World AIDS Day Keeps Students Alert
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The Art of David Lynch
The Art of David Lynch weil das Kino heute wieder anders funktioniert; für ei- nen wie ihn ist da kein Platz. Aber deswegen hat Lynch ja nicht seine Kunst aufgegeben, und nicht einmal das Filmen. Es ist nur so, dass das Mainstream-Kino den Kaperversuch durch die Kunst ziemlich fundamental abgeschlagen hat. Jetzt den Filmen von David Lynch noch einmal wieder zu begegnen, ist ein Glücksfall. Danach muss man sich zum Fernsehapparat oder ins Museum bemühen. (Und grimmig die Propaganda des Künstlers für den Unfug transzendentaler Meditation herunterschlucken; »nobody is perfect.«) Was also ist das Besondere an David Lynch? Seine Arbeit geschah und geschieht nach den »Spielregeln der Kunst«, die bekanntlich in ihrer eigenen Schöpfung und zugleich in ihrem eigenen Bruch bestehen. Man er- kennt einen David-Lynch-Film auf Anhieb, aber niemals David Lynch hat David Lynch einen »David-Lynch-Film« gedreht. Be- 21 stimmte Motive (sagen wir: Stehlampen, Hotelflure, die Farbe Rot, Hauchgesänge von Frauen, das industrielle Rauschen, visuelle Americana), bestimmte Figuren (die Frau im Mehrfachleben, der Kobold, Kyle MacLachlan als Stellvertreter in einer magischen Biographie - weni- ger, was ein Leben als vielmehr, was das Suchen und Was ist das Besondere an David Lynch? Abgesehen Erkennen anbelangt, Väter und Polizisten), bestimmte davon, dass er ein paar veritable Kultfilme geschaffen Plot-Fragmente (die nie auflösbare Intrige, die Suche hat, Filme, wie ERASERHEAD, BLUE VELVET oder die als Sturz in den Abgrund, die Verbindung von Gewalt TV-Serie TWIN PEAKS, die aus merkwürdigen Gründen und Design) kehren in wechselnden Kompositionen (denn im klassischen Sinn zu »verstehen« hat sie ja nie wieder, ganz zu schweigen von Techniken wie dem jemand gewagt) die genau richtigen Bilder zur genau nicht-linearen Erzählen, dem Eindringen in die ver- richtigen Zeit zu den genau richtigen Menschen brach- borgenen Innenwelten von Milieus und Menschen, der ten, und abgesehen davon, dass er in einer bestimmten Grenzüberschreitung von Traum und Realität. -
Word for Word Parola Per Parola Mot Pour Mot
wort für wort palabra por palabra word for word parola per parola mot pour mot 1 word for word wort für wort palabra por palabra mot pour mot parola per parola 2015/2016 2 table of contents foreword word for word / wort für wort Columbia University School of the Arts & Deutsches Literaturinstitut Leipzig 6 word for word / palabra por palabra Columbia University School of the Arts & New York University MFA in Creative Writing in Spanish 83 word for word / parola per parola Columbia University School of the Arts & Scuola Holden 154 word for word / mot pour mot Columbia University School of the Arts & Université Paris 8 169 participating institutions 320 acknowledgements 4 foreword Word for Word is an exchange program that was conceived in 2011 by Professor Binnie Kirshenbaum, Chair of the Writing Program of Columbia University’s School of the Arts, in the belief that that when writers engage in the art of literary transla- tion and collaborate on translations of each other’s work, the experience will broad- en and enrich their linguistic imaginations. Since 2011, the Writing Program conducted travel-based exchanges in partnership with the Deutsches Literaturinstitut Leipzig in Leipzig, Germany; the Scuola Holden in Turin, Italy; the Institut Ramon Llull and Universitat Pompeu Fabra–IDEC in Barcelona, Catalonia (Spain); the Columbia Global Center | Middle East in Amman, Jordan; Gallaudet University in Washington, D.C.; and the University of the Arts Helsinki in Helsinki, Finland. Starting in 2016, the Word for Word program expanded to include a collaborative translation workshop running parallel to the exchanges, in which Writing Program students, over the course of one semester, translate work by their partners at some of these same institutions – the Deutsches Literaturinstitut Leipzig and Scuola Holden–as well as some new ones: Université Paris 8 in Paris, France; New York University’s Creative Writing in Spanish MFA Program; and the Instituto Vera Cruz in São Paulo, Brazil. -
Choosing the Right Path at the College Meets Villanova Baseball SEE BACK PAGE SEE SPEAS PAGE 4 SEE PAGE 5
