Student-Directed Play Goes 'Beyond Therapy'

Total Page:16

File Type:pdf, Size:1020Kb

Student-Directed Play Goes 'Beyond Therapy' F R O S T B U R G S T A T E U N I V E R S I T Y StateLineswww.frostburg.edu/admin/foundation/news.htm For and about FSU people A publication of the FSU Office of Advancement Volume 31, Number 9, October 23, 2000 Copy deadline: noon Wednesday, 228 Hitchins or [email protected] Community Kids Student-Directed Play to Trick-or-Treat Goes ‘Beyond Therapy’ at Downhill Halls The first of the Halloween is coming ... and so are Season Too! student- the celebrations! Sunday, Oct. 29, is the directed productions date for FSU’s annual Trick or Treat for community children. will be “Beyond Since 1992, this event has attracted hundreds of children Therapy” by Christo- and their parents, who have enjoyed traditional trick-or- pher Durang. The treating in a safe environment, as well as events such as comedy will be haunted rooms and floors, storytelling, Halloween cartoons performed Friday and and the very popular parent refreshment station! Saturday, Oct. 27 and 28, at 8 p.m. in the F. Perry Smith Please feel free to bring your children to the downhill area Studio Theatre. residence halls (Annapolis, Cambridge, Cumberland, Frederick Senior theatre major Lisa Gordon is directing. The cast and Westminster halls) between the hours of 2 and 5 p.m. includes Andrea Smith, Joe Higdon, Mike Abendshien, There will be guides to welcome you and to direct you to the Christina Allen, Chris Krysztofiak and Rob Simkin. various activities when you visit the downhill residence halls. The play is about an unlikely couple and their oddball Admission is free. therapists. The group is made up of a man – who already has a For more information, please call Rob Yanez-C in the male lover – a woman who is determined not to fall in love, Residence Life Office at x4121. This yearly program is co- and their therapists, who seem in need of a little therapy of sponsored by the Residence Life Staff and the Residence Hall their own. Association/Downhill Hall Councils. Tickets are $2. For information, call x4145. Benefits and Insurance, Citicorp, Edward Music, as well as accompanist for the Job Fair Jones, the U.S. Navy and Wells Fargo. Dance Department. For information, contact Dr. Amit Shah at x4408 or Connie Groer at x4372. Jazz Ensemble to Career Network Fair Present Fall Concert The College of Business will hold an informal career network fair Monday, Music The FSU Jazz Ensemble, under the direction of Jon Bauman, will present its Oct. 23, from 6 to 7:30 p.m. in the fall concert Friday, Nov. 3, at 8 p.m. in Manicur Assembly Hall (Lane Center the Pealer Recital Hall. 140-141). Kimberly Andrews to The 18-piece big band will open the Juniors and seniors majoring in Present Piano Concert accounting, business administration, program with “Jump, Jive an’ Wail.” This economics or those in the MBA program FSU Department of Music’s Faculty swing-style selection features solos by Artist Series presents Kimberly Andrews Erin Frankenberry on tenor saxophone or related fields should attend. on piano Sunday, Oct. 29, at 3 p.m. in and Bryan Cohen on guitar. Alto saxo- This Informal Network Fair will bring the Pealer Recital Hall. The concert is phonist Matt Dalton is featured in the students and employers together in a free and open to the public. next selection, the ballad, “If I Should relaxed atmosphere. This is an invalu- able opportunity for students to become She will perform Beethoven’s Lose You.” acquainted with executives of presti- “Apassionata Sonata,” Brahms’ “Three “Hey!” from the Canadian big band of Intermezzos,” Prokoviev’s “Toccata” and Rob McConnell continues the program gious companies, exchange resumes and Bartok’s “Sonata for Two Pianos and and includes a trombone solo by Jonas business bards and possibly schedule a Percussion.” She will be joined by Amoonnarquah. The Latin-style tune, formal interview that may result in an percussionists Ronald Horner and Mike “Los Gatos,” brings the first half of the internship or employment after gradua- tion. Matteo and pianist Shirley Jennifer concert to a conclusion with solos by Dress code is business or business- Shoup. Dalton on alto saxophone and Matt Andrews has premiered works for the Growden on drums. casual. American Society of University Compos- The second half of the program begins Employers participating include ers and NMTA conventions. She is also a with Lionel Hampton’s swing-era tune, Enterprise Rent-A-Car (sponsor), Ameri- published composer and performs at the “Red Top.” Brent Paris on trombone, can Express Financial Services, Allegh- eny Energy, Alliant Tech Systems, Garrett Lakes Arts Festival. Diana Ezerins on vibraphone and Stevyn Bureau of Economic Analysis, CBIZ She is assistant choral director and Carmona on trumpet will be featured in accompanist for FSU’s Department of solos. Vocalist Lauren Aycock will join Inside: Music ................................ 