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Dog Breeds of the World
Dog Breeds of the World Get your own copy of this book Visit: www.plexidors.com Call: 800-283-8045 Written by: Maria Sadowski PlexiDor Performance Pet Doors 4523 30th St West #E502 Bradenton, FL 34207 http://www.plexidors.com Dog Breeds of the World is written by Maria Sadowski Copyright @2015 by PlexiDor Performance Pet Doors Published in the United States of America August 2015 All rights reserved. No portion of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording, or by any information retrieval and storage system without permission from PlexiDor Performance Pet Doors. Stock images from canstockphoto.com, istockphoto.com, and dreamstime.com Dog Breeds of the World It isn’t possible to put an exact number on the Does breed matter? dog breeds of the world, because many varieties can be recognized by one breed registration The breed matters to a certain extent. Many group but not by another. The World Canine people believe that dog breeds mostly have an Organization is the largest internationally impact on the outside of the dog, but through the accepted registry of dog breeds, and they have ages breeds have been created based on wanted more than 340 breeds. behaviors such as hunting and herding. Dog breeds aren’t scientifical classifications; they’re It is important to pick a dog that fits the family’s groupings based on similar characteristics of lifestyle. If you want a dog with a special look but appearance and behavior. Some breeds have the breed characterics seem difficult to handle you existed for thousands of years, and others are fairly might want to look for a mixed breed dog. -
Nihon Ken Invitational
Japanese Akita Club of America Licensed by the United Kennel Club NIHON KEN INVITATIONAL Native Japanese Breed Conformation Show Arthur Johnson Park 1200 W 170th St, Gardena, CA 90247 THIS IS AN OUTDOOR SHOW Pre-Entry Deadline Pre-entries must be received by October 24TH, 2015 NO TEMPORARY LISTING (TL) NUMBERS AVAILABLE AT THIS SHOW. SEE BACK PAGE. www.akita-inu.com Japanese Akita Club of America Officers President ............................................................... Sean Nollan Vice President ...................................................Judy Takamatsu Treasurer .................................................................. Tim Wilder Secretary .............................................................. Carol Speier Director ................................................................. Julia Cooper Director ...........................................................Claire Matthews Director ...............................................................Rich Quesada Director ........................................................... Hope Yoneshige Event Committee Event Chairperson ............................................... Sean Nollan Judges Committee ................................................ Sean Nollan Premium Listing ...............................................Claire Matthews Ribbons & Awards ............................................... Sean Nollan Hospitality ................................................................ Henry Fox Chief Ring Steward ............................................................ -
アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE
アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)(KOR) 1072528598 K-POP 2,290 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)(KOR) 1072528759 K-POP 2,290 https://tower.jp/item/4875653 100% (Korea) 28℃ <通常盤C> OKCK05028 K-POP 1,296 https://tower.jp/item/4825257 100% (Korea) 28℃ <通常盤B> OKCK05027 K-POP 1,296 https://tower.jp/item/4825256 100% (Korea) 28℃ <ユニット別ジャケット盤B> OKCK05030 K-POP 648 https://tower.jp/item/4825260 100% (Korea) 28℃ <ユニット別ジャケット盤A> OKCK05029 K-POP 648 https://tower.jp/item/4825259 100% (Korea) How to cry (Type-A) <通常盤> TS1P5002 K-POP 1,204 https://tower.jp/item/4415939 100% (Korea) How to cry (Type-B) <通常盤> TS1P5003 K-POP 1,204 https://tower.jp/item/4415954 100% (Korea) How to cry (ミヌ盤) <初回限定盤>(LTD) TS1P5005 K-POP 602 https://tower.jp/item/4415958 100% (Korea) How to cry (ロクヒョン盤) <初回限定盤>(LTD) TS1P5006 K-POP 602 https://tower.jp/item/4415970 100% (Korea) How to cry (ジョンファン盤) <初回限定盤>(LTD) TS1P5007 K-POP 602 https://tower.jp/item/4415972 100% (Korea) How to cry (チャンヨン盤) <初回限定盤>(LTD) TS1P5008 K-POP 602 https://tower.jp/item/4415974 100% (Korea) How to cry (ヒョクジン盤) <初回限定盤>(LTD) TS1P5009 K-POP 602 https://tower.jp/item/4415976 100% (Korea) Song for you (A) OKCK5011 K-POP 1,204 https://tower.jp/item/4655024 100% (Korea) Song for you (B) OKCK5012 K-POP 1,204 https://tower.jp/item/4655026 100% (Korea) Song for you (C) OKCK5013 K-POP 1,204 https://tower.jp/item/4655027 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)(LTD) OKCK5015 K-POP 602 https://tower.jp/item/4655029 100% (Korea) -
