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Set No. 1 QU"!'tion Booklet No. .00061 12P/262/6 .(To be filled up by the candidate bv blue/black baU-point pen!

Roll No. LI_..L_.L_L_L--l_-L_--L_...J

Roll No. (Write the digits in words) .•.••••••••.•••• ~ ...... ",... ,.,. .. " Serial No. of Answer Sheet ......

Day aod Date ..••••••••.••..••.••.., ••••.•••.•.•••••..••••.••••.•...••••..••..••.• ( Sig.ature of Invigilator ) INSTRUCTIONS TO CANDIDATES (Use only bluelblack ball-point pen in the space above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to elll>ure [hat ;+ contains all the pages in correct sequence and that no page/question is missing. In case of fuulty Question Booklet bring it to the notice of the SuperintendentlInvigilators immediately to ohtuin u fresh Question Booklet. 2. Do not bring any loose paper, written or blank, inside the Examination Hall except the Admit Oml witllout its envelope. 3. A sqNIIflU AIIJ'WB SlIut Is given. It should not be folded or mutilated. A second A",fwer SIIl!1!1 shall "ot be PI"OVided. 0,,1y the Answer Sheet will be evaluated. 4. Write your Roll Number and Serial Number of the Answer Sheet by pen in the space prvirlerl abow. S. 0" the front page ofthe Answer Sheel, w,ile by pen your RoO Number';" tire space provitl,J",1 ttl the top and by darkening the circles at the bo/iom. Also, wherever applicable. write Ihe QUl!stil)u Booklet Number and the Set Number in appropri4le places. 6. No overwriting is allowed In the entries of Roll No., Quatlon Booklet no. and S,t no. or anyJ on OMR sheet and Roll No. and OMR sht!et no. on. the Queston Booklet. 7. Any change in the aforesaid entries Is to be verifred by the inv/gilator, otherwise il w/U be 1,1Hen as unfairmeans. S. Each queslion illlhis Booklet isfollowed oy JOUl' altema/ive QllSwcrs. For eae" qlli!SJ;oll, y •.• ;./ are to record the correct option on the Answer Sheel by darkening Ihe appropriate dr("/c ill /h{! corre_fPonding row of II,e An.fwer Sheel, by pen as mellliolled III ti,e gllideline,,' ;':;"'_'11 {Ill 4,~f' first page ofthe Answer Sheet. 9. For each question, darken only one circle on the Answer Sheet. If you darken more than one- el'te 1~ or darken a circle partial1y, the answer will be treated as incorrect. 10. Note thai the answer once filled in ink cannot be changed. If you do not wish to aflflmpt r1... question. leave all the circies in the corresponding row blank (such question wiIJ he QII'(J':"/,,,.l zero marks). It. for rough work, use the inner back page of the title cover and the blank page at tho;; elld u'f: ~h e. Booklet. 12. Deposit only OMR Anl'wer Sheet at the end ofthc Test. 13. You are not pennitted to leave the Examination Hall until the end of the Test. 14. Ifa candidate attempts to use any fono of unfair means. he/she shall be liable to such puni:.hml:lll a$ the University may determine and impose on himlher.

Total No. of Printed Pages: 28 [~f.$r ~ it a#f;z; JIIq{lTf 'f8" 'I< fi:iI '1". t~ meraresult.com

12P/262/6 No. of Questions: 100 '!lV'if .n'hl <$Ill : 100 Ttme : 2 Hours Full Marks: 300 WTl1: 2 wrZ- N:300 Note: (1) Attempt as many questions as you can. Each question carries 3 (Three) marks. One mark will be deducted/or each incorrect answer. Zero mark will be awarded for each unattempted question. 3lf~~ m Of;) 1R'f ~ 'itT 3i"!<'I 'li(1 mit'li Wo1 3 (

01. The original tune of Vande-Mataram is based on the Raga? (1) Desh (2) Sorath (3) Khamaj (4) MaJhar

~ %'W\ 'lit ~ !!"f ~ U'T i'IT

02. How many Swaras were used in Sam-Sangeet ? (1) Two (2) Three (3) Four (4) Five

m'! WlRr if ~ m 3TI i ? (1)

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03. A famous lady musician who received the Bharatratna title? (1) R. Vedavalli (2) D.K. Pattammal (3) M.L. Vasanthakumari (4) M.S. Subhalakshmi

foRT Ilffl'il! li'1~P.>;;<1'iIT1 "Nl,1$! Ofir 'l1{(1

(4) «'1"o

04. Tagore composed "Janaganman" in the year:

"1'1' I U I '1 'i <:Cl'lT <:'R '!it ~ 'f foRT ~. i'f '!it ? (1) 1900 (2) 190] (3) 1910 (4) 1911

05. Haveli Sangeet is accompanied vvith : (1) :lk (2) Tasha (3) (4) Pakhawaj

G40lttt:l

06. In which chapter of Natya Shastra the subject of music has been dealt with ?

"lR'1~TR'>f olJ foRT '3l'2lf'! i'f

07. Total Margi Talas as per - Ratnakar : (1) Three (2) Four (3) Five (4) Six

(1) cfr'f (2) 'qJ"\ (3)

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08. Which book has been called Saptadhyayi of music?

(I) Brithaddeshi (2) Sangit Samayasar

(3) Sangit Darpan (4) Sangit Ratnakar

flR:r Wf 'lit Wfm 'Of "lit"''<1''''I'402l1'lI"O'tfi 'lim = ~ ? (1) ~'Ilt (2) Wfm lit'l'H1H (3) Wfm '*'r (4) Wfm

09. Which Gharana Bhimsen Josi belongs to ?

(1) Kirana (2) Patiyala (3) Agra (4) Gwalior

ill f'hl.I'11 (2) qfi':

10. A Tala having two laghus :

(1) Rupaka (2) Jhampa (3) Mathya (4) Triputa

(1; ~ (2) W'l (3'I ~ , (4) f,rgc

11. Kumbha , Rudra Taal and chartal ki Sawari have equal ma,tras :

(1) Correct (2) Wrong (3) Doubtful (4) Can't Say

~'lffi'(il", M(1)

(3) 1iie:i$If'l,"\ (4) 'lii$ 'itt ~

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12. Pt. Suresh Talwalker has been honoured with : (I) Padma-Bhushan (2) Sangeet Natak Academi Award (3) Padma - Vibhushan (4) Padma - Shree

~ ~ i:t <"1 q <"1 'Ii < qj'[ iii Ai 1f.'I i:t f'l;<:rr 7f"IT ~ (I) q~ 0 1 -ft .(4) q

13. Vstad Nathookhan was specially known for Playing: (I) Paran (2) Gat (3) Kayada (4) Vthan

0@0: '1"'i 1SiT fcr~ <'.'i

14. Sam, Visham. Ateet, Angagat are the varieties of : (I) Jati (2) Yati (3) Gati (4) Graha

wr, fcrofq, ~, '3i 'i I' 1<'1 i't ll"'IlR l! : ( I ) "l1ftt

15. The Value of Drut and Viram is unchangeable in Karanatik taal system: (1) Correct (2) Doubtful (3) Wrong (4) Can't say

. 'Ii'i\C'Ii i'!R'f q'ilRi if ~ ~ fcr

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16. Who is the Author of " Kaumudi" : (1) Sudhir Saxena (2) Pagaldas (3) Bhagbat Sharan Sharma (4) Sataynarayan Vashisth

'\'f<[ffi 'iii ~' ~

( 1 ) ~.m- l:i

(3) "1'1"1<1 ~R"T ~l1'If (4) l:i «l '"II {I

17. The Smallest unit of Taal is : (Ii Avartan (2) Matra (3) Vibhag (4) Sum

(2) '1"lm (3) fcr"1I'1 (4) @I

18. Japtal belongs to : (1) Tistra Jati (2) Chatustra Jati (3) Mishra Jati (4) Khand Jati

$1q<1I.1 ~ "llfu ~ (1) fu;r "llfu (2) "l"!f>I "ITfu (3) fl:m "ITfu

19. is mostly tuned in : (1) Ga Pa Sa Sa (2) Pa Sa Sa Sa (3) Sa Ni Dha Pa (4) Ma Dha Sa Sa

ctl'"l:!<1 ~ l\'l m if fi:I<'1I

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20, Ustad Hazi Vilayat Ali is well known for his: (1) Peshkar (2) Kayada (3) Relas (4) Gat

'3ffi I" N"fi F.f fW1: (2) '!>1<1 fW1: (3) tffi fW1: (4) 'Tffi fW't

21. There are the essential parts of a Taal : (1) Matra, Vihha, Kriya (2) Matra, Avagraha, Tali (3) Matra, Dugun, Khali (4) Sam, Matra, Peshkar

fi1im <1Tiif fW1: ,,'T'flT 1iFrr '31lC[~'f'fi ~ : (1) "ll""!T, Fcr

22. The definite "Bol-Samooha" of Taal is called: (1) Man (2) Theka (3) Tali (4) Avartan

<1Tiif ~ oi't<'l" ~

23. The number of Deshi talas described in Sangeet Ratnakar are:

WWr {AI'!>{ it qfUf

24. Which one of the fol1owi~g is not an Avanaddha ? (1) Dardur (2) Panav (3) (4) Pataha

f.1 '"'1 R1 fum it ~ CliA" -m '3'1 Cj '1 'G: ~ ;fflI ~ ? (1) $ (2) qvrc( (3) ~ (4) ~

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25. Brahma taal has: (1) 9 talis and 5 khalis (2) 10 talis and 4 khalis (3) 11 talis and 3 khalis (4) 8 talis and 6 IIhalis

¢1~<11<1 if ~ %- : (1) 9 ;m;fi

26. Ustad Abid Hussain Khan belongs to:

I, : j Lucknow gharana (2) Delhi gharana

13) Punjab gharana (4) Farrukhabad gharana

'3«11~ ~ ~ W ~ 1':I"if.t >i'1 lOIR1f.1fq tI ? (1) <1<§1'10i (2) ~ (3) ~ (4) Lf)<:\<§II"!T~

27. The tal of Karnatak sangeet which corresponds to Hindustani Roopak taal: (1) Adital (2) Mishra chapu tal (3) Roopakam (4) Jhampa

. 'h'1k'h WiRf 'liT ffift ~ Wllff >i'1 ~ ffii'1li~~r l'( (I) '>11fe<<1I<1 (2) f

28. How many matras are there in chachatput tal?

(1) 6 (2) 8 (3) 10 (4) 12

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29. The frequency of Nada depends upon: (1) Pitch (2) Magnitute (3) Timber (4) Harmonics

'l!i'i 'lit (lllo<\l('l'1 "ff&rr f.1'4<: ~ ~ ~ 1:fl: : (I) = (2) mcr- Q$IQ'1 (3) "IiT"O (~) (4) {1 ,lI''1Cf) 'l!i'i

30. Consonace in the swaras of sea Ie depends upon: (1) Vibration of the string (2) Pitch (3) Frequencies of the vibrations (4) Vibrator

U'(jCf) of; B1if Cf)[ 'l~{ ~... R'4<: ~ ~ ~ 1:fl: (1) i"fR Cf)[ "1M" (2) "'" 'lit <'11 {<'11 (3) Cf)"'I'11 'lit u-qn{>A"1T{ ~ (4) ~o'f '3~ ~

31. The author of 'Bhartiya Sangeet Vadya' is : (1) Acharya Brihaspati (2) B.C. Deva (3) Lal Mani Mishra (4) V.N. Bhatkhande

'11 <.ct\"l W1m <'!TU g«1Cf) of; ~ ~ (1)~~ (2) ~hmo ~ (3) <'IWf l1fUr ftr'loT (4) cITo 0;'10 '11<'1

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32. Gharana is known for Kaiyda of Adi Laya : (1) Delhi Gharana (2) Punjab Gharana (3) Ajarada Gharana (4) Lucknow Gharana

~ <'f'! it; 'hI'!:RI"IT : (1) ~ '1(1'11 (2) ¢iITor E1{I'11 (3) "N1

33. Bharat's Natya Shashtra deals with Taal in its:

(1) 29th (2) 30th (3) 31st (4) 32nd

>ref it; '11~"I~II*", if ('fRif ~ ~"'I~ WI!ll fll"l if ~ ? (1) 29 eff (2) 30 eff (3) 31eff (4) 32eff

34. Taal-symbols of Atth-Taal is :

'l1i5-('fRif it; ('fRif-~ 'f

35. Tabla-Taranga Produces: (11 Raaga (2) Taala P) Basic-Note only (4) Mandra-Shadaj only

(2) ('fRif (4) ~ ~ "f9'if

36. Jal-Tarang belongs to : (1) Tat Vadya (2) Sushir Vadya (3) Avana.ddha Vadya (4) Ghan Vadya

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'''K'! Cli"'T' fl CI '1 "" "Ifill (4) "f'1 "Ifill

37. Number the Angar of Taala :

WOl of; -Wr fiiict'i mff It ? (1) 4 (2) 6 (3) 8 (4) 10

38. Name of the teacher of V stad Alla Rakha Khan is : (1) Saddu Hussain Baksh (2) Faqueer Baksh (3) Quadir Baksh (4) Mau1a Baksh

3@<'; ~ ~ of; ~ 'liT 'WI ~ : (1) ~ ~ ~T (2) 4i

39. Name the writer of Mridang saagar : (1) Pt. Bhairav Shahi (2) Pt. Bhagwan Oas (3) Pt. Bhawani Oas (4) Pt. Ghan Shyam Pakhawaji

'~-1iIl'R' W"l of; Wsr'li 'Iif "if'! ~ : (1) 10 "Rf WW! (2) tio 'i'IClI'1

40. Nana Panse hails from: (1) Vjjain (2) Indore (3) Dewas (4) Oatiya

'1T'1T qr;ffi 'Iif W"I.<:f .~ it ~ ? (1) 0'''§1'1 it (2) ~ it (3) ~ it (4) <,;R\

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41. Raja Chhatrapati Singh Plays: . (1) Tabla (2) Pakhawaj (3) Nakkara (4)

'nGfT E§"IQR1 ~ 'I"1T -m it ?

(1) ~ (2) QISlI

42. Vishnu Taal consists of : (1 ) 11 Matras (2) 13 Matras (3) 15 Matras (4) 17 Matras

~ <'1R'f if f£h<1;fl "11"11(( t?Kit ~ ?

~ ~ , (1 ) 11 "II"II~ (2) 13"11"11~ (3) 15 "II"IIQ; (4) 17 11T"~

43. What does Patakshar denote? (1 ) Matra (2) Laya (3) Yati (4) Varna

'~'q;r~~ (1) 'Iffi (2) <'[q (3) "Ifff (4) c!"f

44. Taal Addha-Titala is best suited to : ( I) Dhrupad (2) Khayal (3) Thumari (4) Tappa

''l1?J ffctL

45. University only for Music and other fine arts is situated at. : (1) Baroda (2) Varanasi (3) Raigarh (4) Khairagarh

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~ WWr q 0F<'IT'3l1

46. While accompanying Tabla / Pakhawaj is generally tuned in : (1) ShadaJa (2) Gandhar (3) Madhyama (4) Paochama

Wm ~ <11'f

(1) ~ (3) l'f'Z!'l (4)

47. Taansen was accompanted by : (1) Tabla (2) Pakhawaj (3) Dholak (4) Nakkara

<11'1 B'1

48. From where is Raga evolved: (1) Swar (2) Nada (3) That (4) Aroh

(1) "'< (2) '1l'l: (3) "'IlC (4) ~

49. Music instrument named upang belongs to : (1) Tat-vadya (2) Awaoaddha-vadya (3) Sushir-vadya (4) Ghan-vadya

(1 ) <1CJ: crre:r (2) '3lCI"'l<&: crre:r (3) W'R-crre:r (4) ~-crre:r

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50. Navahakka necessarity includer in itself: (1) Kayada (2) Peshkara (3) Tihai (4) Tihai within Tihai

'iCl~%1 -if; 'I

51. Who wrote the book "Table Ka Udgam Vikas Va Vadan Shaliyaa" ? (I) Abanmistri (2) Yog Mayashukla (3) Girish Chandra Shrivastav (4) Satya Narayan Vashishtha

"~ 'Of 0<;"1'1 Pci'hltl q """" ~" "fl1'T'h gm'h f'IiWt fi?reft ~ ? (1) (l1ICiI'ifi'l'bfl (2) .wr '11'11~ (3) fl'Ifu~ 'lilClI«1'1(4) ~ 'iR1CfUT ~-

52. Which is related to "Visarjitam" ? (1 ) Kal (2) Marg (3) Kriya (4) Ang

~flfGit1l=t 'Of W"i.... fittlfl ~ ? (1) 'hT<'f (2) 1lPf (3) fWlT (4) .3*'1

53. "V ho has been awarded 'Padma-Shree' in 1988 ? (1 i Kishan Maharaj (2) Gudai Maharaj (3) All Rakha (4) Zakir Hussain

(2) :JG{ %'ffi"f (4) "lim sflTf

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54. Atit and Anagat belong to : (1) Jaati (2) Prastar (3) Grah (4) Marga

~ q 31'11'1<1 flhflif; ;Wf % ? (1) '3'fIfcf (2) ~ (3) J:T

55. Which style of singing "Khemta Taal" belongs to ? (1) Drupad (2) Khyal (3) Dhumari (4) Bhajan

"<§l '"1 cl C!R'f" flhfI" 'll"f'f " '!it C!R'f % ?

(1) ~ (2) &lR'[ (3) S'ffi (4) 'f3I'i

56. Name of the writer of "Taal-kosh". (1) Aban Mistri (2) Yogmaya Shukla (3) Girish Chandra Srivastav (4) Chotelal Mishra

"C!R'f-

57. Name the layakari formed if ,)haptaal is adjusted to kaharawa 08 , matras from sam to sam? (1) Paun Gun (2) Sawai (3) A"di (4) Paune Do Guni

'If&" ill q <11 Z'I

(1)

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58. Measurement of Dha lying on the first Matra of Taal Jhumara ?

1 3 (1) 1- (2) .(3) 1 4 1~ (4) 4

59. Taal having Taali on first, eight and twevelth : (1) AdachartaaJ (2) Gaj-Jhampa (3) Pancham-Sawari (4) Chartaal Ki Sawari

~, ~ ~·€iI(~

(1) ~-'m<"ll

60. Which class does kartaal belong to ? (1) Ghan (2) Sushir (3) Avanaddha (4) Tal

'Ii (<"II

(1) ..., (2) WR (3) "*1 "I "" (4) ffi'{

61. Name the place where Hari-vallabh festival is held every year. . (1) Agra (2) Gwalior (3) Mathura (4) Jallandhar

(1) 01l'T(T (3) ~

62. Which fraction depects Paun-Gun ?

(1) 5/4 (2) 4/5 (3) 7/4 (4) 9/4

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63. Taal Dhumali is best suited to : (1) Thumari (2) Dadra (3) Kajari (4) Bhajan

ffi"(if ~ f4i\1<6 ~ ~ ;jq:'!*1 ~ ? (1) ~ (2) = (3) 'li'iffi (4) "I"f'f

64. Which system saptasuladi Taalas belong to ? (1) Hindustani Taal system (2) Karnatak taal system (3) Western taal system (4) None of these

"B'{'f t!'1k'li ffi"(if q<&:Ri (3) m"!T«! ffi"(if q<&:Ri (4) l<'fi'f ~ <€t{ '1tf

65. Which is the thing having no room for expansion? (1) Kayda (2) Peshkar (3) Rela (4) Gat

f4i<1't?1 fCi1<1<;1 (2) q~l'!iT{ (3) 'ffir (4) 'l

66. Which is closer to Poorab baaj ? (1) Taasha (2) Nakkara (3) Ubang (4) Pakhawaj

'!"'f "Il"1 't?f \T<[ffi Rh<1B ~ = ~ ? (1) ClRTT (2) "W1>!{[ (3) '3'M (4) q@qVJ

67. What wm be fn.lm of Teen ta81 (Hindustani) if written in Karnatak Taal system ?

(1) S51 (2) I IS (3) S5S (4) IS I

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68. In the Saadara Style of singing the Taalas used. have Matras ?

(1) Eight (2) Ten (3) Twelve (4) Fourteen

fM(1 '11'1<61 if i

(1) 3lTO (2) Gff (3) ~ (4) ~

69. Name the Layakari in which five beats are shown in four beats?

(1) Paun Gun (2) Der Gun

(3) Sawa Gun (4) Paune Do Gun

'1fG- ~ 'IT"5ITaif if qlq 'I1'1Ii! ~t ?

(3) (lCiITt (4) ~

70. What layakari is represented by 3/4 ?

(1) Aad (2) Kuad (3) Biad (4) Paungun

(1) 3m? (2) ';§3lT9 (3) Pl'1I,\,>

71. Which Dhatu has formed the word Tal?

(1) Tal (2) Tol (3) Tala (4) Tara

ffi<'f ~ i

( 1) ffi<'f (2) <'i't

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72. How many 'Dha' in the composition of Kamali ?

'h"ll<'fl <'i'AT if ~ '>IT' 1M ~ ? (1) 9 (2) 27 (3) 18 (4) 3

73. How many percussion instruments used in North ? (1) Two (2) Three (3) Four (4) Five ~ ~"'l=I(""dI='"1 ~1I~'"1 Wfmif ~ 0l'l'1'i& mm 'liT wWr m ~ ? (1)

74. What is called equal rythem of time in music ? (1) Laya (2) Kal (3) Kriya (4) Ang

wr

75. Which form related to Masitkhani Gat? (I) Tantra Vaday (2) Tabla (3) Pakhawaz (4) Kathak

.lftr<1

76. Which Gharana called "Banda Baj" ? (1) Banaras Gharana (2) Ddhi Gharana (3) Punjab Gharana (4) Lucknow Gharana

(1) ('"~:t:jl

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77. How many types of Sashabad Kriya ? (1) Two (2) Three (3) Four (4) Five

WlIOi'\ ~ 14iaot lI'!iR 'lit .mft ~ ? (1) ~ (2)

78. Tabla's bois are similar to which ancient instrument? (1) Dardur (2) Panav (3) Pushakar (4) Pakhawaz

~

(1) $ (2) q"fC[ (3) ~{ (4) 'RSI~

79. What is the base of Tabla Playing? (1) (2) Harmonium (3) Lahara (4) Violin

?l'Wf "IT'l:'f f

80. Which notation system is used mostly to write Tabla composition? (1) Bishnu Digambar (2) Karnatak (3) Bhatkhande (4) Western

(1) ~ [a.'I"'!'­ (2) 'l>'1\e",

(3) '1ItHS1<% (4) 'm~

81. Which is llsed in the end of composition in Tabla? (1) Tihai (2) Rela (3) Paran (4) Tukda

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~ if ~.an "OT WlIq'1 !4>\ii'f ti'Im ~ ?

(1) ~ (2) 'tffi (3) 'K-l (4) ~

82. How many matras will complete one Avartan Chaugun of kumbha taal ?

2 (1) 2 ~ (4) 2 4"

83. Which sign is used for khali in Paluskar taal system?

q

(1) + (2) 0 (3) (4) x

84. How many types of "Yati" are there?

(1) 4 (2) 6 (3) 5 (4) 3

85. Khanjari is called in Maharashtra ? (1) Dimri (2) Khanjari (3) Dap (4) Chimta

(§j Gj {j 'lit 'it! I{I ~ if '!i\iT 'l'IR'fT ~ ? (1) f&'i~ (2) (§jGj{j (3) ~ (4) ~'i"1

86. Dardur Vadya is similar to this vadya : (1) Dholak (2) Nal (3) Ghare (4) Nagara

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(1)

87. ·Ud. Sabri Khan' belongs to :

(1) Delhi Gharana (2) Lucknow Gharana

(3) Punjab Gharana (4) Farrukhabad Gharana

3«11& Iillcil{l ~ ~ilj~<1 ~

(1) ~ EHI'11 (2) i!I

(3) ¢;rr

88. How many Gharanas of Pakhawaj ?

(1) Two (2) Three (3) Four (4) Five

(1)

89. Ada of Tal 'Pancham Sawari' will be. of :

(1) 10 matras (2) 15 matras (3) 14 matras (4) 18 mOIras

(1) 10 "11m (2) 15 "11m (3) 14 "11m (4) 18 >=rr-,n

90. Uttar Pradesh Sangeet Natak Academy is situated at :

( 1) Lucknow (2) Allahabad (3) Kanpur (4) Banaras

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( 1)

91. In which vocal style Dhamar Tal is used? (1) Thumri (2) Tappa (3) Dhamar (4) Khyal

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92. Who has invented Tabla? (1) Ud. Jakir Hussain (2) Amir Khusro (3) Pt. Ravi Shankar (4) lmdad Khan

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93. Write the following chronologically: (1) Dhundubhi, Pushkar, Pakhawaj, Tabla (2) Tabla, Pakhawaj, Dhundubhi, Pushkar (3) Pushkar, Dhundubhi, Pakhawaj, Tabla (4) Pakhawaj, Tabla, Pushkar, Dhundubhi

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94. Which discipline comes Acoustics ? (1) Physics (2) Sangeet (3) Science (4) Chemistry

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95. While accompanying Tabla/Pakhawaj is genaraly tuned in : (1) Shadaja (2) Gandhar (3) Madhyama (4) Panchama

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96. Tabla-Tarang is meant for Producing: (1) Raag (2) Taal (3) Basic Swar (4) Basic Laya

97. Which Tal is Visam Tal? (1) Dadra (2) Kaharva (3) Rupak (4) Kbcmta f.'!>o1 if ~ ~ "fft fl'rt¥r ~ ~ ? (1) ~ (2) 'h

98. Which taala has got Tin Tin on its 7'" and 8'" Matras ? (1) Ada Chartaal (2) Tritaa1 (3) Tilwada (4) Jhumra <:1I<1cfl, -mocfI "IfJU~ 'R (m, m) quf f'Iffi

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99. Give the name of taal which is started with khali ? (1) Rupak (2) Dadra (3) Kaharva (4) Sultaa1

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100. Which Gharana Famous for fard ? (1) Banaras (2) Delhi . (3) Punjab (4) Furukkhahad

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