1-2 Voluneers ............................. 5 International ...................... 5-6 Speakers ............................ 2-4 Get Involved ........................ 5 Safety Message ..................... 6 Take Note ......................... 4-5 Points of Pride ...................... 5 Calendar .............................. 6 StateLines / 2 the band to sing “Some of My Best Election 2000: Does Homeless (NCH) will be here Wednesday, Friends are the Blues.” Oct. 25, at 8 p.m. in the Performing Arts “Attitude Dance,” the funk-rock tune, Religion Matter? Center’s Pealer Recital Hall. He will will continue the program, featuring A panel discussion featuring Rabbi speak on hunger and homelessness in solos by Laurence Brunner on trumpet Jack Moline of the Interfaith Alliance America and the Urban Plunge Alterna- and Frankenberry on tenor saxophone. will be Tuesday, Oct. 24, at 7:30 p.m. in tive Break program. In light of the pending election, the Lane Center room 201. It is free and Since 1972, Stoops has been working ensemble with provide an appropriate open to the public. full-time (primarily as a volunteer) with ending with “Billy May for President.” “Election 2000: Does Religion Mat- homeless and formerly homeless people The concert is free and open to the ter?” will feature Moline’s presentation, and with homeless advocacy groups. He public. It is suitable for the entire family. which will address the is a founding member of NCH. Since historical role of religion 1988, he has worked to establish and Chamber Orchestra in U.S. political cam- provide ongoing support to local and paigns, including both statewide homeless and housing coali- Kremlin Coming Nov. 12 the positive and the tions, and homeless self-help and social FSU’s Cultural Events Series proudly more negative, possibly justice action groups. presents the Chamber Orchestra Kremlin destructive, uses of The Urban Plunge is a program in Sunday, Nov. 12, at 3 p.m. and Tuesday, religion during these which students, after receiving orienta- Nov. 14, at 7:30 p.m., both in the PAC campaigns. He will also offer comments tion, are assigned a homeless “guide,” Pealer Recital Hall. and insights on the current presidential who will be with them as they spend The Sunday performance will feature campaign. time as a homeless person on the streets Mozart’s “Divertimento in F, K. 138,” Following Moline’s talk, a panel of of a city. Through FSU’s Alternative Prokofiev’s “Visions of Fugitives, Op. 22” FSU faculty and students will pose Weekend Program, four FSU students and Tchaikovsky’s “Souvenir de Florence, questions for discussion. Panel partici- will have the opportunity to join the Op. 70.” pants include Angelo Bucchino, profes- Urban Plunge on Nov. 17-19 in Washing- The Tuesday performance will consist sor of philosophy; John O’Rorke, ton, D.C. Students who want to take of Mozart’s “Divertimento in D, K. 136,” assistant professor of political science; part in the Urban Plunge program are Shostakovich’s “Chamber Symphony, Op. Kathy Powell, associate professor of required to come to the Michael Stoops 110 bis,” and Tchaikovsky’s “Serenade social work; and Michael Llewellyn, presentation. Applications and informa- for Strings, Op. 48.” president of the Student Government tion will be available at the Lane Center A community outreach program will Association. A general question-and- information desk. also be part of the Nov. 14 performance. answer period will conclude the For information, contact Tony The Orchestra will hold an open re- evening’s presentation. The Rev. Larry Washington at x4500. hearsal and interaction with the audi- Neumark of United Campus Ministry will ence from 6 to 7 p.m. prior to the 7:30 act as moderator. Children’s Book Author/ p.m. performance. For information on This presentation is sponsored by the outreach program, contact Susan United Campus Ministry, the Interfaith Illustrator to Speak Manger at x3163. Alliance, FSU’s Department of Political Cheryl Harness, an author and For tickets and information, call Science, Hillel, Catholic Campus Ministry illustrator of children’s picture books, x4411 between 10 a.m. and 2 p.m. and Baptist Student Ministry. will share stories of historical people weekdays. Dinner theatre combinations For more information, call Neumark at and places on Wednesday, Oct. 25, at 7 with Guiseppe’s are available for both x7490 or O’Rorke at x4277. p.m. This performances. Call for more information event, which and menu selections. “Campaign: Choices is free and open to the “I Reggae” and Consequences” public, will A panel discussion on “Campaign take place in Tune in to 91.9 WFWM for the “I 2000: Choices and Consequences” will be the Atkinson Reggae Broadcast” with FSU graduate presented at Thursday, Oct. 26, from Room, Lane “Rude Boy” Bill Guthrie and FSU student 7:30 to 9 p.m. in Lane Center room 201.
