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Faith Wilding Faithwilding@Cs.Com Subrosa 1 Faith Wilding [email protected] http://www.faithwilding/refugia.net SubRosa: http://www.cyberfeminism.net Areas of Focus: Interdisciplinary Art: Performance, Drawing/Painting, Tactical Media; Feminist Art and Theory; Critical Pedagogy. Education: 1971-73 MFA-Visual Art, California Institute of the Arts, (Feminist Art; Performance; 2D; Critical Studies). 1969-71 Postgraduate Studies in Studio Art and Art History, California State University, Fresno. 1966-68 BA (Honors, English) University of Iowa, Iowa City, (English, Comparative Literature, Blake Studies). Appointments: 2011-2017 Visiting Scholar, Pembroke Center, Brown University 2002-2011 Professor, Performance Art, School of Art Institute, Chicago. (Tenured, 2004, Full Professor, 2007; Dept. Chair, 2004-2011) 1999-2002 Associate Professor of Art/Director of Art Dept. Carlow College, PGH. 1999 (Spring) Guest Professor, Akademie der Bildenden Kuenste, Nürnberg, Germany. 1998-2008 Fellow, Studio for Creative Inquiry, Carnegie Mellon University. 1995-98 Visiting Assistant Professor of Art, School of Art, Carnegie Mellon 1992-present Graduate Faculty, MFA Visual Art, Vermont College of Fine Arts 1988-95 Asst. Prof. of Art (Adjunct) Cooper Union School of Art, NYC.. 1989-90 Adjunct Prof. of Art at Parson’s School of Design; and at New York University, Tisch School of the Arts. 1983-94 Associate Producer/Co-Director of Voices International (Radio Drama and Sound Art for National Public Radio). 1983-85 Assistant Producer, The Spider’s Web, WGBH-FM, Boston. 1982 Visiting Assistant Professor of Art, Claremont Graduate School, CA. 1980-82 Visiting Assistant Professor of Art, Scripps College, and Claremont Graduate School, Claremont, CA. 1976-80 Assistant Professor of Art, Immaculate Heart College, LA, CA 1973-76 Instructor (various courses) San Francisco Art Institute; California State University, Fresno, and CSUF, Fullerton. (Since 1998, Wilding has collaborated with the cyberfeminist performance group subRosa that she founded in 1998. (Please see www.cyberfeminism.net for complete documentation of subRosa’s work). Wilding has continued her individual Drawing/Painting practice, and exhibitions, from 1972 to the Present.) 2 Exhibitions: Solo or Collective Featured Installations, Performances: 2016 “Fearful Symmetries” University of Houston, Texas 2015 “Fearful Symmetries” Pasadena Armory Art Center “Imago Femina” solo show, Loudhailer Gallery, L.A. 2014 “Fearful Symmetries” retrospective, 3 Walls, Chicago “Fearful Symmetries” retrospective, Rhodes College, Memphis 2011 “Feminist Matter(s): Propositions and Undoings” (installation) Pittsburgh Biennial, Miller Gallery, (Sep-Dec, 2011) subRosa. 2010 “The Long Loch: How do We Go On From Here”, CCA, Glasgow International, (Installation and paintings) with Kate Davis 2009 “A Studio of Their Own”, Fresno Museum of Art, Fresno, CA “Re-Act Feminism”, (performance) Akademie der Künste, Berlin “Cell-Track: DIY Cell Lab”, (performance) Vitoria, Spain, sR “Miss-Placed Women”, (performance) PSi conference, Zagreb, sR 2008 “WACK! Art and the Feminist Revolution”, PS 1 New York, (performance/Womb Room) and at Vancouver Art Gallery, Vancouver, Canada. “A Week With/Without Women”, Academy of Arts, Zagreb, sR (Performances and installation at Gallery Nova). “Gestations” New York University at Skopje, Macedonia (performances) 2008 ““Gender Battle” Centre for Contemporary Art, Santiago de Compostela (drawings, photos) “U-GEN-A-Chix” Performance, City of Women Festival, Ljubljana, Slovenia, sR 2007 “WACK! Art and the Feminist Revolution.” MoCA, LA (Perform/Installation) “Womb Room” “Artist Body,” Centre d’Art Contemporaine, Geneva (performance/video) “Feast of Affects,” Feeltank, Gallery 400, Chicago, IL (subRosa performance and installation) “Encore” Gallery 4000, Chicago, IL , (“Wait-With” performance) 2006 “Love is Strong as Death,” (Performance/Installation), Brown University “Yes Species” Contemporary Art Space (EACC), Castellon, Spain (sR) “Full Frontal,” Corbett vs. Dempsey Gallery, Chicago, IL, (drawings) 2005 “Yes Species,” (Performance and Installation), 1-0-1 Intersex, Neue Gesellschaft für Bildende Kunst, Berlin, Germany. (sR) “EPIDERMIC: DIY Cell Track Lab” and “Cell Track: Mapping the Appropriation of Life Materials,” ( Performance/Installation), in YOUGenics, exhibition curated by Ryan Griffis, Betty Rymer Gallery, School of the Art Institute of Chicago, Chicago, IL.(sR) “International Markets of Flesh 2,” (Performance), Arte Nuevo InteractivA’05, Merida, Mexico. (sR) 2004 “Can You See Us Now?” (Installation & Performance), The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams, MA. (sR) 3 “Infecting the Sick Society: Performance as Virus” and “Mapping Biopower: a guided walk with subRosa,” (Performances), Crossroads in Cultural Studies Conference, University of Illinois, Urbana- Champaign, IL. “Cell Track: Mapping the Appropriation of Life Materials,” (Exhibition) Biennial of Electronic Art, Perth, Australia. (sR) 2003 “YOUGenics: Exploring the Social Implications of Genetic Technologies,” (Performance), Southwest Missouri State University, Art and Design Gallery, Springfield, Missouri. “International Markets of Flesh,” (Performance), Ex Teresa Arte, Mexico City. sR “Cloning Cultures,” (Performance), La Salle, SIA School of Art, Singapore. sR “Matrixial Technologies,” (Artist Residency), National University of Singapore. sR “The Spaces Between Us,” (Exhibition/Performance), Kunsthaus, Dresden (Drawings, Paintings, Sculpture) 2002 “Biopower Unlimited!,” (Performance) with subRosa, Bowling Green State University, Ohio. sR “Sex and Gender in the Biotech Century,” (Performance) with subRosa, St. Mary’s College, Maryland. sR “US Premium Grade AAA Eggs,” (Performance) with subRosa, Bowling Green State University, Ohio. sR “Virtual Maintenance,” (Internet and Live Performance) with Marion von Osten, Institut fuer Buechkunst und Grafik, Leipzig, Germany. 2001 “Expo EmmaGenics,” (Commissioned Performance) with subRosa, Intermediale, Mainz, Germany. sR “subRosa Projects,” International Sculpture Conference, PGH, PA. “Double/Shift,” (Commissioned Performance), Custom House, Singapore. (Performance with Marge Yun) “Knowing Bodies/Embryoworld,” (Painting Installation), SNACC, Winnipeg. “Duration/Maintenance,” (Performance), Art and Design Institute, Zurich. (Solo performance) “Vulva de/reConstructa,” (Video Screening), Akademie der Bildenden Kuenste, Vienna, Austria; Kunsthaus, Bremen, Germany. Poster Performance, Very Cyberfeminist International, Hamburg, Germany. sR 2000 “Die Verletzte Diva,” (Drawing Installation), Taxispalais, Innsbruck. “Knowing Bodies,” (Installation), Miller Gallery, Carnegie Mellon. sR “Cult of the New Eve” (Performance) with CAE, Museum of Contemporary Art, Toulouse, France; Expo 2000, Brussels; Steirischer Herbst, Graz, Austria. “Sex and Gender Ed in the Biotech Century,” (Commissioned Performance), Digital Secrets Think Tank, Arizona State University, Tempe, AZ. sR 4 1999 “Duration Performance,” Rensselear Institute of Technology, NY. “Cult of the New Eve,” (Performance) with CAE, Zentrum fuer Kunst und Medien, Karlsruhe, Germany; and at Festival Atlantico, Portugal. 1998 “Embryoworld,” (Installation) Art Gallery, SUNY, Old Westbury, NY. (solo show, paintings, installation of objects) “Duration Performance: The Art of Data Maintenance,” (solo Performance/Lecture), Ars Electronica Center, Linz, Austria. l997 “Embryoworld,” (Installation) for Terra Firma, University of Maryland, College Park. (drawings/paintings) “Embryoworld,” (Installation), University of Maryland, Salisbury, MD. 1996 “Womb Room,” (Installation) for Divison of Labor:Women’s Work in Contemporary Art. Museum of Contemporary Art, LA, CA. “Fashions of Feminism,” Reed College Museum. Reed College, Portland. (Drawings/paintings/collages) 1995 “Womb Room and WomEnhouse,” (Installation), Division of Labor: Women’s Work in Contemporary Art, Bronx Museum of Art, NY. 1990 “Frontispiece,” (Artist Books), Minnesota Center for Book Arts, Minneapolis, MN. (Artist bookworks) 1987 “Flux Performance,” (Performance), Academy of Art, Warsaw, Poland. (assist Joan Jonas) 1989 “Daily Text,” (Etchings), Printmaking Workshop, NYC 1983 “Scriptorium,” (Installation) for At Home, Long Beach Museum of Art, Long Beach, CA. (Paintings, drawings) 1982 “Natural Parables,” (Paintings), Whitman College, WA. (paintings) 1981 “Leaf,” (Painting Installation), Libra Gallery, Claremont Grad School. “The Incredible Shrinking Lunch,” (Performance), LACE gallery, LA, CA. “Virginia and Emma: A Vision of Art and Politics,” (Performance), Orange County Contemporary Arts Center, Los Angeles, CA. “Haunted Womanhouse,” (Environment/Performance), Los Angeles. 1980 “Invitation to a Burning” (Installation / Performance), Woman’s Building, Los Angeles, CA. “Seedworks,” (Performance), United Nations Conference on Women, Copenhagen, Denmark. “HungerStrike,” (Performance), Contemporary Arts Center, New Orleans, Louisiana. 1979 “Imago Femina,” (Paintings/Commissioned Live Performance), Douglass College, Rutgers University, NJ. 1978 “Bird of Paradise,” (Paintings/Drawings), University of California, Irvine, CA. “Works of Nature,” (Painting Installation), Gallery 8, Pasadena, CA. 1976 “Forms of Aspiration,” (Prints/Drawings), Canis Gallery, Los Angeles, CA. “Leaf Goddesses,” (collaborative Paintings), Woman’s Building, Los Angeles, CA. “Emergences,”(Paintings/Constructions), Gallery 25, Fresno, CA. 5 1975 “Cracks in the Carapace,” (Paintings), Grandview Gallery,
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