October 20, 1939 Volume XVI Number 13 Representatives President Announces Thanksgiving Holidays Virginia Governor Speaks to Seniors

Total Page:16

File Type:pdf, Size:1020Kb

October 20, 1939 Volume XVI Number 13 Representatives President Announces Thanksgiving Holidays Virginia Governor Speaks to Seniors f._ SPECIAL FEATURES COMING EVENTS War Firsthand, Page 2 Pan-Hellenic Announces Rushing Senior-Soph Prom Next Saturday Rules, Page 3 Y. W. C. A. Tea Thursday L lib Established 1922 Harrisonburg, Va., Friday, October 20, 1939 Volume XVI Number 13 Representatives President Announces Thanksgiving Holidays Virginia Governor Speaks To Seniors Attend A.C.P. Thanksgiving holidays will be- gin Wednesday, November 22, In Class Day Observance Convention when classes end, according to an announcement made this week Traditional Class Day Barrett, Thomas Delegates by President Samuel P. Duke. Governor, Budget Director, Classes will resume on Monday, Ceremonies Observed and Budget Committee From schoolma'am; Taylor, on Successive Days Overton From Breeze November 27th, at 8:00 a. m. Inspect College With Governor James H. Price of "I am deeply interested in the ed- Anna Gordon Barrett and Betty McConneil Dies Virginia as speaker in the chapel ucational problems of Virginia," de- Thomas, editor and business man- service following the traditional ager of The Schoolma'am, the college clared Gov. James H. Price, in ad- gowning ceremony in Senior Hall, the dressing the student body and fac- yearbook, and Frances Taylor and Wednesday annual observance of Senior Class ulty members Wednesday night on Brooks Overton, who occupy the Madison Biology Professor Day began Wednesday night. the occasion of the annual Senior same respective positions on the col- Dies of Heart Failure Led by Almeda Greyard, class Day assembly. "One of my greatest lege newspaper, The Breeze, will rep- president, the seniors received their ambitions is to make adequate pro- rsent Madison College at the annual Wednesday Night caps and gowns from Dr. Henry A. vision for our youth." Associated Collegiate PreBS Conven- Dr. Carl H. McConneil, member of Converse and Miss Helen Marbut, Gov. Price visited Madison College tion to be held October 26-28 in Des the Madison College science faculty, class big brother and sister, assist- Moines, Iowa, In addition to the died at 8:30 Wednesday night at with Dr. Rowland Egger, director of ed by the Sophomore Class officers. the Budget, and members of the usual editorial and business man- Rockingham Memorial Hospital of Following the gowning service at Governor's advisory committee on the agers roundtables, the convention heart failure during a blood trans- 7:00 p. m. the class proceeded to program features addresses by J. N. fusion. budget who are making a tour of Wilson Hall for the assembly, at state institutions. "Ding" Darling, nationally syndi- Born November 1, 1897, at Milli- which Governor Price spoke. Dr. gan, Tennessee, Dr. McConneil was a "It is my intention to make every cated cartoonist and conservation Samuel P. Duke, president' of the effort to make the teaching profes- leader, and Gardener Cowles, Jr., ex- son of Dr. John Preston McConneil, college, introduced the speaker. president emeritus of Radford State sion more attractive," Gov. Price ecutive editor, Des Moines Register Gwendolyn Huffman presented a Teachers College. His studies at said, "and I hope the General Assem- ■and Tribune, and president, Look vocal solo. Milllgan College were interrupted by bly will ai# us by putting teachers' magazine. Thursday's program began with a the World War, during which he salaries on a satisfactory basis. Sal- The social highlights of the con- special Senior breakfast at 7:15 a. served with the American Expedi- aries should be more commensurate vention include a dance Thursday m. At luncheon the class was hon- tionary Forces in France. with services rendered." night sponsored by the Drake Univer- ored with favors presented by the After the close of the war. Dr. sity chapters of Theta ,Sigma PI, other classes. Free textbooks and teacher retire- McConneil attended Lynchburg Col- women's journalistic sorority, and The Senior Banquet at 6:00 p. m. ment urged with increasd salaries as lege, receiving his B.S. degree in Sigma Delta Chi, professional Jour- was the first to be held in the new the three-point program of the Vir- 1924. From the University of Vir- nalistic fraternity; a luncheon at the Senior Dining Hall. Guests of honor ginia Education Association—are ginia he received his M.S. and Ph.D. Meredith Publishing Company and included Dr. and Mrs. H. A. Converse, "important," said the Governor, "but degrees, the latter in 1930. the convention banquet and dance in Miss'. Helen Marbut, Dr. and Mid. we expect to devote our attention to Before his appointment to the the Main Ballroom of the Hotel Fort Samuel P. Duke, Mrs. Annie Bailey salaries first and then to the remain- science department of Madison Col- Des Moines on Friday; and the Iowa Cook, Miss Clara G. Turner, Miss ing problems in order. lege in 1937, Dr. McConneil taught State College vs. University of Mis- Ruth Hudson, MargueMte Bell, Anna "In my inaugural address," stated at Radford State Teachers College, souri football game on Saturday. Jane Pence; Sophomore officers: the Governor, "I said I wanted to put the University of Virginia, Lynch- The Madison delegation will leave Evelyn Jefferson, Jane Sites, Cath- proper emphasis on the intangible burg College, and Hartwick College Tuesday, October 24, returning to erine Funkhouser, Eleanor Hart, resources of Virginia, upon the needs at Oneonta, New York. campus the following Monday. They Catherine Curling, Nettie Lee Gar- of those who have not been represent- Dr. McConneil worked under Dr. will travel by train with stops at Cin- nett, Antoinette Eastham; Senior Governor James H. Price, who Jovan Hadzi at the University of ed in the state, but who are entitled cinnati and Chicago—en route. Res- Class officers: Meda Greyard, Marcel- spoke here Wednesday night at the Ljubljana In Jugoslavia, Dr. Max to the services of Virginia. ervations have been made for their la Richardson, Charlotte Heslop, annual Senior service, and Almeda Hartman at the Kaiser Wilhelm In- "With the state's high school grad- accommodations at the Hotel Fort Geraldine Ailstock, Dorothy Moore, Greyard, class president, who led the stitute for Biology, Berlin-Dalheim, Des Moines during the convention. Peggy Weller, and Winifred Rew. Seniors in the observance of class uating 15,000 to 16,000 young people Germany, and Dr. Faure Freniet at^ o Committees in charge of arrange- day. each year, the destinies of the youth tnv-vuii^« de France in Paris. He ments for Senior Day were: Banquet, of Virginia pFobably lie in the hands also worked with Dr. Hjalman Brook Scribblers Conduct Charlotte Heslop, Ellen Miner; Place at the University of Oslo in Norway. of the teachers," Gov. Price declared. cards, Ellen Fairlamb; Line-up for He attended the Zoological Con- Schoolma'am "We jointly have an opportunity Monday Chapel gowning, Winifred Rew, Peggy Well- gresses in Lisbon in 1935 and in to render a great service to the er; Decoration, Marcella Richardson; Padua, Italy, in 1930. Scribblers, an honorary society for Chapel program, Margaret Young; Ranks High state," the Governor concluded. Dr. McConneil made an extensive creative writing, will be In charge of Properties, Winifred Rew, Geraldine o study of the reproduction of the the assembly hour Monday. The pro- Ailstock. Columbia Scholastic Press gram will consist of the reading of (Continued on Page Four) Association Gives Annual Spilman Reelected original works written by members First Class Rating of the club. LeGallienne-A Great Woman Says Alexander District G President "Yapindar," a short story of an The 1939 Schoolma'am, according African locale, will be read by Julia Woollcott; Earle Larimore Leading Man to a rating just received from the Miss Ethel Spilman. Supervisor Ann Flohr. Two familiar essays will of the Harrisonburg Junior High Eva Le Gallienne, proclaimed by cast are Marion Evenson, Alice John, Columbia Scholastic Press Associa- be given: Mary J. Wright, Chief School, was re-elected President of critics as "one of the first ladles of Matthew Smith, Katherine Squire, tion of New York, is ranked as a first- Scribe, will read "Your Slip's Show- District G of the Virginia Education the theatre," will star in two of the and James Spottswood. class college yearbook. The Colum- ing," and Mike Lyne will read "The Association at a meeting held in classic dramas of Ibsen, Hedda Gab- The Master Builder, to *e present- bia judges granted the Madison an- Rape of the Lock." Waynesboro on Saturday. ler and The Master Builder, as the ed at 8:00 p. m., is one of the most nual a score of 860 out of 1,000 A sonnet "To My Thoughts" will opening number of the Madison Col- perfectly constructed of all the Ibsen possible points, 140 points higher Approximately 500 teachers at- be given by Frances Wright. Two tended this meeting, and according lege Lyceum Course on November 2. dramas. James O'Donnell Bennett, than the rating given by the critical other poems will be read by Marie Miss Le Gallienne is known as distinguished critic of the Chicago service of the University of Min- to Dr. W. J. Gifford, Dean of the Smith and Vern Wilkerson. America's foremost exponent of Ib- Record Herald, says, "The Master nesota. The 1939 Schoolma'am com- College, from 75 to 80 per cent of the women teachers present were sen's immortal plays. The plays are Builder is in its essentials an ex- peted for the first time with annuals former students at Madison College. productions of the Legitimate The- tremely simple, lovely allegory cast representing colleges with an enroll- Miss Cleveland Makes 1 o atre Corporation of America. in the realistic manner, which depicts ment of more than 1,000 students. Donation to Fund Of Hedda Gabler, which will be the warping of the nature of a man The staff of the 1939 annual was Marshalls Receive Master of presented as a,matinee performance who forgets his ideals, and the ulti- headed by Jane Logan, editor-in- v Arts Degrees in Music Miss Elizabeth Cleveland, profes- at 3:00 p.
Recommended publications
  • The Ithacan, 1938-11-11
    Ithaca College Digital Commons @ IC The thI acan, 1938-39 The thI acan: Spring 1931 to 1939-40 11-11-1938 The thI acan, 1938-11-11 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1938-39 Recommended Citation Ithaca College, "The thI acan, 1938-11-11" (1938). The Ithacan, 1938-39. 4. http://digitalcommons.ithaca.edu/ithacan_1938-39/4 This Newspaper is brought to you for free and open access by the The thI acan: Spring 1931 to 1939-40 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1938-39 by an authorized administrator of Digital Commons @ IC. - Football-Home Orche-tra Concert Brooklyn Little Theatre Today atan Sunday Z-472 Vol. X, No. 4 The Ithacan: Friday, November 11, 1938 Page 1 I I Student Recital Movement To Adopt The Concert Band Liliom In Rehearsal Ithaca College New Alma Mater Under Mr. Beeler For Production Held In -!- Early In December Soccer Team Students At Work Reaches New -High Composing Lyrics -!- -1- Little Theatre And Music Molnar Play Under Breaks Even -!­ -1- On Sunday, October 30, Profes- . Direction of -!- Music Students Present sor Walter Beeler. conducted the Games With Panzer First Recital of The movement to obtain a new Concert Band to a new high in Prof. Dean Current Series Alma Mater and other new school And West Chester presenting and establishing the -I- -I- songs is already in progress. Much State Teachers band as a musical organization. -!- Program and notes: dissatisfaction has been expressed Professor Beeler's objective is ideal, Liliom, written 29 years ago by Valcik ..........................................
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Tom Marshall's Weekly News, September 12, 2016 Actors And
    Tom Marshall’s Weekly News, September 12, 2016 Actors and Actresses Depicting Famous People: The Weekly News of December 11, 2006, was entitled “Let’s Go to the Movies.” When I was young during the Golden Age of Hollywood, I loved the movies, culminating in the Club House Theater in Yorklyn, which I operated for two seasons in 1947 and 1948. From the 1930s through the ‘50s, leading stars of the screen were under contract with the big studios and often took roles not to their liking. Among the features during this period was the portrayal of American heroes in full-length films, which carried over to historical documentaries on TV. The earlier movies took liberties with actual facts, but they were popular. Big name stars were often asked to portray historical figures. Sometimes they were honored to do it; often they “had to.” Following is the list of those I can recall. Spencer Tracy: Clarence Darrow, Father Flanagan, Christopher Jones, Jimmy Doolittle, Thomas Edison, Robert Rogers. Edward Arnold: Pawnee Bill, Daniel Webster Walter Hampden: Thomas Jefferson Hal Holbrook: John Adams, Mark Twain, Abraham Lincoln Henry Fonda: Abraham Lincoln James Stewart: Glenn Miller, Charles A. Lindbergh Cary Grant: Cole Porter Don Ameche: Alexander Graham Bell, Stephen Foster James Cagney: George M. Cohan Gary Cooper: Lou Gehrig, Sergeant York Joel McCrea: Buffalo Bill Cody Louis Calhern: Buffalo Bill Cody Raymond Massey: Abraham Lincoln, John Brown Robert Walker: Jerome Kern Jose Ferrer: Sigmund Romberg Tony Curtis: Harry Houdini Charlton Heston: Andrew Jackson (twice) Van Heflin: Andrew Johnson Ronald Reagan: George Custer, George Gipp Errol Flynn: Earl of Essex, Gentleman Jim Corbett, Jeb Stuart, George Custer Howard Keel: Frank Butler Fess Parker: Swamp Fox Marion, Davy Crockett, James J.
    [Show full text]
  • Finding Aid for the Fritz Lang Collection
    Finding Aid for the Fritz Lang Collection Special Collections #4 Collection Processed by: Sarah Blankfort Clothier, 9.10.12 Revised, Emily Wittenberg, 10.18.18 Finding Aid Written by: Sarah Blankfort Clothier, 9.10.12 Revised, Emily Wittenberg,10.18.18 OVERVIEW OF THE COLLECTION: Origination/Creator: Lang, Fritz Title of Collection: Fritz Lang Collection Date of Collection: 1934 -- 1953 Physical Description: 19 boxes; 7.92 linear feet Identification: Special Collection #4 Repository: American Film Institute Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interests in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Donated by Michael Nesmith in 1990. BIOGRAPHICAL/HISTORY NOTE: Fritz Lang was a noted filmmaker who immigrated to Hollywood via France during WWII in 1934, in protest against the Nazi regime, becoming a United States citizen in 1939. Lang was born Friedrich Christian Anton Lang in Vienna, Austria, on December 5, 1890 to parents Anton and Paula Lang. He briefly attended the Technical University of Vienna where he studied civil engineering before switching to art; he studied painting under teachers in Vienna, Munich, and Paris. In WWI Lang served in the Austrian Army where he was wounded three times and decorated four times while fighting in Russia and Romania. His German Expressionist films, including METROPOLIS (1927) and M (1931), are considered precursors to the film noir style of filmmaking that was popular in Hollywood from the early 1940s to late 1950s. Upon his move to the United States, Lang was employed at Metro- Goldwyn-Mayer Studios (M-G-M), where he rose to prominence by directing FURY (1936).
    [Show full text]
  • Oral History Interview with Vincent Price, 1992 Aug. 6-14
    Oral history interview with Vincent Price, 1992 Aug. 6-14 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Vincent Price on August 6, 1992. The interview took place in Los Angeles, California, and was conducted by Paul Karlstrom for the Archives of American Art, Smithsonian Institution. Interview Tape 1, side A (30-minute tape sides) [At the time of this interview, Mr. Price was quite ill with Parkinson’s disease—Ed.] PAUL KARLSTROM: [Archives of American—Ed.] Art, Smithsonian Institution, an interview with Vincent Price on August 6, 1992, at his home in the Hollywood Hills—I guess this area is called—up at the top of Doneny, in a home that’s literally covered with art objects. This is the first session in a projected series. We’ll see how it goes over a period of time, dealing with Mr. Price’s career, and particularly his involvement with the arts, specifically and primarily in Southern California. This is Tape one, side A, and the interviewer for the Archives is Paul Karlstrom, West Coast Regional Director. So I think that we can get started. Well, I should say that this is a pleasure, an honor. I’m pleased to be here, and I’m glad that I’m the one that gets to do this interview.
    [Show full text]
  • American Moviemakers: Directed by Vincente Minnelli
    American MovieMakers "AMERICAN MOVIEMAKERS: DIRECTED BY VINCENTE MINNELLI December 15, 1989 - January 28, 1990 All films directed by Vincente Minnelli, produced by MGM Studios, and Courtesy of Turner Entertainment, Co., except where otherwise noted. Cabin in the Sky, 1943. With Ethel Waters, Eddie "Rochester" Anderson, Lena Home, Louis Armstrong. 96 minutes. I Pood It, 1943. With Red Skelton, Eleanor Powell, Lena Home. 101 minutes. Meet Me in St. Louis, 1944. With Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer. 113 minutes. The Clock, 1945. With Judy Garland, Robert Walker, James Gleason. 90 minutes. Yolanda and the Thief, 1945. With Fred Astaire, Lucille Bremer, Frank Morgan, Mildred Natwick. 110 minutes Ziegfeld Follies, 1944, released 1946. With Fred Astaire, Judy Garland, Gene Kelly, Lucille Bremer. 110 minutes Undercurrent, 1946. With Katharine Hepburn, Robert Taylor, Robert Mitchum. 116 minutes The Pirate, 1948. With Judy Garland, Gene Kelly, Walter Slezak, Gladys Cooper. 102 minutes Madame Bovary, 1949. With Jennifer Jones, James Mason, Van Heflin, Louis Jourdan. 115 minutes Father of the Bride, 1950. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 93 minutes Father's Little Dividend, 1951. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 82 minutes An American in Paris, 1951. With Gene Kelly, Leslie Caron, Oscar Levant, Nina Foch, Georges Guetary. 113 minutes -more- The Museum of Modern Art - 2 - The Bad and the Beautiful, 1953. With Lana Turner, Kirk Douglas, Walter Pidgeon, Dick Powell, Gloria Grahame, Gilbert Roland. 118 minutes The Story of Three Loves, 1953. "Mademoiselle" sequence. With Ethel Barrymore, Leslie Caron, Farley Granger, Ricky Nelson, Zsa Zsa Gabor. 122 minutes The Band Wagon, 1953.
    [Show full text]
  • Bamcinématek Presents the Complete Vincente Minnelli, the First
    BAMcinématek presents The Complete Vincente Minnelli, the first full New York retrospective of the Hollywood master in more than 20 years, Sep 23—Nov 2 (32 days, 35 films) 35mm prints. The Wall Street Journal is the BAMcinématek and BAM Rose Cinemas sponsor. Brooklyn, NY/Aug 30, 2011— Beginning September 23 and continuing through November 2, BAMcinématek presents The Complete Vincente Minnelli, the first full New York retrospective of the Hollywood master in more than two decades. This 35-film series pays homage to one of the all-time great Hollywood directors, with a career that included successful forays into the musical (which earned him his reputation at MGM), subversive and deeply personal melodramas and sensitive biopics, and airy comedies. The retrospective, presented in conjunction with the Locarno International Film Festival, offers a chance to reevaluate the Hollywood giant’s status as an auteur, truly one of cinema’s greatest artists. All films in The Complete Vincente Minnelli will be projected in 35mm, except for one which will be shown in 16mm. Popularly associated with meticulously decorated, nostalgic musicals like Meet Me in St. Louis (1944), An American in Paris (1951), The Band Wagon (1953), and the beloved Gigi (which swept the 1959 Oscars, winning in all nine categories that it was nominated including Best Picture and Best Director), Minnelli also proved to be a master of multiple genres over his 34-year directing career, including several darker dramas that were under- appreciated by his contemporaries. Minnelli was as poetically cynical as Billy Wilder in the Kirk Douglas and Lana Turner vehicle The Bad and the Beautiful (1952) and its follow-up, Two Weeks in Another Town (1960).
    [Show full text]
  • Hollywood and France, 1914-1945 Louise G
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 Vive la Différence: Hollywood and France, 1914-1945 Louise G. Hilton Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Hilton, Louise G., "Vive la Différence: Hollywood and France, 1914-1945" (2011). LSU Master's Theses. 1206. https://digitalcommons.lsu.edu/gradschool_theses/1206 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. VIVE LA DIFFÉRENCE: HOLLYWOOD AND FRANCE, 1914-1945 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Louise G. Hilton B. A., Louisiana State University, 2004 May 2011 ACKNOWLEDGEMENTS I wish, first of all, to thank my thesis advisor, Dr. Charles Shindo, for his counsel and infinite patience during the time I spent working on this project. Dr. Karl Roider also deserves heartfelt thanks for his unflagging support throughout my studies at LSU and for his agreeing to be a member of my thesis committee. I extend my appreciation to Dr. William Clark for giving of his valuable time to be a part of my committee.
    [Show full text]
  • Evening Star. (Washington, D.C.). 1935-09-30 [P C-8]
    and Mr. Rain* ic hauled Into court, * t. I M’ADOO charged with being the cause ot it all. IS REPOR Cecil B. DeMille Still Our Swift Pace The train would not have been RA Heroine of “The Crusades” wrecked If it hadn’t been delayed RECOVERING when he yanked the whistle cord and Historian And Thrills the tunnel would not have been By the Associated Press. Most Colorful wrecked if workmen had not been LOS ANGELES. September 30. made nervous when he tried to warn Steady improvement was noted ye* them. He get* out, however, when in the condition of Senatoi Offers Ideal Material for At Belasco terday “The Crusades” Mis* Svengali-Baxter comes into William Gibbs McAdoo, injured in a; court, looks him in the eye and he automobile accident Thursday. His Hat” Leaves is enabled to announce that men His Genius—“Top “The Is nurses said that although itj Clairvoyant” trapped in the tunnel cave-in are has not been determined when he R-K-0 Keith’s Eerie Tale of Mind- at that moment digging themselves will leave the Good Samaritan Ho** out and about to be saved. pital, his strength is returning fast. BY ROBERT B. PHILLIPS. JR. Claude Rain* Is excellent In the The Senator suffered a broken nort our most excited historian of Christianity, has Peril. B. DeMILLE, Reading title role. He makes really authentic and chest bruises in the accident. in Without j produced an unforgettable spectacle “The Crusades.” the man's inner desire he /”\NCE you accept the premise upon struggle—his \ Saturday was given a telegram benefit of bathtubs or chicanery he has chronicled in heroic terms current to give up 1:1s clairvoyance, because from President Roosevelt which read: in Those who which ‘‘The Clairvoyant," CECILone of the most amazing punitive expeditions history.
    [Show full text]
  • BEST FILMS of the 1950'S 1. Seven Samurai
    BEST FILMS OF THE 1950’S 1. Seven Samurai - (1954, Akira Kurosawa) (Takashi Shimura, Yoshio Inaba, Toshiro Mifune) 2. On the Waterfront - (1954, Elia Kazan) (Marlon Brando, Carl Malden, Rod Steiger) 3. Vertigo - (1958, Alfred Hitchcock) (James Stewart, Kim Novak, Barbara Bel Geddes) 4. The Bridge on the River Kwai - (1957, David Lean) (Alec Guinness, William Holden) 5. The Seventh Seal -(1957, Ingmar Bergman) (Max von Sydow, Bengt Ekerot) 6. Sunset Boulevard - (1950, Billy Wilder) (Gloria Swanson, William Holden) 7. Rear Window - (1954, Alfred Hitchcock) (James Stewart, Grace Kelly) 8. Rashomon - (1951, Akira Kurosawa) (Toshiro Mifune, Masayuki Mori, Machiko Kyo) 9. All About Eve - (1950, Joseph L. Mankiewicz) Bette Davis, Anne Baxter) 10. Singin' in the Rain - (1952, Stanley Donen, Gene Kelly) Gene Kelly, Debbie Reynolds) 11. Some Like It Hot - (1959, Billy Wilder) (Jack Lemmon, Tony Curtis, Marilyn Monroe) 12. North by Northwest - (1959, Alfred Hitchcock) (Cary Grant, Eva Marie Saint) 13. Tokyo Story - (1953, Yasujiro Ozu) Chishu Ryu, Chieko Higashiyama, So Yamamura) 14. Touch of Evil - (1958, Orson Welles) Charlton Heston, Orson Welles) 15. A Streetcar Named Desire - (1951, Elia Kazan) Marlon Brando, Vivien Leigh) 16. Diabolique - (1954, Henri-Georges Clouzot) (Simone Signoret, Vera Clouzot) 17. Rebel Without a Cause - (1955, Nicholas Ray) (James Dean, Natalie Wood) 18. The African Queen - (1951, John Huston) (Catherine Hepburn, Humphrey Bogart) 19. 12 Angry Men - (1957, Sidney Lumet) (Henry Fonda, E.G. Marshall) 20. La Strada - (1954, Federico Fellini) (Giulietta Masina, Anthony Quinn) 21. Ben-Hur - (1959, William Wyler) (Charlton Heston, Jack Hawkins, Stephen Boyd) 22. Wild Strawberries - (1957, Ingmar Bergman) (Ingrid Thulin, Bibi Andersson) 23.
    [Show full text]
  • LE GALLIENNE to PERFORM HERE MONDAY NIGHT Naval Board BISON PICTURE Will Play in Ibsen Drama for Lyceum Noted Actress -- SCHEDULE Rev
    THE SPECTRUM VOLUME L V. Z 545a STATE COLLEGE STATION, NORTH DAKOTA, FRIDAY, MARCH 1, 1940 NUMBER 22 LE GALLIENNE TO PERFORM HERE MONDAY NIGHT Naval Board BISON PICTURE Will Play In Ibsen Drama For Lyceum Noted Actress -- SCHEDULE Rev. I. L. Holt Will Examine To be taken in the YMCA To Be Convo To Appear In auditorium. Applicants Here Sunday 1-ledda Gabler YMCA Dugout Crew 1:30 p. m. Speaker Mon. Lutheran Students Assn 5:00 p. m. Selection Group To Exam- Appearance Of Methodist Earl Larimore Heads Tuesday ine Prospective Flyers Bishop Sponsored By Supporting Cast Of Alpha Phi Omega At NDAC March 6-7 7:20 p. m. Seven; Starts M 8 p.m. Carl Ben Eielson Flying Committee Of 100 For the purpose of interviewing Club 7:30 p. m. The Rt. Rev. Ivan Lee Holt, Eva Le Gallienne, America's out- and examining applicants for flight Co-op House 7:45 p. m. Methodist bishop of Dallas, Texas, standing portrayer of Ibsen's dramas training in the Naval Reserve, a Tau Delta Pi 8:00 p. will speak at convocation, Monday, will appear in "Hedda Gabler," Mon- selection board will meet at NDAC AIEE 8:15 p. m. March 4, in the Field House. day evening at eight o'clock in Fes- Bison Business Staff tival hall, on the 29th annual Lyceum March 6 and 7. 8:30 p. m. In Fargo as a member of the College graduates, and men who Spectrum Editorial Staff 8:45 p. m. series. Supporting Miss Le Gallienne Methodist Advance Movement of the will be a cast of seven, including have completed at least two years Saddle and Sirloin 9:00 p.
    [Show full text]
  • Colleen Affeld Seminar: the Dream Factory [Assignment: Choose An
    "THE ENVELOPE PLEASE": THE OSCARS Colleen Affeld Seminar: The Dream Factory [Assignment: Choose an aspect of film that has changed over the decades and ahow how those chan3es either reflected or affected society.] (1) Toward the end of his career. King of the Screen. Douglas Fairbanks. Sr. saw fit to dignify what he had come to think of as the Art of Motion Pictures. Fairbanks went to his colleagues. Louis B. Mayer and Cecil B. DeMille and told them there ought to be in Hollywood. a respectable and dignified institution sym­ bolizing the existence of movies as an art form. His ideas were thought well of. and in 1927 the founding of the Academy of Motion Pi.cture Arts and Sciences was announced to the world. Fairbanks became the first President of the Academy. (2) The elders of the industry. Mayer. DeMille. Fairbanks. Schenk. and Hays formed the Academy with the serious purpose of raising money to establish and operate a center for the study of the cinema as an art form, and to further all phases of motion picture literature. tech­ nical research and development. It was also hoped the Academy would add dignity. prestige. and luster to the film industry. These same elders decided that an award should be given to honor each year's best actor. actress. picture. director. and screenplay. Fairbanks declared the need for an award that would be durable. so it would last forever. Thus. the eight-and-one-half pound, thirteen-and-one-half inch faceless crusader. holding a sword was created •. the heftiest award of its kind--a bri­ tannium and gold plated statuette.
    [Show full text]