Confusion Corner: The devil Tribe falls to Choosing the right path at the College meets Villanova baseball SEE BACK PAGE SEE SPEAS PAGE 4 SEE PAGE 5 The twice-weekly student newspaper of the College of William and Mary — Est. 1911 VOL.98, NO.13 TUESDAY, OCtoBER 7, 2008 FLATHATNEWS.COM Almost 3,000 students registered to vote in ’burg although official figures have yet to be 1,340 students registered this semester add to released. 1,600 returning registered students from spring “If you count the number of students that [the SA] registered to their on-cam- pus or off-campus addresses, it’s prob- By IAN BRICKEY istration efforts on campus could bring ably around 600 to 700 [students] this Flat Hat Staff Writer the number of registered voters at the semester,” he said. “That’s from move-in College to approximately 2,940 students. day to today.” The lines of voters at Williamsburg Prior to yesterday’s registration dead- College Republicans President Scott JACk hohman— THE FLAT HAT polling places will have a more collegiate line, Williamsburg Voter Registrar Wini- Morris ’10 attributes the large number of College President Taylor Reveley meets with member’s of the campus chapter of the look this November. fred Sowder estimated that more than students registering to the combined ef- NAACP to discuss his experiences with diversity and the Gateway endowment. Campus groups, including the Student 600 applications have been filed this year, forts of campus groups. Assembly, Young Democrats and College of which she believes 75 percent are stu- “Numerous clubs and organizations Republicans, have worked together to dents at the College. -
ROGÉRIO FERRARAZ O Cinema Limítrofe De David Lynch Programa
ROGÉRIO FERRARAZ O cinema limítrofe de David Lynch Programa de Estudos Pós-Graduados em Comunicação e Semiótica Pontifícia Universidade Católica de São Paulo (PUC/SP) São Paulo 2003 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO – PUC/SP Programa de Estudos Pós-Graduados em Comunicação e Semiótica O cinema limítrofe de David Lynch ROGÉRIO FERRARAZ Tese apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de Doutor em Comunicação e Semiótica – Intersemiose na Literatura e nas Artes, sob a orientação da Profa. Dra. Lúcia Nagib São Paulo 2003 Banca Examinadora Dedicatória Às minhas avós Maria (em memória) e Adibe. Agradecimentos - À minha orientadora Profª Drª Lúcia Nagib, pelos ensinamentos, paciência e amizade; - Aos professores, funcionários e colegas do COS (PUC), especialmente aos amigos do Centro de Estudos de Cinema (CEC); - À CAPES, pelas bolsas de doutorado e doutorado sanduíche; - À University of California, Los Angeles (UCLA), por me receber como pesquisador visitante, especialmente ao Prof. Dr. Randal Johnson, supervisor de meus trabalhos no exterior, e aos professores, funcionários e colegas do Department of Spanish and Portuguese, do Department of Film, Television and Digital Media e do UCLA Film and Television Archives; - A David Lynch, pela entrevista concedida e pela simpatia com que me recebeu em sua casa; - Ao American Film Institute (AFI), pela atenção dos funcionários e por disponibilizar os arquivos sobre Lynch; - Aos meus amigos de ontem, hoje e sempre, em especial ao Marcus Bastos e à Maite Conde, pelas incontáveis discussões sobre cinema e sobre a obra de Lynch; - E, claro, a toda minha família, principalmente aos meus pais, Claudio e Laila, pelo amor, carinho, união e suporte – em todos os sentidos. -
Pdf-Collections-.Pdf
1 Directors p.3 Thematic Collections p.21 Charles Chaplin • Abbas Kiarostami p.4/5 Highlights from Lobster Films p.22 François Truffaut • David Lynch p.6/7 The RKO Collection p.23 Robert Bresson • Krzysztof Kieslowski p.8/9 The Kennedy Films of Robert Drew p.24 D.W. Griffith • Sergei Eisenstein p.10/11 Yiddish Collection p.25 Olivier Assayas • Alain Resnais p.12/13 Themes p.26 Jia Zhangke • Gus Van Sant p.14/15 — Michael Haneke • Xavier Dolan p.16/17 Buster Keaton • Claude Chabrol p.18/19 Actors p.31 Directors CHARLES CHAPLIN THE COMPLETE COLLECTION AVAILABLE IN 2K “A sort of Adam, from whom we are all descended...there were two aspects of — his personality: the vagabond, but also the solitary aristocrat, the prophet, the The Kid • Modern Times • A King in New York • City Lights • The Circus priest and the poet” The Gold Rush • Monsieur Verdoux • The Great Dictator • Limelight FEDERICO FELLINI A Woman of Paris • The Chaplin Revue — Also available: short films from the First National and Keystone collections (in 2k and HD respectively) • Documentaries Charles Chaplin: the Legend of a Century (90’ & 2 x 45’) • Chaplin Today series (10 x 26’) • Charlie Chaplin’s ABC (34’) 4 ABBas KIAROSTAMI NEWLY RESTORED In 2K OR 4K “Kiarostami represents the highest level of artistry in the cinema” — MARTIN SCORSESE Like Someone in Love (in 2k) • Certified Copy (in 2k) • Taste of Cherry (soon in 4k) Shirin (in 2k) • The Wind Will Carry Us (soon in 4k) • Through the Olive Trees (soon in 4k) Ten & 10 on Ten (soon in 4k) • Five (soon in 2k) • ABC Africa (soon -
