DOCSLIB.ORG

About-14-011014.Compressed.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
About-14-011014.Compressed.Pdf The National Conference· ., on LGBT Equality~ Creating Change ~ The largest annual gathering of activists, organizers and leaders in the LGBT movement January 29 - February 2, 2014 Hilton Americas - Houston www.CreatingChange.org GREY GOOsE ~ COMCASToIIl& NBCUNIVERSAL . HILTON m~m ~~K \'\'odds Best'Iasriug \'Ildku WORLDWIDE "D- SOUTiiwEST -ART,r SHAV.NO" Office DEPOT. :m.wn'iE. ••,;;;;:.,t.••••".yt,::.· b1acJe. our details Cade Michals Publisher / CEO [email protected] Bill Clevenger President [email protected] Clint Hudler Director of Advertising and Sales [email protected] Steven Tilorta Writer of "I Have Issues" [email protected] Frankie Espinoza Logistics Ma1lagel' [email protected] Lance Wilcox Creative Marketillg Director [email protected] David Guerra Official Photographer [email protected] Contributing Write1's Nancy Ford, Charo BeansOeBarge OJ Chris Alien,RitchieAlien, OJJO Arnold, OJ Wild, Matthew Blanco OJ Mark 0, Ray Hili,Jacob Socialite, Curtis Braly AbOUT Magazine P.O. Box 667626 Houston, TX 77266 (713) 396-20UT (2688) [email protected] www.abOUT-Online.com www.FACEawards.org ISSN Library of Congress 2163·8470 (Print) 2163-8446 (On-Line) Copyright 2013 AbOU'," Publicarlons IAbOlTr Magaame. All rights reserved. Re- Proud Member print by permission only. Back issues avatbblc for 55.00 p(-r issue (postage included). The opinions expressed l.Iy columnists, writers ere. are their own and do nOI nC(~M- Ia a d i1yreflect rhe position of AbOllr Ma~zine. Publication of a photo or name in 9 AbOUT Magazine is nor (0 be construed as any indication of sexual orientation of media partner such person or business, While we encourage readers to support advertisers that make ~ this In:lg,I'I.ine possible, AbOLJ[' 1..•l.ag.1tine 011 not accept responsibility ror advertising since 2012 cl.rims. AbOUT Magazine Pg. 5 About the Ivy Queen, the undisputed "Queen of Reggaeton," was born Martha Ivelisse Pesante on March 4, 1972, in Afiasco, Puerto Rico. She moved with her parents to New York as a child, but the family relo- cated back to Afiasco while Martha was a teenager, and she finished her public edu- cation in Puerto Rico, becoming more and more fascinated and involved with the active underground world of Latin hip-hop. She moved to San Juan at the age of 18, where she met rapper and pro- ducer OJ Negro, who helped her earn performing spots at The Noise, a club ca- tering to the emerging reggaeton scene. OJ Negro began producing a series of CDs centered around The Noise, and Martha -- as Ivy Queen -- made her first appearance on the fifth installment of the CD series with a track called "Somos Raperos Pero no Delincuentes." Ivy was growing increasingly tired of the violent and explicit sexual lyrics rampant on the scene, and went out on her own in 1996, releasing a debut album, En Mi Imperio, which was quickly picked up by Sony for distribution in 1997. A second album from Sony, The Original Rude Girl, appeared a year later in 1998, followed by the much anticipated Diva, which was released in 2003 on Real Music. Real appeared a year later on Universal Latino, followed by Flashback on Univision in 2005. Her 2007 album, Sentimiento, reached number four on Billboard's Top Latin Album chart. It was followed three years later by Drama Queen. - Ivy Quuen will be pelforming live in Houston at South Beach The Nightclub on Friday, January 31st. NIAL DOLLS OF METEOR PRESENT $3 WELL DRINKS & DOMESTIC LONCNECKS ROXY SPARXX I CHLOE CRAWFORD I LONDON ADOUR ROXANNE COLLINS IWEEKLY SPECIAL GUESTS NEW- .- Afresh new show that's produced t'{ TUESDAY the milleriltilialsof It's one of those things where in an ideal world I shouldn't be doing this video because it shouldn't matter but recently I was misquoted in an interview and it made me feel really angry and frustrated. Emotions that I've never felt before when reading quotes about myself. Honesty, for me is something I really do pelieve in. And I've always been honest. I ma~ave been vague in some of my answers, ~tone thing I've never felt that comfortable tajking about are my re- lationships, because it ~What I get asked even if I'm doing sporting interviews 'do you have a girl- But I didn't want to get my friend, who are yotf'Seeing' all that sort of stuff. words twisted, I wanted to put an end to the rumours and just I mean, I've been dating girls and I've never really say it, to tell you guys. Be- had a-serious relationship to talk about. Now I kind cause it's what I want to do. of fe'el ready to talk about relationships. Come Spring this year, my life changed, massively, when My friends and family are I met someone and they make me feel so happy, always there to support me and so safe and everything just feels great. I hope you guys can be too. I'm still Tom, I still want to win a Well that someone is a guy. And it did take me by gold medal for Great Britain in surprise a little bit. It was always in the back of my Rio in 2016. I'm still as motivat- head that something like that could happen. But it ed as ever to do that, and it wasn't until spring this year that something just would be great to have you clicked, it felt right. And I was like: OK. guys on that journey too. Like I said, my whole world just changed right there I just wanted to make sure that and then. Of course, I still fancy girls, but right now I got to tell you guys before I I'm dating a guy and I couldn't be happier. I feel head off to Houston for a train- safe and it just feels right. ing camp I've got up until Christmas. I'm glad that I've People are going to have their own opinions and got it off my chest. people are going to make a deal of this. Is it a big deal? I don't think so. People are going to call me a And I hope you can join me on liar, it's going to be big, but I wanted to say some- my journey to Rio 2016, too. thing and right now I'm ready and I wanted to do it. People will think: what would your dad say? Well he always said: 'if you're happy, I'm happy' and right now I couldn't be happier. My mum's been so One thing I consider to be pretty important is to Hi guys, so most of you are probably supportive as well, I can count the number of have some form of private life and you're prob wondering why I'm doing this. people on my hand that I've told, but all my friends bly thinking 'well why did you do a book and and family that I have told have been so supportive why did you do a documentary and stuff' but My life's been a bit of a rollercoaster, and great. to say the least, over the last couple I've only ever talked about things I feel comfort- able talking about. of years. Losing my dad to cancer in But I told the rest of my family today and let's just 2011 was one of the hardest things say they had mixed opinions, lots of them didn't be- When I was younger I didn't like taiklngabout a I've ever had to deal with in my life. lieve it, lots of them wanted me to keep it quiet. bullying situation at school, I didIJ'tlike talking Then winning an Olympic medal last Some said why don't you just do a statement, why about my dad because at the tim6Htwas a sen- year in 2012 in front of a home crowd, don't you do a magazine cover, why don't you do a finishing my A Levels this year .. it's sitive subject. TV interview? been hectic. o • N cci>... WO........, ·uaw/l1\• .. X·MMM \: , ~. .~ North Houston \ ~ •• #> (Ihe Woodlands) I SPrl"g' \. ww.AbOUT -Online.com Ranch Hill Saloon The Room Bar ~ 247041nterstale 45 North 4915 FrA 2920 n14A Allen Pkwy \. ~.;.'.'*' The BarIClub Guide " •••. I • :wy ~ i ,* Sawdust Rd Rayford Rd i *~ D'Amico Street Ci ~,~ ~ & z t3 *.,., liardYrOI1 RJ ::r Wesl Drew (") , 0 ::J U ••• •• Fargo Sf oi;I J IJcrs~' ~ ,- Fairview SI Kri f* Ffyde ParK Blvd Q ~ <fJ. ::c ~ o· - -;0 ;0:- 5"' ,-I en' ~~ I~-I S!? ..en.-., S!?! Weslheimer Rd. '(-.ai'\f::l:iR,\)\ ':!.! <!J. ~'le\\\}e~ <f1 ~\()a6I1la~ ~0- <f1 ~ ~ 0 1-45 <f1 ~'le\\\}e ~'le\\\}ea. ~ ~'le\\\}eS ~ 0- ~cp.. <f1 T Such inspiration for my generation,Keeping Up with the KarTRASHions, Real Housewives of Whoever, and Honey White Trash Child,(all shows I'm a fan of) what- My parents just wanted me to be ever the current "reality" we mindlessly fill our heads happy, so I got everything I wanted. You with, teach us we can, in true millennial form, be rich by might think, I'm shallow, spoiled, and self- doing nothing. Sooner or later, though, REALITY sets ish. What do you expect when you grow up in. You realize you aren't a Kartrashion,You have to learn in a spoiled suburban life, A place where, if to just be you.
Load more

Recommended publications
  • El Imperio Azteca Y Otros Cuentos
    EL IMPERIO AZTECA Y OTROS CUENTOS Jorge Alberto Ley Delgado Lic. Juan Sabines Guerrero GOBERNADOR DEL ESTADO DE CHIAPAS Mtro. Alfredo Palacios Espinosa DIRECTOR GENERAL Lic. Óscar David Herrán Salvatti COORDINADOR OPERATIVO TÉCNICO Lic. Carlos Gutiérrez Villanueva DIRECTOR DE PUBLICACIONES EL IMPERIO AZTECA © JORGE ALBERTO LEY DELGADO Y OTRO CUENTOS CUIDADO EDITORIAL • Dirección de Publicaciones DISEÑO • Mónica Trujillo Ley FORMACIÓN ELECTRÓNICA • Irma Itzel Avendaño Meneses CORRECCIÓN DE ESTILO • Roberto Rico Chong ILUSTRACIONES: ALIBEY RAMOS SANTOS. D.R. © 2007 Consejo Estatal para las Culturas y las Artes de Chiapas, Bou- levard Ángel Albino Corzo No. 2151, fraccionamiento San Roque, Tuxtla Gutiérrez, Chiapas. C.P. 29040. CONSEJO ESTATAL PARA LAS CULTURAS Y LA ARTES DE CHIAPAS ISBN: 970-697-225-5 2007 HECHO EN MÉXICO CONTENIDO Los 3 gigantes . 11 El cementerio de los antiguos . 14 La colonia . 17 La nueva especie . 20 El inventor . 23 La sociedad perfecta . 26 Dr. geoff . 30 La burbuja . 32 La voz . 34 El fin del mundo . 37 El imperio azteca capítulo I Cuauhtémoc: emperador de los aztecas . 39 Capítulo II México en la mira del mundo . 45 Capítulo III La guerra . 49 Capítulo IV “El ejército de los ocho grandes” . 52 Capítulo V Cuauhtémoc: emperador del mundo . 54 La armadura . 56 Los comenubes . 63 El pergamino y la pluma . 65 El futuro . 68 El escudo . 74 La biblioteca . 78 El espejo . 89 El imperio azteca y otros cuentos Los 3 gigantes HACÍA MÁS DE 4,500 años que el último ser humano había pereci- do; de entre la tierra árida nacieron tres gigantes, los cuales controlaban grandes extensiones de terreno.
    [Show full text]
  • COMEDIA FAMOSA. ¡Ida
    d re, DEXAR VN REYNO POR OTRO, Y MARTIRES DE MADRID. 15; ;cadle, Nnonj COMEDIA FAMOSA. ¡ida. :s corta. 1.43 DON ,AGVSTIN M O R ETO. nedb Perfonas que hablan en ella. )ola, . So liman. Flora Dama. Harnetc. Celin. Luna, Celima criada. -Pipote graciofo. Ricardo. Fenix. Vn Capitan, y foldatiot ..fmurates. Feliciano viejo. 1/no-aros6 • flato:lx JORNADA PRIMERA. dexarne , que los fentidos Salan Fenix, Luna, y Celima criada. fe hizieron para fentir. ja? Lun. No cfloy en mi de trifteza. Fen. (bando de Vngria vitotioío Fen. Luna hermoia , que accidente buelva , dize el gran fefior, pies fe opone atrevidamente que ha de premiar fu valor; ruta la luz de tu belleza? Luna, haziendole tu efpofo. 0,2ando en la Corte gozora 'Templa la Hile pafsion, es fiedas celebrando eflán, que el tiempo todo lo alcanga; es poca. que aplauden de Solirnan y fupla aquella elperanga debes: nria: Ja vitoria prodigiofa; faltas de ella poffefsion. a llegue tu encerrada ? tu efcondida? Pefatne, que ayas perdido depuefto tu el rofieler; las fieflas. Lun. Pues- no las vi Dios porqué ho has querido ver podré faberlas de ti? :o Padre las fiefts?Lun.Efloy fin vida. Fen.Si,que me atiendas te pido; Dinas. Si fabes, Fe nix, que adoro Anoche. Sale Soliman. ndic ion, miprirno Solirnan, lora Sol. Fenix, perdona, 'adre, que previniendole eflin que pues yo fu); el deudot rte la nueva aufencia que lloro; radia fineza de amor, iuedado. pues apenas, Fenix mi; in póga, folo toca á mi perfona. don, triunfando de Grecia viene, T'en.
    [Show full text]
  • Latinos En EE.UU. (Desarrollando La Competencia Comunicativa Intercultural)
    Latinos en EE.UU. (Desarrollando la competencia comunicativa intercultural) Alberto Gineste Llombart Departamento de Lenguas Aplicadas Universidad Antonio de Nebrija Memoria de Master en Español como Lengua Extranjera (MEELE) 2006, Mercedes Álvarez Piñeiro Latinos en EE.UU. (desarrollando la competencia comunicativa intercultural) Alberto Gineste Llombart Departamento de Lenguas Aplicadas Universidad Antonio de Nebrija Memoria de Master en Español como Lengua Extranjera (MEELE) 2006, Mercedes Álvarez Piñeiro Agradecimientos En esta sección quiero expresar mi gratitud a todas las personas que han hecho posible la realización de esta memoria de MEELE. Ante todo, debo mencionar que este mismo año he finalizado una tesis doctoral en la Freie Universität Berlin, sobre la lengua española en los EE.UU. No hay palabras que puedan expresar mi agradecimiento a todas aquellas personas que colaboraron en el proceso de elaboración de mi tesis doctoral. Especialmente quiero agradecer, a mis dos directoras de investigación: la Dra. Gabriela Knauer del Institut für Romanische Philologie de la Humboldt Universitaet Berlin; y la Dra. Carol W. Pfaff del John F.- Kennedy Institute de la Freie Universitaet Berlin; así como a profesores de diferentes universidades norteamericanas por la inteligencia, sugerencias, el calor y el apoyo durante todo el proceso. Gracias por haber creído en mí, y haberme guiado, apoyado y animado desde del inicio de la investigación. Deseo agradecer a la profesora Teresa Delgado de la Humboldt Universitaet Berlin, y de nuevo, a la Dra. Gabriele Knauer por su colaboración en el seminario de formación para profesores de E/LE celebrado en la Humboldt Universitaet en el 2004, con el tema: El español en los EE.UU.
    [Show full text]
  • Introduction 1
    Notes Introduction 1. For a more in- depth discussion of patriarchy and nationalism, see Kim’s analysis of the argument of Gates (2005, 16) and Garcia (1997). 2. Omi and Winant (1986) trace the historical development of privilege tied to white- ness but also foreground discussions of race to contest claims that only those in power— that is, those considered white— can be racist. Omi and Winant argue that whenever the construct of race is used to establish in and out groups and hierarchies of power, irrespective of who perpetrates it, racism has occurred. In “Latino Racial Formation,” De Genova and Ramos-Zayas (2003b) further develop the ideas of history and context in terms of US Latinos in their argument that US imperialism and discrimination, more than any other factors, have influenced Latino racializa- tion and thus contributed to the creation of a third pseudoracial group along the black/white continuum that has historically marked US race relations. The research of Omi and Winant and De Genova and Ramos- Zayas coincides with the study of gender, particularly masculinity, in its emphasis on the shifting nature of constructs such as race and gender as well as its recognition of the different experiences of gendered history predicated upon male and female bodies of people of color. 3. In terms of the experience of sexuality through the body, Rodríguez’s memoir (1981) underscores the fact that perceptions of one’s body by the self and others depend heavily on the physical context in which an individual body is found as well as on one’s own perceptions of pride and shame based on notions of race and desire.
    [Show full text]
  • Gobierno De Puerto Rico
    GOBIERNO DE PUERTO RICO 18va. Asamblea 5ta. Sesión Legislativa Ordinaria SENADO DE PUERTO RICO P. del S. 1308 30 de mayo de 2019 Presentado por el señor Muñiz Cortés (Por petición de la Legislatura Municipal de Añasco) Referido a la Comisión de Desarrollo del Oeste LEY Para designar con el nombre de Avenida Martha Ivelisse Pesante “Ivy Queen” la Carretera Municipal conocida como “Calle Ancha” del Municipio de Añasco y eximir tal designación de las disposiciones de la Ley Núm. 99 de 22 de junio de 1971, según enmendada, conocida como la “Ley de la Comisión Denominadora de Estructuras y Vías Públicas” y para otros fines. EXPOSICIÓN DE MOTIVOS Es responsabilidad de todos los pueblos el reconocer aquellas figuras que con su ejemplo y compromiso ponen en alto los más grandes valores que les distinguen como ciudadanos. A estos efectos, Martha Ivelisse Pesante, conocida en el mundo artístico como “Ivy Queen” es un ejemplo de superación, dinamismo, humildad y entrega a su pueblo y al género musical que representa. Ivy Queen nació en la población de Añasco pero su vida familiar le llevó a trasladarse de muy joven a Estados Unidos, concretamente a Nueva York. Allí empezó a acercarse a la música escribiendo canciones y participando en algunos concursos. Eran tan sólo los primeros pasos de esta prometedora artista. Unos años después, Ivy Queen decidió regresar a Puerto Rico y fue en la Isla donde, de la mano de DJ Negro, se unió al proyecto “Noise”. Fue esta decisión la que 2 transformó su vida profesional ya que en este colectivo de artistas dedicados al rap fue donde consiguió su primer éxito profesional al componer “Somos raperos pero no delincuentes”.
    [Show full text]
  • L a S a V E N T U R a S D E T E L É M a C O Hijo De Ulises F E N E L
    LAS AVENTURAS DE TELÉMACO HIJO DE ULISES FENELÓN TOMO I Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. LAS AVENTURAS DE TELÉMACO LIBRO PRIMERO SUMARIO TELÉMACO, después de un naufragio, arriba con Mi- nerva, que le conducía disfrazada bajo la figura de Mentor, a la isla de Calipso, quien todavía estaba sintiendo la partida Ulises. Acógele la diosa benignamente, se apasiona de él, le ofrece la inmortalidad, y le pide que la cuente sus aventuras. Hácelo Telémaco refiriéndola su viaje a Pilos y a Lacedemo- nia, su naufragio en la costa de Sicilia, el riesgo en que estuvo de ser sacrificado a los manes de Anquises, el socorro que en una incursión de bárbaros dieron Mentor y él a Acestes, y la generosidad con que este rey reconoció tan importante servicio, dándoles un navío tirio para que se volviesen a su patria. INCONSOLABLE estaba Calipso desde que la dejó Ulises: tal era su desconsuelo, que se tenía por 3 FENELÓN desgraciada en ser inmortal. Ya no resonaba en su gruta el dulce eco de su voz, ni aun se atrevían a ha- blarla las ninfas que la servían. Acostumbraba pa- searse sola por el florido prado, cuyas inmarchitables verduras perpetuaban en la isla la más agradable primavera; pero, lejos de hallar en la hermosa variedad de aquellos sitios el alivio que a su dolor buscaba, sólo veía un triste y continuo re- cuerdo de aquel Ulises que tantas veces la había acompañado en ellos. Solía quedarse inmóvil en la playa del mar, regándola con sus lágrimas, y fija siempre la vista en el camino por donde el navío de Ulises, surcando las ondas, había desaparecido a sus ojos.
    [Show full text]
  • 1 Reggaetón: Pleasure, Perreo, and Puerto Rico an Accumulation Of
    1 Reggaetón: Pleasure, Perreo, and Puerto Rico An accumulation of American hip hop, Latin American culture, and Caribbean style, reggaetón is a modern music style combining rapping and singing that arose in 1990s Puerto Rico. In a purgatory between a medium that externalizes misogynistic perceptions of women and a medium in which women can experience power through the reinvention of their sexuality, reggaetón’s identity is a topic of controversy in Puerto Rican popular culture today. The first perspective views reggaetón as a medium that sexually oppresses women through its lyrics and associated dance styles, contributing to Puerto Rico’s preexisting misogynistic culture. Direct lyrics from male reggaetón artists as well as academic articles, will provide a direct lens into the impact of the sexist nature of reggaetón. The second perspective considers reggaetón, specifically for female artists, as a zone for women to employ power through their sexuality. Ivy Queen is a case study that is exemplary for the second perspective. Considering both perspectives relative to one another provides insight into the consequences of reggaetón in contemporary Puerto Rico. To understand the cultural significance reggaetón has in contributing to gender inequality, it is first essential to consider the historical implications of sexuality and race in Puerto Rico. When colonized by the Spanish, a majority of the indigenous population was wiped out by disease and forced labor, instigating the mass influx of African slavery. Black female slaves were often the victims of sexual assault and violent rape by white slave owners. Thus, ​ there existed an inherent sexualization of darker-skinned women by Spanish colonizers because their “darker-hued black female body [suggested] a 'natural' propensity for exotic sexual labor” (Herrera 44).
    [Show full text]
  • Ivy Queen FAN TV
    Presents IVY QUEEN Ivy Queen (born Martha Ivelisse Pesante on March 4, 1972 in Añasco, Puerto Rico) is a composer and singer known as “La Diva”, “La Gata”, “La Caballota”, and “La Reina del Reggaeton”, At a young age Ivy’s parents “The Queen of Reggaeton”. moved to New York where she Ivy’s third album “Diva”, was was raised. When she was in her released in 2003. The songs teens, her parents returned to were originally written by their hometown, Añasco. Ivy her and performed with the went to school and graduated participation of various from high school. artists. When Ivy was 18, she moved to San Juan and met rapper and producer, DJ Negro. DJ Negro helped her and introduced her to a group called “Noise”. With “Noise” she wrote and performed her first song “Somos Rapperos Pero No Delincuentes” (We’re Rappers, Not Delincuents). Soon, DJ Negro convinced Ivy to go “solo” and in 1997, she made her debut with the recording of the album “En Mi Imperio” (In My Empire) for the Sony International Records label which sold over 100,000 copies. In the same year, Ivy traveled to Panama where she represented Puerto Rico in “The Battle of Rap”. She also did some presentations in the Dominican Republic, which were all “sold out” and later that year, she participated in “The First National Festival of Rap and Reggae”. There, Ivy was proclaimed the “Rap Singer of the Year”. Also, in 1997, Ivy was awarded the “Artista ‘97” award, naming her “The Peoples Favorite Rap Singer”, by Artista magazine.
    [Show full text]
  • Guide to the Raquel Z. Rivera Hip Hop/ Reggaetón Collection
    Guide to the Raquel Z. Rivera Hip Hop/ Reggaetón Collection Archives of the Puerto Rican Diaspora Centro de Estudios Puertorriqueños Hunter College, CUNY 2180 Third Avenue @ 119th St., Rm. 120 New York, New York 10035 (212) 396-7877 www.centropr.hunter.cuny.edu Descriptive Summary Resumen descriptivo Creator: Raquel Z. Rivera, 1972- Creador: Raquel Z. Rivera, 1972- Title: The Raquel Z. Rivera Hip Hop/ Reggaetón Título: The Raquel Z. Rivera Hip Hop/ Reggaetón Collection Collection Inclusive Dates: 1977-2008 Años extremos: 1977-2008 Bulk Dates: 1995-2003 Período principal: 1995-2003 Volume: 9 cubic feet Volumen: 9 pies cùbicos Repository: Archives of the Puerto Rican Diaspora, Repositorio: Archives of the Puerto Rican Diaspora, Centro de Estudios Puertorriqueños Centro de Estudios Puertorriqueños Abstract: The Raquel Z. Rivera Hip Hop/ Reggaetón Nota de resumen: La Colección de Hip Hop y Collection helps document Puerto Rican contributions Reggaetón de Raquel Z. Rivera, documenta la to the creation and development of hip hop and contribución puertorriqueña a la creación y el reggaetón both in the United States and Puerto Rico. desarrollo del hip hop y el reggaetón tanto en los Highlights of the collection include an extensive Estados Unidos como en Puerto Rico. Parte importante audiocassette and compact disc collection, essays de la colección incluye una extensa compilación de written by Rivera on hip hop and reggaetón and paper cintas de audio y discos compactos, ensayos sobre hip documentation on numerous artists. hop y reggaetón escritos por Rivera y documentación en papel sobre varios artistas. Administrative Information Información administrativa Collection Number: 2005-07 Número de colección: 2005-07 Provenance: Raquel Z.
    [Show full text]
  • 112 It's Over Now 112 Only You 311 All Mixed up 311 Down
    112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question
    [Show full text]
  • Equipo Dirección: Teresa Fraile Prieto Y Eduardo Viñuela Suárez
    Otoño 2019 ARTÍCULOS DE INVESTIGACIÓN Rosalía y el discurso visual de El mal querer. Arte y folclore para un empoderamiento femenino ETNOMUSICOLOGÍA Raquel Baixauli y Esther González Gea 18 Jornadas SIbE 2019. Tradiciones musicales. Experiencia social y creación musical Neoperreo, ¿Cambiando las reglas de(l) género? 2 Julia Escribano Blanco La escena transnacional online del “reggaeton del futuro” “Punto de inflexión y futuro ilusionante para el análisis Marina Arias Salvado 44 musical en España”. Congreso El Análisis Musical Actual: Marco teórico e Interdisciplinariedad Héroes del Silencio: una aproximación desde la Sergio Lasuén 8 perspectiva de género Sara Arenillas Meléndez y Pablo Vegas Fernández 66 La mediterrànea: sons migrants. II congreso AVAMUS/XV Jornada AVAMUS Aportes para un estudio etnográfico del punk en Guayaquil Noelia Bojó Molina, Gracia Llorca Llinares, Paula Molina González y Òscar Navarré Medina 13 Luis Pérez Valero 89 Equipo Dirección: Teresa Fraile Prieto y Eduardo Viñuela Suárez Equipo editorial: Fernán del Val, Gonzalo Fernández Monte, Llorián García Flórez, Rubén Gómez Muns, Isabel Llano Camacho, Susana Moreno Fernández, Mariló Navarro, Sara Revilla Gútiez, Maria Salicrú-Maltas Edita: SIBE Sociedad de Etnomusicología www.sibetrans.com Contacto: [email protected] NÚMERO 14 – OTOÑO 2019 1 ISSN: 2014-4660 Jornadas SIbE 2019 Tradiciones musicales. Experiencia social y creación musical Universidad de Huelva, 16 y 17 de octubre de 2019 Julia Escribano Blanco Los días 16 y 17 de octubre de 2019, la capital onubense acogió las Jornadas Internacionales de Investigación Musical SIBE, organizadas por el Grupo de Tradiciones Musicales SIBE, ICTM España y Portugal y el Centro de Investigación en Patrimonio Histórico, Cultural y Natural de Universidad de Huelva.
    [Show full text]
  • Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In
    Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In Love Beyonce BoomBoom Pow Black Eyed Peas Uptown Funk Bruno Mars Old Time Rock n Roll Bob Seger Forever Chris Brown All I do is win DJ Keo Im shipping up to Boston Dropkick Murphy Now that we found love Heavy D and the Boyz Bang Bang Jessie J, Ariana Grande and Nicki Manaj Let's get loud J Lo Celebration Kool and the gang Turn Down For What Lil Jon I'm Sexy & I Know It LMFAO Party rock anthem LMFAO Sugar Maroon 5 Animals Martin Garrix Stolen Dance Micky Chance Say Hey (I Love You) Michael Franti and Spearhead Lean On Major Lazer & DJ Snake This will be (an everlasting love) Natalie Cole OMI Cheerleader (Felix Jaehn Remix) Usher OMG Good Life One Republic Tonight is the night OUTASIGHT Don't Stop The Party Pitbull & TJR Time of Our Lives Pitbull and Ne-Yo Get The Party Started Pink Never Gonna give you up Rick Astley Watch Me Silento We Are Family Sister Sledge Bring Em Out T.I. I gotta feeling The Black Eyed Peas Glad you Came The Wanted Beautiful day U2 Viva la vida Coldplay Friends in low places Garth Brooks One more time Daft Punk We found Love Rihanna Where have you been Rihanna Let's go Calvin Harris ft Ne-yo Shut Up And Dance Walk The Moon Blame Calvin Harris Feat John Newman Rather Be Clean Bandit Feat Jess Glynne All About That Bass Megan Trainor Dear Future Husband Megan Trainor Happy Pharrel Williams Can't Feel My Face The Weeknd Work Rihanna My House Flo-Rida Adventure Of A Lifetime Coldplay Cake By The Ocean DNCE Real Love Clean Bandit & Jess Glynne Be Right There Diplo & Sleepy Tom Where Are You Now Justin Bieber & Jack Ü Walking On A Dream Empire Of The Sun Renegades X Ambassadors Hotline Bling Drake Summer Calvin Harris Feel So Close Calvin Harris Love Never Felt So Good Michael Jackson & Justin Timberlake Counting Stars One Republic Can’t Hold Us Macklemore & Ryan Lewis Ft.
    [Show full text]