University-‐Based Open Access Publishing
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6. Findable, Impactful, Citable, Usable, Sustainable (FICUS): a Heuristic for Digital Publishing Nicky Agate, Cheryl E
K EDITED BY VIRGINIA KUHN AND ANKE FINGER SHAPING THE DIGITAL DISSERTATION UHN KNOWLEDGE PRODUCTION IN THE ARTS AND HUMANITIES AN D F EDITED BY VIRGINIA KUHN AND ANKE FINGER INGER SHAPING THE DIGITAL Digital dissertations have been a part of academic research for years now, yet there are ( E still many questions surrounding their processes. Are interactive dissertations significantly DS ISSERTATION different from their paper-based counterparts? What are the effects of digital projects on ) D doctoral education? How does one choose and defend a digital dissertation? This book explores the wider implications of digital scholarship across institutional, geographic, and disciplinary divides. The volume is arranged in two sections: the first, written by senior scholars, addresses conceptual concerns regarding the direction and assessment of digital dissertations in KNOWLEDGE PRODUCTION IN THE the broader context of doctoral education. The second section consists of case studies by PhD students whose research resulted in a natively digital dissertation that they have S HAPING successfully defended. These early-career researchers have been selected to represent a ARTS AND HUMANITIES range of disciplines and institutions. Despite the profound effect of incorporated digital tools on dissertations, the literature concerning them is limited. This volume aims to provide a fresh, up-to-date view on the THE digital dissertation, considering the newest technological advances. It is especially relevant in the European context where digital dissertations, mostly in arts-based research, are D more popular. Shaping the Digital Dissertation aims to provide insights, precedents and best practices to IGITAL graduate students, doctoral advisors, institutional agents, and dissertation committees. -
Programme Organised in Collaboration with EUA and LIBER
Science Europe is a non-profit organisation based in Brussels representing major Research Funding and Research Performing Organisations across Europe. For more information on its mission and activities, see www.scienceeurope.org. To contact Science Europe, e-mail [email protected]. Challenging the Current Business Models Workshop in Academic Publishing Accelerators and Obstacles to the Open Access Transition Programme organised in collaboration with EUA and LIBER When Background 26–27 April 2017 “Ensure that […] transparency is improved, in particular by informing the public about agreements Wednesday 12.00–17.45 between public institutions or groups of public institutions and publishers for the supply of scientific Thursday 09.00–13.10 information. This should include agreements covering the so-called ‘big deals’, i.e. bundles of print and electronic journal subscriptions offered at discounted price…” —European Commission, 17 July 2012 Where Bundles of journals offered by publishers and acquired by libraries, the so-called ‘Big Deals’, are the Radisson Blu Astrid dominating business model in academic publishing. They were introduced to answer the so-called Koningin Astridplein 7 serials crisis which occurred in the subscription model about two decades ago. Nowadays, the logic 2018 Antwerp, Belgium and also the business structures behind ‘Big Deals’ are increasingly considered and employed to shape the transition from the subscription world into an open access publishing paradigm based on article processing charges (APCs). Dinner ‘Big Deals’ have advantages, yet also severe disadvantages, and thus are a highly disputed business Grand Café De Rooden Hoed model. This leads to the question if and what disadvantages of the ‘Big Deals’ need to be taken into Oude Koornmarkt 25 account when using them as a transition instrument to implement and increase open access and how 2000 Antwerp, Belgium such disadvantages could be avoided or mitigated. -
The Envisioning a World Beyond Apcs/Bpcs International Symposium Was Held at the University of Kansas on November 17 & 18, 2016
The Envisioning a World Beyond APCs/BPCs international symposium was held at the University of Kansas on November 17 & 18, 2016. More information, including recordings of the opening session and participant biographies is available at https://openaccess.ku.edu/symposium. Apollo 13 Assignment: As a culminating component of the Envisioning a World Beyond APCs/BPCs international symposium, on the morning of Friday, Nov. 18, participants were asked to form teams and then develop a proposal for a publishing regime that will: ● present a solution that is free for readers and for authors; ● work in the local context and create partnerships that incorporate a variety of global situations, including those individuals and groups marginalized by historical, political, and economic power structures; ● address barriers to or opportunities for authors (i.e., the focus should be on the creators of the work, rather thans on the producers or user); ● present an agenda for action; ● envision a 5- to 10-year transition that includes universities as the major stakeholder in a knowledge production and sharing environment that will benefit all readers and authors. The following are three proposals that came out of the Friday morning session (which were further developed in the weeks immediately following the symposium). Proposal 1: Title Global Knowledge Commons 2025 Team Members Kathleen Shearer, Ivy Anderson, Jean Claude Guédon, Heather Joseph, Rebecca Kennison, David Shulenburger Vision Academic institutions and research organizations are the foundation of a global knowledge commons in which institutions collect the content created by their 1 communities, make it openly available, and connect globally through the adoption of common standards. -
Open Access Policy for Academic Books in the Netherlands
Note – Towards an open access policy for academic books in the Netherlands To : NPOS steering committee From : Eelco Ferwerda (OAPEN), Hans de Jonge (NWO), Jeroen Sondervan (VSNU/UKB) & Astrid van Wesenbeeck (KB) Subject : Towards an open access policy for scientific books in the Netherlands Version management : Approved by the NPOS Steering Committee on 14 October 2019 Public version: : 1.0.1 Introduction Progress to open access is lagging behind when it comes to books. This note aims to look at the process through which academic books are published, especially (though not only) for academic monographs. We try to provide some information about the numbers of books published in the Dutch academic context: how many titles are we actually talking about? And we also offer recommendations with regards to developing a policy for promoting an increase in the number of open access books. This note includes an outline of the issues surrounding academic books, the main features of the book publishing process (as compared to journals), and advice on how to arrive at a plan and an accompanying policy for open access for books. Contents 1. The Issue .......................................................................................................................2 2. Definitions/demarcation ...............................................................................................3 3. Books & Journals: Different Publishing Cultures ......................................................4 4. Numbers – Outline of Current Situation......................................................................5 -
Are Funder Open Access Platforms a Good Idea?
1 Are Funder Open Access Platforms a Good Idea? 1 2 3 2 Tony Ross-Hellauer , Birgit Schmidt , and Bianca Kramer 1 3 Know-Center, Austria, (corres. author: [email protected]) 2 4 Goettingen State and University Library, Germany 3 5 Utrecht University Library, Netherlands 6 May 23, 2018 1 PeerJ Preprints | https://doi.org/10.7287/peerj.preprints.26954v1 | CC BY 4.0 Open Access | rec: 23 May 2018, publ: 23 May 2018 7 Abstract 8 As open access to publications continues to gather momentum we should continu- 9 ously question whether it is moving in the right direction. A novel intervention in this 10 space is the creation of open access publishing platforms commissioned by funding or- 11 ganisations. Examples include those of the Wellcome Trust and the Gates Foundation, 12 as well as recently announced initiatives from public funders like the European Commis- 13 sion and the Irish Health Research Board. As the number of such platforms increases, it 14 becomes urgently necessary to assess in which ways, for better or worse, this emergent 15 phenomenon complements or disrupts the scholarly communications landscape. This 16 article examines ethical, organisational and economic strengths and weaknesses of such 17 platforms, as well as usage and uptake to date, to scope the opportunities and threats 18 presented by funder open access platforms in the ongoing transition to open access. The 19 article is broadly supportive of the aims and current implementations of such platforms, 20 finding them a novel intervention which stand to help increase OA uptake, control costs 21 of OA, lower administrative burden on researchers, and demonstrate funders’ commit- 22 ment to fostering open practices. -
Att Publicera Efter Policyn
MAGISTERUPPSATS I BIBLIOTEKS- OCH INFORMATIONSVETENSKAP INSTITUTIONEN FÖR BIBLIOTEKS- OCH INFORMATIONSVETENSKAP/BIBLIOTEKSHÖGSKOLAN 2014:7 Att publicera efter policyn. Ett antal seniora forskares förhållningssätt till open access efter Vetenskapsrådets open access-policy. AMANDA GLIMSTEDT Svensk titel: Att publicera efter policyn. Ett antal seniora forskares förhållningssätt till open access efter Vetenskapsrådets open access-policy. Engelsk titel: To publish after the policy. A number of senior researchers’ attitudes toward Open Access after the Swedish Research Council’s Open Access policy. Författare: Amanda Glimstedt Färdigställt: 2014 Handledare: Helena Francke Abstract: Since the 1990’s Open Access has developed into an alternative model for scientific publication. Today an increasing political interest in promoting Open Access is commonly channeled through the implementation of policies by research funders. However, in the scientific community the uptake and acceptance of the model has been of notably different character. This Master’s thesis examines the understanding of and attitudes towards open access among eight senior Swedish researchers and how these have been affected by the implementation of the Swedish Research Council’s Open Access-policy as implemented in 2010. It further asks the question of how researchers’ publishing practices can be understood as shaped by and performed within actor-network configurations. The study is based on interviews with researchers from three academic disciplines. The empirical material has been analyzed through the perspective of actor-network theory. The study finds that the impact of the Swedish Research Council’s policy has been low. Yet, perceived as a floating object, the policy has forced the researchers to adhere to and position themselves in relation to the immanent powers of the policy and, thus, to Open Access both as movement and publishing model. -
Is Scholarly Publishing Like Rock and Roll?
Is Scholarly Publishing Like Rock and Roll? David W. Lewis Dean Emeritus, IUPUI University Library [email protected] https://orcid.org/0000-0001-9711-5565 August 2019 © 2019 David W. Lewis. This work is licensed under a Creative Commons Attribution- NonCommercial 4.0 International License. Abstract This article uses Alan B. Krueger’s analysis of the music industry in his book Rockonomics: A Backstage Tour of What the Music Industry Can Teach Us About Economics and Life as a lens to consider the structure of scholarly publishing and what could happen to scholarly publishing going forward. Both the music industry and scholarly publishing are facing disruption as their products become digital. Digital content provides opportunities to a create a better product at lower prices and in the music industry this has happened. Scholarly publishing has not yet done so. Similarities and differences between the music industry and scholarly publishing will be considered. Like music, scholarly publishing appears to be a superstar industry. Both music and scholarly publishing are subject to piracy, which threatens revenue, though Napster was a greater disrupter than Sci-Hub seems to be. It also appears that for a variety of reasons market forces are not effective in driving changes in business models and practices in scholarly publishing, at least not at the rate we would expect given the changes in technology. After reviewing similarities and differences, the prospects for the future of scholarly publishing will be considered. David W. Lewis — Is Scholarly Publishing Like Rock and Roll? 1 Introduction In his 2019 book, Rockonomics: A Backstage Tour of What the Music Industry Can Teach Us About Economics and Life, Alan B. -
6. Telling Stories Or Selling Stories: Writing for Pleasure, Writing for Art Or Writing to Get Paid?
J ANIS EDITED BY JANIS JEFFERIES AND SARAH KEMBER J Whose Book is it Anyway? EFFERIES A View from Elsewhere on Publishing, Copyright and Creativity AND S EDITED BY JANIS JEFFERIES AND SARAH KEMBER ARAH K Whose Book is it Anyway? is a provoca� ve collec� on of essays that opens out the copyright EMBER debate to ques� ons of open access, ethics, and crea� vity. It includes views – such as ar� st’s perspec� ves, writer’s perspec� ves, feminist, and interna� onal perspec� ves – that ( are too o� en marginalized or elided altogether. EDS The diverse range of contributors take various approaches, from the scholarly and the .) essayis� c to the graphic, to explore the future of publishing based on their experiences as publishers, ar� sts, writers and academics. Considering issues such as intellectual property, copyright and comics, digital publishing and remixing, and what it means (not) to say one is an author, these vibrant essays urge us to view central aspects of wri� ng and publishing Whose Book is it Anyway? in a new light. Whose Book is it Anyway? Whose Book is it Anyway? is a � mely and varied collec� on of essays. It asks us to reconceive our understanding of publishing, copyright and open access, and it is essen� al reading for anyone invested in the future of publishing. As with all Open Book publica� ons, this en� re book is available to read for free on the publisher’s website. Printed and digital edi� ons, together with supplementary digital material, can also be found at www.openbookpublishers.com A View from Elsewhere on Publishing, Cover image: Photo by Toa He� iba on Unsplash at: h� ps://unsplash.com/photos/DakD� DHMSA Copyright and Creativity Cover design: Anna Ga� . -
Editor's Introduction
Editor’s Introduction Samuel A. Moore Panton Fellow, Open Knowledge Foundation & Dept. Digital Humanities Ph.D Programme, King’s College London, London, UK Panton Fellowships This book is the result of a year-long Panton Fellowship with the Open Knowledge Foundation and made possible by the Com- puter and Communications Industry Association. This is the sec- ond year that the fellowships have taken place, so far funding five early-career researchers across Europe. Throughout the year, fellows are expected to advocate for the adoption of open data, centred on promotion of the Panton Principles for Open Data in Science (see below). Projects have ranged from monitoring air quality in local primary schools, to How to cite this book chapter: Moore, S. A. Editor’s Introduction. In: Moore, S. A. (ed.) Issues in Open Research Data. Pp. 1–9. London: Ubiquity Press. DOI: http://dx.doi. org/10.5334/ban.a 2 Issues in Open Research Data transparent and reproducible altmetrics, to the Open Science Training Initiative and now this volume on open research data. In addition to the funding and training fellows receive, the Open Knowledge Foundation is a great network of supportive, like-minded individuals who are committed to the broad mis- sion of increasing openness throughout academia, government and society at large. I strongly encourage anyone eligible to con- sider applying for a future Panton Fellowship—it has been a very rewarding year. Panton Principles Science is based on building on, reusing and openly crit- icising the published body of scientific knowledge. (Murray-Rust et al. 2010) In 2009, a group of scientists met at the Panton Arms pub in Cambridge, UK, to try to articulate their idea of what best prac- tice should be for sharing scientific data. -
Open Access Book Publishing an EIFL Resources Pack from Open Book Publishers April 2021 | CC BY
Open Access Book Publishing An EIFL Resources Pack from Open Book Publishers April 2021 | CC BY 1 | Open Book Publishers | www.openbookpublishers.com About Open Book Publishers OBP is a leading independent open access book publisher in the Humanities and Social Sciences, based in Cambridge, UK. Founded by a group of academics in 2008, we are a not-for-profit Social Enterprise committed to making high-quality research freely available to readers around the world. We publish rigorously peer-reviewed monographs and textbooks in all areas, offering the academic excellence of a traditional press combined with the speed, convenience and accessibility of digital publishing. All our books are available to read online and download for free (in PDF, HTML and XML formats) as well as in reasonably priced paperback, hardback, EPUB and MOBI editions. We currently publish around 35-40 books per year, and to date we have published over 200 books in total. We are proud to say that our books are currently being accessed freely worldwide by over 20,000 readers each month. We do not charge our authors Book Processing Charges (BPCs) to publish their work; instead, we fund our operations via a mixture of sales revenue, grant income and our innovative Library Membership Programme, in which libraries pay a small sum every year to support us. We currently have almost 200 library members. • Our books: https://www.openbookpublishers.com/section/2/1 • Our team: https://www.openbookpublishers.com/section/50/1 • Our Library Membership programme: https://www.openbookpublishers.com/section/44/1 • More about our business model: https://blogs.openbookpublishers.com/the-cost-of- open-access-books-a-publisher-writes/ • Contact us with any questions, feedback or suggestions: https://www.openbookpublishers.com/section/8/1 2 | Open Book Publishers | www.openbookpublishers.com Usage of our books We are proud to say that our books are currently being accessed freely worldwide by over 20,000 readers each month. -
Innovation in Research, Editing, and Publishing
Panel 819. The New Open-Access Environment: Innovation in Research, Editing, and Publishing Special Panel at the Modern Languages Association, Austin, TX, Sunday 10th January 2016: https://apps.mla.org/program_details?prog_id=819&year=2016 Subject: The Profession Sub-subject: General, Publishing & Editing Keywords: open access, editing, journals, technology, innovation Dr Caroline Edwards (presider) Lecturer in Modern & Contemporary Literature, Birkbeck Editorial Director, Open Library of Humanities [email protected] @the_blochian Introduction to the Panel Discussion This special session will take the form of a roundtable discussion with four panelists and a presider. The roundtable will consider the ways in which open access (OA) publications are transforming the kind of research that is possible, as well as necessitating new editorial practices. Page 1 of 18 The case for making scholarship available open access is gathering pace. The combination of the open access movement and the crisis in library budgets to meet the soaring costs of commercially-published academic journals has led to the rise of national-level, institutional and funding-council mandates for open access in the UK (High Education Funding Council for England, Research Councils UK), the EU (Horizon 2020) and Australia (Australian Research Council), as well as throughout many US institutions. Over the past 5 years, debates concerning open access publishing have moved away from discussing whether or not this may be possible (or desirable) within the humanities. In 2016, we have reached a position in which various different stakeholders (including publishers, scholarly societies, editorial networks, and university libraries) are co-ordinating their efforts to transition towards publishing that removes permission and price barriers to accessing academic research. -
Science Is Fundamentally a Peer-To-Peer Process and Online Communities Will Shape the Evolution of Scholarly Publishing
Science is fundamentally a peer-to-peer process and online communities will shape the evolution of scholarly publishing blogs.lse.ac.uk/impactofsocialsciences/2013/07/03/publishing-evolution-disruption-and-the-future/ 7/3/2013 The transformation of publishing models and platforms remains a recurrent issue for the scholarly community to grapple with given new technologies. Graham Steel provides an overview of a recent conference on the role and evolution of scholarly publishing offering an expansive look at how digital technology will continue to support the advancement of science for the widest possible audience. Publishing: Evolution, Disruption & the Future was a one day Conference at the Edinburgh University Business School earlier this month. The event looked at how the publishing industry is changing and how it will continue to evolve given new platforms and digital tools. This post looks at the first session titled Open Information, Innovation & Communication: Making Publicly Funded Information Free, which featured talks from Cameron Neylon (PLOS), Tom Pollard (Ubiquity Press), Matt McKay (STM) and Mark Lester (Open University) to discuss the key trends shaping scholarly publishing and open information. This session explored how open data, open access and digital communications can help to make cutting edge research more efficient and engaging for the widest possible audience. Warts and all, the full 2:26 hours worth of the recording of Session One is below. Spin forward (link) to skip out the intro. section if you wish to go direct to the first talk by Cameron Neylon. Publicly funded research in the sciences, medicine, the arts and the humanities is often hidden behind paywalls and access is limited to those organisations who can afford to pay substantial subscription fees.