The Interview Project Sur : Un Road Trip Halluciné Au Fond De L’Amérique, Avec Le Plus Grand Cinéaste Américain Comme Guide
Document généré le 26 sept. 2021 14:20 24 images The Interview Project sur www.davidlynch.com Un road trip halluciné au fond de l’Amérique, avec le plus grand cinéaste américain comme guide Pierre Barrette États de la nature, états du cinéma Numéro 144, octobre–novembre 2009 URI : https://id.erudit.org/iderudit/25102ac Aller au sommaire du numéro Éditeur(s) 24/30 I/S ISSN 0707-9389 (imprimé) 1923-5097 (numérique) Découvrir la revue Citer cet article Barrette, P. (2009). The Interview Project sur www.davidlynch.com : un road trip halluciné au fond de l’Amérique, avec le plus grand cinéaste américain comme guide. 24 images, (144), 4–5. Tous droits réservés © 24/30 I/S, 2009 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ ACTUALITES THE INTERVIEW PROJECT SUR WWW.DAVIDLYNCH.COM Un road trip halluciné au fond de l'Amérique, avec le plus grand cinéaste américain comme guide par Pierre Barrette La météo donnée par David Lynch sur www.davidlynch.com avid Lynch est probablement le et de diffusion qui correspond parfaitement contres de la petite équipe engagée dans un plus pro-Web des cinéastes : son à l'esprit de chercheur indépendant qui le road trip de plusieurs mois, de la Californie à D site, davidlynch.com, est un modèle caractérise. -
La Dernière Frontière Du Cinéma Damien Detcheberry
Document generated on 09/26/2021 10:26 p.m. 24 images La dernière frontière du cinéma Damien Detcheberry David Lynch – Au carrefour des mondes Number 184, October–November 2017 URI: https://id.erudit.org/iderudit/87067ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Detcheberry, D. (2017). La dernière frontière du cinéma. 24 images, (184), 6–10. Tous droits réservés © 24/30 I/S, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ David Lynch – Au carrefour des mondes LA DERNIÈRE FRONTIÈRE DU CINÉMA par Damien Detcheberry Peinture, Mountain With Eye lithographie sur papier japonais (2009) et ouverture de The Elephant Man (1980) « Il est difficile de dire si Lynch est effectivement arrivé à la fin de son œuvre cinématographique1. » Ce commen- taire, tiré de l’ouvrage accompagnant l’exposition que la Fondation Cartier (Paris) a consacrée à David Lynch en 2007, résume bien les interrogations légitimes des admirateurs du réalisateur face au hiatus cinématographique qui a suivi la sortie d’Inland Empire (2006), et à l’explosion soudaine de créations courtes, d’œuvres vidéo, documentaires, interactives, voire tout bonnement inclassables, qui ont été proposées au public depuis le début des années 2000. -
Montana Kaimin, April 27, 2007 Students of the Niu Versity of Montana, Missoula
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 4-27-2007 Montana Kaimin, April 27, 2007 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, April 27, 2007" (2007). Montana Kaimin, 1898-present. 5016. https://scholarworks.umt.edu/studentnewspaper/5016 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE LAST KAIMIN OF THE SEMESTER Sports Kaimin Crossword Surely UM Puzzled? rugby jests Solve this page 15 page 17 MONTANA KAIMIN Friday, April 27, 2007 Volume CIX, Issue 98 www.montanakaimin.com Weather Shooting Partly UM Leans ‘Left’ Cloudy prompts 72 F look at News security ESSICA AYRER How do we slam MJONTANAMKAIMIN thee? Let us count In the wake of the Virginia Tech the ways ... shootings, the University of Montana is checking out new page 6 communications systems better equipped to reach out to students in the case of an emergency, said Arts Jim Lemcke, director of Office of Public Safety. Idiot extravaganza! As it works now, UM’s emer- gency notification system paral- page 11 lels that of Virginia Tech. -
