George T. Delacorte 1893-1991
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'Triptych', from Seamus Heaney's Field Work
An In-Depth Study of ‘Triptych’, from Seamus Heaney’s Field Work An In-Depth Study of ‘Triptych’, from Seamus Heaney’s Field Work Martin Connolly This paper focuses critical attention on ‘Triptych’, the sequence of three poems in Seamus Heaney’s 1979 collection Field Work. The sequence directly follows the opening poem ‘Oysters’, and by virtue of position alone commands attention. It is the first of a number of poems in the collection to address the conflict in Northern Ireland, and can be seen as a kind of public poetry, very different in tone, theme and style from early Heaney. This exploration derives from attempts to provide satisfactory answers to questions concerning elements within the sequence which resist smooth interpretation. My method of approach is largely chronological, in the sense that I go through the poems starting at the beginning and plough through to the end, stanza by stanza, sometimes line by line, attempting to guide the reader toward an understanding of the poem derived from apparent textual evidence. Early on, however, I do state what I think the poetic sequence is designed to be, and this argument informs my interpretation throughout. Yet, at every point, I provide what I consider a coherent rationale and logic for my critical opinions. I would certainly welcome debate on each and every point. The conclusions I have come to in regard to this poetic sequence, are, at times, negative, but not exclusively so. I have looked at this poetic sequence up close and - 129 - found it to be problematic in a number of areas. -
John Miller, Untitled (March 20, 2020), Ink-Jet Print, 61⁄2 × 9"
John Miller, Untitled (March 20, 2020), ink-jet print, 61⁄2 × 9". Tony Rosenthal, 5 in 1, 1973–74. ON SITE CROSSED PATHS Alex Kitnick on the public art of Lower Manhattan August 2020 print issue THE MUSEUEMS ARE CLOSED but the sculptures are still there. Memorials and monuments, too. If you’re in Lower Manhattan, you can ramble along the Irish Hunger Memorial’s serpentine path, a rugged simulacrum of peat and stone. I’ve never been to Ireland, but I take it that parts of it look like this. The strangeness of the work is its location in Battery Park City, where since 2002 it has sat like a souvenir between corporate towers, with the Hudson River stretching out to the west. Robert Smithson called certain of his sculptures “nonsites” to denote their difference from the sites whence they came: A pile of shale in a steel trough in the middle of a gallery stood as a nonsite to a quarry somewhere off in New Jersey. The Irish Hunger Memorial has always struck me as a massive nonsite, a memory displaced and brought over from elsewhere, now made even stranger since the host site is no longer what it was. An eastward walk takes you to Federal Plaza, where Richard Serra’s Tilted Arc once stood. For most of the 1980s (I never saw it in person), the sculpture cut a steely line across the cobbled space, casting stark shadows, collecting graffiti and pee. Many office workers didn’t like it because it obstructed the building’s entrance, but certain judges looked out the window and saw a threat—a cover for bomb throwers or a simple sign of menace. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
In Memoriam Frederick Dougla
Central Library of Rochester and Monroe County · Historic Monographs Collection Central Library of Rochester and Monroe County · Historic Monographs Collection CANNOT BE PHOTOCOPIED * Not For Circulation Central Library of Rochester and Monroe County · Historic Monographs Collection / III llllllllllll 3 9077 03100227 5 Central Library of Rochester and Monroe County · Historic Monographs Collection jFrebericfc Bouglass t Central Library of Rochester and Monroe County · Historic Monographs Collection fry ^tty <y /z^ {.CJ24. Central Library of Rochester and Monroe County · Historic Monographs Collection Hn flDemoriam Frederick Douglass ;?v r (f) ^m^JjZ^u To live that freedom, truth and life Might never know eclipse To die, with woman's work and words Aglow upon his lips, To face the foes of human kind Through years of wounds and scars, It is enough ; lead on to find Thy place amid the stars." Mary Lowe Dickinson. PHILADELPHIA: JOHN C YORSTON & CO., Publishers J897 Central Library of Rochester and Monroe County · Historic Monographs Collection Copyright. 1897 & CO. JOHN C. YORSTON Central Library of Rochester and Monroe County · Historic Monographs Collection 73 7^ In WLzmtxtrnm 3fr*r**i]Ch anglais; "I have seen dark hours in my life, and I have seen the darkness gradually disappearing, and the light gradually increasing. One by one, I have seen obstacles removed, errors corrected, prejudices softened, proscriptions relinquished, and my people advancing in all the elements I that make up the sum of general welfare. remember that God reigns in eternity, and that, whatever delays, dis appointments and discouragements may come, truth, justice, liberty and humanity will prevail." Extract from address of Mr. -
Donor-Advised Fund
WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST. -
The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros
Early Modern Culture Volume 12 Article 28 6-12-2017 The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros Follow this and additional works at: https://tigerprints.clemson.edu/emc Part of the Literature in English, British Isles Commons, and the Theatre and Performance Studies Commons Recommended Citation Stephanie Pietros (2017) "The ubP lic Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park," Early Modern Culture: Vol. 12 , Article 28. Available at: https://tigerprints.clemson.edu/emc/vol12/iss1/28 This Theater Review is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact [email protected]. The Public Theater’s Free Shakespeare in the Park Troilus and Cressida Directed by Daniel Sullivan Delacorte Theater; Central Park, New York, NY Performance Date: August 9, 2016 Reviewed by STEPHANIE PIETROS he Public Theater’s production of Troilus and Cressida, directed by Daniel Sullivan, brought to the forefront the world-weariness of protracted war T that is at the heart of the play. Nothing, not even the brief romance of the titular characters, felt fresh and new, for even that was engineered by the sleazy Pandarus. The set, casting, parallels between Greeks and Trojans, jaded romances, and, ultimately, final battle between Hector and Achilles, all pointed to the conclusion Wilfred Owen drew three centuries after Shakespeare wrote his play: that Horace’s famous dictum about it being sweet and fitting to die for one’s country is not borne out by the realities of wartime. -
Alphabetical Price List April 2020 SKU SKU Description Status Retail Whl
Alphabetical Price List April 2020 SKU SKU Description Status Retail Whl Break 1 Break 1 Break 2 Break 2 Break 3 Break 3 Break 4 Break 4 10003 10003-Emb NYLT A 4.99 3.29 12 2.99 48 2.79 0 0 0 0 100 100-Applique Embd FDL 4pk A 2.99 2.24 12 1.99 48 1.59 0 0 0 0 1013 1013-Giftcard TrailsEndPrgrm 013 N 13 11.05 0 0 0 0 0 0 0 0 101 101-Pin FDL Silvertone 5/8"@ A 3.99 2.99 24 2.79 0 0 0 0 0 0 10202 10202-Emb Ptrl Antelope A 2.49 1.79 12 1.69 300 1.29 0 0 0 0 10206 10206-Emb Ptrl Beaver A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10209 10209-Emb Ptrl Bobwhite A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10211 10211-Emb Ptrl Dragon A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10212 10212-Emb Ptrl Eagle A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10213 10213-Emb Ptrl Flaming Arrow A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10215 10215-Emb Ptrl Fox A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10221 10221-Emb Ptrl Lightning A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10223 10223-Emb Ptrl Owl A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10226 10226-Emb Ptrl Pheasant N 0.39 0.39 0 0 0 0 0 0 0 0 1022 1022-Giftcard TrailsEndPrgrm 022 N 22 18.7 0 0 0 0 0 0 0 0 10230 10230-Emb Ptrl Rattlesnake A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10233 10233-Emb Ptrl Scorpion A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10234 10234-Emb Ptrl Shark A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10237 10237-Emb Ptrl Viking A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10239 10239-Emb Ptrl Wolf A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10240 10240-Emb Ptrl Blnk A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10302 10302-Emb Merit Camping A 2.79 2.39 12 2.19 144 1.89 0 0 0 0 10303 10303-Emb -
NEW YORK HERALD Oh Hostages for the Promised Appearance of the Tribe the Catted State* Seaate
Herald's A Sheet. Schema. Cheyenne warriors were captured and are retained Our Financial mad Political PhndOTwr*- War ProtebllltlM la Eorcp«. The Pregiese. Qudraple Flak, Jr., Ml the Bmllroad NEW YORK HERALD oh hostages for the promised appearance of the tribe The Catted State* Seaate. A oabie despatch from Paris says that We issue the Hebald this morning in a Oiir lively friend, Fisk, Jr., in his troublw to treat (or . peace. When our war for the consolidation of the French officers and on leave of quadruple sheet form an absolute necessity, with other railroad schemers and theirschemes, BROADWAY AND ANN 8TREBT. The between Lewie Cass and privates correspondence was a absence to their for the fulfilment of our President President Buchanan, when the former tendered his Union broke out government pleasure, hare been ordered rejoin necessary complete evidently appreciates the advice of few in JAMES GORDON real/uatlon as Secretary of State, was transmitted not a burden, to the country. Everything regiments on the 1st of April. A days journalistio mission the reporting of news Lincoln to General Gillmore, at Charleston, (o BENNETT, the fact that PROP R 1ET0R. to the Senate yesterday. It discloses flourished, and indefinite expansion invited in¬ ago we had a cable despatch quite as startling from all parts of the world, civilized and un¬ "keep pegging away," and he Bticks to the Mr. Cass was the only one of the Cabinet who ur«ed ternal and external Our com¬ as this one, being that the Emperor of the civilized, and the making known the wants, Union Paciflo Credit Mobilier and aud reinforcement of the forts in Charles¬ enterprise. -
Eureka Du 1200 State Street, Utica 13502 NY Ydux5
Name: Eureka Du Address: 1200 State Street, Utica 13502 NY Email: [email protected] Typography and Information Design PrattMWP College of Art and Design Class #1 Professor: Christina Sharp Content 1.creative brief 4.ideation 2.research 5.development 3.inspiration 6.conclusions Creative Brief In this map project we are selecting a New York State Park, and redesign an engaging and exciting map for the park in Adobe Illustrator for potential visitors through compositions, symbols, icon systems, labels, illustrations, and colors. The redesigned map should be practical and able to be used in the real world. My choice on the New York State Park is the Central Park in Manhatten New York. I Chose Central Park because of my own experience. As a first time visitor in New York last year, I visited Central Park with my cousin who has been living in NewYork for seven years. While I was doing my research, I did not find any map for first-time visitors from the central park official website. If I were on my own while I first visited Central Park, I would not be able to know where to begin my visit. I am sure that the other first-time visitors would have the same problem. These are the reasons that my map is designed for first-time visitors who have a limited amount of time. In my map, I featured several top attractions in and around the park. I also included some top-rated restaurants around and inside the park since Knowing where to consume good food is essential during visiting. -
John Ciardi Collection, Metuchen-Edison Historical Society, Metuchen, N.J
Finding Guide & Inventory John Ciardi Collection Metuchen-EdisonPage Historical 1 Society Our Mission The mission of the Metuchen-Edison Historical Society (MEHS) is to stimulate and promote an interest in and an appreciation of the history of the geographic area in and around the Borough of Metuchen and the Township of Edison in the County of Middlesex, New Jersey. To fulfill this mission, the society fosters the creation, collection, preservation, and maintenance of physical material related to the history of Metuchen and Edison, makes the material available to the public in various formats, and increases public awareness of this history. Board of Directors Steve Reuter, President Dominic Walker, Vice President Walter R. Stochel, Jr, Treasurer Marilyn Langholff, Recording Secretary Tyreen Reuter, Corresponding Secretary & Newsletter Editor Phyllis Boeddinghaus Russell Gehrum Kathy Glaser Lauren Kane Andy Kupersmit Catherine Langholff Byron Sondergard Frederick Wolke Marie Vajo Researchers wishing to cite this collection should include the following information: John Ciardi Collection, Metuchen-Edison Historical Society, Metuchen, N.J. ISBN-10: 1940714001 ISBN-13: 978-1-940714-00-4 September,Space 2013 reserved for optional ISBN and bar code. All Rights Reserved. Cover Image: W.C. Dripps Map of Metuchen, Middlesex County, New Jersey, 1876. Page 2 John Ciardi Collection Finding Guide & Inventory Grant Funding has been provided by the Middlesex County Cultural & Heritage Commission Middlesex County Board of Chosen Freeholders through a -
La Nuit Des Rêves
2014 Silent Auction Guide La Nuit des Rêves 24TH ANNUAL GALA SATURDAY, MARCH 22ND, 2014 3 VREELAND ROAD FLORHAM PARK, NJ Table of Contents BEHIND THE SCENES 100 ARTS, CULTURE, & MEMORABILIA 200 FINE ART 300 FOR HER 400 THE WINE STORE 500 ENTERTAINING & DINING 600 FOR THE FAMILY & HOME 700 RECREATION & 800 RELAXATION MAGIC COINS!! Buy a magic coin and buy a dream! You can help support the many education and training programs of The Shakespeare Theatre of New Jersey by purchasing our magic coins (they happen to be vintage doubloons from Mardi Gras past!). Each coin costs $50. Buy one – buy many! Each coin buys you a surprise gift! Many gifts are worth far more than $50, but more important, your purchase will help support the dreams of young artists, and you will walk away a little richer for it! Find the masked man, present your coin, and receive your gift! (Our volunteers will point you in the right direction!) Silent Auction Procedures Please read the silent auction descriptions carefully, noting any restrictions. The Shakespeare Theatre of New Jersey will not be responsible for auction items not redeemed within the time specified by the donor or within a year. Item descriptions are followed by a value. In the case of particularly unique items, the value is listed as priceless. Please note that only the amount paid over the value is tax-deductible to the fullest extent provided by law. PLACING A BID: To place a bid, write your name and bid amount on the corresponding bid sheet directly in front of the item. -
Lower Manhattan Public Art Offers Visitors Grand, Open-Air Museum Experience
FOR IMMEDIATE RELEASE Contact: Maria Alvarado, (212) 835.2763, [email protected] LOWER MANHATTAN PUBLIC ART OFFERS VISITORS GRAND, OPEN-AIR MUSEUM EXPERIENCE Works by Dubuffet, Koons and Naguchi are among the 14 unique installations featured South of Chambers Street (February 23, 2015) – With more than a dozen masterpieces from world-renowned artists, Lower Manhattan is home to a remarkable and inspiring public art program. The works of art are now featured in a new walking tour itinerary curated by the Downtown Alliance, “Lower Manhattan by Public Art.” The full tour can be found on the Alliance’s website at http://downtownny.com/walkingtours. The walking tour begins at the district’s northernmost edge at 1 Police Plaza, across from City Hall. Here, visitors will find 5-in-1 by Tony Rosenthal. The artist’s work of five interlocking steel discs, rising to a height of 35 feet, represents the five boroughs coming together as one city. Additional pieces of art featured are: Shadows and Flags by Louise Nevelson (William Street between Maiden Lane and Liberty Street) Seven pieces bundled together as a singular abstract unit alludes to the wafting flags, ceremonious spirals, and blooming trees that define the New York City landscape. Group of Four Trees by Jean Dubuffet (28 Liberty Street) The “four trees” are created by a series of intertwined irregular planes, which lean in different directions and are connected by thick black outlines. The piece is part of Dubuffet’s “L’Hourloupe” cycle — a bold, graphic style inspired by a doodle. Sunken Garden by Isamu Noguchi (28 Liberty Street) In the winter, the garden, set one story below ground level, is a dry circular expanse; in the summer, it is transformed into a giant water fountain.