Baseball in Japan and the US History, Culture, and Future Prospects by Daniel A
Sports, Culture, and Asia Baseball in Japan and the US History, Culture, and Future Prospects By Daniel A. Métraux A 1927 photo of Kenichi Zenimura, the father of Japanese-American baseball, standing between Lou Gehrig and Babe Ruth. Source: Japanese BallPlayers.com at http://tinyurl.com/zzydv3v. he essay that follows, with a primary focus on professional baseball, is intended as an in- troductory comparative overview of a game long played in the US and Japan. I hope it will provide readers with some context to learn more about a complex, evolving, and, most of all, Tfascinating topic, especially for lovers of baseball on both sides of the Pacific. Baseball, although seriously challenged by the popularity of other sports, has traditionally been considered America’s pastime and was for a long time the nation’s most popular sport. The game is an original American sport, but has sunk deep roots into other regions, including Latin America and East Asia. Baseball was introduced to Japan in the late nineteenth century and became the national sport there during the early post-World War II period. The game as it is played and organized in both countries, however, is considerably different. The basic rules are mostly the same, but cultural differences between Americans and Japanese are clearly reflected in how both nations approach their versions of baseball. Although players from both countries have flourished in both American and Japanese leagues, at times the cultural differences are substantial, and some attempts to bridge the gaps have ended in failure. Still, while doubtful the Japanese version has changed the American game, there is some evidence that the American version has exerted some changes in the Japanese game. -
The Baseball Film in Postwar America ALSO by RON BRILEY and from MCFARLAND
The Baseball Film in Postwar America ALSO BY RON BRILEY AND FROM MCFARLAND The Politics of Baseball: Essays on the Pastime and Power at Home and Abroad (2010) Class at Bat, Gender on Deck and Race in the Hole: A Line-up of Essays on Twentieth Century Culture and America’s Game (2003) The Baseball Film in Postwar America A Critical Study, 1948–1962 RON BRILEY McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London All photographs provided by Photofest. LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Briley, Ron, 1949– The baseball film in postwar America : a critical study, 1948– 1962 / Ron Briley. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-6123-3 softcover : 50# alkaline paper 1. Baseball films—United States—History and criticism. I. Title. PN1995.9.B28B75 2011 791.43'6579—dc22 2011004853 BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE © 2011 Ron Briley. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. On the cover: center Jackie Robinson in The Jackie Robinson Story, 1950 (Photofest) Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com Table of Contents Preface 1 Introduction: The Post-World War II Consensus and the Baseball Film Genre 9 1. The Babe Ruth Story (1948) and the Myth of American Innocence 17 2. Taming Rosie the Riveter: Take Me Out to the Ball Game (1949) 33 3. -
Photocards Mark Tuan - Official Merch 29/153 (25 En Commande)
Photocards Mark Tuan - Official Merch 29/153 (25 en commande) Got It? (1st mini album) - Mark Got It? (1st mini album) - Groupe Got Love (2nd mini album) - Mark Got Love (2nd mini album) – Mark Thaïlande Edition Got love (2nd mini album) – Mark Soompi Edition Limitée Identify (1st full album) - Mark Identify (1st full album) – Mark Thailande Edition Just Right (3rd mini album) - Mark Just Right (3rd mini album) – Mark postcard Just Right (3rd mini album) – Groupe postcard Just Right (3rd mini album) – Mark Thaïlande Edition Mad (4th mini album) - Mark Mad (4th mini album) – Mark Thaïlande Edition Flight Log: Departure (5th mini album) - Mark Flight Log: Departure (5th mini album) - Groupe Flight Log: Departure (5th mini album) – Ticket Mark/JB Flight Log: Departure (5th mini album) – Ticket mark/Jackson Flight Log: Departure (5th mini album) – Ticket Mark/Jinyoung Flight Log: Departure (5th mini album) – Ticket Mark/Youngjae Flight Log: Departure (5th mini album) – Ticket Mark/Bambam Flight Log: Departure (5th mini album) – Ticket Mark/Yugyeom Flight Log: Departure (5th mini album) – Mark Thaïlande Edition Flight Log: Turbulence (2nd full album) – Mark ID version Flight Log: Turbulence (2nd full album) – Mark baggage tag version Flight Log: Turbulence (2nd full album) – Mark making cut version Flight Log: Turbulence (2nd full album) – Mark Thaïlande Edition Flight Log: Turbulence (2nd full album) – Mark Taiwan Edition Flight Log: Turbulence (2nd full album) – Mark Taiwan limited Edition Flight Log: Arrival (6th mini album) – Mark making -
K-Pop: South Korea and International Relations S1840797
Eliana Maria Pia Satriano [email protected] s1840797 Word count: 12534 Title: K-pop: South Korea and International Relations s1840797 Table of Contents: 1. Chapter 1 K-pop and International Relations………………………………..……..…..3-12 1.1 Introduction ……………………………………………………………………..…..3-5 1.2 K-pop: from the National to the International Market: The History of K-pop………5-6 1.3 The Drivers Behind the K-pop Industry..………………………………….….….…6-10 1.4 The Involvement of the South Korean Government with Cultural Industries.…… 10-12 2. Chapter 2 Soft Power and Diplomacy, Music and Politics ……………………………13-17 2.1 The Interaction of Culture and Politics: Soft Power and Diplomacy………………13-15 2.2 Music and Politics - K-pop and Politics……………………………………………15-17 3. Chapter 3 Methodology and the Case Study of BTS……………………………..……18-22 3.1 Methodology………………………………………………………………….……18-19 3.2 K-Pop and BTS……………………………………………………………….……19-20 3.3 Who is BTS?………………………………………………………………….……20-22 3.4 BTS - Beyond Korea……………………………………………………………….…22 4. Chapter 4 Analysis ……………………………………………………….…….…….. 23-38 4.1 One Dream One Korea and Inter-Korea Summit……….…………………..……..23-27 4.2 BTS - Love Myself and Generation Unlimited Campaign…………………….…..27-32 4.3 Korea -France Friendship Concert..………………………………………..….…..33-35 4.4 Award of Cultural Merit…………………………………………….………….…..35-37 4.5 Discussion and Conclusion…………………………………………………….…..37-38 Bibliography…………………………………………………………………………….….39-47 !2 s1840797 CHAPTER 1: K-pop and International Relations (Seventeen 2017) 1.1 Introduction: South Korea, despite its problematic past, has undergone a fast development in the past decades and is now regarded as one of the most developed nations. A large part of its development comes from the growth of Korean popular culture, mostly known as Hallyu (Korean Wave). -
9783736314474 Moncomble, Back to Us Innen Final.Indd
MORGANE MONCOMBLE Back To Us MORGANE MONCOMBLE ROMAN Ins Deutsche übertragen von Ulrike Werner-Richter LYX in der Bastei Lübbe AG Dieser Titel ist auch als E-Book und Hörbuch erschienen. Die Originalausgabe erschien 2020 unter dem Titel »Falling Again« bei Hugo et Compagnie, Paris, Frankreich. Copyright © Morgane Moncomble, Hugo et Compagnie, 2020 This edition is published by arrangement with Hugo Publishing in conjunction with its duly appointed agents Books and More, Paris, France. All rights reserved. Für die deutschsprachige Ausgabe: Copyright © 2021 by Bastei Lübbe AG, Köln Redaktion: Christin Ullmann Covergestaltung: ZERO Werbeagentur, München, unter Verwendung eines Motivs von © Doriana Stellari / shutterstock.com; Ninell / shutterstock.com Satz: Greiner & Reichel, Köln Gesetzt aus der Adobe Caslon Druck und Einband: GGP Media GmbH, Pößneck Printed in Germany ISBN 978-3-7363-1447-4 1 3 5 7 6 4 2 Sie finden uns im Internet unter: lyx-verlag.de Bitte beachten Sie auch: luebbe.de und lesejury.de Liebe Leser:innen, dieses Buch enthält potenziell triggernde Inhalte. Deshalb findet ihr auf S. 487 eine Triggerwarnung. ACHTUNG: Diese enthält Spoiler für das gesamte Buch. Wir wünschen uns für euch alle das bestmögliche Leseerlebnis. Euer LYX-Verlag Playlist Kim Tae Woo & Ben – Darling U Gaho – Start Gummy – Remember Me Suran – Heartbeat DK – Missed Connections Woosung – You Make Me Back Junggigo – D-Day Suran – Step Step Punch – Like a Heroine in the Movie Suzy – Ring My Bell Eric Nam – Sudden Rain Tearliner – Blooming Story (feat. Jo Hae -
Music History Lecture Notes Modern Rock 1960 - Today
