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Whrb 95.3 Fm
N December 2019 January/February 2020 Volume 48, No. 2 95.3 FM Pachelbel: Canon and Gigue in D; King, Musica da Camera (Linn) Schumann: Carnaval, Op. 9; Uchida (Philips) Brahms: Symphony No. 2 in D, Op. 73; Munch, Boston Sym- phony Orchestra (Erato LP) Vaughan Williams: The Lark Ascending; Brown, Marriner, Academy of St. Martin-in-the-Fields (London) WHRB Mozart: Eine kleine Nachtmusik; Koopman, Amsterdam Bar- oque Orchestra (Erato) Vivaldi: The Four Seasons; Shaham, Orpheus Chamber Orches- 95.3 FM tra (DG) Fauré: Pavane, Op. 50; Orpheus Chamber Orchestra (DG) ® Holst: The Planets, Op. 32; Holst, London Symphony Orchestra Legend has it that the WHRB Orgy tradition began over (Koch) seventy-five years ago, in the spring of 1943. At that time, it is said that one Harvard student, then a staff member of WHRB, returned to the station after a particularly difficult exam and Monday, December 2 played all of Beethoven’s nine symphonies consecutively (from 78 rpm records) to celebrate the end of a long, hard term of midnight SCIENTOLOGY: A MUSICAL EXPLORA- ® TION studying. The idea caught on, and soon the Orgy concept was The Scientology Orgy is an in-depth exploration of songs expanded to include live jazz, rock, hip-hop, blues, and even about scientology and by scientologists, spanning time and sports Orgies. The Orgy® tradition lives on even today at WHRB. genre. Scientology is part of a new wave of religious exploration During the Reading and Exam Periods of Harvard College, and was created in response to the more traditional religions. In essence, religion is a way to explain humankind and its reactions WHRB presents marathon-style musical programs devoted to a to the world including love, pain, excitement, and anger, just to single composer, performer, genre, or subject. -
Worldwide Independent Market Report the Global Economic & Cultural Contribution of Independent Music
WORLDWIDE INDEPENDENT MARKET REPORT THE GLOBAL ECONOMIC & CULTURAL CONTRIBUTION OF INDEPENDENT MUSIC 2015 Launched June 2016 at Designed by: Emmy Buckingham The Global Economic & Cultural Contribution Of Independent Music Report © Worldwide Independent Network Ltd (WIN) 2016 All data, copy and images are subject to copyright and may not be reproduced, transmitted or made available without permission from WIN or the original copyright holder. ABOUT WIN Unique in the history of the global music industry, WIN is a representative organisation exclusively for the worldwide independent label community. It was founded in 2006 in response to business, creative and market access issues faced by the independent sector everywhere. WIN’s membership stretches across every continent, with trade associations in all the well- developed music markets taking a particularly active role. WIN’s priorities are set by the global membership, and with IMPALA, included the creation of Merlin, the world’s first commercial rights licensing agency for new media. For independent music companies and their national trade associations worldwide, WIN is a collective voice and platform. When appropriate it acts as an advocate, instigator and facilitator for its continually growing membership. WIN is also a focal point for collecting and sharing knowledge about the independent sector at national level. WINTEL 2015 The current WIN Trade Association members are: A2IM, US CIMA, CANADA LIAK, SOUTH KOREA ADISQ, CANADA DUP, DENMARK PIL, ISRAEL ABMI, BRAZIL FMPJ, JAPAN PMI, ITALY -
Show Notes – the Overall Inspirations and Philosophies Behind the Tokyo Show
