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4. UK Films for Sale at EFM 2019
13 Graves TEvolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Diane Shorthouse +44 7957 306 990 Michael McKell [email protected] Genre: Horror Market Office: UK Film Centre Gropius 36 Director: John Langridge Home Office tel: +44 20 8215 3340 Status: Completed Synopsis: On the orders of their boss, two seasoned contract killers are marching their latest victim to the ‘mob graveyard’ they have used for several years. When he escapes leaving them no choice but to hunt him through the surrounding forest, they are soon hopelessly lost. As night falls and the shadows begin to lengthen, they uncover a dark and terrifying truth about the vast, sprawling woodland – and the hunters become the hunted as they find themselves stalked by an ancient supernatural force. 2:Hrs TReason8 Films Cast: Harry Jarvis, Ella-Rae Smith, Alhaji Fofana, Keith Allen Anna Krupnova Genre: Fantasy [email protected] Director: D James Newton Market Office: UK Film Centre Gropius 36 Status: Completed Home Office tel: +44 7914 621 232 Synopsis: When Tim, a 15yr old budding graffiti artist, and his two best friends Vic and Alf, bunk off from a school trip at the Natural History Museum, they stumble into a Press Conference being held by Lena Eidelhorn, a mad Scientist who is unveiling her latest invention, The Vitalitron. The Vitalitron is capable of predicting the time of death of any living creature and when Tim sneaks inside, he discovers he only has two hours left to live. Chased across London by tabloid journalists Tooley and Graves, Tim and his friends agree on a bucket list that will cram a lifetime into the next two hours. -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
Andrzej Wajda Polski Film Dokumentalny
CMY CY MY CM K Y M C plakat_50_LAT_205x280_3mm.pdf 12016-01-1113:04:13 MAGAZYN FILMOWY 3 (55) / marzec 2016 Polski film dokumentalny film Polski NUMERU TEMAT okino walka wygrana Wajda Andrzej WYWIAD ISSN 2353-6357 WWW.SFP.ORG.PL 3 (55) / marzec 2016 nr 55 marzec 2016 Spis treści SFP/ZAPA 3 RYNEK FILMOWY Wydział Radia i Telewizji Uniwersytetu Śląskiego 46 POLSCYROZMOWA NUMERU Rozmowa z Rafałem Syską 50 Andrzej Wajda 4 Fundacja Wspierania Kultury Filmowej Cyrk Edison 52 Wytwórnia Scenariuszy 54 FILMOWCY Rozmowa z Simonem Stone’em 56 Film Factory w Sarajewie 58 MISTRZOWIE Krzysztof Kieślowski – projekty niezrealizowane 60 REFLEKSJE Audiowizualna historia kina 64 10 000 dni filmowej podróży 66 notacje Nie ma stolika 68 Fot. Kuba Kiljan/SFP Fot. Kuba MOJA (FILMOWA) MUZYKA Przemysław Gintrowski 69 TEMAT NUMERU Polski film dokumentalny12 SWOICH NIE ZNACIE archiwalneJoanna Klimkiewicz i Kamila Klimas-Przybysz 70 NIEWIARYGODNE PRZYGODY POLSKIEGO FILMU Maddalena 72 MIEJSCA Kino Narew 74 STUDIO MUNKA 76 Rys. Zbigniew Stanisławski Rys. PISF 78 WYDARZENIA KSIĄŻKI 80 Złote Taśmy 20 Nagrody PSC 21 DVD/CD 84 Dyplomaci w Kulturze 22 IN MEMORIAM 85 FESTIWALE W POLSCE Zoom-Zbliżenia 24 VARIA 87 Prowincjonalia 25 List DO redakcji 94 NAGRODY Honorowy Jańcio Wodnik 26 BOX OFFICE 95 WYSTAWY plakat_50_LAT_205x280_3mm.pdf 1 2016-01-11 13:04:13 Krzysztof Kieślowski. Ślady i pamięć 28 2016 marzec (55) / 3 POLSKIE PREMIERY ISSN 2353-6357 WWW.SFP.ORG.PL Kalendarz premier 30 2016 Rozmowa z Jerzym Zalewskim 32 marzec / ) 55 ( 3 Rozmowa z Maciejem Adamkiem 34 C M Y CM W PRODUKCJI 36 MY CY CMY K FESTIWALE ZA GRANICĄ Rotterdam 37 MAGAZYN FILMOWY Berlin 38 WYWIAD Andrzej Wajda Santiago de Chile 40 wygrana walka o kino TEMAT NUMERU Polski film dokumentalny POLSCY FILMOWCY NA ŚWIECIE 42 Na okładce: Andrzej Wajda Rys. -
European Journal of American Studies, 13-3 | 2018 Dances with Westerns in Poland’S Borderlands 2
European journal of American studies 13-3 | 2018 Special Issue: America to Poland: Cultural Transfers and Adaptations Dances with Westerns in Poland’s Borderlands Piotr Skurowski Electronic version URL: https://journals.openedition.org/ejas/13595 DOI: 10.4000/ejas.13595 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Piotr Skurowski, “Dances with Westerns in Poland’s Borderlands ”, European journal of American studies [Online], 13-3 | 2018, Online since 07 January 2019, connection on 08 July 2021. URL: http:// journals.openedition.org/ejas/13595 ; DOI: https://doi.org/10.4000/ejas.13595 This text was automatically generated on 8 July 2021. Creative Commons License Dances with Westerns in Poland’s Borderlands 1 Dances with Westerns in Poland’s Borderlands Piotr Skurowski 1 Parallel to other European countries, the American West has always stirred a great fascination in the Polish public. An important part of the Polish context which seems responsible for that fascination was the role played in Polish history by the eastern borderlands (Kresy) whose place in the Polish imaginary seems to parallel, in some important aspects, the mythmaking role played by the Wild West in America. The mythic appeal of the Kresy owes a lot to one of the key Polish mythmakers, the novelist Henryk Sienkiewicz whose famous Trilogy strongly defined the Polish imaginary concerning the history of the Kresy for generations to come. In Sienkiewicz’s mythic vision, the Ukrainian steppes constituted a scenic backdrop for a heroic struggle of the righteous and chivalric Poles against the invasions of barbarian hordes from the East, including the Cossacks, Turks and Tartars. -
An Opera Based on Stories by Y U Ry Mamleev and Anton Chekhov an Opera Based on Stories by Yury Mamleev and Anton Chekhov
Deputy Director for Construction and Operations – Sergei Kotov Workshop Director – Oleg Kochukov Director, Artistic and Production Department – Natalya Avdonina Workshop Carpenter – Yevgeny Fyodorets Deputy Directors, Artistic and Production Department – Set Engineer – Tatyana Kudryavtseva An opera based on stories Alexandra Alexeev, Alexei Naumov Head of Production Department – Tatyana Khvorostyanaya by Yury Mamleev and Anton Chekhov Director, Sound Department – Alexander Mikhlin Company Manager – Nina Firsova PROSE Sound Engineers – Polina Beletskaya, Anastasia Khlystova Company Superintendent – Iraida Levandovskaya Director, Lighting Department – Mikhail Klimov First Deputy Director – Vladimir Povarnitsyn Composed and directed by Vladimir Rannev Performed by: Lighting Engineers – Artur Alenko, Vadim Gorbachyov, Deputy Artistic Director for International relations – Irina Tokareva Designed by Marina Alexeeva N’Caged ensemble: Sergei Malinin, Dmitry Matvienko, Olga Rossini, Natalia Kudryavtseva, Alexei Papkov, Konstantin Slabospitsky, Manager of International Department – Anna Isakova Lighting designed by Sergei Vasilyev Arina Zvereva / Alyona Parfyonova; Stanislavsky Electrotheatre chorus: Pavel Taran Deputy Artistic Director for Strategic Development – Musical director: Arina Zvereva Alina Gorina, Alyona Kakhuta, Tatyana Perevalova, Maria Menshenina, Video – Konstantin Vyuev, Vladislav Zinovyev, Vera Malysheva, Gleb Aleinikov Ilona Bul, Alyone Fyodorova, Yelena Byrkina Taras Khvorstyany Manager, Communications, Media and Development -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE -
„This Reckless Flight, Where Is This Bound to Take Us?” /Imre Madách
„This reckless flight, where is this bound to take us?” /Imre Madách/ photo: © V. Vial mitem.hu • nemzetiszinhaz.hu/mitem • facebook.com/mitembudapest • #mitem PREFACE VI. MITEM • APRIL 11–MAY 5 • 2019 DANCE BETWEEN DIFFERENCE AND UNITY ”This reckless flight, where is this bound to take us?” /Imre Madách/ But really – where are we headed? Hungarian playwright Imre Madách’s prophetic play The Tragedy of Man is coming to life in front of our very eyes in the photos we see everyday and on the television screen, one scene at a time scene, or perhaps even all at the same time. Who can say where we are at the moment? In the eskimo scene of ecological catastrophe, the phalanstery of the farmer searching for a way out, or in-between the two, in empty space? And the scene in Rome? With his production of Uncle Vanya, Lithuanian director Rimas Tuminas (coming to MITEM for the third time) freed the stage from a sense of coziness, creating instead a battlefield of passions, broken dreams, and lost hopes. The Prague scene in Madách’s play? After his production of Brecht’s The Caucasian Chalk Circle, Michael Thalheimer brings us A Streetcar Named Desire, a story of the downfall of two people in a society that takes no responsibility. The London scene? The production of Sons of A Bitch by the recently deceased Eimuntas Nekrošius portrays the innermost essence of the Lithuanian people, their ancient origins, and deep-rooted survival instincts. All the scenes in one? As one reads in a review of the Odin Teatret’s production of Trilogy (first performed all parts together in Europe at MITEM), “the tree of history is growing: it is fed by life and death. -
