DOCSLIB.ORG

By Brett Callwood

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
By Brett Callwood 5 of the Best TV Panels at Comic-Con • Where to Get Your Comics Fix Year-Round ® JULY 13 19, 2018 VOL. 40 NO. 34 LAWEEKLY. COM INDEPENDENT PUBLISHER BLACK MASK OFFERS DIVERSITY AND COMPLEXITY IN ITS COMIC BOOKS BY BRETT CALLWOOD | 2 | www.laweekly.com // July 13 - 19, 2018 // LA WEEKLY MedMen.com Psychologist A10-18-0000167 | 3 | LA WEEKLY // July 13 - 19, 2018 // www.laweekly.com | 4 Westside Food+Wine Festival | Benefi ting Culver Palms Meals on Wheels July 21st-22nd Live Music Both Days! WEEKLY LA Use Promo code laweekly Produced by Todd Elliot for Entertainment & Events 10% OFF West L.A. College in Culver City - Rooftop of the Parking Structure outside with city views & overhang covering. Tickets at www.swingentertainment.com * MUST HAVE GREAT PEOPLE SKILLS, POSITIVE ATTITUDE + BONUSES + COMMISSION CANVASSERS ** * MUST BE RELIABLE & www.laweekly.com www.laweekly.com 2018 // 13 - 19, // July DEPENDABLE WANTED * SPANISH SPEAKERS * $15/HOURLY + BONUSES A PLUS + COMMISSION** WE’RE BUILDING A CANVASSING * MUST GENERATE 5 * WEEKLY PAY TEAM OF PROFESSIONALS QUALITY LEADS PER * FULL-TIME W/PAID WEEK** OVERTIME CALL TODAY AND * MEDICAL BENEFITS * ALL SUPPLIES PROVIDED START MAKING MONEY!!! * LOCAL TO TARZANA, * NEW VAN 91356 - PREFERRED * CLEAN APPEARANCE (909) 749-7636 NOT REQUIRED A MUST Conveniently located near the Hollywood Bowl, the Greek Theater and all legendary live music venues | | JULY , // VOL. // NO. 5 | ICONTENTS ⁄⁄ LA WEEKLY 2018 // www.laweekly.com 13 - 19, // July You’re Invited to To Spend A Weekend InIn 11 Santa Barbara JULY 20ʰ-21 Experience Pacifica Saturday, July 21, 2018 | 10:00am - 4:00pm Curious about Graduate School? Join us at Pacifica Graduate Institute for a one-day introduction to experience a day in the life of our graduate students. This event will showcase the distinctive educational features of our masters and doctoral degree programs in depth psychology, mythology and the humanities. This Introduction provides an excellent opportunity to: Experience Pacifica’s unique interdisciplinary degree programs through faculty-led, program information sessions. Hear from Pacifica faculty and alumni about their experiences and career outcomes. Tour the campus including the Joseph Campbell Archives and the Research Library. Learn more about the admissions process & financial aid. Pacifica’s $75 application fee will be waived for all attendees. Accepted student scholarship deadline is August 15th. The Creative Psyche as the Only Practical Graduate GO LA... FILM... Recalling Silver Lake’s beloved Onyx coffeehouse, MICHELE RAPHAEL picks five of the best Education for Our Times with Susan Rowland Ph.D. celebrating the lotus and China in Echo Park, an TV-related panels at the upcoming San Diego In an era of variability, the only certainty for our future is change, and moreover evening of funny singing and dancing at UCB, Comic-Con, plus other movies OPENING THIS unpredictable change. How do we plan for twenty-first century lives when besieged by A Midsummer Night’s Dream in Griffith Park and WEEK, and YOUR WEEKLY MOVIE TO-DO LIST. the unknown leading to unprecedented anxiety? What industry leaders tell us is that more to do and see in L.A. this week. we need to educate for creativity in a world that has repressed the arts, humanities, MUSIC... myths, and creative psychotherapies almost out of existence. Pacifica’s programs FEATURE... Bad Religion guitarist and Epitaph Records restore psychological creativity and put soul into education, whether it be for Born of the Occupy movement, Black Mask founder Brett Gurewitz has another venture — re-imagined careers, changing research or the discovery of who you are. Studios has taken comic books into the present, comic book publishing. BY BRETT CALLWOOD. with all its diversity and complexity. BY BRETT Plus: listings for ROCK & POP, JAZZ & CLASSICAL CALLWOOD. and more. Job and Career Fair July 20ʰ | 10:00am - 3:00pm EAT & DRINK... Meet with employers from various industries Burbank’s Castaway is reborn, and it’s time for a sangria crawl. BY MICHELE STUEVEN. ADVERTISING Friday Night Salon July 20ʰ | 7:00pm - 9:00pm Mythic Imagination with David Gordon White Ph.D. CULTURE... CLASSIFIED... It can’t be Comic-Con all year long, so here is a EDUCATION/EMPLOYMENT... comprehensive list of L.A.’s comic book stores, REAL ESTATE/RENTALS... 249 Lambert Road, Carpinteria CA, 93013 where you can get your comics fix anytime. Space is limited and advanced registration is recommended. BY LISA BEEBE. BULLETIN BOARD... ON THE COVER: ILLUSTRATION BY DARRICK RAINEY/ ART COURTESY BLACK MASK STUDIOS L.A. WEEKLY ISSN #01921940 & USPS 461370 IS PUBLISHED WEEKLY BY LA WEEKLY LP, 724 S. SPRING ST., LOS ANGELES, CA 90015. PERIODICALS POSTAGE PAID AT LOS ANGELES, CA. DOMESTIC SUBSCRIPTIONS: $55 FOR SIX MONTHS & $90 PER YEAR. POSTMASTER: SEND ADDRESS CHANGES TO L.A WEEKLY, 724 S. SPRING ST., LOS ANGELES, CA 90015. LA WEEKLY IS AVAILABLE FREE OF CHARGE IN LOS ANGELES COUNTY, LIMITED TO ONE COPY PER READER. ADDITIONAL COPIES OF THE CURRENT ISSUE OF LA WEEKLY MAY BE PURCHASED FOR $1, PAYABLE IN ADVANCE AT THE LA WEEKLY OFFICE. OUTSIDE LOS ANGELES COUNTY, THE SINGLECOPY COST OF LA WEEKLY IS $1. LA WEEKLY MAY BE DISTRIBUTED ONLY BY LA WEEKLY’S AUTHORIZED INDEPENDENT Register online at pacifica.edu or call 805.969.3626 ext. 305 CONTRACTORS OR LA WEEKLY’S AUTHORIZED DISTRIBUTORS. NO PERSON MAY, WITHOUT PRIOR WRITTEN PERMISSION OF LA WEEKLY, TAKE MORE THAN ONE COPY OF EACH LA WEEKLY ISSUE. FOR BACKISSUE INFORMATION CALL 3105747100. THE ENTIRE CONTENTS OF LA WEEKLY ARE COPYRIGHT 2014 BY LA WEEKLY LP. NO PORTION MAY BE REPRODUCED IN WHOLE OR Now Enrolling for Fall. Apply online at pacifica.edu IN PART BY ANY MEANS, INCLUDING ELECTRONIC RETRIEVAL SYSTEMS, WITHOUT THE EXPRESS WRITTEN PERMISSION OF THE Pacifica is accredited by the Western Association of Schools and Colleges (WASC). PUBLISHER, LA WEEKLY, 724 S. SPRING ST., LOS ANGELES, CA 90015. Gainful Employment Information is available at pacifica.edu/gainfulemployment. | 6 3 DAY MUSIC, FOOD, & ART FESTIVAL | With AAA Travel... Members Get WEEKLY LA MORE! KX With AAA Travel... FESTIVAL FREE Members Get kxfest O`AHU, HAWAI`I | Alohilani Resort Waikiki Beach kxfestla MORE!1 LINEUP: INCLUDES H1GHER MUSIC Cha Cha Malone, Phe REDS, 5 NIGHTS FROM $ , AIRFARE Jarv Dee & DJ Rocryte, 1269 Sammy Sam of Public Enemy w/ special guest YOUR AAA Vacations® PACKAGE INCLUDES: Flavor Flav of Public Enemy, Alohilani Resort Waikiki Beach •O ROUND`AHU, TRIP HAWAI AIRFARE from`I | Los Angeles, California (LAX) Amber Eyes (Jillian Jensen), Justin Park, to Honolulu, Hawai`i (HNL) 1 Timothy John, Fuzzzy, Masterpiece, Rosy Donovan, www.laweekly.com www.laweekly.com 2018 // 13 - 19, // July Five nights’ partial ocean view accommodations INCLUDES Jessica Louise Garcia, Cheryl Koh •5 NIGHTS FROM $ • Complimentary access 1 to ,the269 Island Club & Spa2 AIRFARE YOUR AAA Vacations® PACKAGE INCLUDES: FRIDAY SATURDAY SUNDAY TRAVEL: Select dates through December 31, 2018 • ROUND TRIP AIRFARE from Los Angeles, California (LAX) 7/27 7/28 7/29 to Honolulu, Hawai`i (HNL) 6-10PM 6-10PM 4-7PM ® Five nights’BOOK partial THIS ocean AAA view Vacations accommodations PACKAGE LEVITT PAVILION @ MACARTHUR PARK • 2230 W. 6TH STREET LOS ANGELES, CA 90057 • ComplimentaryAND GET access THESE to the SPECIAL Island Club INCLUSIONS! & Spa2 TRAVEL: Select dates through December 31, 2018 WWW.KXFESTIVAL.COM AAA Vacations ® KIDS 17 AMENITY DAILY – AND – ® CONTINENTALBOOK THIS AAAYOUNGER Vacations STAY PACKAGE$ BREAKFAST 3 ACTIVITY100 AND GET THESE SPECIAL INCLUSIONS!4 FOR TWO FREE VOUCHER PER BOOKING UNION STATION AAA Vacations ® KIDS 17 AMENITY DAILY – AND – SUMMER TRAIN CONTINENTAL YOUNGER STAY $ BREAKFAST 3 ACTIVITY100 FOR TWO FREE VOUCHER4 FESTIVAL PER BOOKING ASK ABOUT RATES FROM Dreams in Motion YOUR LOCAL AIRPORT! Free Family Event Saturday, July 14 O`ahu, Hawai`i ASK ABOUT RATES FROM 10a.m. – 5p.m. CALL: 800.741.1641 CLICK:YOUR AAA.com/Travelmore LOCAL AIRPORT! CALL: 800.741.1641 VISIT: Your Local AAA Travel Agency! O`ahu, Hawai`i CLICK: AAA.com/Travelmore 1Rate is per person, land and round trip economy-class airfare from LAX only, based on double occupancy for check-in on November 12, 2018 & includes taxes, fees and surcharges collected byCALL: seller at time of booking.800.741.1641 Airfare is non-refundable. Itinerary changes/cancellations are subjectCLICK: to Pleasant Holidays, airline AAA.com/Travelmore and/or other supplier-imposed fees from $25 (for Canada or contiguous U.S. travel) or from $50 (for all other travel) per person, plus applicable fare differential (certain changes involve pre-noti cation deadlines). See General Disclaimer for additional VISIT:informationVISIT: regarding air.Your 2Fees may apply YourLocal for services. 3KidsAAA Local stay free inTravel same room asAAA adults Agency! using existing Travel bedding. Occupancy limits Agency! apply. 4Activity voucher does not apply to air/car only booking. Valid toward the purchase of a select optional activity. Not valid for hotel direct activity bookings. Minimum 5 night stay at participating AAA Vacations® properties required. Voucher is non-refundable, non-transferable and has no cash value. For all offers, unless otherwise indicated: Rates quoted are accurate at time of publication & are per person, based on double occupancy. Gratuities, transfers, excursions and, for non-air- inclusive offers, airfare, taxes, fees & surcharges, are additional. Advertised rates do not include any applicable daily resort or facility fees payable directly to the hotel at check-out; such fee 1amountsRate is per will person, be advised land andat the round time trip of economy-classbooking. Rates, airfare terms, from conditions, LAX only, availability, based on doubleitinerary, occupancy taxes, fees, for check-insurcharges, on November deposit, payment, 12, 2018 cancellation & includes taxes,terms/conditions fees and surcharges & policies collected subject byto changeseller at without time of noticebooking. at anyAirfare time. is non-refundable.Cruise rates capacity-controlled.
Load more

Recommended publications
  • Whrb 95.3 Fm
    N December 2019 January/February 2020 Volume 48, No. 2 95.3 FM Pachelbel: Canon and Gigue in D; King, Musica da Camera (Linn) Schumann: Carnaval, Op. 9; Uchida (Philips) Brahms: Symphony No. 2 in D, Op. 73; Munch, Boston Sym- phony Orchestra (Erato LP) Vaughan Williams: The Lark Ascending; Brown, Marriner, Academy of St. Martin-in-the-Fields (London) WHRB Mozart: Eine kleine Nachtmusik; Koopman, Amsterdam Bar- oque Orchestra (Erato) Vivaldi: The Four Seasons; Shaham, Orpheus Chamber Orches- 95.3 FM tra (DG) Fauré: Pavane, Op. 50; Orpheus Chamber Orchestra (DG) ® Holst: The Planets, Op. 32; Holst, London Symphony Orchestra Legend has it that the WHRB Orgy tradition began over (Koch) seventy-five years ago, in the spring of 1943. At that time, it is said that one Harvard student, then a staff member of WHRB, returned to the station after a particularly difficult exam and Monday, December 2 played all of Beethoven’s nine symphonies consecutively (from 78 rpm records) to celebrate the end of a long, hard term of midnight SCIENTOLOGY: A MUSICAL EXPLORA- ® TION studying. The idea caught on, and soon the Orgy concept was The Scientology Orgy is an in-depth exploration of songs expanded to include live jazz, rock, hip-hop, blues, and even about scientology and by scientologists, spanning time and sports Orgies. The Orgy® tradition lives on even today at WHRB. genre. Scientology is part of a new wave of religious exploration During the Reading and Exam Periods of Harvard College, and was created in response to the more traditional religions. In essence, religion is a way to explain humankind and its reactions WHRB presents marathon-style musical programs devoted to a to the world including love, pain, excitement, and anger, just to single composer, performer, genre, or subject.
    [Show full text]
  • Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me.
    [Show full text]
  • Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
    Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis.
    [Show full text]
  • Michigan Business Law Journal Summer 2017
    The Michigan Business Law JOURNAL CONTENTS Volume 37 Section Matters Issue 2 From the Desk of the Chairperson 1 Officers and Council Members 2 Summer 2017 Committees and Directorships 3 Columns Taking Care of Business Julia Dale 5 Tax Matters: Collection Update Eric M. Nemeth 7 Technology Corner: Data Breach and Cyber Incident Response Planning Michael S. Khoury, Martin B. Robins, Kimberly Dempsey Booher, and Geoffrey M. Goodale 8 In-House Insight: Expat Lessons: From Muskegon to China (and Back) Matthew J. Nolan 11 Articles In My Defense: The Author on the 25th Anniversary of the Michigan Sales Representative Commission Act Dave Honigman and Jordan B. Segal 14 Business Lawyers—What's New in Health Care Law? Theresamarie Mantese, Douglas L. Toering, and Fatima Bolyea 28 Sixth Circuit Court of Appeals Holds That a Perfected Assignment of Rents Enforced Pre-Petition Excludes Such Rents from Being Property of the Bankruptcy Estate Judith Greenstone Miller and Paul R. Hage 37 Case Digests 42 Index of Articles 44 ICLE Resources for Business Lawyers 48 Published by THE BUSINESS LAW SECTION, State Bar of Michigan The editorial staff of the Michigan Business Law Journal welcomes suggested business law topics of general interest to the Section members, which may be the subject of future articles. Proposed business law topics may be submitted through the Publications Director, Brendan J. Cahill, The Michigan Business Law Journal, 39577 Woodward Ave., Ste. 300, Bloomfield Hills, Michigan 48304, (248) 203-0721, [email protected], or through Kanika S. Ferency, ICLE, 1020 Greene Street, Ann Arbor, Michigan, 48109-1444, (734) 936-3432, ferencyk@icle.