Music History Lecture Notes Modern Rock 1960 - Today This presentation is intended for the use of current students in Mr. Duckworth’s Music History course as a study aid. Any other use is strictly forbidden. Copyright, Ryan Duckworth 2010 Images used for educational purposes under the TEACH Act (Technology, Education and Copyright Harmonization Act of 2002). All copyrights belong to their respective copyright holders, • Rock’s classic act The Beatles • 1957 John Lennon meets Paul McCartney, asks Paul to join his band - The Quarry Men • George Harrison joins at end of year - Johnny and the Moondogs The Beatles • New drummer Pete Best - The Silver Beetles • Ringo Star joins - The Beatles • June 6, 1962 - audition for producer George Martin • April 10, 1970 - McCartney announces the group has disbanded Beatles, Popularity and Drugs • Crowds would drown of the band at concerts • Dylan turned the Beatles on to marijuana • Lennon “discovers” acid when a friend spikes his drink • Drugs actively shaped their music – alcohol & speed - 1964 – marijuana - 1966 – acid - Sgt. Pepper and Magical Mystery tour – heroin in last years Beatles and the Recording Process • First studio band – used cutting-edge technology – recordings difficult or impossible to reproduce live • Use of over-dubbing • Gave credibility to rock albums (v. singles) • Incredible musical evolution – “no group changed so much in so short a time” - Campbell Four Phases of the Beatles • Beatlemania - 1962-1964 • Dylan inspired seriousness - 1965-1966 • Psychedelia - 1966-1967 • Return to roots - 1968-1970 Beatlemania • September 1962 – “Love me Do” • 1964 - “Ticket to Ride” • October 1963 – I Want To Hold your Hand • Best example • “Yesterday” written Jan. -
Hip-Hop and Cultural Interactions: South Korean and Western Interpretations
HIP-HOP AND CULTURAL INTERACTIONS: SOUTH KOREAN AND WESTERN INTERPRETATIONS. by Danni Aileen Lopez-Rogina, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Sociology May 2017 Committee Members: Nathan Pino, Chair Rachel Romero Rafael Travis COPYRIGHT by Danni Aileen Lopez-Rogina 2017 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Danni Aileen Lopez-Rogina, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. DEDICATION To Frankie and Holly for making me feel close to normal. ACKNOWLEDGEMENTS I want to acknowledge my mom, dad, and sister first and foremost. Without their love and support over the years, I would not have made it this far. They are forever my cheerleaders, no matter how sassy I may be. Professor Nathan Pino was my chosen mentor who took me under his wing when I chose him like a stray cat. His humor and dedication to supporting me helped me keep my head up even when I felt like I was drowning. Professor Rachel Romero was the one to inspire me to not only study sociology, but also to explore popular culture as a key component of society. -
BENNY GOLSON NEA Jazz Master (1996)
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BENNY GOLSON NEA Jazz Master (1996) Interviewee: Benny Golson (January 25, 1929 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: January 8-9, 2009 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 119 pp. Brown: Today is January 8th, 2009. My name is Anthony Brown, and with Ken Kimery we are conducting the Smithsonian National Endowment for the Arts Oral History Program interview with Mr. Benny Golson, arranger, composer, elder statesman, tenor saxophonist. I should say probably the sterling example of integrity. How else can I preface my remarks about one of my heroes in this music, Benny Golson, in his house in Los Angeles? Good afternoon, Mr. Benny Golson. How are you today? Golson: Good afternoon. Brown: We’d like to start – this is the oral history interview that we will attempt to capture your life and music. As an oral history, we’re going to begin from the very beginning. So if you could start by telling us your first – your full name (given at birth), your birthplace, and birthdate. Golson: My full name is Benny Golson, Jr. Born in Philadelphia, Pennsylvania. The year is 1929. Brown: Did you want to give the exact date? Golson: January 25th. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Brown: That date has been – I’ve seen several different references. Even the Grove Dictionary of Jazz had a disclaimer saying, we originally published it as January 26th. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology.