DOCSLIB.ORG

Nas Gets Mainland Show Sunday

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

VOLUME IV SATURDAY, JULY 17, 1943 NUMBER 26 NAS GETS MAINLAND SHOW.. SUNDAY EARLY WING TALLY SHOWS CURTAIN IS SET FOR 1330 SUCCESS IN BOND DRIVE IN STATION THEATER The ·War Bond Allotment drive for "The Mainland Follies", a troupe of Fleet Air Detachment started Monday big-time Broadway entertainers now with a burst of enthusiasm. Prelimin­ playing at military posts on Hawaii, ary reports indicate many hands are will be at the Kaneohe Auditorium joining ranks with those having al­ tomorrow with a gala show for service ready alloted thereby accepting the men. There will be just one show at advice of Admiral Price "to prepare 1330. today to win your financial wings of The celebrated show-people in the tomorrow." USO Camp Show troupe include Early reports place the divisions in "Little Jackie Heller", the famous "61 the following order: inches of song" who was a starred Flag Office Lt. (jg) T. Roosevelt III singer in Ben Bernie's band, Jack Po­ V. B. 140 Lt. H. C. Hayden V. P. 52 Ens. L. A. West well, the "Rajah of Rhythm" featured Communications Ens. R. I. Godber V. P. 14 . Ens. J. B. Nourse in Ed Wynn's Broadway musical V. B. 104 .. ... Lt. R. E. Ming "Laugh Parade", and George .Finkel­ Aerology E. Ford, CAerM V. P. 13 .... Lt. G. R. McDermott berg, whose "hot piano" won him a Hedron Ens. E. O. Heise Wing Medical Lt. Comdr. L. S. Seebach berth in Henry King's orchestra. At the two thirds mark, the Fleet Lew Parker, comedian featured in Air Detachment showed an overall Olsen and Johnson's "Hellzapoppin", percentage of 56 per cent. It is ex­ is master of ceremonies of the "Fol­ pected that when the drive ends on lies". Saturday, and the final reports are "Little Jackie Heller" is only one The lyrical and lovely Vi and Velma tabulated, the percentage of participa­ of the many stateside stars to ap­ Vernor, christened "The Victory tion will approach the 90 per cent pear in "The Mainland Follies" that Twins" by Mayor LaGuardia of New figure reached by NAS Kaneohe. plays in the station theater tomor­ York for their work in various patri­ row at 1330. otic campaigns, are the troupe's sing­ LT. (jg) REEDER BECOMES ing team. KANEOHE BOND OFFICER SERVICE MEN TO CONDUCT The six ravishing Margaret Faber DISCUSSION ON SUNDAY Girls, precision tap and acrobatic Lt. (jg), M. E. Reeder, (SC), USNR dancers who are the first group of has relieved Pay Clerk R. C. Lyons All Protestant men are invited to chorus girls selected to go off-shore as Station War Bond Officer. the Service Men's Christian League to ,entertain service men, add their The sale of war saving bonds this meetings that are held every Sunday sparkle to the show. month is progressing satisfactily. at 0900 in the Hase Post Chapel. "The Follies", produced and financ­ There has been 695 bonds sold for League, which tomorrow is sponsor­ ed by USO Camp Shows, is sponsored $35,343.75 during the first part of ed by Chaplain Charles E. Dyer, will by the Hawaiian Department Special July. be led by Cpl. Carl E. Ortmeyer and Service Office and booked by the En­ Final tabulations had our station the disc~ssion topic will be "Wlr'r­ tertainment Section which produced going over the top in the Fourth of time Marriages.". According to Chap­ "Hey, Mac!", the hit musical revue July War Bond Campaign with 432 lain Dyer this problem is facing ~n seen here recently. bonds sold for $24,356.25 with a ma­ in the service more than any other. 4,1l performances of "Mainland Fol­ turity vtl.lue of $32,475.00. Once again A different topic is covered each lies" are free to service men. K-Bay has shown the other stations Sunday. Topics vary from practical, Capt. Maurice Evans, famous our heels as we forge in front, as moral, and religious aspects to any Skakespearian actor and officer in usual, at the fini'ih. subject that is of interest. (Continued on page 8) Page 2 KANEOHE KLIPPER July 17, 1943 KANEOHE KLIPPER BRITISHERS CAN APPRECIATE U. S. NAVAL AIR STATION Kaneohe Bay, T. H. .TRUE MEANING OF 'TOTAL WAR' CAPTAIN N. M. KINDELL COMMANDING OFFICER ENS. THOMAS C. SCHULLER, USNR EDITORIAL STAFF Letters from my sister, serving with the Red Cross "somewhere in Eng­ Lieut. R. S. Wattles Welfare Officer Lieut. (ig) W. H. Anderson Supervisor land", paint with keen insight a contemporary life quite dissimilar to our .J. W Thompson, SIc Editor Hawaiian existence, The Kaneohe KUpper is published week­ Skipping the well-known climatic differences. I am most impressed with ly by the Welfare Office for the benefit of the revelation of what total warfare really means. 'vVe, at Kaneohe, who enjoy all service personnel attached to the U. S. Naval Air Station, Kaneohe Bay, T. H. bankers' hours all varieties of food, lack of immediate threat of enemy bombs Contributions and suggestions are weI.. an easing off of blackout regulation, bus service (or outright ownership of comedo Phone 7508. private automobiles), the finest facilities of any military bases, have little comprehension of what "totality" means when referring to a condition of war. (This is purely a confession. It is not our fault-but should, at least, be cause THE for less grousing) .-------,,---------- CHAPLAIN'S # Cars do not exist in England for CHURCH NOTICES any. purpose of private luxury. Bicyc- Sunday, July 18, 1943 CORNER ling ten or twelve miles to chow is 'a By Father routine procedure for those who get Protestant Service restless and want to "go out for din­ Chaplains J. S. Brown, USNR, and D. B. O'Brien ner". And "dinner" you may be sure, C. R. Cooley, USNR alway includes boiled potatoes' and SUNDAY AT LIBRARY-- Holy Communion at 0730. Brussels sprouts for a common de- Bible Class at 0930. AT STATION AUDITORIUM­ George Washington was a "sissy"? nominator. Any frills that are added Divine Worship at, 1030. Sez you! Well according to the phil- to that basic nucleus depend upon the THURSDAY- osophy of some men in the armed resoucefulness of the local proprie­ Christian Science Reading Service at 1930. forces he was. George didn't swear, tor. Milk, of course, is non-available, and furthermore he didn't even toler- Eggs and butter are golden memories Roman Catholic Service ate it on the part of others. Some of days gone by. Fresh fruit is a col­ Father O'Brien, USNR, in charge MONDAYS AND WEDNESDAYS-­ people seem to feel that anyone who lector's item. Even the lowly onion At Dispensary- can't at least condone the diabolic art now has become a museum piece. And, Confessions at 0630; Mass at 0700. TUESDAYS, THURSDAYS and SATURDAYS is a "sissy". Sez you again? Read an as could be guessed, meat is as rare At Dispensary- order he issued to his troops: "The as February 29. In short, the food sit­ Confession at 1600; Afternoon Mass at 1630. FRIDAYS IN THE MOVIE AUDITORIUM­ General is sorry to be informed that uation would not make our "point­ Confessions and Communion at 0600 and the foolish and wicked practice of crazed" folks back home at all en­ 0630; Mass at 0700. profane cursing and swearing is vious. Nourishment is about its only SATURDAY' CONFESSIONS AT DISPEN­ SARY FROM 1830 TO 2000- growing into fashion. He hopes that claim for meritorious mention. SUNDAYS IN THE MOVIE AUDITORIUM­ Confessions at 0600, and 1130. officers will, by example as well as As for the working hours, one's job Masses at 0700 and 1215. influence, endeavor to check it; and is nevf!r cortsidered done. Civilians that both they and the men will re- who have completed a day's work, Jewish Service f1ect that we can little hope of the turn to at night and spend long hours Chaplain Cerf Strauss, USNR blessing· of Heaven on our Army if in plane spotting, fire-fighting or THURSDAY- we insult it by impiety and folly. general air-raid duty. Women enroll At Recognition Classroom of Gunnery School at 1830. Added to this it is a vice so mean and in Red Cross work, nurse at the hos­ low without any temptation that pitals, or become, air-raid wardens abiding sense of happiness, than sheer every man of sense and charcter de- after they have finished their traditi­ exhilaration over the spectacular. tests and despises it." onal tasks of running the household. This is the infinite treasure of satis­ God has demanded this respect. There is no escape to a nostalgic life fying joy that comes with the perfor­ "Thou shalt not take the name of the of peace when 1630 rolls around. War mance of a "hard job, well done." And Lord thy God in vain", He warns. does not secure in England. this wealth offered to all, regardless Habitual and unrestrained use of pro- Of course, all British life is not of social position. fane language demonstrates lack of without its excitement. Presentation self control and ignorance. If you to Queen Elizabeth, interviewing Mrs. One wonders in light of these riches which are infinite to "those who serv­ don't think it's foolish try substitu- Churchill, tea with the Duke and ed", if the striking war workers, safe ting the name of wife or mother for Duchess of Glouchester, committee on the mainland, should not be pitied God everytime you slip, then see for meetings with Lady Mountbatten all after all. What a horrible fate it yourself.
Recommended publications
  • Black Soldiers in Liberal Hollywood

    Black Soldiers in Liberal Hollywood

    Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film.
  • Review of Somewhere in the Night

    Review of Somewhere in the Night

    City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2005 Review of Somewhere in the Night Michael Adams City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/156 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Somewhere in the Night (Fox Home Entertainment, 9.6.2005) Unlike the other two recent entries in Fox’s film noir series, The House on 92nd Street and Whirlpool, Somewhere in the Night is unequivocally the real thing. With Norbert Brodine’s atmospheric lighting, rain-slicked streets (though set in Los Angeles), a swanky nightclub, a sultry torch singer, a villain with a foreign accent, a muscle-bound lug, and moral ambiguity to burn, Somewhere in the Night is a terrific example of the genre. George Taylor (John Hodiak) wakes up in a military field hospital in the Pacific with no memory of who he is. Returning to Los Angeles, Taylor, who instinctively knows this is not his real name, finds an old letter from his friend Larry Cravat and tries to track down Cravat to find out who he really his. With the help of singer Christy Smith (Nancy Guild), nightclub owner Mel Phillips (Richard Conte), and cop Lt. Donald Kendall (Lloyd Nolan), Taylor learns that Cravat and another man were involved in stealing $2 million in loot shipped to the United States by a Nazi officer.
  • Sherlock Holmes and the Nazis: Fifth Columnists and the People’S War in Anglo-American Cinema, 1942-1943

    Sherlock Holmes and the Nazis: Fifth Columnists and the People’S War in Anglo-American Cinema, 1942-1943

    Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Smith, C Author post-print (accepted) deposited by Coventry University’s Repository Original citation & hyperlink: Smith, C 2018, 'Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943' Journal of British Cinema and Television, vol 15, no. 3, pp. 308-327. https://dx.doi.org/10.3366/jbctv.2018.0425 DOI 10.3366/jbctv.2018.0425 ISSN 1743-4521 ESSN 1755-1714 Publisher: Edinburgh University Press This is an Accepted Manuscript of an article published by Edinburgh University Press in Journal of British Cinema and Television. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/jbctv.2018.0425. Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it. Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Christopher Smith This article has been accepted for publication in the Journal of British Film and Television, 15(3), 2018.
  • Make Room for Daddy

    Make Room for Daddy

    Make Room for Daddy ( later: “The Danny Thomas Show” ) US TV sitcom : 1953-55, 1957-63 : dir. : ABC / T & L : 199 x 26 min prod: : scr: : dir.ph.: Rusty Hamer; Sherry Jackson; Angela Cartwright ………………………………………………… Danny Thomas; Jean Hagan; Marjorie Lord; Jesse White Ref: Pages Sources Stills Kbytes Ω Copy on VHS Last Viewed 2879a 3½ 4 4 - - - - No unseen Happy families mk.I – Jean Hagen, Rusty Hamer, Sherry Jackson, Jesse White, Danny Thomas Source: How Sweet it Was Happy families mk.II – Rusty Hamer, Angela Cartwright, Sherry Jackson, Danny Thomas, Marjorie Lord Source: How Sweet it Was Halliwell’s Television Companion review: scatterbrained, the father is a jerk (indeed two separate "BLONDIE" TV adaptations were “A Copa Club entertainer has family trouble. mounted in the 1950s). Ozzie Nelson certainly Efficient long-running star comedy, later played this role, and others - like Danny known as "The Danny Thomas Show". It Thomas in "Make Room For Daddy" and was followed in 1970 by 26 hours of "Make "The Danny Thomas Show" (he was a Room for Granddaddy", in colour, but this showbiz star but not immune to problems of was not a success. Won Emmies in 1953 for his own making) - followed suit to greater or Best New Series and 1954 for Best Situation lesser degrees…” Comedy * ” How Sweet It Was review: Incidental note from History of Television: “ "Make Room For Daddy" appeared on “The image of the American father has been television in 1953 with Danny Thomas starring much written about, especially by those as Danny Williams, a night-club entertainer anthropologists whose views of societies are who often had to spend long periods of time seen through glasses coloured Matriarchal or away from home.
  • Scuttlebutt from the Spermaceti Press 2015

    Scuttlebutt from the Spermaceti Press 2015

    Jan 15 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 161st birthday during the long weekend from Jan. 7 to Jan. 11. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at Annie Moore's, and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morn- ing, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was Alan Bradley, co-author of MS. HOLMES OF BAKER STREET (2004), and author of the award-winning "Flavia de Luce" series; the title of his talk was "Ha! The Stars Are Out and the Wind Has Fallen" (his paper will be published in the next issue of The Baker Street Journal). The William Gillette Luncheon at Moran's Restaurant was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton and An- drew Joffe) entertained the audience with an updated version of "The Sher- lock Holmes Cable Network" (2000). The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber), which honors the most whimsical piece in The Ser- pentine Muse last year: the winner (Jenn Eaker) received a certificate and a check for the Canonical sum of $221.17. And Otto Penzler's traditional open house at the Mysterious Bookshop provided the usual opportunities to browse and buy.
  • Ronald Davis Oral History Collection on the Performing Arts

    Ronald Davis Oral History Collection on the Performing Arts

    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni

    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni

    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
  • Danny Thomas Papers PASC.0356

    Danny Thomas Papers PASC.0356

    http://oac.cdlib.org/findaid/ark:/13030/c8jq133p No online items Danny Thomas papers PASC.0356 Processed by Allison Park with assistance from Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2019 September 10. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Danny Thomas papers PASC.0356 PASC.0356 1 Language of Material: English Contributing Institution: UCLA Library Special Collections Title: Danny Thomas papers Creator: Thomas, Danny Identifier/Call Number: PASC.0356 Physical Description: 10.2 Linear Feet(20 boxes and 1 shoe box) Date (inclusive): 1953-1964, 1979 Abstract: Entertainer Danny Thomas is best remembered for his role in the television series Make Room for Daddy later known as the Danny Thomas Show. The collection consists primarily of script files documenting the popular television series Make Room for Daddy (1953-1956) and The Danny Thomas Show (1956-1964). Language of Material: Materials are in English. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
  • Tab Hunter in . ..-.- J Tl,L,.:Sa

    Tab Hunter in . ..-.- J Tl,L,.:Sa

    ttre" Illinois Guy S. Uttfe, Jr. Pr- $..a . Tab Hunter in . ..-.-J tl,l,.:sa JUNE 29 - JULY 4, 1965 Guy S. Little, Jr. PRESENTS TAB HUNTER "MISTER ROBERTS" By THOMAS EGGEN and JOSHUA LOGAN With VINCE DE DARlO Ralph Foody, Hal Frank, Arlene Drake, I. W. Klein Richard ~tadelmann, Hugh Kennedy Tirrdl, Lowell Christy DIRECTED BY JOHN KELSO SCENERY AN.D LIGHTING DESIGNED BY PAUL HOFFMAN I ENTIRE PRODUCTION UNDER THE SUPERVISION OF MR. LITTLE I CAST Lieutenant (JG) Roberts .......................................... TAB HUNTER Doc ........................................................... HAL FRANK Dowdy ..............................................HUGH KENNEDY TIRRELL The Captain .................................................... RALPH FOODY lnsigna .......................................................... PETER ROSS Mannion ......................................................DARRELL RUHL Lindstrom ..................................................... BILL FECHT Stefanowski ............................................RICHARD STADELMANN Wiley .........................................................BILL HADDAD Sehlemmer ...................................................... FRED HAHN Reber ........................................................ROBERT BURTON Ensign Pulver ................................................ VIMCE DE DARlO Dolan .......................................................... I. W. KLElN Gerhart ..................................................... LOWELL CHRISTY Lieutenant Ann Girard ........................................
  • GSC Films: S-Z

    GSC Films: S-Z

    GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.
  • Emmy Award Winners

    Emmy Award Winners

    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
  • MOVIES! TV Network

    MOVIES! TV Network

    Schedule for 10/2/21 to 10/8/21 (Central Time) SATURDAY 10/2/21 TIME TITLE GENRE 5:00am Fractured Flickers (1963) Comedy Hans Conried and celebrity guests present dubbed over silent picture film clips. Featuring: Hans Conried, , Hans Conried, 5:30am Hopalong Cassidy: Bar 20 Justice (1938) Western Featuring: William Boyd, George Hayes 7:00am Night Owls (1930) Comedy Stan and Ollie help a police officer. Featuring: Oliver Hardy, Stan Laurel 7:00am "The Real Winning Edge" features three young achievers per episode who have overcome obstacles in their lives through perseverance and making right choices. 7:25am The Live Ghost (1934) Comedy Stanley and Oliver join a crew on a ship that may be haunted. Featuring: Oliver Hardy, Stan Laurel 7:50am Our Wife (1931) Comedy Ollie's married is thwarted by his future father-in-law. Featuring: Oliver Hardy, Stan Laurel 8:20am See description above 8:30am Blondie's Lucky Day (1946) Comedy Dagwood is fired. So he goes into competition with his boss. His partner, a beautiful lady architect, falls in love with the son of Mr. Dithers' biggest client. Featuring: Penny Singleton, Arthur Lake 10:10am Batman: The Movie (1966) Adventure The world's most notorious criminal minds team up to conquer Gotham City and it's up to the Caped Crusaders to defeat the nefarious foes and restore order. Featuring: Adam West, Burt Ward 12:25pm You'll Find Out (1940) Comedy-Sports Kay Kyser and his band fight to save a young girl trapped in a haunted mansion. Featuring: Kay Kyser, Peter Lorre 2:30pm The Ghost & Mrs.