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Dvigubski Full Dissertation
The Figured Author: Authorial Cameos in Post-Romantic Russian Literature Anna Dvigubski Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Anna Dvigubski All rights reserved ABSTRACT The Figured Author: Authorial Cameos in Post-Romantic Russian Literature Anna Dvigubski This dissertation examines representations of authorship in Russian literature from a number of perspectives, including the specific Russian cultural context as well as the broader discourses of romanticism, autobiography, and narrative theory. My main focus is a narrative device I call “the figured author,” that is, a background character in whom the reader may recognize the author of the work. I analyze the significance of the figured author in the works of several Russian nineteenth- and twentieth- century authors in an attempt to understand the influence of culture and literary tradition on the way Russian writers view and portray authorship and the self. The four chapters of my dissertation analyze the significance of the figured author in the following works: 1) Pushkin's Eugene Onegin and Gogol's Dead Souls; 2) Chekhov's “Ariadna”; 3) Bulgakov's “Morphine”; 4) Nabokov's The Gift. In the Conclusion, I offer brief readings of Kharms’s “The Old Woman” and “A Fairy Tale” and Zoshchenko’s Youth Restored. One feature in particular stands out when examining these works in the Russian context: from Pushkin to Nabokov and Kharms, the “I” of the figured author gradually recedes further into the margins of narrative, until this figure becomes a third-person presence, a “he.” Such a deflation of the authorial “I” can be seen as symptomatic of the heightened self-consciousness of Russian culture, and its literature in particular. -
Georgian Country and Culture Guide
Georgian Country and Culture Guide მშვიდობის კორპუსი საქართველოში Peace Corps Georgia 2017 Forward What you have in your hands right now is the collaborate effort of numerous Peace Corps Volunteers and staff, who researched, wrote and edited the entire book. The process began in the fall of 2011, when the Language and Cross-Culture component of Peace Corps Georgia launched a Georgian Country and Culture Guide project and PCVs from different regions volunteered to do research and gather information on their specific areas. After the initial information was gathered, the arduous process of merging the researched information began. Extensive editing followed and this is the end result. The book is accompanied by a CD with Georgian music and dance audio and video files. We hope that this book is both informative and useful for you during your service. Sincerely, The Culture Book Team Initial Researchers/Writers Culture Sara Bushman (Director Programming and Training, PC Staff, 2010-11) History Jack Brands (G11), Samantha Oliver (G10) Adjara Jen Geerlings (G10), Emily New (G10) Guria Michelle Anderl (G11), Goodloe Harman (G11), Conor Hartnett (G11), Kaitlin Schaefer (G10) Imereti Caitlin Lowery (G11) Kakheti Jack Brands (G11), Jana Price (G11), Danielle Roe (G10) Kvemo Kartli Anastasia Skoybedo (G11), Chase Johnson (G11) Samstkhe-Javakheti Sam Harris (G10) Tbilisi Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Workplace Culture Kimberly Tramel (G11), Shannon Knudsen (G11), Tami Timmer (G11), Connie Ross (G11) Compilers/Final Editors Jack Brands (G11) Caitlin Lowery (G11) Conor Hartnett (G11) Emily New (G10) Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Compilers of Audio and Video Files Keti Chikovani (Language and Cross-Culture Coordinator, PC Staff) Irakli Elizbarashvili (IT Specialist, PC Staff) Revised and updated by Tea Sakvarelidze (Language and Cross-Culture Coordinator) and Kakha Gordadze (Training Manager). -
East Asians in Soviet Intelligence and the Chinese-Lenin School of the Russian Far East
East Asians in Soviet Intelligence and the Chinese-Lenin School of the Russian Far East Jon K. Chang Abstract1 This study focuses on the Chinese-Lenin School (also the acronym CLS) and how the Soviet state used the CLS and other tertiary institutions in the Russian Far East to recruit East Asians into Soviet intelligence during the 1920s to the end of 1945. Typically, the Chinese and Korean intelligence agents of the USSR are presented with very few details with very little information on their lives, motivations and beliefs. This article will attempt to bridge some of this “blank spot” and will cover the biographies of several East Asians in the Soviet intelligence services, their raison d’être, their world view(s) and motivations. The basis for this new study is fieldwork, interviews and photographs collected and conducted in Central Asia with the surviving relatives of six East Asian former Soviet intelligence officers. The book, Chinese Diaspora in Vladivostok, Second Edition [Kitaiskaia diaspora vo Vladivostoke, 2-е izdanie] which was written in Russian by two local historians from the Russian Far East also plays a major role in this study’s depth, revelations and conclusions.2 Methodology: (Long-Term) Oral History and Fieldwork My emphasis on “oral history” in situ is based on the belief that the state archives typically chronicle and tell a history in which the state, its officials and its institutions are the primary actors and “causal agents” who create a powerful, actualized people from the common clay of workers, peasants and sometimes, draw from society’s more marginalized elements such as vagabonds and criminals. -
Shalva Nutsubidze, Was a Member of the Group of Several Scholars Whose Joint Efforts Re- Sulted in the Creation of the University
PHILOSOPHY IN GEORGIA: FROM NEOPLATONISM TO POSTMODERMISM ivane javaxiSvilis saxelobis Tbilisis saxelmwifo universiteti anastasia zaqariaZe irakli braWuli filosofia saqarTveloSi: neoplatonizmidan postmodernizmamde IVANE JAVAKHISHVILI TBILISI STATE UNIVERSITY ANASTASIA ZAKARIADZE IRAKLI BRACHULI PHILOSOPHY IN GEORGIA: FROM NEOPLATONISM TO POSTMODERMISM This research discusses the main tendencies of Georgian philo- sophy: its basic principles and perspectives, the importance of the Western, especially the European cultural heritage, and the Geor- gian contribution to the history of ideas in a global perspective. Metaphysical issues of cognition, truth, identity, virtue and value, wisdom and power; problems of ethical, social, political and aes- thetic character, as well as phenomenological, philosophical-theo- logical and linguistic research, are central to Georgian philosophy and exemplify its continuing relevance vis-À-vis the Western tradi- tion in its broadest sense. Although philosophical ideas in Georgia rarely matured into a well-balanced and self-sufficient system, as original conceptions one may distinguish some ideas of Christian Neo-Platonism and Alethological Realism. The volume is dedicated to the 100th anniversary of Ivane Javakhishvili Tbilisi State University. Scientific Editors: Cornelia B. Horn Basil Lourie On the cover there is a portrait sketch of Niko Pirosmani (Nikala) by Pablo Picasso. One of the most influential artists of modernity was never personally acquainted with the early XX cen- tury Georgian primitivist painter, but he knew his works. Pirosma- ni posthumously rose to prominence. Ivane Javakhishvili Tbilisi State University Press, 2018 ISBN 978-9941-13-732-7 C O N T E N T S Acknowledgements ............................................................ 7 Editorial Preface ................................................................ 8 In Lieu of an Introduction ............................................... 11 1. Ioane Petritsi and Georgian Neoplatonism .............. -
The Figurative Language of Soviet Power and Georgian Literature
Bela Tsipuria The Figurative Language of Soviet Power and Georgian Literature Abstract: The Soviet language of power can be seen as a set of basic, universal codes with the special connotation of referring to major principles of Soviet ide- ology or social/political goals prioritized by the Communist Party. This language was developed in political discourse by the Party’s leading ideologists, and imple- mented within cultural/literary discourse. Ideological principles were often met- aphorized and implemented in canonical texts: speeches by Party leaders, cen- trally developed poems and songs, epic novels. After this, the codes were used in all the national cultures/languages of the USSR. Through the bearers of the ideol- ogy – bigger and smaller Party leaders, poets, prose writers, and songwriters – the messages of power were communicated to the Soviet people. Based on Georgian material, this article discusses the spread of one of the main metaphors related to the multinational composition of the USSR – the metaphor of the “united broth- erly family of the nations.” The metaphor carried not only a political meaning but also a hidden agenda of suggesting to Sovietized nations both views and verbal formulations, and how to deal with the existing political reality and the domi- nance of the Russian centre. In this sense, it was an imperial metaphor, related to the national question and the centre–periphery model of the USSR. Keywords: Georgian literature, metaphors/language of power, national question, Soviet ideology The Soviet totalitarian -
Damion Searls Receives the Mla's Lois Roth Award For
H-Haiti ANN: DAMION SEARLS RECEIVES THE MLA’S LOIS ROTH AWARD FOR HIS TRANSLATION OF ANNIVERSARIES BY UWE JOHNSON; ASSELIN CHARLES AND DONALD RAYFIELD EACH RECEIVE HONORABLE MENTION Discussion published by Marlene Daut on Tuesday, December 10, 2019 DAMION SEARLS RECEIVES THE MLA’S LOIS ROTH AWARD FOR HIS TRANSLATION OF ANNIVERSARIES BY UWE JOHNSON; ASSELIN CHARLES AND DONALD RAYFIELD EACH RECEIVE HONORABLE MENTION New York, NY – 4 December 2019 – The Modern Language Association of America today announced it is presenting its twelfth Lois Roth Award for a translation of a literary work to Damion Searls, of Brooklyn, New York, for his translation of Uwe Johnson’s Anniversaries: From a Year in the Life of Gesine Cresspahl, published by New York Review Books. An honorable mention will be given to Asselin Charles, of Toronto, Canada, for his translation of Frankétienne’s Dézafi, published by the University of Virginia Press, and to Donald Rayfield, emeritus, Queen Mary University of London, for his translation of volume 1 of Kolyma Stories by Varlam Shalamov and published by New York Review Books. The late Lois W. Roth worked for the United States Information Agency as an advocate for the use of literary study as a means of understanding foreign cultures. The prize is awarded annually for a translation into English of a book-length literary work. From 1999 until 2016, the prize was offered biennially, alternating years with the Aldo and Jeanne Scaglione Prize for a Translation of a Literary Work. The two prizes are now both offered annually. The members of this year’s selection committee were Esther Allen (Graduate Center and Baruch Coll., City Univ. -
[Ismailov Is] a Writer of Immense Poetic Power
Praise for The Devils’ Dance Winner of the EBRD Literature Prize 2019 ‘[Ismailov is] a writer of immense poetic power.’ — Guardian ‘Ismailov shows that even under extreme duress, a writ- er’s mind will still swim with ideas and inspiration… Rebellious, ironic, witty and lyrical… A work that both honours and renews that rich tradition [of Central Asian literature]. For all its complexity, The Devils’ Dance is utterly readable.’ — Caroline Eden, Financial Times ‘Captivating… A rare example of Uzbek literature trans- lated into the English language – in this case admirably so by Donald Rayfield.’ — Natasha Randall, Times Literary Supplement ‘With its spies, police, princes, poets and great plot, [The Devils’ Dance] is an Uzbek Game of Thrones. The sto- rytelling style captures perfectly the prose and poetry of Central Asia while being incredibly readable in English.’ — Rosie Goldsmith, chair of judges, EBRD Prize ‘Might Hamid Ismailov’s The Devils’ Dance open Central Asian literature to the world as Gabriel García Márquez’s novels did for Latin America? Probably not – things rarely work out like that – but perhaps it deserves to.’ — Peter Gordon, Asian Review of Books ‘An intricate mixture of fact and fiction… Defiant’ — Jane Shilling, New Statesman ‘Brilliantly translated by Donald Rayfield… A rich and enthralling book’ — Tatler.com ‘Effective and moving… [Ismailov completes] his impres- sive portrait of the artist and his culture – and his dreadful times’ — Complete Review ‘A beguiling tale of khans, commissars, spies and poet- queens… feature in a rare English translation of modern Uzbek fiction.’ — Economist ‘Throughout these parallel stories, Ismailov finds moments of utter horror and of quiet relief.’ — Words Without Borders ‘A beautiful evocation of different Central Asian historical worlds… The Devils’ Dance is a powerful symbol of hope in Uzbekistan.’ — Calvert Journal ‘My book of the year.’ — Caroline Eden ‘A mesmerising – and terrifying – novel of tremendous range, energy and potency. -
Vier Georgische Dichter
Vier georgische Dichter Poetry, Music and Art Band 12 hrsg. von Hans-Christian Günther Albert-Ludwigs-Universität Freiburg Hubert Eiholzer Conservatorio della Svizzera italiana, Lugano Vier georgische Dichter Galaktion Tabidze, Vazha-Pshavela, Nikoloz Baratashvili und Soselo (J. V. Stalin) mit Beiträgen von Luigi Magarotto, Donald Rayfield, Nino Sakvarelidze und Maria Sauna herausgegeben von Hans-Christian Günther Verlag Traugott Bautz GmbH Bibliografische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Bild Buchcover: Niko Pirosmani, Die Tbilisi-Seilbahn, Staatliches Kunstmuseum Georgiens . Verlag Traugott Bautz GmbH 99734Nordhausen 2017 ISBN 978-3-95948-303-2 Inhalt Vorwort des Herausgebers 7 Zur Umschrift des Georgischen 8 Tradition und Neuerung in der Dichtung Galaktion Tabidzes 9 von Luigi Magarotto Vasha Pshavela von Nino Sakvarelidze 33 Nikoloz Baratashvili von Maria Sauna 51 Die Dichtung von Nikoloz Baratashvili von Luigi Magarotto 115 Stalin als Dichter von Donald Rayfield 163 Vorwort Der Band vereinigt vier früher getrennt veröffentlichte Beiträge zu Galaktion Tabidze (Hans-Christian Günther, Der Dichter Galaktion Tabidze, Hamburg 2008), Vazha Pshavela (Vasha- Pshavela, Verserzählungen übersetzt von H.-C. Günther ..., Würzburg 2008) und Nikoloz Baratashvili (Nikoloz Baratashvili, Das dichterische Werk, übersetzt von H.-C. Günther ..., Würzburg 2005; Gaga Shurgaia, Luigi Magarotto, H.-C. Günther (eds.), Ein georgischer Dichter der Romantik, Würzburg 2006). Dabei wurden zum Teil Gedichte, die in den betreffenden Beiträgen bloß genannt waren, im vollen Wortlaut nach meiner Übersetzung ausgeschrieben. Dazu kommt ein von mir aus dem Englischen übersetzter Beitrag von Donald Rayfield, der in der Originalsprache bereits veröffentlicht ist (Nachweis s. -
Classical Literature and the Retroaction of Socialist Ideologyâ•Flthe Sovietization of a Medieval Georgian Epic Poem And
Diego Benning Wang, 1 Classical Literature and the Retroaction of Socialist Ideology—The Sovietization of a Medieval Georgian Epic Poem and Its Mysterious Author Diego Benning Wang O Georgia—who makest us shed tears, /Thou art the second cradle of the Russian muse. /One who carelessly forgets about Georgia, /Is not likely to be a poet in Russia. –Evgeny Evtushenko When you read Rustaveli, you would be thinking: could there be many writers who lived 700-odd years ago akin to this precious genius of the Georgian people? –Mikhail Kalinin Early-20th-century Russian poet Kontantin Balmont, the first person to fully translate the medieval Georgian epic poetry vepkhistqaosani (The Knight in Panther Skin) into Russian, said such about the work’s author Shota Rustaveli: “Like Homer to the Hellas, Dante to Italy, Shakespeare to England, Calderón and Cervantes to Spain, Rustaveli is Georgia… A people, if great, will compose a song and carry in their bosom their world- renowned poet. Such crown-bearer of the ages, still unbeknownst to the Russians to this day, was the chosen one of Georgia, Shota Rustaveli, who in the twelfth century endowed his homeland with a banner and an appeal—vepkhistqaosani […] This is the best poetry of love ever composed in Europe, a rainbow of love, a bridge of fire, which connects the heaven with the earth.”1 Long after Balmont’s Russian translation of vepkhistqaosani was completed, the work still remained unknown to most non-Georgians of the Soviet Union. Yet four decades later, Rustaveli had become a household name far beyond his native Georgia and throughout the Soviet Union. -
Vier Georgische Dichter
Vier georgische Dichter Poetry, Music and Art Band 12 hrsg. von Hans-Christian Günther Albert-Ludwigs-Universität Freiburg Hubert Eiholzer Conservatorio della Svizzera italiana, Lugano Vier georgische Dichter Galaktion Tabidze, Vazha-Pshavela, Nikoloz Baratashvili und Soselo (J. V. Stalin) mit Beiträgen von Luigi Magarotto, Donald Rayfield, Nino Sakvarelidze und Maria Sauna herausgegeben von Hans-Christian Günther Verlag Traugott Bautz GmbH Bibliografische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Bild Buchcover: Niko Pirosmani, Die Tbilisi-Seilbahn, Staatliches Kunstmuseum Georgiens . Verlag Traugott Bautz GmbH 99734Nordhausen 2017 ISBN 978-3-95948-303-2 Inhalt Vorwort des Herausgebers 7 Zur Umschrift des Georgischen 8 Tradition und Neuerung in der Dichtung Galaktion Tabidzes 9 von Luigi Magarotto Vasha Pshavela von Nino Sakvarelidze 33 Nikoloz Baratashvili von Maria Sauna 51 Die Dichtung von Nikoloz Baratashvili von Luigi Magarotto 115 Stalin als Dichter von Donald Rayfield 163 Vorwort Der Band vereinigt vier früher getrennt veröffentlichte Beiträge zu Galaktion Tabidze (Hans-Christian Günther, Der Dichter Galaktion Tabidze, Hamburg 2008), Vazha Pshavela (Vasha- Pshavela, Verserzählungen übersetzt von H.-C. Günther ..., Würzburg 2008) und Nikoloz Baratashvili (Nikoloz Baratashvili, Das dichterische Werk, übersetzt von H.-C. Günther ..., Würzburg 2005; Gaga Shurgaia, Luigi Magarotto, H.-C. Günther (eds.), Ein georgischer Dichter der Romantik, Würzburg 2006). Dabei wurden zum Teil Gedichte, die in den betreffenden Beiträgen bloß genannt waren, im vollen Wortlaut nach meiner Übersetzung ausgeschrieben. Dazu kommt ein von mir aus dem Englischen übersetzter Beitrag von Donald Rayfield, der in der Originalsprache bereits veröffentlicht ist (Nachweis s. -
1(6)2019 Comparative Analysis of Experience of Georgia and Ukraine
№11(6)(6)22019019 referirebadi saerTaSoriso samecniero Jurnali ISSN 2449-2655 № International Scientifi c Peer-Reviewed Journal DDiplomacyiplomacy andand LLawaw ggamomcemlobaamomcemloba ``universali~universali~ saqarTvelo, Tbilisi 2019 Georgia, Tbilisi 2019 1 UDC (uak) 327+341.7 Jurnal „dip lo ma tia da sa mar Tlis“ sa re daq cio sab Wo: sa re daq cio sab Wos Tav mjdo ma re, mTa va ri re daq to ri Ta mar gar daf xa Ze – sa mar Tlis doq to ri, axa li umaR le si sas wav leblis afi li re bu li pro fe so ri, sa qar Tve los so ci a lur mec ni e re ba Ta aka de mi is aka de mi ko si, axa li umaR le- si sas wavleb lis req to ri sa re daq cio sab Wos Tav mjdo ma ris mo ad gi le, re daq to ri da viT ge fe ri Ze – sa mar Tlis doq to ri, af xa ze Tis mec ni e re ba Ta erov nu li aka de mi is aka- de mi ko si, axa li umaR le si sas wav leb lis sa mec ni ero kvle vi Ti cen tris uf ro si, go ris sa xel mwi fo sas wav lo uni ver si te tis afi li re bu li pro fe so ri sa re daq cio sab Wos wev re bi: ana an tCak-bar za ni – fi lo so fi is doq to ri, pro fe so ri, fi nan se bi sa da me nej men tis var- Sa vis uni ver si te tis sa er Ta So ri so ur Ti er To be bis ka Ted ris gam ge; ana to li fran cu zi – sa mar Tlis doq to ri, pro fe so ri, ki e vis eko no mi ki sa da sa mar Tlis uni ver si te tis sa mar Tlis dis cip line bis ka Ted ris gamge; ma mu ka mdi na ra Ze – sa mar Tlis doq to ri, pro fe so ri, sa qar Tve los par la men tis wev ri; ka xi yu raS vi li – sa mar Tlis doq to ri, niu vi Jen uni ver si te tis afi li re bu li pro fe so- ri; ser gi ka -
Interview with Scholar, Translator and Lexicographer Donald Rayfield
SLOVO, VOL. 27, NO. 1 (SPRING 2015), 2–8. DOI: 10.14324/111.0954-6839.029 Interview with scholar, translator and lexicographer Donald Rayfield PROFESSOR DONALD RAYFIELD IN CONVERSATION WITH SLOVO’S EXECUTIVE EDITOR BRYAN KARETNYK Queen Mary University of London (Department of Russian) and UCL School of Slavonic and East European Studies Donald Rayfield is Emeritus Professor of Russian and Georgian at Queen Mary, University of London. He has been at the forefront of Georgian studies for many years and has published widely on Georgia, authoring several major studies on its literature and history, and translating works by Galaktion Tabidze, Otar Chiladze, Akaki Tsereteli and, most recently, Mikheil Javakhishvili. Slovo meets him to find out about the past, present and (speculative) future of this rich but much underrepresented literature in the Anglophone world. BRYAN KARETNYK: How did you come to Georgia and Georgian literature? DONALD RAYFIELD: By accident… Early in my career I was most interested in twentieth-century Russian poets, and in particular Mandelshtam, Pasternak and Zabolotsky, who all had close contacts with Georgians and Georgian poetry, for whom Georgia was a refuge at times of oppression. I meant to study their correspondence in the Literary Museum in Tbilisi. When I got there in 1973, I was constantly frustrated—the key was lost, the director was out, and so on—until one of the girls working there took pity on me and told me that, as a British spy, I was not going to be allowed to see anything. I switched to the university Georgian language department, where there was less KGB, and was lucky enough to become like Dr Johnson’s woman who preached in church, or a dog that walked on its hind legs—a Briton who learnt to speak Georgian, not particularly well, but miraculous none the same.