5 Louis Vuitton Spring-Summer 2021 Men’s collection Wednesday 2nd September 2020 Tokyo International Cruise Terminal 2 chome Aomi Koto-ku Louis Vuitton Men’s collection by Virgil Abloh Spring-Summer 2021 Index “Within my practice, I contribute to a Black canon of culture and art and its preservation. This is why, to preserve my own output, I record it at length.” –Virgil Abloh, A manifesto according to Virgil Abloh, 2020. Page 3 Myth vs. Reality: The Full Story – The essay clarifies how Virgil Abloh’s West African cultural heritage inspired the puppets, patterns, palette and accessories in the collection. – An addendum to the collection notes, it reflects fashion’s relationship with myth vs. reality. Page 10 Message in a Bottle: Tokyo show notes – The overall inspirations and philosophies behind the Tokyo show. – A continuation of the narrative of the season’s travelling multi-show format. Page 12 Soundtrack: Tokyo – An all-star ensemble of live musicians and the poet Caleb Femi. Page 15 Upcycling Ideology – Notes on the four ideas of upcycling central to the collection: A. Upcycling by recycling material from overstock. B. Upcycling by recycling ideas. C. Upcycling through reiteration from the previous season. D. Upcycling as part of the “Homework” initiative. Page 17 A Manifesto according to Virgil Abloh – Virgil Abloh’s self-penned manifesto in response to the events of 2020. – An outline of Abloh’s intentions as a Black designer in the fashion establishment. – A clarification of the motivations behind his previous collections. – A pledge for future commitments. Page 20 The Voyage – The idea behind the travelling show format for Spring-Summer 2021. -
[email protected] +49 30 2576 0874
MEDIA KIT 2019 [email protected] +49 30 2576 0874 Iomauna Media GmbH Max-Beer-Str. 48, 10119 Berlin, Germany www.exberliner.com EXBERLINER SHORT PROFILE Exberliner is the English-language magazine for culture, reportage and politics in Berlin and Brandenburg. We’re Germany’s largest publication in English and gather an evergrowing and very strong community of short- and longterm expats from all over the world around us. Moreover, we are the most read media by the growing number of international tourists. Founded in 2002 by three journalists from the UK, Romania and France, EXB is a self-financed, independent publication. Since its first issue came out in June 2002, EXB has grown to become a reference for the international community with a monthly print magazine, a popular website, biweekly newsletters as well as Facebook, Instagram and Twitter channels. We also organise regular events and parties, and even have our own film award. The EXB editorial staff believes in uncompromising first-hand journalism—we publish face-to-face interviews, on-the-ground reporting, informed cultural criticism and as well-researched service dossiers for Berlin’s international community. The result? Informative pieces with a unique ring to them. Fresh angles, insightful articles and interviews you haven’t already read elsewhere a thousand times. Whenever possible we prefer to support and publish the work of the many talented photographers and illustrators who call this city their home. EXB was named “one of the best expat magazines in Europe” by the British -
Anti-Racism Inc.: Why the Way We Talk About Racial Justice Matters
antiracism inc. Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) Antiracism Inc.: Why the Way We Talk About Racial Justice Matters. Copyright © 2019 by the editors and authors. This work carries a Creative Com- mons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books en- dorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by- nc-sa/4.0/ First published in 2019 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-23-6 (print) ISBN-13: 978-1-950192-24-3 (ePDF) doi: 10.21983/P3.0250.1.00 lccn: 2019937769 Library of Congress Cataloging Data is available from the Library of Congress Editorial Team: Chip Badley, Lexxus Edison Coffey, Molly Guillermo, Carmen Guzman, and Jessica Reincke Cover Design: Carmen Guzman and Vincent W.J. -
Blackpink Coachella Download Torrent When Did Blackpink Perform at Coachella? a Look Back at Their History-Making Show
blackpink coachella download torrent When Did Blackpink Perform At Coachella? A Look Back At Their History-Making Show. Blackpink’s performance at Coachella raised the bar to a whole new level. Blackpink performed at Coachella on the festival’s 20th anniversary in 2019, igniting the desert with an incredible performance of their biggest songs and making history as the first all-female K-pop group to perform at Coachella. Jennie, Lisa, Jisoo and Rosé took to the Coachella stage in April 2019, with a set list that had the thousands of partygoers, including their diehard Blinks, jumping along. Kicking things off with ‘DDU-DU DDU-DU’ and ‘Forever Young’, Blackpink also performed their iconic ‘Whistle’ and made sure to show off their Dua Lipa collaboration ‘Kiss and Make Up’. ‘Kill This Love’ – along with the girls’ mesmerising dance moves – was also on the set list before they finished the show with ‘As If It’s Your Last’. Thread: Blackpink Win Over Coachella With First Full U.S. Concert. Blackpink Win Over Coachella With First Full U.S. Concert. Memo to the Spice Girls: Never mind about that whole-group reunion the world has been wanting for the last couple decades. We may officially be covered on girl groups, for a lot of years to come, based on the reception to Blackpink�s first public full-length concert in America at Coachella Friday night. �I have a few words to say,� said the group�s Jennie, introducing the final numbers. �Us coming all the way from South Korea, we didn�t know what to expect, and obviously we � you guys and us � we�re from totally different worlds. -
El K-Pop Y La Interacción Parasocial En España
TESIS DOCTORAL 2020 - UNIVERSIDAD DE MÁLAGA EL K-POP Y LA INTERACCIÓN PARASOCIAL EN ESPAÑA: EL FENÓMENO FAN EN INSTAGRAM JULIA RODRÍGUEZ CASTILLO DIRECTORA: ANA ALMANSA MARTÍNEZ Doctorado Interuniversitario en Comunicación de las universidades de Málaga, Cádiz, Huelva y Sevilla en la línea de Publicidad y Relaciones Públicas AUTOR: Julia Rodríguez Castillo https://orcid.org/0000-0003-4379-9820 EDITA: Publicaciones y Divulgación Científica. Universidad de Málaga Esta obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial- SinObraDerivada 4.0 Internacional: http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cualquier parte de esta obra se puede reproducir sin autorización pero con el reconocimiento y atribución de los autores. No se puede hacer uso comercial de la obra y no se puede alterar, transformar o hacer obras derivadas. Esta Tesis Doctoral está depositada en el Repositorio Institucional de la Universidad de Málaga (RIUMA): riuma.uma.es UNIVERSIDAD DE MÁLAGA, ESPAÑA Facultad de Ciencias de la Comunicación 2017-2020 Tesis Doctoral EL K-POP Y LA INTERACCIÓN PARASOCIAL EN ESPAÑA: EL FENÓMENO FAN EN INSTAGRAM Programa de Doctorado: Doctorado Interuniversitario en Comunicación de las universidades de Málaga, Cádiz, Huelva y Sevilla en la línea de Publicidad y Relaciones Públicas DOCTORANDA: JULIA RODRÍGUEZ CASTILLO DIRECTORA: ANA ALMANSA MARTÍNEZ Dra. Dña. Ana Almansa Martínez, Profesora Titular de Universidad, adscrita al Departamento de Comunicación Audiovisual y Publicidad, de la Universidad de Málaga, como tutora y directora de esta tesis doctoral, realizada por Dña. Julia Rodríguez Castillo, INFORMA QUE: Una vez finalizada la investigación y conforme a la normativa vigente, AUTORIZA la presentación y defensa de la tesis, por considerar que reúne los requisitos formales, científicos y de originalidad necesarios para ser defendida ante el Tribunal constituido al efecto, para la obtención del Grado de Doctor. -
Gd&T Tolerance Stack up Analysis
Gd Continue For G-Dragon's eponymous EP, see Kwon Ji Yong. The merger is being considered for the merger of the South Korean singer, rapper and producer Pattern below (Korean name). See the templates for discussion to help reach consensus. It's a Korean name; Kwon's last name. G-DragonG-Dragon on Infinite Challenge Yeongdong Expressway Song Festival 2015BornKwon Ji-yong (1988-08-18) August 18, 1988 (age 32)Seoul, South KoreaOther namesGDOccupationRappersingersongwriterrecord producerentrepreneurfashion designerNet worthUS$40 million[1]Musical careerGenresHip hopK-popdance-popR&BtrapInstrumentsVocalsYears active1994– presentLabelsYGAssociated actsBig BangYG FamilyGD & TOPGD X TaeyangKorean nameHangul권지용Hanja權志⿓Revised RomanizationGwon Ji-yongMcCune–ReischauerKwŏn Chiyong Websiteygbigbang.com/gdragonSignature Kwon Ji-yong (Korean: 권지용; born August 18, 1988),[2] also known by his stage name G-Dragon, is a South Korean rapper, singer-songwriter, record