Le Roy Prinz Papers, 1930-1968
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Concetta E. Ribaudo Scrapbook on the Hollywood Canteen 7093
http://oac.cdlib.org/findaid/ark:/13030/c8474hpv No online items Finding aid for the Concetta E. Ribaudo scrapbook on the Hollywood Canteen 7093 Bo Doub USC Libraries Special Collections 2019 June Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California 90089-0189 [email protected] URL: http://libraries.usc.edu/locations/special-collections Finding aid for the Concetta E. 7093 1 Ribaudo scrapbook on the Hollywood Canteen 7093 Language of Material: English Contributing Institution: USC Libraries Special Collections Title: Concetta E. Ribaudo scrapbook on the Hollywood Canteen creator: Ribaudo, Concetta E. Identifier/Call Number: 7093 Physical Description: 0.21 Linear Feet1 box Date (inclusive): 1938-1944 Abstract: The Concetta E. Ribaudo scrapbook on the Hollywood Canteen includes a variety of memorabilia collected by Ribaudo, who went by the stage name Connie Roberts, during her employment as a hostess at the Hollywood Canteen during World War II. The Hollywood Canteen was a converted barn that operated at 1451 Cahuenga Boulevard in Hollywood from October 3, 1942 to Thanksgiving Day 1945 as a club offering food, dancing, and entertainment for more than three million servicemen. A military uniform served as ticket for admission and everything at the canteen was free of charge. The collection includes Ribaudo's nametag and identification card, letters she received from servicemen she met at the Canteen, news clippings, and various other forms of ephemera and memorabilia. One pilot who went by the name "Crash Clark" wrote to Ribaudo: "You are an OK kid in my books and I can not tell you just how much fun we had at the canteen. -
October 20, 1939 Volume XVI Number 13 Representatives President Announces Thanksgiving Holidays Virginia Governor Speaks to Seniors
f._ SPECIAL FEATURES COMING EVENTS War Firsthand, Page 2 Pan-Hellenic Announces Rushing Senior-Soph Prom Next Saturday Rules, Page 3 Y. W. C. A. Tea Thursday L lib Established 1922 Harrisonburg, Va., Friday, October 20, 1939 Volume XVI Number 13 Representatives President Announces Thanksgiving Holidays Virginia Governor Speaks To Seniors Attend A.C.P. Thanksgiving holidays will be- gin Wednesday, November 22, In Class Day Observance Convention when classes end, according to an announcement made this week Traditional Class Day Barrett, Thomas Delegates by President Samuel P. Duke. Governor, Budget Director, Classes will resume on Monday, Ceremonies Observed and Budget Committee From schoolma'am; Taylor, on Successive Days Overton From Breeze November 27th, at 8:00 a. m. Inspect College With Governor James H. Price of "I am deeply interested in the ed- Anna Gordon Barrett and Betty McConneil Dies Virginia as speaker in the chapel ucational problems of Virginia," de- Thomas, editor and business man- service following the traditional ager of The Schoolma'am, the college clared Gov. James H. Price, in ad- gowning ceremony in Senior Hall, the dressing the student body and fac- yearbook, and Frances Taylor and Wednesday annual observance of Senior Class ulty members Wednesday night on Brooks Overton, who occupy the Madison Biology Professor Day began Wednesday night. the occasion of the annual Senior same respective positions on the col- Dies of Heart Failure Led by Almeda Greyard, class Day assembly. "One of my greatest lege newspaper, The Breeze, will rep- president, the seniors received their ambitions is to make adequate pro- rsent Madison College at the annual Wednesday Night caps and gowns from Dr. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Unearthing Mesoamerican Antiquity in the Art of the United States, 1839-1893
ABSTRACT Title of Dissertation: THE OLD NEW WORLD: UNEARTHING MESOAMERICAN ANTIQUITY IN THE ART OF THE UNITED STATES, 1839-1893 Angela Susan George, Doctor of Philosophy, 2011 Dissertation directed by: Professor Sally M. Promey Department of Art History and Archaeology Through a series of case studies, this dissertation examines how and why artists in the United States imagined Mesoamerican antiquity between 1839 and 1893. The artists whose work I consider most closely include Frederick Catherwood, Peter F. Rothermel, Emanuel Leutze, George Martin Ottinger, and George de Forest Brush; works by other artists play supporting roles or amplify the observations made in this project. The decades in which I situate my study were key in the development of the United States’ geographic borders and national identity as well as in the foundation of archaeological investigation in Mesoamerica. During the period under question, ancient Mesoamerica provided a “usable past” for many in the United States. Since little was known of the pre-Hispanic cultures of the region, Mesoamerican antiquity served as a palimpsest upon which a number of narratives could be written. As this dissertation reveals, ancient Mesoamerica resonated differently with various individuals and groups in the United States. The Mesoamerica that existed in the U.S. imagination was at once savage, exotic, advanced, and primitive, inhabited by a population assigned a similarly disparate and ultimately contradictory range of traits. Representations of Mesoamerica were not fixed but eminently variable, shaped to serve the exigencies of many historical moments. As such, these images reveal as much about the nineteenth-century United States as they do about the people and places depicted. -
Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951
Tob Control: first published as 10.1136/tc.2008.025445 on 25 September 2008. Downloaded from Research paper Signed, sealed and delivered: ‘‘big tobacco’’ in Hollywood, 1927–1951 K L Lum,1 J R Polansky,2 R K Jackler,3 S A Glantz4 1 Center for Tobacco Control ABSTRACT experts call for the film industry to eliminate Research and Education, Objective: Smoking in movies is associated with smoking from future movies accessible to youth,6 University of California, San Francisco, California, USA; adolescent and young adult smoking initiation. Public defenders of the status quo argue that smoking has 10 2 Onbeyond LLC, Fairfax, health efforts to eliminate smoking from films accessible been prominent on screen since the silent film era California, USA; 3 Department of to youth have been countered by defenders of the status and that tobacco imagery is integral to the artistry Otolaryngology – Head & Neck quo, who associate tobacco imagery in ‘‘classic’’ movies of American film, citing ‘‘classic’’ smoking scenes Surgery, Stanford University with artistry and nostalgia. The present work explores the in such films as Casablanca (1942) and Now, School of Medicine, Stanford, 11–13 California, USA; 4 Center for mutually beneficial commercial collaborations between Voyager (1942). This argument does not con- Tobacco Control Research and the tobacco companies and major motion picture studios sider the possible effects of commercial relation- Education and Department of from the late 1920s through the 1940s. ships between the motion picture and tobacco Medicine, -
Swing: from Time to Torque (Dance Floor Democracy at the Hollywood Canteen)
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen) by Sherrie Tucker 2013 This is the published version of the article, made available with the permission of the publisher. The original published version can be found at the link below. Sherrie Tucker. (2013). “Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen.” Daedalus: Journal of the American Academy of Arts & Sciences 142(4):82-97. Published version: http://www.dx.doi.org/10.1162/DAED_a_00243 Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml KU ScholarWorks is a service provided by the KU Libraries’ Office of Scholarly Communication & Copyright. Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen) Sherrie Tucker Abstract: The Hollywood Canteen (1942–1945) was the most famous of the USO and USO-like patriotic nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations during World War II. It is also the subject of much U.S. national nostalgia about the “Good War” and “Greatest Gen- eration.” Drawing from oral histories with civilian volunteers and military guests who danced at the Hol- lywood Canteen, this article focuses on the ways that interviewees navigated the forceful narrative terrain of national nostalgia, sometimes supporting it, sometimes pulling away from or pushing it in critical ways, and usually a little of each. This article posits a new interpretative method for analyzing struggles over “democracy” for jazz and swing studies through a focus on “torque” that brings together oral history, improvisation studies, and dance studies to bear on engaging interviewees’ embodied narratives on ideo - logically loaded ground, improvising on the past in the present. -
The Digital Deli Online - List of Known Available Shows As of 01-01-2003
The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977. -
Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police
Women in Red Serge: Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police by Bonnie Reilly Schmidt M.A. (History), Simon Fraser University, 2006 B.A., University of the Fraser Valley, 2004 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History Faculty of Arts and Social Sciences Bonnie Reilly Schmidt 2013 SIMON FRASER UNIVERSITY Fall 2013 Approval Name: Bonnie Reilly Schmidt Degree: Doctor of Philosophy (History) Title of Thesis: Women in Red Serge: Female Police Bodies and the Disruption to the Image of the Royal Canadian Mounted Police Examining Committee: Chair: Jeremy Brown Assistant Professor of History Willeen Keough Senior Supervisor Associate Professor of History Mark Leier Supervisor Professor of History Elise Chenier Supervisor Associate Professor of History Lara Campbell Internal/External Examiner Associate Professor of Gender, Sexuality, and Women’s Studies Jane Nicholas External Examiner Associate Professor Department of Women’s Studies Lakehead University Date Defended/Approved: October 28, 2013 ii Partial Copyright Licence iii Ethics Statement iv Abstract The arrival of women in the Royal Canadian Mounted Police (RCMP) in the mid-1970s disrupted the masculine image of a police force that was intimately connected to idealized Canadian manhood and the formation of the nation. Yet, women have been noticeably absent from the historical record of the RCMP, allowing the figure of the heroic male Mountie to continue his dominance in official, academic, and popular histories. Central to these discourses has been the male police body which has been positioned as the only body capable of enforcing the law in Canada. -
Leisen, Mitchell (1898-1972) by Craig Kaczorowski
Leisen, Mitchell (1898-1972) by Craig Kaczorowski Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com Mitchell Leisen was a noted director during Hollywood's Golden Age. He is credited with more than 40 feature films, which are celebrated for their stylishness and visual elegance. He excelled at witty, romantic comedies that are often tinged with a touch of melancholy, such as the classic "screwball" comedy Easy Living (1937) and the clever, cosmopolitan farce Midnight (1939). Leisen has also been hailed for his "gender role-reversal" films, where the male lead is cast as the sex object and the female lead as the aggressor. Not surprising for a bisexual director working in Hollywood, Leisen's other thematic obsessions included mistaken identity, role-playing, and deception. Leisen returned to the same performers film after film, developing strong working partnerships. Although he was instrumental in shaping the careers of such actors as Fred MacMurray and Ray Milland, Leisen became typed as a "woman's director" for the fastidious, detailed attention he paid to the costuming and art direction of his productions, as well as for the nuanced, spontaneous performances he coaxed from such actresses as Carole Lombard, Claudette Colbert, and Olivia de Havilland. Among many film historians, Leisen's artistic reputation has been tarnished somewhat by the stormy relationships he became embroiled in with some of his screenwriters, most notably Preston Sturges and Billy Wilder. After working on several films with Leisen, both writers demanded to be allowed to direct their own scripts, in part because they objected to the sophisticated veneer of Leisen's directorial style and to the changes he frequently made to their screenplays. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
The Funeral of A. Friberg and the Size of a Man
81-83_jolley_friberg:Feature teMPlate 9/16/2010 11:39 PM Page 81 SUNSTONE Super-sizing the art of belief THE FUNERAL OF A. FRIBERG AND THE SIZE OF A MAN By Clifton Holt Jolley SALT LAKE CITY—Funeral services have been an- full circle, returning me to the faith of my youth in a narra- nounced for famed painter Arnold Friberg, who tive I had long since resized. died Thursday at the age of 96….Friberg’s breath- After having lived nearly two decades in the “lone and taking creation of the parting of the Red Sea was dreary world” of Texas, my wife and I had decided to return filmed for the movie The Ten Command to “Zion.” So I piggy-backed the funeral on to a visit with a ments . The family encourages the public to at- realtor in Salt Lake City. But my flight didn’t arrive until half tend the viewing, knowing how many lives Friberg an hour before the funeral began, so I arrived at the touched and inspired. —KSL.COM, 3 July 2010 Assembly Hall on Temple Square late. I’d tried to stand by for an earlier flight, but Delta’s rules have changed. What N ARTICLE OF FAITH IS SAID TO HAVE HUNG used to be free if you stood by on the same day of your flight above the easel of artist Arnold Friberg: “I believe now costs 50 bucks! I would have paid as much as a double A in God . and DeMille.” Conjoining the Divine sawbuck, but half a yard seemed too much for the friend-of- with one of Hollywood’s most shameless showmen was in- a-friend who would not be noticed slipping in the east door tended to be a compliment not to Cecil B. -
[62W43.Ebook] They Started Talking Pdf Free
62w43 [Free download] They Started Talking Online [62w43.ebook] They Started Talking Pdf Free Frank Tuttle *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #4885831 in Books 2017-03-15Original language:EnglishPDF # 1 9.00 x .55 x 6.00l, .80 #File Name: 1593930275224 pages | File size: 49.Mb Frank Tuttle : They Started Talking before purchasing it in order to gage whether or not it would be worth my time, and all praised They Started Talking: 0 of 0 people found the following review helpful. Light history and not much moreBy B. MargolisIt's fascinating that Frank Tuttle discusses his career without any opinions or critques of anyone he worked with. No back stories over the difficulties of dealing with such strong and difficult personlities. He only spends 2 paragraphs of his directing "The Big Broadcast", for example. He hardly mentions the Bing Crosby film "Here Is My Heart", a film that had been out of circulation for years. No explanation.It was a pleasant read, but I didn't learn anything, unfortunately.0 of 0 people found the following review helpful. Memories of Movie MakingBy Robert StromFrank Tuttle remembers his time in Hollywood, which began in the silent era. His career began in 1921 at Famous Players-Lasky / Paramount. Tuttle worked as a scenarist (screenwriter) and director. Some of the actors and directors he worked with where big names in silent films; Monty Woolley, Osgood Perkins (Tony Perkins father), Clara Bow, Allan Dwan, Gloria Swanson, Bebe Daniels, Edna May Oliver, Eddie Cantor, William Powell, Jean Arthur and Carole Lombard.