Recommended publications
  • Put on Your Boots and Harrington!': the Ordinariness of 1970S UK Punk
    Citation for the published version: Weiner, N 2018, '‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress' Punk & Post-Punk, vol 7, no. 2, pp. 181-202. DOI: 10.1386/punk.7.2.181_1 Document Version: Accepted Version Link to the final published version available at the publisher: https://doi.org/10.1386/punk.7.2.181_1 ©Intellect 2018. All rights reserved. General rights Copyright© and Moral Rights for the publications made accessible on this site are retained by the individual authors and/or other copyright owners. Please check the manuscript for details of any other licences that may have been applied and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. You may not engage in further distribution of the material for any profitmaking activities or any commercial gain. You may freely distribute both the url (http://uhra.herts.ac.uk/) and the content of this paper for research or private study, educational, or not-for-profit purposes without prior permission or charge. Take down policy If you believe that this document breaches copyright please contact us providing details, any such items will be temporarily removed from the repository pending investigation. Enquiries Please contact University of Hertfordshire Research & Scholarly Communications for any enquiries at [email protected] 1 ‘Put on Your Boots and Harrington!’: The ordinariness of 1970s UK punk dress Nathaniel Weiner, University of the Arts London Abstract In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture.
    [Show full text]
  • Florida State University Libraries
    )ORULGD6WDWH8QLYHUVLW\/LEUDULHV 2019 Surviving POW Camp Oflag XVII-A: Actions of a Few Shelby Young Follow this and additional works at DigiNole: FSU's Digital Repository. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS & SCIENCES SURVIVING POW CAMP OFLAG XVII-A: ACTIONS OF A FEW By SHELBY YOUNG A Thesis submitted to the Department of History in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring, 2019 3 Preface I began this journey of research in 2016. My research interests began with World War II and the occupation of France. I had the chance to complete an oral history report with World War II survivors and their families in the region of Alsace, France. This research then evolved into my interest in completing a thesis. In my original oral report, I came across the film Sous Le Manteau. Historians began to discuss Oflag XVII-A because of this film’s clandestine raw footage of a POW camp. The more I researched on the film the more I read about an escape attempt. However, in some sources I read there were mentions of an escape attempt sponsored by the French Resistance. The more I researched, I came to realize that this escape attempt, that is often discussed out of context, occurred at the same prisoner of war camp Sous Le Manteau was filmed at. I originally planned to analyze Sous Le Manteau as a form of resistance but then turned to discuss the French language as a barrier or an aid in this escape attempt among the French prisoners.
    [Show full text]
  • USHMM Finding
    http://collections.ushmm.org Contact [email protected] for further information about this collection United States Holocaust Memorial Museum Interview with Leo Bretholz June 4, 1998 RG-50.549.02*0016 This is a verbatim transcript of spoken word. It is not the primary source, and it has not been checked for spelling or accuracy. http://collections.ushmm.org Contact [email protected] for further information about this collection PREFACE The following oral history testimony is the result of an audio taped interview with Leo Bretholz, conducted on June 4, 1998 on behalf of the United States Holocaust Memorial Museum. The interview is part of the United States Holocaust Memorial Museum's collection of oral testimonies. Rights to the interview are held by the United States Holocaust Memorial Museum. The reader should bear in mind that this is a verbatim transcript of spoken, rather than written prose. This transcript has been neither checked for spelling nor verified for accuracy, and therefore, it is possible that there are errors. As a result, nothing should be quoted or used from this transcript without first checking it against the taped interview. This is a verbatim transcript of spoken word. It is not the primary source, and it has not been checked for spelling or accuracy. http://collections.ushmm.org Contact [email protected] for further information about this collection Interview with Leo Bretholz June 4, 1998 Beginning Tape One, Side A Question: Just make sure we’re recording here. Why don’t you just say a few words and - - say your name. Answer: A few simple words? Leo Bretholz is my name and recording Holocaust stories is my game.
    [Show full text]
  • Chambers Pardon My French!
    Chambers Pardon my French! CHAMBERS An imprint of Chambers Harrap Publishers Ltd 7 Hopetoun Crescent, Edinburgh, EH7 4AY Chambers Harrap is an Hachette UK company © Chambers Harrap Publishers Ltd 2009 Chambers® is a registered trademark of Chambers Harrap Publishers Ltd First published by Chambers Harrap Publishers Ltd 2009 Previously published as Harrap’s Pardon My French! in 1998 Second edition published 2003 Third edition published 2007 Database right Chambers Harrap Publishers Ltd (makers) All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing of Chambers Harrap Publishers Ltd, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Chambers Harrap Publishers Ltd, at the address above. You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer. A CIP catalogue record for this book is available from the British Library. ISBN 978 0550 10536 3 10 9 8 7 6 5 4 3 2 1 We have made every effort to mark as such all words which we believe to be trademarks. We should also like to make it clear that the presence of a word in the dictionary, whether marked or unmarked, in no way affects its legal status as a trademark. www.chambers.co.uk Designed
    [Show full text]
  • Vista: March 19, 1981
    University of San Diego Digital USD USD Vista USD News 3-19-1981 Vista: March 19, 1981 University of San Diego Follow this and additional works at: https://digital.sandiego.edu/vista Digital USD Citation University of San Diego, "Vista: March 19, 1981" (1981). USD Vista. 858. https://digital.sandiego.edu/vista/858 This Newspaper is brought to you for free and open access by the USD News at Digital USD. It has been accepted for inclusion in USD Vista by an authorized administrator of Digital USD. For more information, please contact [email protected]. UNIVERSITY OF SAN DIEGO Senioritis by Vern Ismen Page 2 - Vista - March 19. 1981 COMMENTARY Letters To Society Threatens Intellectualism by Flint Lewis mainly concerned with our grades. The Editor ty's intellectual syndrome. As students in a college environ­ How many times have they asked Females receive an extra dose of ment, we face a variety of diversions you to talk about something you indoctrination. At an early age they and social options, all of which affect learned while at school? Our peers, are told to be seen and not heard. our selection of priorities. Nearly all on the other hand, approve of us When they grow older, they quickly of us entered college expecting, but Thank Dating and accept us only if we operate on realize that displays of intelligence definitely not desiring, to be intellec­ a low intellectual level. Desiring to be will frighten off potential mates. To tually tested and challenged. We all popular, or at least accepted, most prove this we need only look at the looked upon college as something to of us do mask our intelligence.
    [Show full text]
  • Authenticity, Politics and Post-Punk in Thatcherite Britain
    ‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1.
    [Show full text]
  • Reggae: Jamaica's Rebel Music
    74 ',1,.)ryry (n ro\ 6 o\ tz o a q o = Kingston 75 Reggqes Jomqicq's Rebel fUlusic By Rita Forest* "On the day that Bob Marley died from which this burst forth, has I was buying vegetables in the mar- been described as a "very small con- ket town of Kasr El Kebir in nor- nection that's glowing red-hot" bet- thern Morocco. Kasr El Kebir was a ween "two extremely heavy cultu- E great city with running water and res"-Africa and North America. ot streetlights when London and Paris But reggae (and its predecessors, ska were muddy villages. Moroccans and rock-steady) came sparking off U tend not to check for any form of that red-hot wire at a particular o western music, vastly preferring the moment-a time in the mid-1960s odes of the late great Om Kalthoum when Jamaica was in the throes of a or the latest pop singer from Cairo mass migration from the country- z= or Beirut. But young Moroccans side to the city. These people, driven 5 love Bob Marley, the from green a only form of the hills into the hellish Ut non-Arabic music I ever saw country tangle of Kingston shantytowns, d= Moroccans willingly dance to. That created reggae music. afternoon in Kasr El Kebir, Bob This same jolting disruption of a Marley banners in Arabic were centuries-old way of life has also strung across the main street. ." shaped the existence of many mil- (Stephen Davis, Reggoe Internatio- lions of people in cities around the nal, 1982).
    [Show full text]
  • Name, a Novel
    NAME, A NOVEL toadex hobogrammathon /ubu editions 2004 Name, A Novel Toadex Hobogrammathon Cover Ilustration: “Psycles”, Excerpts from The Bikeriders, Danny Lyon' book about the Chicago Outlaws motorcycle club. Printed in Aspen 4: The McLuhan Issue. Thefull text can be accessed in UbuWeb’s Aspen archive: ubu.com/aspen. /ubueditions ubu.com Series Editor: Brian Kim Stefans ©2004 /ubueditions NAME, A NOVEL toadex hobogrammathon /ubueditions 2004 name, a novel toadex hobogrammathon ade Foreskin stepped off the plank. The smell of turbid waters struck him, as though fro afar, and he thought of Spain, medallions, and cork. How long had it been, sussing reader, since J he had been in Spain with all those corkoid Spanish medallions, granted him by Generalissimo Hieronimo Susstro? Thirty, thirty-three years? Or maybe eighty-seven? Anyhow, as he slipped a whip clap down, he thought he might greet REVERSE BLOOD NUT 1, if only he could clear a wasp. And the plank was homely. After greeting a flock of fried antlers at the shevroad tuesday plied canticle massacre with a flash of blessed venom, he had been inter- viewed, but briefly, by the skinny wench of a woman. But now he was in Rio, fresh of a plank and trying to catch some asscheeks before heading on to Remorse. I first came in the twilight of the Soviet. Swigging some muck, and lampreys, like a bad dram in a Soviet plezhvadya dish, licking an anagram off my hands so the ——— woundn’t foust a stiff trinket up me. So that the Soviets would find out.
    [Show full text]
  • Inside Subculture the Postmodern Meaning of Style
    Inside Subculture The Postmodern Meaning of Style David Muggleton OXFORD Inside Subculture Dress, Body, Culture Series Editor Joanne B. Eicher, Regents’ Professor, University of Minnesota Advisory Board: Ruth Barnes, Ashmolean Museum, University of Oxford Helen Callaway, CCCRW, University of Oxford James Hall, University of Illinois at Chicago Beatrice Medicine, California State University, Northridge Ted Polhemus, Curator, “Street Style” Exhibition, Victoria & Albert Museum Griselda Pollock, University of Leeds Valerie Steele, The Museum at the Fashion Institute of Technology Lou Taylor, University of Brighton John Wright, University of Minnesota Books in this provocative series seek to articulate the connections between culture and dress which is defined here in its broadest possible sense as any modification or supplement to the body. Interdisciplinary in approach, the series highlights the dialogue between identity and dress, cosmetics, coiffure, and body alterations as manifested in practices as varied as plastic surgery, tattooing, and ritual scarification. The series aims, in particular, to analyze the meaning of dress in relation to popular culture and gender issues and will include works grounded in anthropology, sociology, history, art history, literature, and folklore. ISSN: 1360-466X Previously published titles in the Series Helen Bradley Foster, “New Raiments of Self”: African American Clothing in the Antebellum South Claudine Griggs, S/he: Changing Sex and Changing Clothes Michaele Thurgood Haynes, Dressing Up Debutantes: Pageantry and Glitz in Texas Anne Brydon and Sandra Niesson, Consuming Fashion: Adorning the Transnational Body Dani Cavallaro and Alexandra Warwick, Fashioning the Frame: Boundaries, Dress and the Body Judith Perani and Norma H. Wolff, Cloth, Dress and Art Patronage in Africa Linda B.