producer, entrepreneur and fashion designer, dubbed as the 'King of K-Pop'. G-Dragon trained for six years, from the age of twelve, on the South Korean entertainment label YG Entertainment, before debuting in 2006 as the leader of the hip-hop boy band Big Bang, which became one of the best-selling boy bands in the world. His first solo album, Heartbreaker, and his title track of the same name, released in 2009, were commercially successful, becoming the top-selling album of the Korean soloist at the time and earning him album of the year at the Mnet Asian Music Awards 2009. G-Dragon collaborated with Big Bang Bandmate T.O.P to release the album GD and TOP in 2010. His first EP, One of a Kind (2012), received critical acclaim and three singles: One of a Kind, Crayon and That XX. -
By Brett Callwood
5 of the Best TV Panels at Comic-Con • Where to Get Your Comics Fix Year-Round ® JULY 13 19, 2018 VOL. 40 NO. 34 LAWEEKLY. COM INDEPENDENT PUBLISHER BLACK MASK OFFERS DIVERSITY AND COMPLEXITY IN ITS COMIC BOOKS BY BRETT CALLWOOD | 2 | www.laweekly.com // July 13 - 19, 2018 // LA WEEKLY MedMen.com Psychologist A10-18-0000167 | 3 | LA WEEKLY // July 13 - 19, 2018 // www.laweekly.com | 4 Westside Food+Wine Festival | Benefi ting Culver Palms Meals on Wheels July 21st-22nd Live Music Both Days! WEEKLY LA Use Promo code laweekly Produced by Todd Elliot for Entertainment & Events 10% OFF West L.A. College in Culver City - Rooftop of the Parking Structure outside with city views & overhang covering. Tickets at www.swingentertainment.com * MUST HAVE GREAT PEOPLE SKILLS, POSITIVE ATTITUDE + BONUSES + COMMISSION CANVASSERS ** * MUST BE RELIABLE & www.laweekly.com www.laweekly.com 2018 // 13 - 19, // July DEPENDABLE WANTED * SPANISH SPEAKERS * $15/HOURLY + BONUSES A PLUS + COMMISSION** WE’RE BUILDING A CANVASSING * MUST GENERATE 5 * WEEKLY PAY TEAM OF PROFESSIONALS QUALITY LEADS PER * FULL-TIME W/PAID WEEK** OVERTIME CALL TODAY AND * MEDICAL BENEFITS * ALL SUPPLIES PROVIDED START MAKING MONEY!!! * LOCAL TO TARZANA, * NEW VAN 91356 - PREFERRED * CLEAN APPEARANCE (909) 749-7636 NOT REQUIRED A MUST Conveniently located near the Hollywood Bowl, the Greek Theater and all legendary live music venues | | JULY , // VOL. // NO. 5 | ICONTENTS ⁄⁄ LA WEEKLY 2018 // www.laweekly.com 13 - 19, // July You’re Invited to To Spend A Weekend InIn 11 Santa Barbara JULY 20ʰ-21 Experience Pacifica Saturday, July 21, 2018 | 10:00am - 4:00pm Curious about Graduate School? Join us at Pacifica Graduate Institute for a one-day introduction to experience a day in the life of our graduate students. -
Socio-Cultural Analysis of Normative Femininity in Oh My Girl Banhana
Iiyoshi 1 Ken Iiyoshi Professor Churchill CCEA 2013 – Dis/Abilities in Musical Contexts 24 May 2020 Socio-cultural Analysis of Normative Femininity in Oh My Girl Banhana As part of expanding my musical interest, I have been listening to different K-Pop groups recently. Part of the reason why I never listened to K-Pop till recently was due to its overtly sexualized character. Nonetheless, I came to like a particular song, called “Banana Allergy Monkey”, sung by a South Korean girls trio named Oh My Girl Banhana (See Appendix A and B). This video, based on my liking, seemed to be a great material to analyze, exploring what made it particularly attractive. The analysis shed light on how such features could be manifestations of globalized male-pleasing feminine norms that could unconsciously influence perception of women. Such effect puts pressure on women to conform to these norms at the risk of their physical and mental health, and in some cases their lives, such as through plastic surgeries. As such, the analysis leads to preliminary contemplation on how such effects should be reversed by addressing longstanding social drivers in not just South Korea, but also cultures across globe that marginalize individuals and communities in turn for musical success. The video is a personal retelling of a monkey with a banana allergy. She initially laments on her condition and on other monkeys looking down on her. However, after discovering that she can enjoy banana-flavored milk instead, she decides not to be dragged down by such matters. The music-producing label, WM Entertainment, explained that this song “…has a positive message and story of happiness about overcoming through hope despite being different or lacking something. -