Film, Relay, and System: a Systems Theory Approach to Cinema Thomas Schur University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2013 Film, Relay, and System: A Systems Theory Approach to Cinema Thomas Schur University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Film and Media Studies Commons Recommended Citation Schur, Thomas, "Film, Relay, and System: A Systems Theory Approach to Cinema" (2013). Theses and Dissertations. 757. https://dc.uwm.edu/etd/757 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FILM, RELAY, AND SYSTEM: A SYSTEMS THEORY APPROACH TO CINEMA by Thomas Schur A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee August 2013 ABSTRACT FILM, RELAY, AND SYSTEM: A SYSTEMS THEORY APPROACH TO CINEMA by Thomas Schur The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Tasha Oren Film theory is replete with references to systems, yet no theory has emerged to provide a cohesive explanation of how cinema, as both technology and institution, operates as a relay system. Interdisciplinary in nature, my dissertation proposes a systems theory of cinema deriving largely from the work of social scientist Niklas Luhmann. Systems theory is especially productive for the ways that it intervenes at crucial sites of conflict and irresolution within film studies. With its emphasis on nonhuman agencies, systems theory calls for reappraisal of the significance of the human to the cinema apparatus—a significance long assumed to be simply a given. -
Aural Skills I Toby Rush Using Solfege, Transcribe the Vocal Parts To
Assignment #1 Name ___________________________ Aural Skills I Toby Rush Using solfege, transcribe the vocal parts to “e Sidewalks Of New York,” by James W. Blake and Charles B. Lawlor, as performed by Larry Groce on the Walt Disney album series Children’s Favorite Songs. Groce’s recording of this early-twentieth-century popular song omits the verses included in the original, and features the chorus song twice through. While the original was written in past tense, as a nostalgic remembrance of Blake’s childhood in the 1890s, Groce uses present tense (“e tots sing” and “Trip the light fantastic” rather than “e tots sang” and “Tripped the light fantastic”) to invite the listener into the scene. Complete the transcription in the chart on the following page. You need only transcribe the melody as sung by Groce; you do not need to notate the harmonies sung by the children’s chorus. Larry Groce: East Side, West Side, all a- round the town e tots sing “ring- a ro- sie,” “Lon- don Bridge is fall- ling down” Boys and girls to- geth- er, me and Ma- mie O’- Rourke Trip the light fan- tas- tic on the side- walks of New York Assignment #2 Name ___________________________ Aural Skills I Toby Rush Transcribe the rhythm of the melody of “Come ou Fount Of Every Blessing,” by Robert Robinson, as performed by Suan Stevens on the album Hark! Songs for Christmas. For this transcription, you need to write the rhythm of only the !rst verse. Write only the rhythms of the lead vocal line. -
Volume CXXVI, Number 2, October 3, 2008
The LAWRENTIAN SPORTS FEATURes OP/ED A&E 12 VARIETY FRIDAY, OCTOBER 3 2008 Women's tennis continues Adam Brody drops by Staff ed: giving Lawrentians a Abstract artist tackles new conference dominance Lawrence experience technique THE >> page 10 >> page 3 >> page 7 >> page 9 What’s on your iPod?: Drew Baumgartner LAWRENTIAN 1. “Young Lovers in Town,” The 3. “Between the Devil and the Deep I heard their version, realized I had band comes in. It’s magic. FRIDAY, OCTOBER 3, 2008 Bottle Rockets Blue Sea,” George Harrison always loved the song, and decided Editor in Chief: This song reads more like a joke George must have been on a mis- it was about damn time. 8. “Stepfather Factory,” El-P Dorothy Wickens than any of the other Bottle Rocket’s sion to record the cutest arrange- This isn’t the greatest track, but Business Manager stuff I know. The lyrics seem totally ment of this song possible. It’s pure 6. “Bedlam,” Elvis Costello the production here is incredible. Christie McCowen mismatched with the boozy, bar- sap, from the tuba and ukulele to I might be the only Costello fan If everyone were making beats like room atmosphere until you get to the way he sings the word “twist”, who actually enjoys this album, and this, the world would be a better News Editor: that last line. but I love it. even I’ll admit it has its slow parts, place. Katy Hillbo VOL. CXXTHEVI, NO. 2 LAWRENLAWRENCE UNIVERSITY'S STUDENT NEWSPAPER SINCE 1884 TIANWWW.LAWRENTIAN.COM but it’s tracks like this that prove 2. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles