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Fences Study Guide
Pacific Conservatory Theatre Student Matinee Program Presents August Wilson’s Fences Generously sponsored by Franca Bongi-Lockard Nancy K. Johnson A Study Guide for Educators Welcome to the Pacific Conservatory Theatre A NOTE TO THE TEACHER Thank you for bringing your students to PCPA at Allan Hancock College. Here are some helpful hints for your visit to the Marian Theatre. The top priority of our staff is to provide an enjoyable day of live theatre for you and your students. We offer you this study guide as a tool to prepare your students prior to the performance. SUGGESTIONS FOR STUDENT ETIQUETTE Note-able behavior is a vital part of theater for youth. Going to the theater is not a casual event. It is a special occasion. If students are prepared properly, it will be a memorable, educational experience they will remember for years. 1. Have students enter the theater in a single file. Chaperones should be one adult for every ten students. Our ushers will assist you with locating your seats. Please wait until the usher has seated your party before any rearranging of seats to avoid injury and confusion. While seated, teachers should space themselves so they are visible, between every groups of ten students. Teachers and adults must remain with their group during the entire performance. 2. Once seated in the theater, students may go to the bathroom in small groups and with the teacher's permission. Please chaperone younger students. Once the show is over, please remain seated until the House Manager dismisses your school. 3. Please remind your students that we do not permit: - food, gum, drinks, smoking, hats, backpacks or large purses - disruptive talking. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
Spirit of Ame Rica Chee Rle a D E Rs
*schedule subject to change SATURDAY SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY MORNING MORNING MORNING MORNING MORNING MORNING MORNING Arrive at New York Hilton 7 am 8 am 6 am 8 am 5:30 am Shuttle Service Midtown for Event Check-in Coupon Breakfast Coupon Breakfast TODAY Show Coupon Breakfast Uniform Check Assemble/Depart Final Run Through Rhinelander 10 am–5 pm 8–11 am 9 am 8:30 am 9 am Grand Ballroom Gallery Luggage Drop-off Rehearsal Spectators and Performers Check out with Dress Rehearsal Rhinelander Gallery America’s Hall I Assemble/Check-out Spectator America’s Hall I 6 am America’s Hall I America’s Hall I Depart Hilton for Parade Event Check-in Spectators Return to hotel by 10:30 am America’s Hall I 8 am • Statue of Liberty Room Check. Move to Grand Ballroom 9 am–12 pm Assemble in • Harbor Cruise 92nd Macy’s Thanksgiving • Orientation Rhinelander Gallery for • 9/11 Memorial 9 am Spectators Day Parade!® • Packet Pick-up Big Apple Tour • One World Observatory Coupon Breakfast 10:30 am • Hotel Check-in Tour ends in Times Square View from 4th Floor Balcony 10 am–12 pm at 11 am 12:30 pm • Times Square Check out with • Central Park Spectator Return to hotel by Room Check. AFTERNOON AFTERNOON AFTERNOON AFTERNOON AFTERNOON AFTERNOON 10 am–5 pm 11:30 am Coupon Lunch 12 pm 1 pm 12 pm • If rooms are not available, Coupon Lunch Coupon Lunch Coupon Lunch Coupon Lunch Continue Activities Have a you may wait in safe America’s Hall II 1 pm 2 pm 2-6 pm TBD Aladdin journey Radio City Music Hall Macy’s / Empire State Building Check out with • Report to our New Amsterdam Theatre Christmas Spectacular Spectator home! Information Desk 214 W. -
Donor-Advised Fund
WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST. -
The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros
Early Modern Culture Volume 12 Article 28 6-12-2017 The Public Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park Stephanie Pietros Follow this and additional works at: https://tigerprints.clemson.edu/emc Part of the Literature in English, British Isles Commons, and the Theatre and Performance Studies Commons Recommended Citation Stephanie Pietros (2017) "The ubP lic Theater's Free Shakespeare in the Park Troilus and Cressida / Delacorte Theater, Central Park," Early Modern Culture: Vol. 12 , Article 28. Available at: https://tigerprints.clemson.edu/emc/vol12/iss1/28 This Theater Review is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact [email protected]. The Public Theater’s Free Shakespeare in the Park Troilus and Cressida Directed by Daniel Sullivan Delacorte Theater; Central Park, New York, NY Performance Date: August 9, 2016 Reviewed by STEPHANIE PIETROS he Public Theater’s production of Troilus and Cressida, directed by Daniel Sullivan, brought to the forefront the world-weariness of protracted war T that is at the heart of the play. Nothing, not even the brief romance of the titular characters, felt fresh and new, for even that was engineered by the sleazy Pandarus. The set, casting, parallels between Greeks and Trojans, jaded romances, and, ultimately, final battle between Hector and Achilles, all pointed to the conclusion Wilfred Owen drew three centuries after Shakespeare wrote his play: that Horace’s famous dictum about it being sweet and fitting to die for one’s country is not borne out by the realities of wartime. -
Belvoir Terrace Staff 2018
Belvoir Terrace Staff 2018 Belvoir Terrace Staff 2018 Diane Goldberg Marcus - Director Educational Background D.M.A. City University of New York M.M. The Juilliard School B.M. Oberlin Conservatory Teaching/Working Experience American Camping Association Accreditation Visitor Private Studio Teacher - New York, NY Piano Instructor - Hunter College, New York, NY Vocal Coach Assistant - Hunter College, New York, NY Chamber Music Coach - Idyllwild School of Music, CA Substitute Chamber Music Coach - Juilliard Pre-College Division Awards/Publications/Exhibitions/Performances/Affiliations Married to Michael Marcus, Owner/Director of Camp Greylock, boys camp Becket, MA Independent School Liaison - Parents In Action, NYC Health & Parenting Association Coordinator - Trinity School, NYC American Camping Association Accreditation Visitor D.M.A. Dissertation: Piano Pedagogy in New York: Interviews with Four Master Teachers (Interviews with Herbert Stessin, Martin Canin, Gilbert Kalish, and Arkady Aronov) Teaching Fellowship - The City University of New York Honorary Scholarship for the Masters of Music Program – The Juilliard School The John N. Stern Scholarship - Aspen Music Festival Various Performances at: Paul Hall - Juilliard - New York Alice Tully Hall - New York City College - New York Berkshire Performing Arts Center, National Music Center - Lenox, MA WGBH Radio - Boston Reading Musical Foundation Museum Concert Series - Reading, PA Cancer Care Benefit Concert - Princeton, NJ Nancy Goldberg - Director Educational Background M.A. Harvard University -
Eureka Du 1200 State Street, Utica 13502 NY Ydux5
Name: Eureka Du Address: 1200 State Street, Utica 13502 NY Email: [email protected] Typography and Information Design PrattMWP College of Art and Design Class #1 Professor: Christina Sharp Content 1.creative brief 4.ideation 2.research 5.development 3.inspiration 6.conclusions Creative Brief In this map project we are selecting a New York State Park, and redesign an engaging and exciting map for the park in Adobe Illustrator for potential visitors through compositions, symbols, icon systems, labels, illustrations, and colors. The redesigned map should be practical and able to be used in the real world. My choice on the New York State Park is the Central Park in Manhatten New York. I Chose Central Park because of my own experience. As a first time visitor in New York last year, I visited Central Park with my cousin who has been living in NewYork for seven years. While I was doing my research, I did not find any map for first-time visitors from the central park official website. If I were on my own while I first visited Central Park, I would not be able to know where to begin my visit. I am sure that the other first-time visitors would have the same problem. These are the reasons that my map is designed for first-time visitors who have a limited amount of time. In my map, I featured several top attractions in and around the park. I also included some top-rated restaurants around and inside the park since Knowing where to consume good food is essential during visiting. -
Masque Sound Celebrates 50 Years of Providing Audio
MASQUE SOUND CELEBRATES 50 YEARS OF PROVIDING AUDIO EQUIPMENT FOR NEW YORK CITY’S DELACORTE THEATER Majestic Venue Commemorates Golden Anniversary of Shakespeare in the Park NEW YORK, JUNE 19, 2012—As the curtain rises on the 2012 season of Shakespeare in the Park at the Delacorte Theater in Central Park, Masque Sound, a leading theatrical sound reinforcement, installation and design company, is celebrating its 50th anniversary of providing audio equipment and services to the theater for one of New York City’s most beloved traditions. Shakespeare in the Park moved to its permanent home at the Delacorte Theater in 1962 and since then, New York natives and visitors alike have enjoyed free Shakespeare performances each summer season. The majestic, open‐air theater has a seating capacity of 1,800, and each season more than 100,000 people attend performances produced by The Public Theater. “Masque Sound has enjoyed a long and successful relationship with The Public and Delacorte theaters and their summer productions of Shakespeare in the Park,” says Dennis Short, Masque Sound. “Being able to celebrate 50 years as the theater’s audio equipment provider is quite an accomplishment and demonstrates our commitment to supporting the theatrical community. The Delacorte is in such a magnificent setting, and being able to provide theatergoers with an audio experience to match their visual experience is something we take great pride in doing.” Celebrating its 50th Anniversary, the Delacorte Theater officially opened in Central Park on June 18, 1962 with The Merchant of Venice. The Merchant of Venice was followed that summer by a production of The Tempest, featuring Paul Stevens as Prospero and James Earl Jones as Caliban. -
Appetite for Autumn 34Th Street Style Knicks & Nets
NOV 2014 NOV ® MUSEUMS | Knicks & Nets Knicks 34th Street Style Street 34th Restaurants offering the flavors of Fall NBA basketball tips-off in New York City York New in tips-off basketball NBA Appetite For Autumn For Appetite Styles from the world's brands beloved most BROADWAY | DINING | ULTIMATE MAGAZINE FOR NEW YORK CITY FOR NEW YORK MAGAZINE ULTIMATE SHOPPING NYC Monthly NOV2014 NYCMONTHLY.COM VOL. 4 NO.11 44159RL_NYC_MONTHLY_NOV.indd All Pages 10/7/14 5:18 PM SAMPLE SALE NOV 8 - NOV 16 FOR INFO VISIT: ANDREWMARC.COM/SAMPLESALE 1OOO EXCLUSIVES • 1OO DESIGNERS • 1 STORE Contents Cover Photo: Woolworth Building Lobby © Valerie DeBiase. Completed in 1913 and located at 233 Broadway in Manhattan’s financial district, The Woolworth building is an NYC landmark and was at the time the world’s tallest building. Its historic, ornate lobby is known for its majestic, vaulted ceiling, detailed sculptures, paintings, bronze fixtures and grand marble staircase. While generally not open to the public, this neo-Gothic architectural gem is now open for tours with limited availability. (woolworthtours.com) FEATURES Top 10 things to do in November Encore! Encore! 16 26 Feel the energy that only a live performance in the Big Apple can produce 34th Street Style 18 Make your way through this stretch of Midtown, where some of the biggest outposts from global NYC Concert Spotlight brands set up shop 28 Fitz and the Tantrums Appetite For Autumn 30 The Crowd Goes Wild 20 As the seasons change, so do these restaurant's NBA basketball tips off in NYC menus, -
Memories of New York Is Your One-Stop-Shop for Holiday Decorations
Issue No. 2 Fall/Winter MEMORIES 2010 TM TM Of New York NEWSLETTER ~ 25th Anniversary Specials ~ Welcome ~~ Bienvenidos ~~ Bienvenue ~ Willkommen ~~ Benvenuto ~~ Bem-vindo Memories of New York is your one-stop-shop for holiday decorations. We have thousands of keepsake ornaments for sale all year ‘round, each one beautiful and Happy Holidays unique. From classic Santa Claus to officially licensed Elvis Presley, Betty Boop, I & Happy New Love Lucy, Wizard of Oz, Sex & the City, and more, we are sure to have something that will make your holiday a special one. Year From Beautiful NYC 16-Month Calendar – only $2.85 each (reg. $11.99) New York City! Novelty Giant Pen – only $0.95 each (reg. $4.99) We at Memories of Picture Frames – only $2.85 each (reg. $9.99) NYC Firefighter Picture Frame – only $0.95 each (reg. $3.99) New York would like Quality Metal Keychains – only $0.95 each (reg. $4.99) to wish everyone a Handcrafted Ashtrays & Cardholders – only $0.85 each (reg. $7.99) happy and healthy Shot Glasses – only $0.95 each (reg. $3.99) Mugs – only $1.95 each (reg. $4.99) holiday season! NYC Playing Cards – only $0.95 each (reg. $4.99) Thank you all for the overwhelmingly positive response to the first issue of 20 Postcards – $1 (only pre-packaged) the Memories of New York Newsletter! Your feedback means a lot to us. We hope that this new Fall/Winter issue will be just as enjoyable and informative, All while supplies last! Remember to ask for your free gift with purchase! Certain restrictions apply, ask for details. -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE AUGUST WILSON’S STUNNING “FENCES” IS AS TIMELY AS IT IS POWERFUL, JAN. 16-FEB. 6 TUCSON, Ariz. (Jan. 6, 2016): Arizona Theatre Company celebrates the new year with a great American classic in August Wilson’s stunning, Pulitzer-Prize winning play, Fences. A vivid, heartfelt exploration of the African-American experience set in the 1950’s, the story remains strikingly relevant today. Performances begin at the Temple of Music & Art, 333 S. Scott Ave., on Jan. 16 and run through Feb. 6. I. Michael and Beth Kasser are Arizona Theatre Company’s 2015-16 Season Sponsors. The Stonewall Foundation is the Production Sponsor. Perhaps the best known of Wilson’s plays and winner of the Tony Award for Best Play, Fences tells the gripping story of sanitation worker Troy Maxson, a star baseball player whose career was blunted by the racism prevalent in pre-Jackie Robinson America. Feeling his world rapidly changing, Troy builds a fence to protect what is familiar and hold off what threatens. Muscular and lyrical, filled with some of the greatest characters and scenes in American Drama, this August Wilson blockbuster shows what can happen when a strong man is robbed of his dreams. Fences, the searing story of a man who stepped up to the plate too many times only to go down swinging, is as American as baseball itself. Called “stunning, explosive and tender” (The Seattle Times), Fences is “August Wilson at his finest” (Boston Herald). “Time has enhanced the luster of the play and it stands apart thanks to its distinctive lyricism and theatricality and its unforgettable central character. -
3. New York City's Theater
Diplomarbeit Titel der Diplomarbeit Stage New York City Verfasserin Katja Moritz Angestrebter akademischer Grad Magistra der Philosophie (Mag. phil) Wien, im Oktober 2008 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin/Betreuer: Ao. Univ.- Prof. Dr. Brigitte Marschall INDEX__________________________________________ 1. PREFACE AND INTRODUCTION …………………………………. Seite 4 2. INTRO: BIG CITY LIFE ……………………………………………... Seite 6 2.1. Introduction New York …………………………………………. Seite 8 3. NEW YORK CITY‘S THEATER ……………………………………. Seite 12 3.1.1. Broadway, Off And Off-Off Broadway: Differences ...………….. Seite 13 4. BROADWAY …………………………………………………………... Seite 16 4.1. New York City’s Broadway – What Is It About? ……………….. Seite 18 4.2. Broadway History: Changes …………………………………….. Seite 21 4.2.1. Early Attraction ……………………………………………………... Seite 21 4.2.2. Broadway 1900 – 1950 ……………………………………………… Seite 24 4.2.3. Broadway 1950 – 2008 ……………………………………………… Seite 26 4.3. Commercial Production: Broadway ……………………………... Seite 27 4.3.1. Broadway Producer: Money Makes The (Broadway) World Go Round ………………….. Seite 29 4.3.2. Critics: Thumbs Up? ………………………………………………… Seite 32 4.3.3. Musical ……………………………………………………………… Seite 33 4.4. Competition Calls For Promotion ……………………………….. Seite 35 4.4.1. Federal Theatre Project 1935 – 1939 ………………………………... Seite 36 4.4.2. Theatre Development Fund TDF ……………………………………. Seite 37 4.4.3. I Love NY …………………………………………………………… Seite 38 4.5. Reflection ………………………………………………………... Seite 39 5. OFF AND OFF-OFF BROADWAY DEVELOPMENT ……………. Seite 41 5.1. Showplace Greenwich Village And East Village ……………….. Seite 41 5.2. Showplace Williamsburg, Brooklyn …………………………….. Seite 45 1 6. OFF BROADWAY AND OFF-OFF BROADWAY – WHAT IS IT ABOUT? ………………………………………………... Seite 47 6.1. First Steps Into Off Broadway …………………………………… Seite 48 6.2. The Real Off Broadway – The 1950s …………………………….