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A Sort of Newsletter May 2019 Issue 78 A Sort of Newsletter IN THIS ISSUE THE NEWSLETTER OF THE Editorial GRAHAM GREENE BIRTHPLACE TRUST Festival Preview Review Editorial Our Man Down in Havana Doesn’t time fly? My memories of the 2018 Festival have scarcely In the News A few snippets faded (even at my age), and already the next one will soon be upon us. Festival Director Martyn Sampson has put together a superb Correspondence programme once again, and if it’s half as good as it looks, it will be Charles Henry Greene Greene and names splendid. Martyn’s own thorough Festival Preview is in this issue, so there is little to be said by me in addition. I would though repeat Miscellany Greene and Europe my message that the Festival is convivial and welcoming as well Brighton Rock blog as thought-provoking and engaging, so do get signed up. Come for GG Quiz Answers the whole Festival if you possibly can; encourage newcomers to A New Look give it a try; and make a special effort to get some folk half my age or less to come. February’s ASON featured Graham Greene’s father, Charles Henry Greene, twice. One was in a story about CH’s reaction to the Armistice in 1918; the other concerned a reference to him as a deeply unpopular headmaster. Nick Dennys, Greene’s nephew and Trust Patron, has taken up the cudgels on CH’s behalf, and you can see his fascinating remarks and research in this issue. A history of Berkhamsted School summarised CH’s contribution like this: ‘It may be that a school would hardly prosper if it had a whole series of headmasters of Charles Greene’s kind. But it is certain that Date for your Diary Berkhamsted even today is a better place for having had that This Year’s Festival: particular one.’ See what you think. 19 Sept – 22 Sept 2019 Mike Hill WEB SITE [email protected] Do not forget to visit the website of the Trust, at www.grahamgreenebt.org The Graham Greene Birthplace Trust (Charity Number 1064839), a member of the Berkhamsted Arts Trust. PATRONS: Caroline Bourget, Andrew Bourget, Nicholas Dennys, Louise Dennys, Lucy Saunders. Friday’s events will take place in the Town Hall, and begin Festival Preview with a talk from Lucinda Cummings-Kilmer. Lucinda was Reflections on Greene research assistant to Norman Sherry on volumes I and III of his authorised biography of Greene (1989, 1994 and Martyn Sampson 2004). Having worked at a minute level with Sherry’s Welcome to this 2019 Festival Preview. The events will thousands of documents, files and photographs, Lucinda take place in the beautiful historic market town of describes herself as ‘an acolyte to genius’. She believes Berkhamsted, birthplace and home town of Graham that Sherry set the bar for pursuits in literary detective Greene. There are several thematic strands to this year’s work. In her talk, ‘Greene & Sherry: The Fox & The Hound’, event, including Greene’s comic satirical masterpiece Our Lucinda will explore Sherry’s passion for Greene. This Man in Havana (1958), his international influences, and includes explorations of the lengths Sherry would go to, the art of literary detection in general. Our main theme is to both research Greene and then confirm the details of Reflections on Greene , after Judith Adamson’s edition of that research. She writes that whether ‘getting sick in the Greene’s essays, Reflections (1990, 2014). This is so as to jungle, mountains or tropics chasing Graham, Norman Lucinda Cummings-Kilmer reflect the quality of thematic diversity itself, which would, was a truth detector and suffered greatly for his art.’ perhaps, be embraced by Greene, an author whose Lucinda’s talk will be followed by a paper from Kevin polymathic nature and quality of writing are universally Ruane, Professor of Modern History at Canterbury Christ admired. Take the time to meet and find out more about Church University. His 2016 book, Churchill and the Bomb , each of our speakers, all of whom would welcome your was placed among the ‘books of the year’ by BBC History conversation and questions. Martyn Sampson Magazine , as well as The Times . Kevin will complete a hat On Thursday, the Festival begins with a walk that traces trick of Festival appearances, as he pursues his interests the footsteps of Greene. ‘Berkhamsted: The Greene Guide’ in Greene’s role as journalist and explorer of issues in the is authored by Brian Shepherd, who has written four other Indochina region. Kevin’s talk is called ‘“It was our Bible”: guides to walks in and around the area. The walk will US Vietnam War-era Reporters (1965-1975) and the feature readings from Brian, Richard Shepherd and Judy impact of Graham Greene’s The Quiet American ’. For Mead, and is a repeat of that of last year. This occasion Kevin, Greene’s short and easy-to-carry novel served as a lived up to its promise as a brilliant adventure through a vital tool for Vietnam War reporters. The text, in part, Kevin Ruane small, special part of Greeneland, where it all began. Do enabled them to understand how the United States found take the opportunity to join us for our Festival opener. itself at war in a region about which many knew little. David Halberstam, the Pulitzer Prize winning journalist The evening will commence with our traditional Festival and historian, stated that Greene’s novel ‘was our Bible.’ supper in the Town Hall, a two-course meal that will be followed by a screening of Twenty-One Days (1940). The Friday afternoon begins with an interview by Mark Lawson film is adapted by a short story from John Galsworthy, of Bryony Lavery and Esther Richardson, titled: ‘ Brighton and is directed by Basil Dean and scripted by Greene and Rock : Wrestling a Wonderful Story from out of a Book and Dean. Its stars are Laurence Olivier and Vivien Leigh. The onto the Stage.’ An original stage adaptation of Greene’s film is unusual in that it was criticised by its very own classic ‘Catholic’ novel about a teenage gang in Brighton scriptwriter, our man, Greene. Mike Hill will provide an toured the UK from February to May 2018. Scripted by introduction. As well as commenting on Greene’s film Bryony and directed by Esther, the play received wide reviewing generally, Mike will suggest that there are merits critical acclaim, and is innovative in placing particular to the film after all! Mike Hill emphasis on the character of Ida Arnold. She is the bold, brassy amateur detective who is preoccupied with Bryony Lavery 2 32 matters of ‘right and wrong’. The play received an Quixote (1982): ‘When you have been a priest as long as I excellent review from Mark, who addressed the Festival have you will recognize a colleague. Even without his in 2004. Mark will ask a diverse series of questions, whose collar.’ One of David’s core questions is: ‘What makes foci will include theme, plot, theatrics and dramaturgy. Graham Greene's priests so recognisable, even in disguise Bryony is a British dramatist especially known for her play, or when deeply erring?’ Frozen (1998). This won the TMA best play award and the Eileen Anderson Central Television award. Esther is Friday will conclude with a screening of Our Man in Artistic Director of Pilot Theatre, and her work includes Havana (1959), directed by Carol Reed, scripted by Noughts and Crosses , with Pilot Theatre & Derby Theatre, Greene, and starring Alex Guinness. The film will be and Everything Must Go! , with Soho Theatre. She has introduced by Quentin Falk, freelance film critic and made two successful film shorts, The Cake and the magazine editor for more than 35 years. Quentin is author sensational Wings , about a young person’s ambition to of the award-nominated Travels in Greeneland: The join the RAF Esther Richardson Cinema of Graham Greene , now in its fourth edition. Quentin Falk (https://www.youtube.com/watch?v=YZ1aJrHfYXk). This Quentin will explore the seeds of both the book and the led to her selection for Creative England’s iFeatures film, and discuss, especially, the fascination concerning scheme in 2012/13. An esteemed critic, broadcaster and the timing of the filming. Shot, as the film was, in Cuba novelist, Mark is best known for presenting Front Row on just after the Castro revolution, the action is set during the BBC Radio 4. He writes for the Guardian and presents the Batista regime. Quentin will also comment on the series Mark Lawson Talks To . on BBC Four. He has differences between past and contemporary viewings of twice been TV Critic of the Year. the film. Concluding the talks on Friday will be The David Pearce Events on Saturday will take place in Berkhamsted School, Memorial Talk. This is an annual occasion to mark the starting with a presentation by Dr Chris Hull and Dr James legacy of the late David Pearce, and to remember the work Clifford Kent: ‘Vicious Cities: Shadows of The Third Man of many other wonderful individuals who have died. David in Our Man in Havana .’ Chris is Senior Lecturer in Spanish was a founding Trustee and an English Master at and Latin American Studies at the University of Chester. Berkhamsted School. Director of five Graham Greene He recently published Our Man Down in Havana: The Story International Festivals, David made a significant Mark Lawson Behind Graham Greene’s Cold War Spy Novel . James is Chris Hull contribution to the life of the Birthplace Trust and to the Lecturer in Hispanic Studies at Royal Holloway, University town of Berkhamsted.
Recommended publications
  • Graham Greene Exhibition Catalogue
    The Cherry Record Collection of Josephine Reid’s Papers and Books Relating to Our thanks to the following donors who made the acquisition possible: Paul Almond (1949) GRAHAM GREENE Professor John Stephenson (1953) Professor John-Christopher Spender (1957) Roger Jefferies (1957) Paul Lewis (1958) Peter Buckman (1959) Matthew Nimetz (1960) Doug Rosenthal (1961) Alan James (1962) Stephen Crew (1964) Jim Rogers (1964) Emeritus Professor Paul Crittenden (1965) Alan Heeks (1966) Geoff Wright (1967) Neil Record (1972) Julie Record Richard Jones (1977) Mark Storey (1981) Danny Truell (1982) Alison Roberts (1984) Claire Foster-Gilbert (1984) Virginia Preston (1985) Richard Locke (1985) Jonathan Lewin (1992) Adam Dixon (1994) Sarah Longair (1998) Jo Valentine (2001) Jeff Kulkarni (2001) Sean McDaniel (2002) Alice McDaniel (2003) Blackwell Charitable Trust Friends of the National Libraries ISBN 978-1-78280-500-7 An exhibition held at BALLIOL COLLEGE HISTORIC COLLECTIONS CENTRE 9 781782 805007 > ST CROSS CHURCH, ST CROSS ROAD, OXFORD 25 & 26 April 2015 EXHIBITION AND CATALOGUE BY Naomi Tiley Librarian, Balliol College Anna Sander Archivist, Balliol College FOREWORD BY Sir Anthony Kenny Master of Balliol College 1978–1989 Seamus Perry COVER ILLUSTRATIONS: Fellow Librarian, Balliol College Studio portrait of Josephine Reid taken in the late 1940s or early Neil Record 1950s. Photographer unknown. Balliol 1972 Handwriting © Josephine Reid’s Estate Details from postcards from Graham Greene to Josephine Reid © Verdant SA. The organisers are indebted to
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  • 'Bishop Blougram's Apology', Lines 39~04. Quoted in a Sort of Life (Penguin Edn, 1974), P
    Notes 1. Robert Browning, 'Bishop Blougram's Apology', lines 39~04. Quoted in A Sort of Life (Penguin edn, 1974), p. 85. 2. Wqys of Escape (Penguin edn, 1982), p. 58. 3. Ibid., p. 167. 4. Walter Allen, in Contemporary Novelists, ed. James Vinson and D. L. Kirkpatrick (Macmillan, 1982), p. 276. 5. See 'the Virtue of Disloyalty' in The Portable Graham Greene, ed. Philip Stratford (Penguin edn, 1977), pp. 606-10. 6. See also Ways of Escape, p. 207. Many passages of this book first appeared in the Introductions to the Collected Edition. 7. A Sort of Life, p. 58. 8. Ways of Escape, p. 67. 9. A Sort of Life, pp. 11, 21. 10. Collected Essays (Penguin edn, 1970), p. 83. 11. Ibid., p. 108. 12. A Sort of Life, pp. 54-5. 13. Ibid., p. 54n. 14. Ibid., p. 57. 15. Collected Essays, pp. 319-20. 16. Ibid., p. 13. 17. Ibid., p. 169. 18. Ibid., p. 343. 19. Ibid., p. 345. 20. Philip Stratford, 'Unlocking the Potting Shed', KeT!Jon Review, 24 (Winter 1962), 129-43, questions this story and other 'confessions'. Julian Symons, 'The Strength of Uncertainty', TLS, 8 October 1982, p. 1089, is also sceptical. 21. A Sort of Life, p. 80. 22. Ibid., p. 140. 23. Ibid., p. 145. 24. Ibid., p. 144. 25. Ibid., p. 156. 26. W. H. Auden, 'In Memory ofW. B. Yeats', 1940, line 72. 27. The Lawless Roads (Penguin edn, 1971), p. 37 28. Ibid., p. 40. 29. Ways of Escape, p. 175. 137 138 Notes 30. Ibid., p.
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  • Norman Macleod
    Norman Macleod "This strange, rather sad story": The Reflexive Design of Graham Greene's The Third Man. The circumstances surrounding the genesis and composition of Gra­ ham Greene's The Third Man ( 1950) have recently been recalled by Judy Adamson and Philip Stratford, in an essay1 largely devoted to characterizing some quite unwarranted editorial emendations which differentiate the earliest American editions from British (and other textually sound) versions of The Third Man. It turns out that these are changes which had the effect of giving the American reader a text which (for whatever reasons, possibly political) presented the Ameri­ can and Russian occupation forces in Vienna, and the central charac­ ter of Harry Lime, and his dishonourable deeds and connections, in a blander, softer light than Greene could ever have intended; indeed, according to Adamson and Stratford, Greene did not "know of the extensive changes made to his story in the American book and now claims to be 'horrified' by them"2 • Such obscurely purposeful editorial meddlings are perhaps the kind of thing that the textual and creative history of The Third Man could have led us to expect: they can be placed alongside other more official changes (usually introduced with Greene's approval and frequently of his own doing) which befell the original tale in its transposition from idea-resuscitated-from-old­ notebook to story to treatment to script to finished film. Adamson and Stratford show that these approved and 'official' changes involved revisions both of dramatis personae and of plot, and that they were often introduced for good artistic or practical reasons.
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  • Moral Values in Espionage Novels by Graham Greene
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Viktoria Fedorova Moral Values In Espionage Novels by Graham Greene Bachelor's Diploma Thesis Supervisor: Stephen Paul Hardy, Ph.D. 2017 / declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. Viktória Fedorová 2 Acknowledgement I would like to thank my supervisor, Stephen Paul Hardy, PhD. for all his valuable advice. I would also like to thank my family, my partner and my friends for their support. 3 Table of Contents 1. Introduction 5 2. Graham Greene: Life and Vision 10 2.1. Espionage 15 2.2. Greene and Catholicism 17 2.3. The Entertainments and "Serious Novels" 21 3. The Ministry of Fear 23 4. The Quiet American 32 5. The Comedians 46 6. Conclusion °1 7. Works Cited 65 8. Resume (English) 67 9. Resume (Czech) 68 4 1. Introduction The aim of this thesis is to analyse and compare the treatment of moral values in three espionage novels by Graham Greene- The Ministry of Fear, The Quiet American and The Comedians- to show that the debate of moral values in Greene's novels is closely connected with the notion that the gravity of sins committed is connected to the amount of pain one's decision causes to other human beings. The evil committed by his characters is to be judged individually and one of his characters' greatest fears is the fear to cause the pain to other human beings. Espionage novels were used because Greene's experience with espionage is often projected into his novels and it is often central to the plot.
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  • Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
    TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN
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  • The Destructors Graham Greene
    The Destructors Graham Greene Online Information For the online version of BookRags' The Destructors Premium Study Guide, including complete copyright information, please visit: http://www.bookrags.com/studyguide-destructors/ Copyright Information ©2000-2007 BookRags, Inc. ALL RIGHTS RESERVED. The following sections of this BookRags Premium Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. ©1998-2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". © 1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". © 1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copywritten by BookRags, Inc. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher.
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  • Graham Greene and the Idea of Childhood
    GRAHAM GREENE AND THE IDEA OF CHILDHOOD APPROVED: Major Professor /?. /V?. Minor Professor g.>. Director of the Department of English D ean of the Graduate School GRAHAM GREENE AND THE IDEA OF CHILDHOOD THESIS Presented, to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Martha Frances Bell, B. A. Denton, Texas June, 1966 TABLE OF CONTENTS Chapter Page I. INTRODUCTION 1 II. FROM ROMANCE TO REALISM 12 III. FROM INNOCENCE TO EXPERIENCE 32 IV. FROM BOREDOM TO TERROR 47 V, FROM MELODRAMA TO TRAGEDY 54 VI. FROM SENTIMENT TO SUICIDE 73 VII. FROM SYMPATHY TO SAINTHOOD 97 VIII. CONCLUSION: FROM ORIGINAL SIN TO SALVATION 115 BIBLIOGRAPHY 121 ill CHAPTER I INTRODUCTION A .narked preoccupation with childhood is evident throughout the works of Graham Greene; it receives most obvious expression its his con- cern with the idea that the course of a man's life is determined during his early years, but many of his other obsessive themes, such as betray- al, pursuit, and failure, may be seen to have their roots in general types of experience 'which Green® evidently believes to be common to all children, Disappointments, in the form of "something hoped for not happening, something promised not fulfilled, something exciting turning • dull," * ar>d the forced recognition of the enormous gap between the ideal and the actual mark the transition from childhood to maturity for Greene, who has attempted to indicate in his fiction that great harm may be done by aclults who refuse to acknowledge that gap.
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  • Graham Greene's Books for Children
    Gallix: Graham Greene’s Books for Children 39 Graham Greene’s Books for Children his first children’s book, The Little Train. Graham Greene’s When it was published in 1946 by Eyre and Spottiswoode, it carried only the name of Books for Children the illustrator, Dorothy Craigie.2 For many generations, English-writing François Gallix authors have aimed at a double reader- ship, like Charles Dickens, Robert-Louis The 2011 Graham Greene Stevenson (who was one of Greene’s remote International Festival cousins), Jonathan Swift, Daniel Defoe, in children-adapted illustrated editions. “No one can recover from their childhood.” More recently, J.K. Rowling’s Harry Potter “Nul ne guérit de son enfance.” books were published in most countries —French singer, Jean Ferrat : in two editions, one for children, one for adults. Bloomsbury produced editions with The British actress, Emma Thomson, a different cover picture in Britain and in once declared: “There is in Britain a great the United States of America; in France respect for children’s literature: We take it “Gallimard” and “Folio Junior” carried the very seriously.” same text, but with different illustrations Undoubtedly, the relationship between and at a cheaper price. The most prominent what adults read and books for children has case was Philip Pullman, who surprised always been quite different in France and critics when he won the Whitbread prize in English-speaking countries. Thus, when for adults in 2001 for The Amber Spyglass,3 T.H. White’s agents decided to translate into the third volume of his trilogy intended for French The Sword in the Stone (1938),1 the children, His Dark Materials.
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  • 1 Ministry of Fear 1-153 6/11/13, 10:29 Am Introduction
    THE MINISTRY OF FEAR AN ENTERTAINMENT Grahame Greene Introduction by richard greene Coeor’s LıBrarY 3 1 Ministry of Fear 1-153 6/11/13, 10:29 am Introduction Spies, fugitives, double-agents, traitors, informers: Graham Greene seemed to carry these stock characters of fiction inside his skin. His imagination endowed them with moral urgency. He found in the plots of the common thriller, its concealments and duplicities, the elements of a more universal tale. His characters become the agents of the divided heart and their yearning for safety, escape, refuge, becomes a fable of the modern world. Graham Greene’s childhood would have divided any heart. Born in 1904, he was the son of a master (later headmaster) of Berkhamsted School in Hert- fordshire. After a quiet childhood, he was sent at the age of thirteen to live as a boarder in the school. This placed him on the other side of a symbolic green baize door which separated the family quarters from the school. The other boys assumed he was a Judas, reporting to his father all that happened in the dormitory. Two of his friends subjected him to elaborate mental cruelties, which he recalled as torture. Greene fell apart, made attempts at suicide, and eventually ran away to Berkhamsted Common, intending to become, as he wrote in his autobio- graphy, A Sort of Life (1971), ‘an invisible watcher, a spy on all that went on’. His parents brought him back into the family quarters, but he was never the same. In a family with a devastating history of mental illness, he showed signs of depression and instability.
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  • Proquest Dissertations
    A THESIS ON GRAHAM GREENS MASTER IN THE FICTIONAL STUDY OF EVIL By Sister Sadie Hedwig Neumann, S.G.M. Thesis presented to the Faculty of Arts of the TJniversity of Ottawa in view to obtaining the degree of Master of Arts. mmjw Saint Norbert, Manitoba, 1951 UMI Number: EC55492 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform EC55492 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ACKNOWLEDGMENT This thesis has been prepared under the direction of Reverend Father Rene Lavigne, O.M.I., Dean of the Faculty of Arts. The technique has been submitted to Mr. George Buxton, M.A., D.Lit., Director of the Department of English Literature, of the Faculty of Arts, University of Ottawa. To all who have offered their kind co-operation, we wish to express our thanks. TABLE OF CONTENTS Chapter page INTRODUCTION iv I.- BIOGRAPHY 1 Principal Works 8 II.- CATHOLIC PHILOSOPHY IN FICTION 9 III.- WRITING TECHNIQUE 16 IY.- INTERPRETATION OF OUR TIMES 26 V.- THE MAN WITHIN 41 71.- LESSER WORKS 52 1.
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  • The Power and the Glory to Monsignor Quixote
    Davis: Figures In Greene’s Carpet Graham Greene Studies Volume 1 24 remain unaware of them. Otherwise I think Figures In my imagination would dry up.” He did not reread his novels because “I know I would Greene’s Carpet: come across all too many repetitions due The Power and quite simply to forgetting what I had written before. I’ve not the slightest wish to have my The Glory to nose rubbed onto ‘the pattern in the carpet’.”3 Since Greene can no longer be bothered Monsignor by critical meddling, which in any case he regarded as legitimate, I’ll discuss the pat- Quixote tern I have found, one drawn from Francis Thompson’s “The Hound of Heaven.” I’m Robert Murray Davis thinking not of “the labyrinthian ways,” which furnished the American-imposed title The 2007 Graham Greene of The Power and the Glory that Greene International Festival disliked. It is not inapt, but more apropos are these lines, from which I have tried In the patently autobiographical novel unsuccessfully to remove the theological The Ordeal of Gilbert Pinfold, Evelyn implications: Waugh has Mr. Pinfold maintain that “most men harbour the germs of one or two Now of that long pursuit books; all else is professional trickery of Comes on at hand the bruit; which the most daemonic of the masters— That Voice is round me like a bursting Dickens and Balzac even—were flagrantly sea: “And is thy earth so marred, guilty;” indeed, he envies “painters who are Shattered in shard on shard?”4 allowed to return to the same theme time and time again, clarifying and enriching Many if not most of his novels and until they have done all they can with it.”1 entertainments—if Greene’s old and inter- Graham Greene did not cite Waugh, but mittently discarded distinction is worth he did concede that he might be “a two or preserving—deal with the theme of pursuit three book man.” 2 through a marred world, from The Man The figure in Waugh’s carpet—to use the Within through A Gun for Sale, Brighton phrase of Henry James, whom both men Rock, The Power and the Glory and its admired—is obvious even to the casual reader.
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  • Graham Greene
    GRAHAM GREENE Like many writers, Greene resisted the appellation of Catholic novelist, since he did not want readers to be seeking catechetical exactitude in his stories. In what is arguably his first Catholic novel, The Power and the Glory, Graham Greene contrasts a weak, alcoholic fugitive priest with his austere pursuer. There are others contrasts in the book as well ­­ between the hunted man who cannot escape the demands of his ministry and his soft, comfortable self before the revolution; between the second nocturne tale of martyrdom read by pious children and the real life flawed candidate for the firing squad with whiskey on his breath ­­ but the basic contrast is between the political and the religious. All efforts to see the significance of human life in this­world terms are inadequate to the way it really is. Other Catholic novels are The Heart of the Matter, The End of the Affair and A Burnt­Out Case. The series comes to an end in 1973 with The Honorary Consul. Greene still had years to live and many books to write, but his imagination had switched from a religious into a political gear. The Heart of the Matter takes its motto from Charles Peguy. "At the very heart of Christianity is the sinner. No one is more competent on the matter of Christianity than the sinner ­­ unless it be the saint." Major Scobie damns himself out of pity for a waif­like war widow in colonial Africa. Greene is at his best presenting Catholicism through the medium of © Ralph McInerny, 2005.
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