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El Imperio Azteca Y Otros Cuentos
EL IMPERIO AZTECA Y OTROS CUENTOS Jorge Alberto Ley Delgado Lic. Juan Sabines Guerrero GOBERNADOR DEL ESTADO DE CHIAPAS Mtro. Alfredo Palacios Espinosa DIRECTOR GENERAL Lic. Óscar David Herrán Salvatti COORDINADOR OPERATIVO TÉCNICO Lic. Carlos Gutiérrez Villanueva DIRECTOR DE PUBLICACIONES EL IMPERIO AZTECA © JORGE ALBERTO LEY DELGADO Y OTRO CUENTOS CUIDADO EDITORIAL • Dirección de Publicaciones DISEÑO • Mónica Trujillo Ley FORMACIÓN ELECTRÓNICA • Irma Itzel Avendaño Meneses CORRECCIÓN DE ESTILO • Roberto Rico Chong ILUSTRACIONES: ALIBEY RAMOS SANTOS. D.R. © 2007 Consejo Estatal para las Culturas y las Artes de Chiapas, Bou- levard Ángel Albino Corzo No. 2151, fraccionamiento San Roque, Tuxtla Gutiérrez, Chiapas. C.P. 29040. CONSEJO ESTATAL PARA LAS CULTURAS Y LA ARTES DE CHIAPAS ISBN: 970-697-225-5 2007 HECHO EN MÉXICO CONTENIDO Los 3 gigantes . 11 El cementerio de los antiguos . 14 La colonia . 17 La nueva especie . 20 El inventor . 23 La sociedad perfecta . 26 Dr. geoff . 30 La burbuja . 32 La voz . 34 El fin del mundo . 37 El imperio azteca capítulo I Cuauhtémoc: emperador de los aztecas . 39 Capítulo II México en la mira del mundo . 45 Capítulo III La guerra . 49 Capítulo IV “El ejército de los ocho grandes” . 52 Capítulo V Cuauhtémoc: emperador del mundo . 54 La armadura . 56 Los comenubes . 63 El pergamino y la pluma . 65 El futuro . 68 El escudo . 74 La biblioteca . 78 El espejo . 89 El imperio azteca y otros cuentos Los 3 gigantes HACÍA MÁS DE 4,500 años que el último ser humano había pereci- do; de entre la tierra árida nacieron tres gigantes, los cuales controlaban grandes extensiones de terreno. -
COMEDIA FAMOSA. ¡Ida
d re, DEXAR VN REYNO POR OTRO, Y MARTIRES DE MADRID. 15; ;cadle, Nnonj COMEDIA FAMOSA. ¡ida. :s corta. 1.43 DON ,AGVSTIN M O R ETO. nedb Perfonas que hablan en ella. )ola, . So liman. Flora Dama. Harnetc. Celin. Luna, Celima criada. -Pipote graciofo. Ricardo. Fenix. Vn Capitan, y foldatiot ..fmurates. Feliciano viejo. 1/no-aros6 • flato:lx JORNADA PRIMERA. dexarne , que los fentidos Salan Fenix, Luna, y Celima criada. fe hizieron para fentir. ja? Lun. No cfloy en mi de trifteza. Fen. (bando de Vngria vitotioío Fen. Luna hermoia , que accidente buelva , dize el gran fefior, pies fe opone atrevidamente que ha de premiar fu valor; ruta la luz de tu belleza? Luna, haziendole tu efpofo. 0,2ando en la Corte gozora 'Templa la Hile pafsion, es fiedas celebrando eflán, que el tiempo todo lo alcanga; es poca. que aplauden de Solirnan y fupla aquella elperanga debes: nria: Ja vitoria prodigiofa; faltas de ella poffefsion. a llegue tu encerrada ? tu efcondida? Pefatne, que ayas perdido depuefto tu el rofieler; las fieflas. Lun. Pues- no las vi Dios porqué ho has querido ver podré faberlas de ti? :o Padre las fiefts?Lun.Efloy fin vida. Fen.Si,que me atiendas te pido; Dinas. Si fabes, Fe nix, que adoro Anoche. Sale Soliman. ndic ion, miprirno Solirnan, lora Sol. Fenix, perdona, 'adre, que previniendole eflin que pues yo fu); el deudot rte la nueva aufencia que lloro; radia fineza de amor, iuedado. pues apenas, Fenix mi; in póga, folo toca á mi perfona. don, triunfando de Grecia viene, T'en. -
Partyman by Title
Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D. -
Latinos En EE.UU. (Desarrollando La Competencia Comunicativa Intercultural)
Latinos en EE.UU. (Desarrollando la competencia comunicativa intercultural) Alberto Gineste Llombart Departamento de Lenguas Aplicadas Universidad Antonio de Nebrija Memoria de Master en Español como Lengua Extranjera (MEELE) 2006, Mercedes Álvarez Piñeiro Latinos en EE.UU. (desarrollando la competencia comunicativa intercultural) Alberto Gineste Llombart Departamento de Lenguas Aplicadas Universidad Antonio de Nebrija Memoria de Master en Español como Lengua Extranjera (MEELE) 2006, Mercedes Álvarez Piñeiro Agradecimientos En esta sección quiero expresar mi gratitud a todas las personas que han hecho posible la realización de esta memoria de MEELE. Ante todo, debo mencionar que este mismo año he finalizado una tesis doctoral en la Freie Universität Berlin, sobre la lengua española en los EE.UU. No hay palabras que puedan expresar mi agradecimiento a todas aquellas personas que colaboraron en el proceso de elaboración de mi tesis doctoral. Especialmente quiero agradecer, a mis dos directoras de investigación: la Dra. Gabriela Knauer del Institut für Romanische Philologie de la Humboldt Universitaet Berlin; y la Dra. Carol W. Pfaff del John F.- Kennedy Institute de la Freie Universitaet Berlin; así como a profesores de diferentes universidades norteamericanas por la inteligencia, sugerencias, el calor y el apoyo durante todo el proceso. Gracias por haber creído en mí, y haberme guiado, apoyado y animado desde del inicio de la investigación. Deseo agradecer a la profesora Teresa Delgado de la Humboldt Universitaet Berlin, y de nuevo, a la Dra. Gabriele Knauer por su colaboración en el seminario de formación para profesores de E/LE celebrado en la Humboldt Universitaet en el 2004, con el tema: El español en los EE.UU. -
Disco Inferno
Section 2 Stay in touch: Looking for monocle.com a smart podcast to give you monocle.com/radio the low-down on all cultural Edition 4 happenings worldwide? Tune in 07/06—13/06 to the freshly relaunched weekly Culture Show on Monocle 24. but that had no standing at Studio whatsoever. If you’re talking about something from 40 years ago that’s still compelling today then there’s got to be some underlying social reason. Section Section Section M: What about the door policy, the line – it was infamous. Was that something that you and Steve planned or did it just happen and you decided it worked for you? IS: It was definitely part of the idea. To me we were trying to do in the public domain what everyone else does in their private domain: to get an alchemy and an energy; we were trying to curate the crowd and we wanted it to Adam Schull be a mixture that had nothing to do with wealth or social Iamge: standing, it had to do with creating this combustible energy every night. When you are doing a door policy I wasn’t in New York then but I remember the tail-end that doesn’t have a rational objective criteria other than of that before it was cleaned up; it was very distinctive. instinct, then mistakes get made and people get infuri- TELEVISION / AUSTRIA Here, a rundown of the ladies: It’s a lost analogue world too – if you notice in the film, ated by it but we didn’t understand that because it was the telephones on Ian’s desk are rotary dial and that was really quite honest. -
About-14-011014.Compressed.Pdf
The National Conference· ., on LGBT Equality~ Creating Change ~ The largest annual gathering of activists, organizers and leaders in the LGBT movement January 29 - February 2, 2014 Hilton Americas - Houston www.CreatingChange.org GREY GOOsE ~ COMCASToIIl& NBCUNIVERSAL . HILTON m~m ~~K \'\'odds Best'Iasriug \'Ildku WORLDWIDE "D- SOUTiiwEST -ART,r SHAV.NO" Office DEPOT. :m.wn'iE. ••,;;;;:.,t.••••".yt,::.· b1acJe. our details Cade Michals Publisher / CEO [email protected] Bill Clevenger President [email protected] Clint Hudler Director of Advertising and Sales [email protected] Steven Tilorta Writer of "I Have Issues" [email protected] Frankie Espinoza Logistics Ma1lagel' [email protected] Lance Wilcox Creative Marketillg Director [email protected] David Guerra Official Photographer [email protected] Contributing Write1's Nancy Ford, Charo BeansOeBarge OJ Chris Alien,RitchieAlien, OJJO Arnold, OJ Wild, Matthew Blanco OJ Mark 0, Ray Hili,Jacob Socialite, Curtis Braly AbOUT Magazine P.O. Box 667626 Houston, TX 77266 (713) 396-20UT (2688) [email protected] www.abOUT-Online.com www.FACEawards.org ISSN Library of Congress 2163·8470 (Print) 2163-8446 (On-Line) Copyright 2013 AbOU'," Publicarlons IAbOlTr Magaame. All rights reserved. Re- Proud Member print by permission only. Back issues avatbblc for 55.00 p(-r issue (postage included). The opinions expressed l.Iy columnists, writers ere. are their own and do nOI nC(~M- Ia a d i1yreflect rhe position of AbOllr Ma~zine. Publication of a photo or name in 9 AbOUT Magazine is nor (0 be construed as any indication of sexual orientation of media partner such person or business, While we encourage readers to support advertisers that make ~ this In:lg,I'I.ine possible, AbOLJ[' 1..•l.ag.1tine 011 not accept responsibility ror advertising since 2012 cl.rims. -
Language Contact and US-Latin Hip Hop on Youtube
City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2019 Choutouts: Language Contact and US-Latin Hip Hop on YouTube Matt Garley CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/251 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Choutouts: Language contact and US-Latin hip hop on YouTube Matt Garley This paper presents a corpus-sociolinguistic analysis of lyrics and com- ments from videos for four US-Latinx hip hop songs on YouTube. A ‘post-varieties’ (Seargeant and Tagg 2011) analysis of the diversity and hybridity of linguistic production in the YouTube comments finds the notions of codemeshing and plurilingualism (Canagarajah 2009) useful in characterizing the language practices of the Chicanx community of the Southwestern US, while a focus on the linguistic practices of com- menters on Northeastern ‘core’ artists’ tracks validate the use of named language varieties in examining language attitudes and ideologies as they emerge in commenters’ discussions. Finally, this article advances the sociolinguistics of orthography (Sebba 2007) by examining the social meanings of a vast array of creative and novel orthographic forms, which often blur the supposed lines between language varieties. Keywords: Latinx, hip hop, orthography, codemeshing, language contact, language attitudes, language ideologies, computer-mediated discourse. Choutouts: contacto lingüístico y el hip hop latinx-estadounidense en YouTube. Este estudio presenta un análisis sociolingüístico de letras de canciones y comentarios de cuatro videos de hip hop latinx-esta- dounidenses en YouTube. -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
Anexo Leiruk El Chacal Disco Complet
Anexo leiruk el chacal disco complet Continue Track List: 1.Under Control 2.Informative I'd Like 3.The Jackal - Ft. Danger 4.Painting In Shoes 5.I Follow In The Mio - Ft. Zimple 6.Pal Other Side 7.Red Alert - Ft. Aczino 8.Today I Feel Good 9.I Do Not Know - Ft. Ballin & Ovarita 10.From Scratch - Ft. Gera Mxm 11.Balas 12.Los De Siempre - Ft. Dobleu 13.A Your Thing - Ft. Back & Wiber 14.A Where You Go - Ft. Gabriel Cota 15.Everything Will Be Ok - Ft. Kryz Like Our Facebook Page OrganizerMCRaptivistaRaperOfystylerGrafiero [.com/DangerAKOficial - Facebook] [.. com /DangerAKOficial - Twitter] [.com/user/DangerAltoKalibreTV - YouTube (rap channel)] [.com/dangerthepunchliner ReverbAtion] [.com/altokalibre Soundcloud] Joel Alfredo Martínez Estrada, better known as Risk Alto Kalibre, or simply Danger, is a Mexican MC born in Tijuana, Baja California. [1] Biography[editing]editing code] Early in Rap[editing] From an early age he was in choral poetry and divergence competitions. He started out in the world of Hip Hop, doing graffiti and later began to devote himself to rap without knowing that both elements were part of the same movement. His first recordings were made for his mom's tapes, as it was the only way he could do it at the time. Later with the help of the internet he started downloading hip hop tracks until he found editing programs to perform his own music, then made his first album with some of his friends, forming the Alto Kalibre group. Their first album together was called Alto Kalibre Vol. 1. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Arxiv:1904.04948V1 [Cs.SI] 9 Apr 2019 Others Through the Emotions of Music and Its Lyrics [8]
Environmental Changes and the Dynamics of Musical Identity Samuel F. Way,1, 2, ∗ Santiago Gil,2, y Ian Anderson,2, z and Aaron Clauset1, 3, x 1Department of Computer Science, University of Colorado, Boulder, CO, USA 2Spotify, New York, NY, USA 3Santa Fe Institute, Santa Fe, NM, USA Musical tastes reflect our unique values and experiences, our relationships with others, and the places where we live. But as each of these things changes, do our tastes also change to reflect the present, or remain fixed, reflecting our past? Here, we investigate how where a person lives shapes their musical preferences, using geographic relocation to construct quasi-natural experiments that measure short- and long-term effects. Analyzing comprehensive data on over 16 million users on Spotify, we show that relocation within the United States has only a small impact on individuals' tastes, which remain more similar to those of their past environments. We then show that the age gap between a person and the music they consume indicates that adolescence, and likely their environment during these years, shapes their lifelong musical tastes. Our results demonstrate the robustness of individuals' musical identity, and shed new light on the development of preferences. Music is the soundtrack of our lives. It reflects our personify [10{12]. mood and personality, as well as the important people, When a community forms around some kind of music, places, and times in our past [1]. In this way, a person's the surrounding environment takes on an identity of its musical identity|the set of musical tastes or preferences own. -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus ..............................................................................................................................................................