    [Show full text]
  • Selected Filmography of Digital Culture and New Media Art
    Dejan Grba SELECTED FILMOGRAPHY OF DIGITAL CULTURE AND NEW MEDIA ART This filmography comprises feature films, documentaries, TV shows, series and reports about digital culture and new media art. The selected feature films reflect the informatization of society, economy and politics in various ways, primarily on the conceptual and narrative plan. Feature films that directly thematize the digital paradigm can be found in the Film Lists section. Each entry is referenced with basic filmographic data: director’s name, title and production year, and production details are available online at IMDB, FilmWeb, FindAnyFilm, Metacritic etc. The coloured titles are links. Feature films Fritz Lang, Metropolis, 1926. Fritz Lang, M, 1931. William Cameron Menzies, Things to Come, 1936. Fritz Lang, The Thousand Eyes of Dr. Mabuse, 1960. Sidney Lumet, Fail-Safe, 1964. James B. Harris, The Bedford Incident, 1965. Jean-Luc Godard, Alphaville, 1965. Joseph Sargent, Colossus: The Forbin Project, 1970. Henri Verneuil, Le serpent, 1973. Alan J. Pakula, The Parallax View, 1974. Francis Ford Coppola, The Conversation, 1974. Sidney Pollack, The Three Days of Condor, 1975. George P. Cosmatos, The Cassandra Crossing, 1976. Sidney Lumet, Network, 1976. Robert Aldrich, Twilight's Last Gleaming, 1977. Michael Crichton, Coma, 1978. Brian De Palma, Blow Out, 1981. Steven Lisberger, Tron, 1982. Godfrey Reggio, Koyaanisqatsi, 1983. John Badham, WarGames, 1983. Roger Donaldson, No Way Out, 1987. F. Gary Gray, The Negotiator, 1988. John McTiernan, Die Hard, 1988. Phil Alden Robinson, Sneakers, 1992. Andrew Davis, The Fugitive, 1993. David Fincher, The Game, 1997. David Cronenberg, eXistenZ, 1999. Frank Oz, The Score, 2001. Tony Scott, Spy Game, 2001.
    [Show full text]
  • The Submarine Review December 2017 Paid Dulles, Va Dulles, Us Postage Permit No
    NAVAL SUBMARINE LEAGUE DECEMBER 2017 5025D Backlick Road NON-PROFIT ORG. FEATURES Annandale, VA 22003 US POSTAGE PAID Repair and Rebuild - Extracts; American PERMIT NO. 3 Enterprise Institute DULLES, VA Ms. Mackenzie Eaglen..........................9 2017 Naval Submarine League History Seminar Transcript.................................24 Inside Hunt for Red October THE SUBMARINE REVIEW DECEMBER 2017 THE SUBMARINE REVIEW CAPT Jim Patton, USN, Ret..................67 Awardees Recognized at NSL Annual Symposium...........................................73 ESSAYS Battle of the Atlantic: Command of the Seas in a War of Attrition LCDR Ryan Hilger, USN...............85 Emerging Threats to Future Sea Based Strategic Deterrence CDR Timothy McGeehan, USN, .....97 Innovation in C3 for Undersea Assets LT James Davis, USN...................109 SUBMARINE COMMUNITY Canada’s Use of Submarines on Fisheries Patrols: Part 2 Mr. Michael Whitby.......................118 Career Decisions - Submarines RADM Dave Oliver, USN, Ret......125 States Put to Sea Mr. Richard Brown.........................131 Interview with a Hellenic Navy Subma- rine CO CAPT Ed Lundquist, USN, Ret.....144 The USS Dallas: Where Science and Technology Count Mr. Lester Paldy............................149 COVER_AGS.indd 1 12/11/17 9:59 AM THE SUBMARINE REVIEW DECEMBER 2017 TABLE OF CONTENTS President’s Letter................................................................................................2 Editor’s Notes.....................................................................................................3
    [Show full text]
  • Why Emma Roberts Is My Spirit Animal
    Dating Tip #77: Google the person. Thursday, October 15, 2015 12A The Valdosta Daily Times The video !! art of brain tra surgery FROM JOE Medical Degrees: 0 Malpractice Suits: Too many to count XX he patient is readied. My #vdtxtra assistants are ready. My Thands are washed. It’s time to start on an appendectomy. Just as I make my first incision, I get the horrific realization I forgot some- thing. Maybe it’s the fact the patient just let out a bone-chilling scream that could be heard by everyone on the helipad six stories above us. My lead assistant looks at me, not really im- pressed with my minor mistake. “You know, that wasn’t really the proper procedure,” he tells me, as calm as ever. The chief surgeon, trying to make par 3 on the 15th in one stroke, had his phone go off just as he made the shot. When he stormed into my vicinity, I thought he was going to wrap his 5-iron around my throat. “I am outraged at your unbelievable incompetence!” he roared in my direc- tion. Gee, thanks. I found out later his shot wound up beaning someone Gerald Ford-style. My job was now to take care of this guy. JOE By the way, I should point out that I’m really just playing a game — “Life and Death,” a game by Software Toolworks which came out in 1988. The first game focused on the lower body — the appendix, the stomach, etc. Its sequel, “Life and Death II,” focused on the brain.
    [Show full text]
  • Origin of the Word Baugh Wreathes Across America 2015
    The Sting VOL. 2 No. #1 OXFORD AREA HIGH SCHOOL NOVEMBER/DECEMBER 2015 Wreathes Across America 2015 By Steven Yannucci individual memorials for each org and it cost $15 per wreath Class of 2018 branch of the service, and the you donate. individual gravestones of the Wreaths Across America’s Are you here? Are you deceased heroes. It begins with vision is remember, honor, and living free? Yes you are, thanks the national anthem followed teach communities nationwide to the sacrifice given by the by tributes on the bagpipes and about veterans and their sacri- men and women who have speeches from a few. fice as well as hold ceremonies served this country. This win- This tradition started at state houses. One final trib- ter, in early December, people in 1992 when the Worces- ute they do is a Veterans Parade around the nation will be laying tor Wreath company found between Maine and Virginia www.wreathesacrossamerica.org wreathes on the graves of those themselves with a surplus of where they stop along the way Wreathes laying on the graves of fallen who served. Oxford, Pennsylva- wreathes. The owner, Morrill to spread the message of impor- heroes. nia is holding its own ceremo- Worcestor, saw an opportuni- tance of these life long heroes. ny to honor those fallen at the ty to honor those who served Sacred Heart Cemetery. Every this country, so he made ar- year there is free coffee and rangements with the senator hot chocolate for everyone who of Maine to have the surplus participates. Also, attending wreathes laid on the graves at this ceremony will allow you to Arlington National Cemetery.
    [Show full text]
  • June 7-13, 2018
    JUNE 7-13, 2018 FACEBOOK.COM/WHATZUPFTWAYNE // WWW.WHATZUP.COM ------------------ Feature • Fitz & The Tantrums ---------------- Proudly presents in Fort Wayne, Indiana Clapping All the Way By Steve Penhollow The decision to recruit outside help was a difficult one, said singer Noelle Scaggs. We live in strange times. “It was especially hard being the unit that we Many once-ubiquitous pop acts that had their hey- are, where we have pretty much done everything our- WEDNESDAY, days prior to the year 2000 have trouble getting record selves,” she said. “There’s this pride that hits, and then JULY 11 • 8PM deals while younger acts that pay tribute to those older it’s kind of like, ‘Well, what will people think when Foellinger Outdoor Theatre acts can do quite well. they see another writer on there? Will they think we WEDNESDAY, JUNE 27 • 8PM Fort Wayne, Indiana Into the latter camp fall Fitz and the Tantrums. can’t do this or that we’re phony?’ You have all these Foellinger Outdoor Theatre The band performs at the Clyde Theatre on June different fears that are wrapping into your project be- Fort Wayne, Indiana 12. fore you even really start it.” Fitz and the Tantrums started out in 2011 as a soul Scaggs told the Ohio State Journal that working revival act a la Sharon and the Dap-Kings. with outside songwriters gave the band a mirror to They revisited several musical tropes from the look into. 1980s on their sophomore release, More Than Just a “It gave us a direction. ‘What are you think- Dream.
    [Show full text]
  • American Punk: the Relations Between Punk Rock, Hardcore, and American Culture
    American Punk: The Relations between Punk Rock, Hardcore, and American Culture Gerfried Ambrosch ABSTRACT Punk culture has its roots on both sides of the Atlantic. Despite continuous cross-fertiliza- tion, the British and the American punk traditions exhibit distinct features. There are notable aesthetic and lyrical differences, for instance. The causes for these dissimilarities stem from the different cultural, social, and economic preconditions that gave rise to punk in these places in the mid-1970s. In the U. K., punk was mainly a movement of frustrated working-class youths who occupied London’s high-rise blocks and whose families’ livelihoods were threatened by a declin- ing economy and rising unemployment. Conversely, in America, punk emerged as a middle-class phenomenon and a reaction to feelings of social and cultural alienation in the context of suburban life. Even city slickers such as the Ramones, New York’s counterpart to London’s Sex Pistols and the United States’ first ‘official’ well-known punk rock group, made reference to the mythology of suburbia (not just as a place but as a state of mind, and an ideal, as well), advancing a subver- sive critique of American culture as a whole. Engaging critically with mainstream U.S. culture, American punk’s constitutive other, punk developed an alternative sense of Americanness. Since the mid-1970s, punk has produced a plethora of bands and sub-scenes all around the world. This phenomenon began almost simultaneously on both sides of the Atlantic—in London and in New York, to be precise—and has since spread to the most remote corners of the world.
    [Show full text]
  • Celebrating 10 Years! COMIC-CON 2017 the GUIDE
    ¢ No.9 50 JULY SAN DIEGO SAN DIEGO 2017 COMIC-CON COMIC-CON 48-page anniversary edition! SURVIVAL GUIDE THEGUIDE Celebrating 10 years! COMIC-CON 2017 THE GUIDE TABLE OF CONTENTS Introduction ........................................................................................3 Marvel Heroes ....................................................................................4 Superhero Showdown .......................................................................8 Legends of DC .....................................................................................9 That Was a Comic Book? ................................................................10 Click Picks Comics ...........................................................................12 Heroes & Villains ..............................................................................14 You Know, For Kids! .........................................................................15 Comic-Con Exclusives .....................................................................17 Flights of Fantasy .............................................................................19 Level Up! ............................................................................................20 How to Speak Geek ..........................................................................21 In a Galaxy Far, Far Away ...............................................................26 The Final Frontier .............................................................................27 Invasion! ............................................................................................28
    [Show full text]
  • Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd*
    Entrepreneurship & Regional Development, 2014 Vol. 26, Nos. 1–2, 165–205, http://dx.doi.org/10.1080/08985626.2013.877986 Roots radical – place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd* ALBA Graduate Business School, AHEAD, 6-8 Xenias Street, Athens 115 28, Greece (Received 5 February 2013; accepted 16 December 2013) The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepre- neurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study.
    [Show full text]