Berlinale 2000 Report
Berlinale 2000 Report By Ron Holloway Spring 2000 Issue of KINEMA BERLINALE 2000 AT FIFTY FOR the first time in the history of the festival, the 50th Berlinale (9-20 February 2000) was openedbythe President of the Federal Republic of Germany, Johannes Rau. German Chancellor Gerhard Schroeder joined Berlin Mayor Eberhard Diepgen at the grand inauguration of the new festival location cum headquarters on the Potsdamer Platz. Cultural Minister Michael Naumann presented Jeanne Moreau with an honorary Golden Bear and chatted with her about co-founding a new German-French Film Academy. L’Oréal spon- sored the VIP lounge. The party for Danny ”Trainspotting” Boyle’s screen adaptation of Alex Garland’s The Beach (UK-USA), starring Leonardo DiCaprio, was voted the festival’s most lavish and exotic. Kenneth Branagh enlivened the press conference for his Love Labour’s Lost (UK) with a droll quote: ”Shakespeare has been an excellent meal ticket!” MPAA’s Marc Spiegel reminisced how the Berlinale became a major international festival event a half-century ago. Wolfgang Jacobsen’s splendid anniversary publication, 50 Years Berlinale -- Internationale Filmfestspiele Berlin is packed with nostalgic memorabilia for those who still miss the Zoo Palast, a proud flagship venue on the festival circuit. And Between Barricades and Ivory Tower, The History of Independent Cinema: 30 Years International Forum of Young Cinema, edited by Nicolaus Schröder for the ”Friends of the German Kinemathek,” also belongs on the shelf of every dedicated cinéaste. As for the innovations at the anniversary Berlinale, the Stella Musical Theatre on Marlene-Dietrich-Platz was re-christened the ”Berlinale Palast” for the duration of the festival. -
Retrospektive Andrzej Wajda Andrzej Wajda
Retrospektive Andrzej Wajda DER DIRIGENT Andrzej Wajda 8 Andrzej Wajda und Krystyna – Janda bei den Dreharbeiten zu DYRYGENT Wajda Andrzej Als Martin Scorsese 2014 in den USA und in England immer als politscher Filmkünstler verstanden, dessen das auf seine Initiative hin zustande gekommene Film- künstlerisches Selbstverständnis nicht von seinem programm »Masterpieces of Polish Cinema« präsen- Selbstverständnis als polnischer Patriot zu trennen ist. tierte, befanden sich unter den 24 Filmen der Jahre In unmissverständlichen Worten hat er das 2002 in der 1957 bis 1978 allein vier Filme von Andrzej Wajda. Dankesrede bei der Verleihung des Oscar für sein Le- Scorsese verwies auf den starken Eindruck, den die benswerk zum Ausdruck gebracht: »Ich werde meine von ihm ausgesuchten Filme während seines Filmstu- Rede auf Polnisch halten, da ich das sagen möchte, diums an der New York University in den 1960er Jah- was ich denke, und ich denke immer auf Polnisch. ren hinterlassen hatten und hob Wajdas ASCHE UND Die Themen unserer Filme waren die Brutalität des DIAMANT besonders hervor: »When I first saw ASHES Faschismus und das Unglück, welches der Kommunis- AND DIAMONDS, one of the many highlights in this mus mit sich brachte ...« In Filmen wie EINE GENERA- series and arguably one of the greatest films ever made TION, DER KANAL, ASCHE UND DIAMANT, LOTNA oder – Polish or otherwise – I was overwhelmed by the film: LANDSCHAFT NACH DER SCHLACHT spürt man die the masterful direction, the powerful story, the strik- autobiografischen Erfahrungen des 1926 geborenen ing visual imagery, and the shocking performance by Wajda, der den deutschen Überfall auf Polen und die Zbigniew Cybulski, considered the Polish James Dean, Jahre der Besatzung ebenso bewusst miterlebt hatte for his electrifying presence. -
Program Guide Week 11 Sunday March 6Th, 2016
Program Guide Week 11 Sunday March 6th, 2016 5:00 am CCTV English News - The English language news channel from China Central Television (CCTV) in Beijing, the nation's largest national broadcasting network. 5:30 am NHK World English News - News from Japan's Broadcasting Corporation, NHK, delivering the latest in business, technology, health, environmental and world news, in English. 5:45 am France 24 Feature - News feature in English from France 24, Paris. 6:00 am France 24 English News - International news and current affairs television from Paris, offering a French perspective on world events, in English. 6:30 am Deutsche Welle English News - News and analysis of the top international and European news and current affairs from Berlin, in English. 7:00 am Al Jazeera English News - News via satellite from Al Jazeera Satellite Network, Qatar, in English. 7:30 am Italian News - News via satellite from RAI Rome in Italian, no subtitles. 8:10 am Filipino News - News via satellite from ABS-CBN Manila, in Tagalog, no subtitles. 8:40 am French News - News via satellite from FT2 Paris, in French, no subtitles. 9:30 am Greek News From Cyprus - News via satellite from CyBC Cyprus, in Greek, no subtitles. 10:30 am German News - News via satellite from DW Berlin, in German, no subtitles. 11:00 am Spanish News - News via satellite from RTVE Madrid, in Spanish, no subtitles. 12:00 pm Arabic News - News via satellite from DRTV Dubai, in Arabic, no subtitles. 12:30 pm Turkish News - News via satellite from TRT Turkey, in Turkish, no subtitles. -
Alexander Kovacs
ALEXANDER KOVACS COMPOSER AWARDS PRIMETIME EMMY AWARD NOMINATION (2020) MCMILLIONS Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score) FILM F.E.A.R. Jason Tobias, dir. Action Figure Entertainment WONDERWELL (additional music) Vlad Marsavin, dir. Strange Quark Films JINGLE JANGLE: A CHRISTMAS STORY (adtnl. arrangements) David E. Talbert, dir. PALM SWINGS Sean Hoessli dir. Code Blue Pictures MAGIC LANTERN Amir Naderi, dir. Runner Films BRIAN BANKS (additional music) Tom Shadyac, dir. Hidden Media SHIELD OF HONOR Universal THE ZIM Alexander Bedria, dir. Brickyard Films GETTING GRACE Danny Roebuck, dir. Magic Bean Entertainment THE BASEMENT (co-composer) Nathan Ives, Brian Conley dir. The Conley Company MERIDIAN Curtis Clark, dir. Virgin Soil Productions/Netflix 3349 Cahuenga Boulevard West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 ALEXANDER KOVACS COMPOSER FILM (Continued) A NEW YORK CHRISTMAS Nathan Ives, dir. Make It Right Films SHIRIN IN LOVE Ramin Niami, dir. Sideshow THE THROWAWAYS (co-composer) Tony Bui, dir. The Combine JUST LIKE WE USED TO DO Suzanne Doran, dir. Tinker Films MARVEL ONE SHOT: AGENT CARTER (programmer, arranger) Louis D’Esposito, dir. Marvel Studios A BETTER PLACE (additional music) Dennis Ho, dir. Digital Jungle Productions THE PRINCE (additional music) Brian Miller, dir. Emmett/Furla Films THINK LIKE A MAN (score production) Tim Story, dir Screen Gems ONE FOR THE MONEY (session preparation) Julie Anne Robinson, dir Lakeshore Entertainment LIBERTADOR (programmer, score coordinator) Alberto Arvelo, dir. Producciones Insurgentes TO HAVE AND TO HOLD (additional music) Ray Begnston, dir. To Have and To Hold, LLC ALONE YET NOT ALONE (additional music) Ray Bengston, dir. -
OCTOBER 1 - NOVEMBER 17, 2013 | PROGRAM 25 for 25
OCTOBER 1 - NOVEMBER 17, 2013 | PROGRAM 25 for 25 In honor of the 25th Anniversary of the Earshot Jazz Festival, our board of directors launched a fundraising campaign to raise $25,000 to support our year-round concert series, education programs, and world-class jazz festival. We invite you to join us. The Earshot Jazz organization is Seattle’s major ambassador of jazz music – presenting jazz masters and important new artists, supporting the local scene, and educating young and old about the joys of jazz. Please make a donation at earshot.org at a level that fits your budget. Thank you!! 2 • EARSHOT JAZZ • October 2013 EARSHOT JAZZ FESTIVAL 25 Welcome to Earshot25! The New Jazz Age! We’ve got an absolutely incred- music scene exists a valued and var- ible festival lineup for you this year! ied jazz sensibility that continues to Even though we put it together, we’re draw international attention. In the still dazzled at the way it turned out. context of that vibrancy, Earshot pro- Maybe the stars and planets all lined duces one of the most distinctive jazz up, or the good Karma came back festivals in the country, enriching around, or our dedication and mad this community with one-of-a-kind skills finally paid off, but things re- concerts by some of the world’s most ally clicked into place this year. This important artists, and presenting is easily the most expansive and im- Seattle artists in a world-class festi- JOHN GILBREATH PHOTO BY BILL UZNAY pressive jazz festival Seattle has ever val setting.