    [Show full text]
  • Suits and Boots: a Guide to Ska Style
    Suits and Boots: A Guide to Ska Style With New England summer winding down and cooler weather approaching, it’ll be time for all the rude boys to get their suits out of the closet and get set to look sharp at a show. Wait. What’s that you say? Rude boys? No, no. I don’t mind. I always relish the chance to nerd out about ska. In the 1960s, rude boys were either glorified or vilified in the poorer sections of Kingston, Jamaica. They were discontented youth, violent and prone to crime, and many ska and rocksteady artists of the time had songs about them. Tunes such as Dandy Livingstone’s “A Message to You, Rudi,” Alton Ellis’s “Dance Crasher,” and many more featured rude boy culture. Rude boys favored sharp suits, skinny ties and pork pie or Trilby hats. Think Dan Akroyd and John Belushi as The Blues Brothers, and you won’t be far off. In the late ’70s, the style was revived along with ska music by the 2 Tone Label and its associated bands: The Specials, Madness and The Selecter. The 2 Tone logo featured a cartoon drawing of a cool looking dude in a sharp suit and skinny tie nicknamed “Walt Jabsco.” The artist based the drawing off a slick looking Peter Tosh from one of the earlier Wailers records and thus the rude boy was reborn, not as a violent gangster, but as a fashion archetype and a label to describe fans of ska music. This era also saw the birth of the skinhead and the working class style of flight jackets, Fred Perry polo shirts and jeans held up by braces, rolled up to show off a neat pair of Doc Martens boots.
    [Show full text]
  • Skinheads : Du Reggae Au Rock Against Communism Skinheads, from Reggae to RAC
    Volume ! La revue des musiques populaires 9 : 1 | 2012 Contre-cultures n°1 Skinheads : du reggae au Rock Against Communism Skinheads, from Reggae to RAC Gildas Lescop Édition électronique URL : http://journals.openedition.org/volume/2963 DOI : 10.4000/volume.2963 ISSN : 1950-568X Édition imprimée Date de publication : 15 septembre 2012 Pagination : 129-149 ISBN : 978-2-913169-32-6 ISSN : 1634-5495 Référence électronique Gildas Lescop, « Skinheads : du reggae au Rock Against Communism », Volume ! [En ligne], 9 : 1 | 2012, mis en ligne le 15 juin 2014, consulté le 10 décembre 2020. URL : http://journals.openedition.org/ volume/2963 ; DOI : https://doi.org/10.4000/volume.2963 L'auteur & les Éd. Mélanie Seteun 129 Skinheads : du reggae au Rock Against Communism D’une contre-culture à une « contre-contre culture » sous influence musicale par Gildas Lescop Université de Picardie Jules Verne Résumé : Parmi toutes les subcultures s’étant succédées Abstract : Among the various subcultures that developed en Angleterre depuis les années 1950, les skinheads o"rent, in England after World War II, skinheads took quite an semble t-il, un parcours bien singulier : apparaissant dans unusual path: while they were originally associated with les années 1960 comme de jeunes fans de reggae, ils feront reggae music in the 960’s, they en1ded up listening to hate #gure à la #n des années 1980 de dangereux néo-nazis rock, and following a dangerous neo-Nazi ideology and adeptes d’un rock haineux. ethos. How did this working-class counterculture, which Comment, selon
    [Show full text]
  • Strassler Family Center for Holocaust and Genocide Studies
    508680 Cover 8/16/08 7:23 AM Page 1 2007-2008 Strassler Family Center for Holocaust and Genocide Studies The people, programs, and events advancing scholarship in the field of Holocaust and genocide studies YEAR END ACTIVITIES AND 2007 GIFT REPORT June 2007 through May 2008 508680 Cover 8/16/08 7:23 AM Page 2 Whoever fails to increase knowledge, decreases knowledge —The Ethics of the Fathers 508680 Text 8/16/08 7:55 AM Page 1 LETTER FROM THE DIRECTOR 1 Letter from the Director August 2008 Dear Friends: Writing in 1940, after Germany had in- These are but a few of the knotty problems vaded Poland and before the Japanese Center doctoral students research. Our bombed Pearl Harbor, economist Mary public lecture series engaged equally Barnett Gilson took aim at the mission of bold subjects: Caroline Elkins on the his- the classroom in her book, What’s Past is tory of Britain’s internment and merciless Prologue. “Education fails,” she said, treatment of 1.5 million Kikuyu in Kenya “in so far as it does not stir in students a and the obfuscation of that history through sharp awareness of their obligations to systematic destruction of documents. Julia society and furnish a few guideposts point- Chaitin on confronting barriers to dialogue ing toward the implementation of these between Jews and Palestinians. And Jens obligations.” Gilson would have given the Meierhenrich on prosecuting concentration Center top marks. From the establishment camp personnel (and who else in the of a Clark chapter of STAND (a student future?) under international law.
    [Show full text]