / Schaudepot (Weil am Rhein, Germany) Chiba Manabu I – 2017 Herzog & de Meuron / Naturbad (Riehen, Switzerland) Chiba Manabu II – 2017 Juan Herreros / Colección Solo (Madrid, Spain) Felipe Correa (Somatic Collaborative)– 2017 Max Nuñez + Bernardo Valdés / House in Farellones (Santiago, Chile) Florian Idenburg (SO-IL) – 2017 Max Nuñez / Mad Building (Santiago, Chile) Frederic Druot – 2017 Manabu Chiba / Dog Training Center (Shizuoka, Japan) Gilles Delalex (Muoto) - 2017 Mikan / Maisenbashi Maach Ecute (Tokyo, Japan) Go Hasegawa I - 2017 Miller & Maranta / Volta School (Basel, Switzerland) Harry Gugger - 2017 Muoto / Lieu de Vie (Santiago, Chile) Jonhston Marklee IV – 2017 OF Arquitectos + Miguel Casassus – UDP Workshop - 2017 Manuel Tardits (Mikan) - 2017 Owar / Quinta Normal Social Housing (Santiago, Chile) Marina Tabassum - 2017 Plan Común + Diego Grass / San Javier building (San Javier, Chile) Mariko Terada – 2017 Ryuji Fujimura / Tsurugashima Community Center (Saitama, Japan) Mio Tsuneyama (MMNN) – 2017 Ryuji Fujimura / OM Terrace – 2017 Monika Linder Guarnaccia - 2017 Ryue Nishizawa / Ochoquebradas House (Los Vilos, Chile) Philippe Cabane - 2017 Smiljan Radic / Nave (Santiago, Chile) Pedro Alonso I - 2017 Toyo Ito & Associates + Christian de Groote / White O (Marbella, Chile) Pedro Alonso II - 2017 Tsukamoto Lab & Nikken Sekkei / Photovoltaic Plant Building (Tokyo, Japan) Rahul Mehrotra – 2017 Various Authors – Previ Lima Experimental Housing (Lima, Peru) Renato Rizzi - 2017 Unknown / Pabellon I (Santiago, Chile) Taku Sakaushi- 2017 Tom de Paor – 2017 Tom Emerson (6a architects) - 2017 Arturo Scheidegger & Ignacio García (Umwelt) I - 2017 Urs Peter ‘Upe’ Flueckiger - 2017 OnArchitecture 20 21 Report #3 ARTURO SCHEIDEGGER & IGNACIO GARCIA PARTARRIEU (UMWELT, CL) TOM EMERSON (6A ARCHITECTS, EN) RENATO RIZZI (IT) BARBARA BUSER (DENKSTATT, CH) OnArchitecture 22 23 Report #3 NAVE - SMILJAN RADIC (CL) KUNSTHALLE BASEL - CHRIST & GANTENBEIN (CH) UDP ART AND ARCHITECTURE FACULTY - OF ARQUITECTOS + MIGUEL LIEU DE VIE - MUOTO (FR) CASSASUS (CL) OnArchitecture 24 25 Report #3 CATALOGUE 2017 50 Works 30 Interviews Cecilia Puga + Mobil / Cerro Toro (Valparaiso, Chile) Alejandro Aravena / On Louis Kahn - 2012 Various Authors / Patio 29 (Santiago, Chile) Robert Gueddes / On Louis Kahn - 2012 Valparaiso School of Architecture / Ritoque Open City (Valparaiso, Chile) Robert Stern / On Louis Kahn - 2012 Le Corbusier / Carpenter Center (Boston, United States) Frank Gehry / On Louis Kahn – 2012 Mies van der Rohe / ITT Crown Hall (Chicago, United States) Moshe Safdie / On Louis Kahn - 2012 Joze Plecnik / Plecnik House (Ljubljana, Slovenia) Adrian Forty – 2012 Joze Plecnik / St. Michael Church (Ljubljana, Slovenia) Alejandro Zaera Polo - 2012 Joze Plecnik / Triple Bridge I (Ljubljana, Slovenia) Bas Princen – 2011 Joze Plecnik / Triple Bridge II (Ljubljana, Slovenia) Enrique Walker – 2011 Plan Común / Micro-interventions in Nove Fuzine (Ljubljana, Slovenia) Francisco Mangado - 2012 Fundación Gulbenkian (Lisbon, Portugal) Freek Persyn - 2016 Mendes da Rocha, MMBB, R. Bak Gordon / Carriages Museum (Lisboa, Portugal) H Arquitectes - 2015 Teatro Thalia (Lisbon, Portugal) Jose Maria Sanchez Garcia – 2012 Eduardo Souto de Moura / Casa das Historias Paula Rego (Cascais, Portugal) Johnston Mark Lee II - 2012 Rachel Whiteread / Judenplatz Holocaust Memorial (Wien, Autriche) Hitoshi Abe – 2012 Lacaton & Vassal / Cafe Una (Wien, Autriche) Mark Lee (Solo Houses) - 2012 Laboratorio de Arquitectura / Public Driving Range (Luque, Paraguay) Metro - 2016 Gabinete de Arquitectura / Unilever (Asunción, Paraguay) Paulo Mendes da Rocha III – 2016 Affonso Reidy / Experimental School (Asunción, Paraguay) Pedro Gadanho – 2012 Teleton Center (Asuncion, Paraguay) Productora – 2012 Gabinete de Arquitectura / Abufont House
Recommended publications
  • Paulonascimentoverano.Pdf
    UNIVERSIDADE DE SÃO PAULO Escola de Comunicações e Artes Programa de Pós-Graduação em Ciência da Informação PAULO NASCIMENTO VERANO POR UMA POLÍTICA CULTURAL QUE DIALOGUE COM A CIDADE O caso do encontro entre o MASP e o graffiti (2008-2011) São Paulo 2013 PAULO NASCIMENTO VERANO POR UMA POLÍTICA CULTURAL QUE DIALOGUE COM A CIDADE O caso do encontro entre o MASP e o graffiti (2008-2011) Dissertação apresentada ao Programa de Pós-Graduação em Ciência da Informação da Escola de Comunicações e Artes da Universidade de São Paulo, como requisito para obtenção do título de mestre em Ciência da Informação. Orientadora: Profª Drª Lúcia Maciel Barbosa de Oliveira Área de concentração: Informação e Cultura São Paulo 2013 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa desde que citada a fonte. PAULO NASCIMENTO VERANO POR UMA POLÍTICA CULTURAL QUE DIALOGUE COM A CIDADE O caso do encontro entre o MASP e o graffiti (2008-2011) Dissertação apresentada ao Programa de Pós-Graduação em Ciência da Informação da Escola de Comunicações e Artes da Universidade de São Paulo, como requisito para obtenção do título de mestre em Ciência da Informação. BANCA EXAMINADORA _____________________________________________________ a a Prof Dr Lúcia Maciel Barbosa de Oliveira (orientadora) Universidade de São Paulo _____________________________________________________ Universidade de São Paulo _____________________________________________________ Universidade de São Paulo CLARICE, CLARIDADE, CLARICIDADE. AGRADECIMENTOS Sou profundamente grato à Profa Dra Lúcia Maciel Barbosa de Oliveira pela oportunidade dada para a realização deste estudo. Sua orientação sempre presente e amiga, o diálogo aberto, as aulas ministradas, as indicações bibliográficas, a leitura atenta e exigente durante todas as fases desta dissertação, dos esboços iniciais à versão final.
    [Show full text]
  • 7. Another Museum (Display and Desire)
    7. Another Museum (Display and Desire) The search for the real, in particular for real relations, and specifically the search for real relations between objects and people, takes on the form of utopia. Whether it be works of art (objects that are primarily non-relational), or products of the disenfranchised (objects of desperate survival), or ill-begotten treasures (objects collected in order to make the past present to the undeserving, taking away from others the possibility to figure the future), author Roger M Buergel, interpreting the displays of architect Lina Bo Bardi in the light of migration, and critic Pablo Lafuente, reading a work by artist Lukas Duwenhögger, demonstrate that things will, given the right circumstances, elicit subjectivity in spectatorship. agency, ambivalence, analysis: approaching the museum with migration in mind — 177 The Migration of a Few Things We Call − But Don’t Need to Call − Artworks → roger m buergel → i In 1946, 32-year-old Italian architect Lina Bo Bardi migrated to Brazil. She was accompanying her husband, Pietro Maria Bardi, who was a self- taught intellectual, gallerist and impresario of Italy’s architectural avant garde during Mussolini’s reign. Bardi had been entrusted by Assis de Chateaubriand, a Brazilian media tycoon and politician, with creating an art institution of international standing in São Paulo. Te São Paulo Art Museum (MASP) had yet to fnd an appropriate building to house its magnifcent collection of sculptures and paintings by artists ranging from Raphael to Manet. Te recent acquisitions were chosen by Bardi himself on an extended shopping spree funded by Assis Chateaubriand, who had taken out a loan from Chase Manhattan Bank in an impoverished, chaotic post-war Europe.
    [Show full text]
  • MAM Leva Obras De Seu Acervo Para As Ruas Da Cidade De São Paulo Em Painéis Urbanos E Projeções
    MAM leva obras de seu acervo para as ruas da cidade de São Paulo em painéis urbanos e projeções Ação propõe expandir as fronteiras do Museu para além do Parque Ibirapuera, para toda a cidade, e busca atingir públicos diversos. Obras de artistas emblemáticos da arte brasileira, de Tarsila do Amaral a Regina Silveira, serão espalhadas pela capital paulista Incentivar e difundir a arte moderna e contemporânea brasileira, e torná-la acessível ao maior número possível de pessoas. Este é um dos pilares que regem o Museu de Arte Moderna de São Paulo e é também o cerne da ação inédita que a instituição promove nas ruas da cidade. O MAM expande seu espaço físico e, até 31 de agosto, apresenta obras de seu acervo em painéis de pontos de ônibus e projeções de escala monumental em edifícios do centro de São Paulo. A ação MAM na Cidade reforça a missão do Museu em democratizar o acesso à arte e surge, também, como resposta às novas dinâmicas sociais impostas pela pandemia. “A democratização à arte faz parte da essência do MAM, e é uma missão que desenvolvemos por meio de programas expositivos e iniciativas diversas, desde iniciativas pioneiras do Educativo que dialogam com o público diverso dentro e fora do Parque Ibirapuera, até ações digitais que ampliam o acesso ao acervo, trazem mostras online e conteúdo cultural. Com o MAM na Cidade, queremos promover uma nova forma de experienciar o Museu. É um presente que oferecemos à São Paulo”, diz Mariana Guarini Berenguer, presidente do MAM São Paulo. Ao longo de duas semanas, MAM na Cidade apresentará imagens de obras de 16 artistas brasileiros espalhadas pela capital paulista em 140 painéis em pontos de ônibus.
    [Show full text]
  • Lina Bo Bardi 100 Years Young
    Gardenhouse: Hertl.Architekten converted the ruin of an old farmhouse in Austria using the concept of the house-in-house Since 1928 Italiano Sign up / Log in Search Domus... Like You, Bart Lootsma and 441,360 others like this. Architecture / Design / Art / Products / Domus Archive / Shop Contents News / Interviews / Op-ed / Photo-essays / Specials / Reviews / Video / From the archive / Competitions Magazine Current issue / Local editions Network Your profile / RSS / facebook / twitter / instagram / pinterest / LOVES Lina Bo Bardi 100 years young Following on from the current exhibitions and those recently ended, the catalogues, the video, the talks that help refocus attention on Lina who was an ingenious architect, a designer of fantastic things and animals, a thinker, a graphic artist and a sophisticated set designer. Architecture / Giacomo Pirazzoli Author Sections Network Giacomo Pirazzoli Architecture Like on Facebook Share on Twitter Published Keywords 5 December 2014 Arper, Gio Ponti, Lina Bo Bardi, Lina Bo Bardi Pin to Pinterest 100, Lina Bo Bardi Together, MASP, MAXXI, Location Pietro Maria Bardi, Precise Poetry, SESC San Paolo Pompeia These thoughts on the 100th anniversary of Lina Bo Bardi’s birth in Rome on 5 December 1914 is a parti-pris on the LinaProject.com collaboration platform – a project open to scholars, connoisseurs and admirers of “Dona Lina”, which I am coordinating for the Department of Architecture of Florence University. In apertura: Lina Bo Bardi, 1960. Photo © Arquivo ILBPMB. Qui sopra: Casa de Vidro, São Paulo, with Lina Bo Bardi, 1949-1951. Photo Francisco Albuquerque, 1951, © Arquivo ILBPMB A sense of scientific focus and attentiveness emerges from a recent visit to the orderly shelves of the “Dona Lina” archives at the Instituto Lina Bo e Pietro Maria Bardi in Saõ Paulo – in the famous Glass House built by the architect as a home for herself and her husband.
    [Show full text]
  • Brazil's Best-Kept Secret
    BBC - Culture - Lina Bo Bardi: Brazil’s best-kept secret http://www.bbc.com/culture/story/20140611-brazils-best-kept-secret BRAZIL BEYOND FOOTBALL (HTTP://WWW.BBC.COM/CULTURE/COLUMNS/BRAZIL-BEYOND-FOOTBALL) | 11 June 2014 Jason Farago Art (http://www.bbc.com/culture/sections/art) Architecture (http://www.bbc.com/culture/tags/architecture) Design (http://www.bbc.com/culture/tags/design) Exhibition (http://www.bbc.com/culture/tags/exhibition) Museums (http://www.bbc.com/culture/tags/museum) Politics (http://www.bbc.com/culture/tags/politics) The Museu de Arte de São Paulo (SambaPhoto/Ed Viggiani/Getty) The Italian-born architect’s radical approach to the design of people-friendly buildings in Brazil should receive greater recognition, Jason Farago argues. Like no other country of its size, Brazil has projected its character to the world through modern architecture – the government buildings and housing projects of Brasília, the skyscrapers along São Paulo’s broad Avenida Paulista, the pleasure palaces of Rio’s Sambódromo and Maracanã stadium. We think we know the look of Brazil. For all the beauty of Copacabana and the Amazon, Brazil in our imaginations is a built environment, one where International Style modernism was souped up with plunging curves, organic detailing, and lush greenery. One woman in particular can help us expand our view not just of Brazil but of modern architecture at large. Lina Bo Bardi, an Italian-born architect with an uncommon commitment to building for society’s needs, was just getting her practice started when Lúcio Costa and Oscar Niemeyer began to adapt international modernism for local purposes.
    [Show full text]
  • Gendering Architecture, Architecting Gender Introduction
    GENDERING ARCHITECTURE, ARCHITECTING GENDER INTRODUCTION The Women in Architecture Student Organization (WIASO) presents: Gendering Architecture, Architecting Gender, a celebration of female architects throughout history as well as contemporary female architects often neglected or erased in mainstream media and architectural curricula. By showcasing works by female architects, WIASO hopes to counteract the dominant narrative of the architect as a male subject. This exhibition works to rewrite architectural history by acknowledging the contributions of female architects who have been dismissed, belitted, or denied credit for their work. By looking at architectural movements from a critical, feminist perspective, one is able to recenter history around marginalized identities and redefine what it means to be an architect. The exhibition is a glimpse at a shared history among female architects at the University of Minnesota, one that architecture students are learning about and contributing to daily. Women’s School of Planning and Architecture, 1975 EXHIBITION CREDITS DESIGN & CURATION Support for this exhibition and programs provided by the Goldstein Museum of Design, the College of Design, and generous individuals. In addition, GMD programming is made possible by the voters of Minnesota Neva Hubbert UMN Architecture Student through a Minnesota State Arts Board Operating Support grant, thanks to Dana Saari UMN Architecture Student the legislative appropriation from the Arts and Cultural Heritage Fund. The Mary Begley UMN Architecture Student University of Minnesota is an equal opportunity educator and employer. To request disability accomodations or to receive this information in Erin Kindell UMN Architecture Student alternative formats, please contact GMD at 612-624-7434. Brittany Pool UMN Architecture Student EDITING & ASSISTANCE Daniela Sandler UMN Architecture Faculty Goldstein Museum of Design Ashleigh Grizzell UMN Architecture Student Gallery 241, McNeal Hall 1985 Buford Avenue St.
    [Show full text]
  • Bowl: a Chair for Freedom
    Bowl: A Chair for Freedom By Adélia Borges Six decades ago, chairs would rigidly dictate the way people should sit on them. Users had just one option: to sit up straight. The 1951 Bowl Chair arrived to shake up this scene. Man no longer obeyed the object; now the object would obey man, according to their movements and desires. Far from limiting or constraining users, it would free them. Freedom is a key word in the ideas and trajectory of the chair’s creator, Lina Bo Bardi, and an everyday practice in her plural activities. In all the dimensions of her work, more than technique or aesthetics, she was interested in serving human beings. ‘True architecture is a total process, embracing human beings’ economic, political and social relationships,’ Lina wrote. ‘Surely beauty, a beautiful form, is capable of consoling man. Poetry in form is vital. However, without architecture’s social sense, all of this gets lost. Man is the ultimate objective of architecture.’ The Bowl Chair illustrates this enunciation perfectly. The poetry in its essential form comes to the forefront at first sight. It can be summed up as a shell deposited on a tubular frame. These two pieces are loose, superimposed without any means of fixation. ‘What is new in this piece of furniture, what is absolutely new, is the fact that the chair can achieve movement from all sides, with no mechanic means whatsoever, only due to its spherical form. There are no other pieces of furniture of this kind,’ Lina wrote about her Bowl Chair. Innovation was evident, so much so the chair was featured in a cover story in the renowned American magazine Interiors in November 1953, sixty years ago – a notable feat, considering Brazil was, at that time, regarded as a peripheral country in the design arena, with its creations usually destined to invisibility, the opposite of what was happening in centers of power such as New York, London, or Milan.
    [Show full text]
  • Aarchitecture 17Download
    AARCHITECTURE 17 TECTURE ARCHI THE ARCHITECTURALCURAT ASSOCIATION HAS ALWAYS EMBRACED CURATION AS AN IMPORTANT ASPECT WITHIN THE SCHOOL, FROM ITS ACADEMIC ORGANISATION AND STUDENT PORTFOLIOS TO THE EVER-EVOLVING EXHIBITIONS THAT TAKE PLACE EACH YEAR, WHAT BETTER SUBJECT TO FOCUS ON FOR AARCHITECTURE 17? THE NEW ING THEMATIC FORMAT OF THE NEWSLETTER, LAUNCHED WITH THE REDESIGN OF ISSUE 16, LENDS ITSELF TO FOCUSING ON RELEVANT SUBJECTS FOR EACH ISSUE. CURATION SEEMED A NATURAL FIT FOR THIS TIME OF YEAR, WITH ARCHITECTURE EXHIBITIONS BEING HELD AT A VARIETY OF GLOBAL LOCATIONS. FROM OUR VERY OWN EXHIBITION OF STUDENT WORK AT PROJECTS REVIEW, THE ROYAL ACADEMY SUMMER EXHIBITION TO THE 13TH INTERNATIONAL ARCHITECTURE BIENNALE IN VENICE, EACH PRESENT DIFFERENT WAYS OF CURATING ARCHITECTURE. IN ADDITION TO THE TRADITIONAL EXHIBITION, NEWS FROM THE ARCHITECTURAL ASSOCIATION EVENTS ORGANISED BY THE MEMBERSHIP OFFICE THIS SUMMER INCLUDED A PANEL DISCUSSION AT THE SOUTHBANK AND A TALK BY EMERGING ARCHITECTS AT A POP-UP SPACE IN EAST LONDON, - EACH ANALYSING THE TOPIC OF THE OLYMPICS - AS A CURATION OF PEOPLE, EVENTS AND ICONIC PLACES, AT AN URBAN SCALE. AT A SMALLER SCALE, WE LOOK AT STUDENT PORTFOLIOS AS AN AArchitecture 17 / Spring 2012 www.aaschool.ac.uk ©2012 All rights reserved Published by the Architectural Association 36 Bedford Square, London WC1B 3ES Please send your news items for the next issue to [email protected] Editorial Board Alex Lorente, Membership Brett Steele, AA School Director Zak Kyes, AA Art Director Editorial
    [Show full text]
