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V Международный форуМ театрального искусства «TEART» 121 ОрганизатОры Центр визуальных и исполнительских искусств «Арт корпорейшн» ОАО «Белгазпромбанк» генеральный партнер ОАО «Газпром трансгаз Беларусь» при пОддержке Министерства культуры Республики Беларусь Министерства культуры Российской Федерации Министерства культуры и охраны памятников Грузии Министерства человеческих ресурсов Венгрии Министерства иностранных дел Германии Института имени Гете в Минске Официальные партнеры Посольство Италии в Республике Беларусь Фонд по развитию хореографии NATIONALES PERFORMANCE NETZ (NPN), финансируемый Федеральным правительственным комитетом по культуре и средствам массовой информации на основании решения бундестага Германии Компания «Владпродимпорт» Торговая марка чая «Дилмах» Минский завод игристых вин ОАО «Крыница» Гостиничный комплекс «Юбилейный» Отель «Минск» Такси «Пятница» Театрально-концертные кассы KVITKI.BY инфОрмациОнные партнеры Телеканал ОНТ Газета «Аргументы и факты» Газета «Комсомольская правда» Белорусский портал TUT.BY Интернет-портал relax.BY Радиостанция Unistar 99.5 Арганізатарам, удзельнікам і гасцям To the organizers, the participants V Міжнароднага тэатральнага форуму and the guests of the V International «TEART» Theatre Forum TEART дарагія сябры! Dear friends! Шчыра вітаю арганізатараў, удзельнікаў I sincerely welcome the organizers, the par- і гасцей V міжнароднага тэатральнага фору- ticipants and the guests of the V International му «TEART»! Theatre Forum TEART! дзякуючы форуму «TEART» штогод у восень- Every autumn TEART turns Minsk into a real скія дні мінск пераўтвараецца ў сапраўдны theatre centre, where the magical theatre world тэатральны цэнтр, дзе чароўны свет сцэны is revealed to us in all its diversity and where адкрываецца нам ва ўсёй яго шматвобраз- the theatrical language demonstrates us new насці, дзе тэатральная мова ўражвае сваімі and impressive previously unknown artistic раней невядомымі мастацкімі магчымасцямі. abilities. Сёлетні форум «TEART» прадставіць увазе This year TEART will present the best per- сталічнай публікі найлепшыя пастаноўкі formances from Belarus, Belgium, Hungary, міністр культуры апошніх гадоў калектываў з Беларусі, Бельгіі, Germany, Georgia, Italy, Latvia, Russia, Ukraine, рэспублікі Беларусь Венгрыі, германіі, грузіі, Італіі, латвіі, расіі, Switzerland and Japan, which reflect the unique Барыс Святлоў Украіны, Швейцарыі і Японіі, якія адлюстроў- and unconventional view of contemporary ваюць своеасаблівы і нестандартны погляд theatre on man and society, expressed in a сучаснага тэатра на чалавека і грамадства, multinational art style. выражаны ў шматнацыянальнай мастацкай I am very pleased to admit that each year стылістыцы. Belarusian theatre companies participate more Вельмі радуе, што з кожным годам удзел active in the TEART forum, this year the national беларускіх тэатральных калектываў у фору- program presents 13 performances of state ме «TEART» набывае большую актыўнасць – and private theatres from our country. у гэтым годзе нацыянальную праграму фору- I hope that during the traditional for TEART му прадстаўляюць 13 спектакляў дзяржаўных educational programs, creative discussions and і прыватных тэатраў нашай краіны. conferences the interaction between Belaru- Спадзяюся, што ў межах адукацыйных sians and our foreign colleagues will develop праграм, творчых дыскусій і канферэнцый, into joint creative projects. якімі традыцыйна багаты форум «TEART», I wish the organizers, the participants and the культурнае ўзаемадзеянне тэатральнай гра- guests of TEART joy, inspiration and new artistic мадскасці нашай краіны з замежнымі калега- discoveries! мі набудзе новыя перспектыўныя напрамкі і перарасце ў сумесныя творчыя праекты. жадаю арганізатарам, удзельнікам і гасцям Minister of Culture форуму «TEART» узнёслага настрою, радасці of the Republic of Belarus і натхнення, новых мастацкіх адкрыццяў! Boris Svetlov 2 Уважаемые дамы и господа, Ladies and gentlemen, любители и поклонники театра! dear theatre lovers! пятый международный форум театраль- The 5th International Theatre Forum TEART ного искусства «TEAрT», опираясь на свой is ready to present the new unique program предшествующий опыт, предлагает вашему based on its previous experience. As before, вниманию новую уникальную программу. this project is aimed at the future. The range of как и прежде, этот проект направлен в бу- TEART is incredibly wide. On the festival venues дущее. диапазон форума необыкновенно we have seen classic theatre performances широк. на его подмостках мы видели спек- based on traditions of psychological theatre такли классические, со строгим следованием as well as shocking and surprising radical традициям психологического театра; ради- performances; we admired the experiments кальные, способные удивлять и шокировать with video, dance and modern technologies of публику; нас восхищали эксперименты non-verbal theatre; we were fascinated by the и поиски невербального театра – с видео, interdisciplinary projects that appear across the танцами, современными технологиями; different forms of art. We wanted to show you увлекали междисциплинарные проекты, воз- the diversity of theatrical forms аnd trends that никающие на стыке разных видов искусств. exist in the world today. мы стремились показать вам эту широту, председатель правления TEART has changed the perception of the Be- продемонстрировать все разнообразие ОаО «Белгазпромбанк» larusian audience, it has attracted new viewers театральных форм и направлений, которое Виктор Бабарико into the theatres and now it’s ready to take a существует сегодня в мире. и раздвинули next step. This year next to the international для публики художественные горизонты. program we present the best pieces of national «TEAрT» изменил восприятие белорусского performing arts. We are ready and willing to зрителя, привел в зал новых людей, а теперь show that we already know how to swim in делает следующий шаг. Это выход вовне, these huge waves, in this great ocean. за пределы Беларуси. В этом году вместе It is important to develop the Belarusian the- с международной программой мы представ- atre art to be able to express something of our ляем публике лучшие образцы отечествен- own and to realize that we also can be interest- ного сценического искусства. мы готовы ing in different parts of the world. We will see и хотим показать, что уже умеем плавать what responds to the Belarusian theatre in our в этих огромных волнах, в этом большом difficult time, we will figure out how to help it to океане, и даже можем туда нырять. become more and more popular, we will hear Важно развивать белорусское сценическое opinions of the audience as well as Belarusian искусство, чтобы выразить что-то свое, and foreign experts. сокровенное, и понять, насколько можно The Forum continues its dialogue with the быть интересными в разных уголках земли. world and people because there is no another мы увидим, на что откликается белорусский more emotional art than theatre. TEART allows театр в наше непростое время, мы подума- each person to get a variety of answers to the ем, как помочь ему стать более востребо- vital questions. TEART is an attempt of an artist ванным, услышим мнения зрителей, наших and a spectator to take another step in under- и зарубежных экспертов. standing ourselves and the world. форум продолжает диалоги с миром и людьми, так как более живого, более эмоционального искусства, чем театр, Chairman of the Management Board не существует. «TEAрT» – дает возможность of Belgazprombank каждому человеку получить самые разные Victor Babariko ответы на жизненно важные вопросы, убедиться, что он перед этими вопросами не одинок. «TEAрT» – это попытка художника и зрителя сделать еще один шаг в познании себя и мира. V междУнарОдный фОрУм театральнОгО иСкУССтВа «TEART» 3 Уважаемые участники и гости Dear participants and guests форума «ТЕАРТ»! of the forum TEART! Этот год для «теарта» особенный. Он отме- This year is special for TEART. It is celebrating чает свой первый юбилей. и за эти пять лет its first anniversary. And during those five years форум вырос в серьезное культурное собы- the Forum has grown into a major cultural тие, которое собирает лучшие спектакли event that gathers the best performances from со всего мира и каждый год приносит в Бела- around the world and brings every year to русь настоящий театральный праздник. Belarus a real theatre festival. Белорусский зритель ждет «теарт» с нетер- Belarusian audience is looking forward to пением, ведь он изобилует жанрами, актера- TEART because it always brings a meeting with ми, персонажами, эмоциями. каждый новый new genres, actors, characters and emotions. спектакль – это неожиданный поворот, это Every new performance is an unexpected turn, открытие, которое запоминается надолго, a discovery that you will remember for a long заставляя возвращаться к этим воспомина- time, coming back to these memories again ниям вновь и вновь. and again. С каждым годом форум расширяет свою Every year the forum expands its geography. генеральный директор географию. мы с вами увидим творения We will see the creations of theatre masters ОаО «газпром трансгаз театральных мэтров из Беларуси, россий- from Belarus, the Russian Federation, Germany, Беларусь» ской федерации, Венгрии, германии, ита- Hungary, Italy, Latvia, Switzerland, Belgium, Владимир Майоров лии, латвии, Швейцарии, Бельгии, Японии, Japan, Georgia. грузии. Gazprom Transgaz Belarus as in previous ОаО «газпром трансгаз Беларусь», как и years has become a general partner of the V в прежние годы, стал
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    FEMININ INDIVIDUAL COMPUS Editii Aur Argint Bronz 1952 Helsinki Maria Gorokhovskaya Nina Bocharova Margit Korondi (URS) (URS) (HUN) 1956 Melbourne Ágnes Keleti Sofia Muratova Larisa Latynina (URS) (HUN) (URS) 1960 Roma Sofia Muratova Polina Astakhova Larisa Latynina (URS) (URS) (URS) 1964 Tokyo Larisa Latynina Polina Astakhova Věra Čáslavská (TCH) (URS) (URS) 1968 Mexico Zinaida Voronina Natalia City Věra Čáslavská (TCH) (URS) Kuchinskaya (URS) 1972 Munchen Ludmilla Turischeva Tamara Karin Janz (GDR) (URS) Lazakovich (URS) 1976 Montreal Ludmilla Nadia Com ăneci (ROU) Nellie Kim (URS) Tourischeva (URS) Nadia Com ăneci 1980 Moscova (ROU) Yelena Davydova (URS) Nu s-a acordat Maxi Gnauck (GDR) 1984 Los Ecaterina Szabo Simona P ăuc ă Angeles Mary Lou Retton (USA) (ROU) (ROU) 1988 Seoul Daniela Siliva ş Svetlana Yelena Shushunova (URS) (ROU) Boginskaya (URS) 1992 Barcelona Shannon Miller Lavinia Tatiana Gutsu (EUN) (USA) Milo şovici (ROU) Simona Amânar 1996 Atlanta Gina Gogean (ROU) Lilia Podkopayeva (UKR) (ROU) Lavinia Milo şovici (ROU) 2000 Sydney Maria Olaru Simona Amânar (ROU) Liu Xuan (CHN) (ROU) 2004 Atena Svetlana Carly Patterson (USA) Zhang Nan (CHN) Khorkina (RUS) 2008 Beijing Shawn Johnson Nastia Liukin (USA) Yang Yilin (CHN) (USA) ECHIPE Editii Aur Argint Bronz OLANDA ITALIA M.BRITANIE Estella Agsteribbe Bianca Ambrosetti Annie Broadbent Jacomina van den Berg Lavinia Gianoni Lucy Desmond Alida van den Bos Luigina Giavotti Margaret Hartley Petronella Burgerhof Virginia Giorgi Amy Jagger Elka de Levie Germana Malabarba Isobel Judd 1928
  • E Balie Theater Instituut Nederland the Dissident Muse Critical Theatre In

    E Balie Theater Instituut Nederland the Dissident Muse Critical Theatre In

    •"e Balie theater instituut nederland The Dissident Muse Critical Theatre in Eastern and Central Europe 1945-1989 Reports from the former German Democratic Republic; Hungary; Poland; Romania; former Soviet Union and former Yugoslavia Articles on Dutch and Flemish Critical Theatre Amsterdam, September 1995 Not for publication Het dissidente theater in Centraal- en Oost-Europa 1945-1989. Projectomschrijving (Herzien april 1995) 1. Omschrijving Een onderzoeksproject naar het kritische vermogen en de subversieve impact van de podiumkunsten in Centraal- en Oost-Europa tussen 1945 en 1989, uitgevoerd door lokale onderzoekers, resulterend in een symposium en een weekend met activiteiten in De Balie te Amsterdam. Deskundigen en kunstenaars uit de regio en uit Nederland en West-Europa worden samengebracht. De resultaten worden naar buiten gebracht middels een videopresentatie en een publicatie. 2. Doelen O De essentiële prestaties van de podiumkunsten in Centraal- en Oost-Europa behoeden voor het voortschrijdende collectieve geheugenverlies en het simplistisch historisch revisionisme van vandaag, oftewel een rehabilitatie van de podiumkunsten. O De nieuwe generatie theatermakers in de regio stimuleren om ook onder de huidige omstandigheden en met de huidige beperkingen geëngageerd en maatschappelijk theater te maken, en ze daarbij te laten profiteren van de ervaringen van de vorige generatie. O Een stimulans bieden aan de nieuwe generatie Nederlandse theatermakers om te reflecteren op de rol van het theater binnen de huidige samenleving, door ze te wijzen op toonaangevende voorbeelden van burgermoed en professionele integriteit. En op die manier hen te leren hoe de grenzen van de invloed van het theater op de samenleving en de politiek kunnen worden verruimd.
  • Campionate Europene

    Campionate Europene

    CAMPIONATE EUROPENE ”Pre țul succesului este munca, dăruirea fa ță de ceea ce faci şi determinarea c ă, dac ă vom câ știga sau pierde, am f ăcut tot ceea ce este mai bine pentru a ne îndeplini misiunea” Vince Lombardi antrenor SENIORI FEMININ Echipe 1994 ROMÂNIA RUSIA UCRAINA Lavinia Milo şovici Svetlana Khorkina Irina Boulakhova Gina Gogean Dina Kotchetkova Lilia Podkopaeva Nadia Ha ţă gan Oksana Fabrichnova Simona Amânar 1996 ROMÂNIA RUSIA UCRAINA Lavinia Milosovici Dina Kochetkova Liubov Sheremeta Gina Gogean Svetlana Khorkina Anna Mirgorodskaya Simona Amanar Rozalia Galiyeva Lilia Podkopayeva Ana Maria Bican Oksana Lyapina Andreea Cacovean 1998 ROMÂNIA RUSIA UCRAINA Simona Amânar Eugenia Kuznetsova Viktoria Karpenko Claudia Presecan Elena Dolgopolova Olga Teslenko Maria Olaru Elena Zamolodchikova Inga Shkarupa Corina Ungureanu Svetlana Khorkina Galina Tyryk Alexandra Dobrescu Ludmila Eghova Natalia Sirenko 2000 RUSIA UCRAINA ROMÂNIA Svetlana Khorkina Viktoria Karpenko Andreea Raducan Elena Zamolodchikova Olga Roschupkina Simona Amanar Elena Produnova Tatiana Yarosch Andreea Isarescu Yekaterina Lobaznyuk Natalia Horodniy Loredana Boboc Evgenia Kuznetsova Alona Kvasha 2002 RUSIA OLANDA ITALIA Khorkina Svetlana Van Leuer Verona Nuijten Ziganshina Natalia Monique Gargano M.Teresa, Ezhova Ludmila Harmes Suzanne Colombo Maria, Zamolodchikova Elena Endel Renske Bergamelli Monica Chuster Ekaterina Wammes Gabriella 2004 ROMÂNIA UCRAINA RUSIA Oana Ban Mirabela Akhunu Liudmila Ezhova Alexandra Eremia Alina Kosich Svetlana Khorkina Cătălina Ponor
  • Edited by Joanna Krakowska and Daria Odija

    Edited by Joanna Krakowska and Daria Odija

    Edited by Joanna Krakowska and Daria Odija Adam Mickiewicz Institute Centre for Culture in Lublin Institute of Arts of the Polish Academy of Sciences City of Lublin Platform National Theatre Independent Theatre East Archives European Performing Arts Companion Edited by Joanna Krakowska and Daria Odija Adam Mickiewicz Institute Centre for Culture in Lublin Institute of Arts of the Polish Academy of Sciences City of Lublin Lublin – Warsaw 2016 Copyright by The Centre for Culture in Lublin, the City of Lublin and the Adam Mickiewicz Institute, 2016 English language editor Andrew Haydon Special thanks to Marta Keil, Marta Szymańska, Joanna Wichowska, Goran Injac, Iulia Popovici, Attila Szabó Layout kilku.com (Idalia Smyczyńska, Paweł Szarzyński, Robert Zając) Typesetting Karolina Zaborska Printed by Petit SK Set in PT Serif and PT Sans, printed on Alto 90 g/m2 First Edition — isbn 978-83-60263-46-4 — Lublin / Warszawa 2016 Contents 9 Introduction Part 1 National Theatre 16 National Theatre and the State Alexey Strelnikov – Belarus 28 Negotiating National Theatre Angelina Georgieva – Bulgaria 42 National Theatres Lada Čale-Feldman – Croatia 56 The National New Solutions Martina Pecková Černá – Czech Republic 82 Nation (National) Lives in the Past Anna Czékmány – Hungary 96 National Theatre: Characteristics, Influences, Distinguishing Features Sonja Zdravkova-Djeparoska – Macedonia 106 National Theatre: Idea and Institution Danuta Kuźnicka – Poland 116 On the Uses of a National Theatre Miruna Runcan – Romania 132 National People’s Theatre Playhouse
  • September 17 — February 18

    September 17 — February 18

    SEPTEMBER 17 — FEBRUARY 18 A NEW SEASON OF THEATRE, ART, FILM, MUSIC & MORE A REVOLUTION BETRAYED? EXPLORE THE LEGACIES OF THE RUSSIAN REVOLUTION EXCLUSIVE MUSIC INTERVIEWS: JON BODEN & AZIZ IBRAHIM THIS IS HUMAN: TAKING OVER HOME CELEBRATING ONE FILM WONDERS COntents HOME’S see 4 Quick Guide to the season CREATIVE more, 6 The Takeover: Joshua PATRONS save Wilkinson on This is Human money! 7 Don’t Miss Danny Boyle 8 September Rosa Barba Music that leaps from Lahore Phil Collins 11 Orbit 2017 Suranne Jones to Longsight. Boundary-breaking 14 October Nicholas Hytner Asif Kapadia 16 FilmFear: Halloween Jackie Kay MBE theatre fresh from the Fringe. at HOME Meera Syal CBE Orchestral dreams come true, 17 Music at HOME: Anne Louise SEE MORE, SAVE MONEY! Kershaw talks to Aziz Book tickets for three theatre shows at and others shattered by Ibrahim & Jon Boden the same time and save 20%. Look for 19 A Revolution Betrayed? the ticket saver badge on eligible shows. revolution. New commissions A major new season Offer does not include previews, £5 marking the centenary student super advance tickets or £10 tickets for shows in Theatre 1. Valid on rooted in India, Hong Kong and of the Russian Revolution top price tickets only. 22 Revolution Reloaded: Sam Williams previews Great theatre from Turkey - art, in fact, in all its A Revolution Betrayed? just £10 (or less!) diversity and vibrancy. with a look at the Most shows have seats priced from cultural scene in just £10. Russia today 24 November Students & JOB SEEKERS – go super 25 December advance FOR £5 26 Christmas at HOME Students & Job Seekers can also take We begin with Orbit, as it returns with a programme guitarist Aziz Ibrahim – to reimagine his acclaimed advantage of super advance tickets for 30 January most theatre shows and film screenings, of international theatre, much of it direct from album, From Lahore to Longsight.