So Tukker Return by Brett Callwood
flip the paper over for the Influencers issue ® APRIL 11-18, 2019 VOL. 41 / NO. 21 LAWEEKLY.COM So Tukker return to Coachella with a fresh look and a new “Fantasy” BACK TOBy Brett THE Callwood DESERT 2 WWW.LAWEEKLY.COM | A - , | LA WEEKLY 3 LA WEEKLY | A - , | WWW.LAWEEKLY.COM 4 WWW.LAWEEKLY.COM | A - , | LA WEEKLY april 11-18, 2019 // Vol. 41 // No. 21 // laweekly.com 5 L WEEKLY LA PUBLISHER AND CEO Brian Calle ASSOCIATE PUBLISHER AND COO Erin Domash EDITORIAL - , | | A EDITOR-IN-CHIEF AND CREATIVE DIRECTOR Darrick Rainey ARTS EDITOR Shana Nys Dambrot CULTURE & ENTERTAINMENT EDITOR Lina Lecaro Contents FOOD EDITOR Michele Stueven MUSIC EDITOR Brett Callwood COPY CHIEF Lisa Horowitz LISTINGS EDITOR Falling James (music) CONTRIBUTING WRITERS Lisa Beebe, Nathaniel Bell, Michael Cooper, Lisa Derrick, Alex Destefano, Jessica Donath, Shirley Ju, Beige Luciano-Adams, Matt Miner, Lily Moayeri, Jordan WWW.LAWEEKLY.COM Riefe, Nick Walker, Jonny Whiteside CALENDAR WRITERS Siran Babayan, David Cotner, Ann Haskins, John Payne, Jason Roche CREATIVE SERVICES PHOTOGRAPHERS Anne Fishbein, Star Foreman, Tyler Hagen, Danny Liao, Shane Lopes, Timothy Norris, Ryan Orange, Ted Soqui, Levan TK, Hannah IT’S COACHELLA TIME ON THE FLIP SIDE: Verbeuren AGAIN ... 13 THE INFLUENCERS MARKETING Sofi Tukker return to the desert festival with Turn this week’s issue over and start at a fresh look and a new “Fantasy.” the back for a list of the top social media MARKETING ASSOCIATE Joel Lara BY BRETT CALLWOOD. influencers.BY SARA TARIQ, BRIAN CALLE AND NICK WALKER. ADVERTISING SALES GO LA...7 FILM & THEATER ACCOUNT MANAGER Elisa Anthony Adult puppet show Memento Mori, the Los EAT & DRINK LIVE MUSIC & CLUB CATEGORY DIRECTOR Andrew Gyger Angeles Dance Festival, Bergamot Station’s Jennifer Yu, aka Miss Piggie Eats, made a SALES DIRECTOR Christopher Hubbert spring open house, a walking tour of historic career and grew her following by just doing SENIOR MULTIMEDIA ACCOUNT EXECUTIVE Jeannie vanished cemeteries and more fun stuff to do what she loves: eating. -
The Blockbuster Musical Comes to the Boston Opera House
September 10–23, 2018 THE OFFICIAL GUIDE TO BOSTON PANORAMAEVENTS | SIGHTS | SHOPPING | MAPS | DINING | NIGHTLIFE | CULTURE WHAT THE FLUFF? IN SOMERVILLE BOSTON FILM FESTIVAL FALL ARTS GUIDE HAMILTON in the HUB The Blockbuster Musical Comes to the Boston Opera House bostonguide.com September 10–23, 2018 THE OFFICIAL GUIDE TO BOSTON Volume 68 • No. 9 contents Feature PANO’s Guide 8 to Fall Arts As the temperature drops, the music, theater and art scene heats up in the Boston area Departments 7 5 A Peek at the Past Alexander Hamilton in Boston 6 Hubbub Three festivals, two new beer gardens and one block party 10 Boston’s Official Guide 10 Multilingual 15 Current Events 21 On Exhibit 25 Shopping 29 Cambridge 32 Maps 8 38 Neighborhoods 42 Sightseeing 46 Beyond Boston 49 Freedom Trail 51 Dining 62 Boston Accent Hamilton star Nicholas Christopher ON THE COVER: Hamilton at the Boston Opera House (refer to listing, page 20). Photo: Joan Marcus. 62 PHOTOS (TOP TO BOTTOM): COURTESY OF NIGHT SHIFT BREWING; JAZZ ALONG THE CHARLES BY ROBERT TORRES; NICHOLAS CHRISTOPER COURTESY OF HAMILTON BOSTONGUIDE.COM 3 THE OFFICIAL GUIDE TO BOSTON bostonguide.com September 10–23, 2018 Volume 68 • Number 9 Tim Montgomery • Publisher Scott Roberto • Art Director/Acting Editor Laura Jarvis • Associate Art Director Annie Farrell • Senior Account Executive Olivia J. Kiers • Assistant Editor Tim Montgomery • President & CEO Tyler J. Montgomery • Vice President, Operations Rita A. Fucillo • Vice President, Publishing Jacolyn Ann Firestone • Vice President, Advertising Melissa J. O’Reilly • Business Manager Lenard B. Zide, Butters Brazilian LLP • Corporate Counsel PANORAMA is published bi-weekly by New Venture Media Group LLC.