  • Docomomo US Modern Brazil São Paulo - Brasília - Rio De Janeiro October 17, 2019 - October 27, 2019
    Docomomo US Modern Brazil São Paulo - Brasília - Rio de Janeiro October 17, 2019 - October 27, 2019 Docomomo US Modern Brazil is the third in a series of exclusive modern architecture, art and design travel experiences. This ten-day, nine-night trip features the work of Oscar Niemeyer, Lina Bo Bardi, Afonso Eduardo Reidy, Lucio Costa among others. Travelers will experience a journey through the history of modern architecture in Brazil. From its early sinuous and iconic Carioca School designs through its brutalist Paulista School period, guests will experience the 20th century through three of Brazil’s most important cities: São Paulo, Brasília and Rio de Janeiro. Highlights of the tour include the opportunity to visit many of Oscar Niemeyer’s most important works including Ibirapuera Auditorium, Copan Building Casa de Canoas Oscar Niemeyer’s family home. Guests will enjoy two days exploring the country’s capital of Brasília with stops all along Brasília’s Monumental Axis including: Three Power Square, the National Congress, the Metropolitan Cathedral, and Itamaraty Palace. In São Paulo, guests will visit the Lina Bo Bardi designed Glass House for a special curator’s tour in addition to a visit to Bo Bardi’s São Paulo Museum of Modern Art. In Rio, highlights include a visit to Park Guinle by Lucio Costa, the Ministry of Education and Culture building, in addition to two works by Afonso Eduardo Reidy: The Museum of Modern Art and the Pedregulho residential project. Modern Brazil offers a unique travel opportunity in a small group setting featuring access to modern homes and buildings considered off the beaten path or not ordinarily open to the public.
    [Show full text]
  • Fevereiro 2020
    Fevereiro 2020 1 Legenda de preços Trabalhador do comércio de bens, serviços e turismo credenciado no Sesc e seus dependentes. Aposentado, pessoa com mais de 60 anos, pessoa com deficiência, estudante e servidor da escola pública com comprovante. 2 O Sesc – Serviço Social do Comércio é uma entidade privada mantida e administrada pelo empresariado dos setores do comércio de bens, serviços e turismo. Realiza ações que têm por finalidade a promoção do bem-estar social, o desenvolvimento cultural e a melhoria da qualidade de vida dos trabalhadores desses setores e da comunidade em geral, acreditando na educação não-formal e permanente como base para a transformação social. O Centro de Pesquisa e Formação do Sesc é um espaço que articula produção, formação e difusão de conhecimentos, por meio de cursos, palestras, encontros, estudos, pesquisas e publicações nas áreas de Educação, Cultura e Artes. Além de contar com salas de atividades, aulas, leitura e uma Biblioteca com 10.000 volumes, o Centro publica artigos em seu site e Biblioteca Online, multiplicando o conhecimento produzido e colaborando com o aprimoramento da Gestão Cultural. O CPF Sesc é composto por três núcleos: o Núcleo de Pesquisas, que se dedica à produção de bases de dados, diagnósticos e estudos em torno das ações culturais e dos públicos. O Núcleo de Formação, que promove encontros, palestras, oficinas, seminários e cursos. O Núcleo de Difusão, que se volta para o lançamento de trabalhos nacionais e internacionais que ofereçam subsídios à formação de gestores e pesquisadores. Foto capa Atividade: Tons de Machete: Recuperação de técnicas da viola machete no samba do Recôncavo Baiano Foto: Tiago de Oliveira Pinto, 1987 - João de Deus e Valfrido de Jesus, Santo Amaro da Purificação, Bahia, performando samba-de-viola.
    [Show full text]
  • Tensão Moderno/Popular Em Lina Bo Bardi: Nexos De Arquitetura
    EDUARDO PIERROTTI ROSSETTI Tensão moderno/popular em Lina Bo Bardi: nexos de arquitetura DISSERTAÇÃO DE MESTRADO – SALVADOR 2002 Programa de Pós-Graduação em Arquitetura e Urbanismo Faculdade de Arquitetura – Universidade Federal da Bahia Orientador: Prof. Dr. Pasqualino Romano Magnavita MESTRADO EM ARQUITETURA E URBANISMO ÁREA DE CONCENTRAÇÃO: CONSERVAÇÃO E RESTAURO 1 Tensão moderno/popular em Lina Bo Bardi: nexos de arquitetura EDUARDO PIERROTTI ROSSETTI Dissertação submetida ao corpo doscente do Programa de Pós-Graduação em Arquitetura e Urbanismo da Faculdade de Arquitetura da Universidade Federal da Bahia, como requisito parcial para a obtenção do grau de Mestre em Arquitetura e Urbanismo. ORIENTADOR: Prof. Dr. Pasqualino Romano Magnavita BANCA EXAMINADORA: Prof. Dr. Pasqualino Romano Magnavita _____________________________ Profa. Dra. Odete Dourado Silva ___________________________________ Profa. Dra. Silvana Barbosa Rubino _________________________________ Salvador, Bahia, 11 de outubro de 2002 2 ROSSETTI, Eduardo Pierrotti. Tensão moderno/popular em Lina Bo Bardi: nexos de arquitetura/ Eduardo Pierrotti Rossetti. – Salvador, 2002. 160 p.. Ilustrada. Dissertação (Mestrado) – Arquitetura e Urbanismo. Faculdade de Arquitetura. Universidade Federal da Bahia, 2002. 3 Este trabalho é dedicado à memória de meus avós e ao empenho vivaz de meus pais para sua realização. 4 AGRADECIMENTOS Agradecimentos são fundamentais, pois esta dissertação não seria possível sem a adesão espontânea e a colaboração irrestrita de muitas pessoas incríveis! Depois de vê-la finalizada, agradeço aos meus pais, ao Renato e à Carolina, pelas perspectivas abertas, pela paciência inquestionável e pela confiança que só eles teriam. Agradeço ao tio Betinho e à tia Lucinha, ao tio Joel e à tia Alice; e a todos da família que acreditaram em mim.
    [Show full text]
  • Dialogos Urbanos 2 Reduzido.Pdf
    Universidade Federal de Goiás Reitor Edward Madureira Brasil Vice-Reitora Sandramara Matias Chaves Diretora do Cegraf UFG Maria Lucia Kons Conselho Editorial deste livro Adriana Mara Vaz de Oliveira Bráulio Vinícius Ferreira Camilo Vladimir de Lima Amaral Christine Ramos Mahler Eline Maria Mora Pereira Caixeta Fernando Antônio Oliveira Mello Márcia Metran de Mello Pedro Dultra Britto Rosane Costa Badan Os artigos foram selecionados a partir de processo de revisão cega por pares. DIÁLOGOS URBANOS LEITURAS EM HISTÓRIA E TEORIAS DA ARQUITETURA Adriana Mara Vaz de Oliveira Christine Ramos Mahler (organizadoras) Gráfica UFG, 2019 © Gráfica UFG, 2019 © Adriana Mara Vaz de Oliveira, 2019 © Christine Ramos Mahler, 2019 Capa Fabio Ferreira de Lima Julyana Aleixo Fragoso Projeto Gráfico Editoração eletrônica Géssica Marques de Paulo Dados Internacionais de Catalogação na Publicação (CIP) GPT/BC/UFG D536 Diálogos urbanos: leituras em história e teorias da arquitetura / organizadoras, Adriana Mara Vaz de Oliveira, Christine Ramos Mahler. – Goiânia : Gráfica UFG, 2019. E-book ; 292 p. : il. Inclui referências ISBN: 978-85-495-0311-4 1. Planejamento Urbano. 2. Espaço (Arquitetura). 3. Arquitetura e história. I. Oliveira, Adriana Mara Vaz de. II. Mahler, Christine Ramos. CDU: 72:711.4(817.3) Bibliotecária responsável: Adriana Pereira de Aguiar / CRB: 3172 SUMÁRIO APRESENTAÇÃO ................................................................................................................... DO REAL AO ABSTRATO: UM PANORAMA DA ARQUITETURA NOS 7 QUADRINHOS
    [Show full text]