Treason: Legal, Ethical, and Political Issues in the Middle Ages with an Emphasis on Medieval Heroic Poetry

Total Page:16

File Type:pdf, Size:1020Kb

Treason: Legal, Ethical, and Political Issues in the Middle Ages with an Emphasis on Medieval Heroic Poetry Journal of Philosophy and Ethics Volume 1, Issue 4, 2019, PP 13-29 ISSN 2642-8415 Treason: Legal, Ethical, and Political Issues in the Middle Ages with an Emphasis on Medieval Heroic Poetry Dr. Albrecht Classen* University Distinguished Professor, Grand Knight Commander of the Most Noble Order of the Three Lions (GKCL), Director of Undergraduate Studies, Dept. of German Studies, Tucson, The University of Arizona, USA *Corresponding Author: Dr. Albrecht Classen, University Distinguished Professor, Grand Knight Commander of the Most Noble Order of the Three Lions (GKCL), Director of Undergraduate Studies, Dept. of German Studies, Tucson, The University of Arizona, USA, Email: [email protected] ABSTRACT Pre-modern literature offers powerful examples of unethical behavior, especially treason, which was regarded both through a legal and a theological lens and severely condemned by those suffering from it. Its full history is still waiting to be written, but the present article already offers some critical avenues into this complex field which depends heavily on the political, economic, and religious conditions at the time when the alleged treason takes place. We observe, in particular, the strong emphasis on treason as a catalyst for catastrophic consequences in medieval heroic epic poetry. After a broad overview of the legal and literary discourse on treason from the Middle Ages to the age of the Baroque, this article examines „classical‟ works from the Middle Ages such as the Nibelungenlied, the Chanson de Roland, and Njáls Saga. Keywords: treason, Middle Ages, early modern age, Nibelungenlied, Chanson de Roland, El Poema de Mío Cid, Njáls Saga, early modern encyclopedias INTRODUCTION A comparative analysis of this topic, ‗treason,‘ will thus allow us to gain a deeper understanding Hardly any motif appears as often in medieval of fundamental ethical and legal concerns as and early modern literature as ‗treason,‘ although discussed especially by poets of heroic epics and there is surprisingly little critical reflection on this courtly romances, and this in close parallel to phenomenon in the relevant scholarship. For contemporary law books and legal treatises. Of instance, treason proves to be a ubiquitous theme course, the phenomenon itself was determined in Shakespeare‘s plays,1 and so also in the by many different factors, and each text mourning plays by his near contemporary highlights, so to speak, another aspect relevant Andreas Gryphius, not to mention many other for the discourse on treason, as we might say tragedies composed throughout time. But this is more globally speaking. The entire world of not at all limited to that genre and that period, as courtly love, erotic literature, and the like knows countless examples from medieval and early of numerous cases of treason, adultery and modern literature, politics, and law indicate subsequent murder/manslaughter by the jealous most convincingly. Etymological research has husband, for instance, as a punishment of the long confirmed how much people throughout wife‘s action, but here I want to probe the times, hence also poets and artists, have been meaning of treason primarily within the heroic concerned with the issue of treason.2 From early genre because a true hero emerges particularly on in antiquity, the legal discourse has always at that point in time when s/he faces an extreme included the case of treason directed against a form of treason and has to struggle hard against lord or an entire army (Tacitus, Germania ch. many odds.4 12). Treason was identified in many early medieval Germanic laws as a severe breach of all However, I also want to embed the literary loyalty and personal commitment and was analysis into the historical and legal context and punished by hanging and loss of all property. thus gain solid evidence for the fundamental Since the time of the Frankish rulers, treason discourse on treason in many sectors of pre- increasingly pertained primarily to the relationship modern society. Consequently, I will first examine between the king and his vassals.3 the larger issue from a historical, cultural, but Journal of Philosophy and Ethics V1 ● 14 ● 2019 13 Treason: Legal, Ethical, and Political Issues in the Middle Ages with an Emphasis on Medieval Heroic Poetry also discursive perspective, before I will focus definition of treason is thus critically contingent on a selection of heroic poems. and reflects the political structure and ideology, as much of the relevant chronicle literature TREASON AND LEGAL HISTORY concerning wars, political conflicts, and religious Some historians of medieval law have already tensions indicates.11 examined this issue in relative details, and have Consequently, focusing on treason allows us to highlighted the multifaceted character of this 5 identify the essential discourse at any specific problematic term, treason, but its great relevance time, and we can thus easily move from the for medieval culture and literature at large history of law to cultural history because poets proves to be a significant desideratum, which 6 have regularly embedded cases of treason, as this article intends to address. Each of the they perceived it, into their narratives, and used examples chosen for this study has already been treason as the foil for their protagonist to rise investigated by numerous scholars dealing with above the crowd and to display his innocence or a large variety of thematic approaches, but only brilliance, unless the traitors triumph altogether.12 the comparative analysis will allow us to gain a better understanding of the universal concern TREASON IN THE MIDDLE AGES with the topic of ‗treason,‘ which was apparently Altogether, the charge of treason represents one of fundamental concern for pre-modern, but of the strongest possible against any individual certainly also for modern society. who has allegedly undermined the fundamental DEFINITION bond of loyalty and mutual trust that represents the basic glue that holds all parts of a society or Treason itself is not easy to define and needs to community together, which was, of course, of be viewed from many different perspectives, central importance in the Middle Ages which much depending on the context within the were determined, above all, by feudalism and narrative and material framework. This was the personal commitment of a vassal to his lord.13 already the case in the pre-modern world when And yet, without entering any contemporary the courts had to struggle hard to come to terms polemics, we are only too aware today of how with this issue, which was often highly contested topical the charge of treason continues to be and debated from many perspectives, as the case 7 since numerous people in many parts of our of England illustrates above all. As Richard world are being taken to court for allegedly Firth Green observes, ―In the late fourteenth having committed that crime, which undermines century, the complex Middle English word or even endangers, at least according to the legal trouthe, which had earlier meant something like charge, the well-being of an entire country. ‗integrity‘ or ‗dependability,‘ began to take on its modern sense of ‗conformity to fact.‘ At the Only recently, a team of researchers has come same time, the meaning of its antonym, tresoun, together to explore the issue of treason more began to move from ‗personal betrayal‘ to ‗a closely by applying a medieval lens, which crime against the state.‘‖8 promises to shed more light on the sensitive questions involved and provides already significant Treason is a highly political issue, and those broader confirmation for the observation of how who liberate a country from its dictator, for much ‗treason‘ as a topic mattered within the example, or at least attempt to achieve that goal, literary discourse throughout time.14 The such as Claus Schenk von Stauffenberg who contributions reveal, however, the complexity of attempted to assassinate Adolf Hitler in 1944, the matter and the easy, hence almost slippery are either identified as national heroes or as applicability of the term ‗treason‘ to many traitors, all depending on the outcome and different situations and conditions, such as the consequences of their efforts.9 In fact, recent breaking of feudal bonds, marital commitments, political opinions voiced by representatives of and pledges of friendship. Treason easily defies the right-wing faction in Germany tried even to our efforts to define it specifically, and much cast von Stauffenberg as a villain who betrayed depends on the circumstances. the German Reich and its Führer.10 Since the rise of Donald Trump to the presidency of the Treason concerns the legal, the political, the United States in 2017, the public has been ethical, the moral, and the religious dimension, bitterly embroiled in charges and counter- so we can recognize here a central concern for charges of treason, so the issue at stake is of all societies; hence also for the medieval world.15 central importance in politics, the law, ethics, ―Bisclavret‖ by Marie de France (ca. 1190) and sociology, both past and present. The illustrates, for instance, the catastrophic 14 Journal of Philosophy and Ethics V1 ● 14 ● 2019 Treason: Legal, Ethical, and Political Issues in the Middle Ages with an Emphasis on Medieval Heroic Poetry consequences when the husband hides a terrible TREASON IN THE MIDDLE AGES AND secret—he regularly turns into a werewolf — BEYOND: HISTORICAL AND RELIGIOUS and is eventually forced by his wife to reveal it. PERSPECTIVES She is so frightened that she betrays him by having his clothes taken by another knight, There would be hardly any culture around the which condemns him to stay a werewolf, an globe where treason would not have presumably outcast of courtly society.16 This clearly constitutes occurred at least once (whether it actually a case of marital treason. Little wonder then that happened or whether it was only claimed to a didactic writers such as Hugo of Trimberg have occurred), or where treason would not included numerous references to treason in his have been addressed by legal authors, poets, or 22 voluminous moralizing Der Renner from the historians.
Recommended publications
  • Andreas Gryphius - Poems
    Classic Poetry Series Andreas Gryphius - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Andreas Gryphius(11 October 1616 – 16 July 1664) German lyric poet and dramatist, was born on the 11th of October 1616, at Grossglogau in Silesia, where his father was a clergyman. The family name was Greif, latinized, according to the prevailing fashion, as Gryphius. Left early an orphan and driven from his native town by the troubles of the Thirty Years’ War, he received his schooling in various places, but notably at Fraustadt, where he enjoyed an excellent classical education. In 1634 he became tutor to the sons of the eminent jurist Georg von. Schonborn (1579—1637), a man of wide culture and considerable wealth, who, after filling various administrative posts and writing many erudite volumes on law, had been rewarded by the emperor Ferdinand II. with the title and office of imperial count-palatine (Pfalzgraf). Schonborn, who recognized Gryphius’s genius, crowned him poela laureatus, gave him the diploma of master of philosophy, and bestowed on. him a patent of nobility, though Gryphius never used the title. A month later, on the 23rd of December 1637, Schonborn died; and next year Gryphius went to continue his studies at Leiden, where he remained six years, both hearing and delivering lectures. Here he fell under the influence of the great Dutch dramatists, Pieter Cornelissen Hooft (1581—1647) and Joost van den Vondel (1587—1679), who largely determined the character of his later dramatic works. After travelling in France, Italy and South Germany, Gryphius settled in 1647 at Fraustadt, where he began his dramatic work, and in 1650 was appointed syndic of Glogau, a post he held until his death on the 16th of July 1664.
    [Show full text]
  • 1 Recherchierte Dokumente
    Herr der Bücher: Marcel Reich-Ranicki in seiner Frankfurter Wohnung MONIKA ZUCHT / DER SPIEGEL SPIEGEL-GESPRÄCH „Literatur muss Spaß machen“ Marcel Reich-Ranicki über einen neuen Kanon lesenswerter deutschsprachiger Werke SPIEGEL: Herr Reich-Ranicki, Sie haben für die an der Literatur interessiert sind. Gibt es um die Schule geht, für den Unterricht den SPIEGEL Ihren persönlichen literari- es überhaupt einen Bedarf für eine solche besonders geeigneter Werke. Die Frage, ob schen Kanon zusammengestellt, die Sum- Liste literarischer Pflichtlektüre? wir einen solchen Katalog benöti- me Ihrer Erfahrung als Literaturkritiker – Reich-Ranicki: Ein Kanon ist nicht etwa ein gen, ist mir unverständlich, denn für Schüler, Studenten, Lehrer und dar- Gesetzbuch, sondern eine Liste empfehlens- über hinaus für alle, werter, wichtiger, exemplarischer und, wenn Das Gespräch führte Redakteur Volker Hage. Chronik der deutschen Literatur Marcel Reich-Ranickis Kanon Johann Wolfgang von Goethe, Andreas Gryphius, 1749 –1832 1616 –1664 „Die Leiden des Gedichte jungen Werthers“, Gotthold Ephraim Lessing, „Faust I“, „Aus Walther von der Christian Hofmann Johann Christian 1729 –1781 meinem Leben. Das Nibe- Vogelweide, Martin Luther, von Hofmannswaldau, Günther, „Minna von Barnhelm“, Dichtung und lungenlied ca. 1170 –1230 1483 –1546 1616 –1679 1695 –1723 „Hamburgische Dramaturgie“, Wahrheit“, (um 1200) Gedichte Bibelübersetzung Gedichte Gedichte „Nathan der Weise“ Gedichte MITTELALTER16. JAHRHUNDERT 17. JAHRHUNDERT 18. JAHRHUNDERT 212 der spiegel 25/2001 Titel der Verzicht auf einen Kanon würde den der verfassten Rahmenrichtlinien und und auch die liebe Elke Heidenreich. Be- Rückfall in die Barbarei bedeuten. Ein Lehrpläne für den Deutschunterricht an merkenswert der Lehrplan des Sächsischen Streit darüber, wie der Kanon aussehen den Gymnasien haben einen generellen Staatsministeriums für Kultus: Da werden sollte, kann dagegen sehr nützlich sein.
    [Show full text]
  • Core Reading List for M.A. in German Period Author Genre Examples
    Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774)
    [Show full text]
  • German Language and Culture Texts
    German language and culture texts Title Author Condition Other notes Suggested price Oxford German Dictionary Oxford As new, never used Large, £20 (RRP £30) – though hardback dustjacket has a small tear at the back (could be fixed with selotape easily) Duden CD to go with the £0.20 dictionary (but no dictionary) Understanding Stuart As new Is new £4 Contemporary Germany Parkes Germany a healthy democracy? Can Germany’s allies continue to rely on it as a reliable partner? Introductory survey of German society focusing on post- unification situation Der Nationalsozialismus 12 Fischer/Hu Very old book but 1987 book £0.50 dunkle Jahre deutscher egli/Ischi/S not marked (apart about Nazi Geschichte chaerer from 1 or 2 period of underlines in Germany in pencil) German Complete German Course L.J. Russon Old book but no Overview of £1 markings German grammar German Grammar and Usage A. E. Old book with light Overview of £0.50 Hammer markings German grammar German prelims texts Title Author Condition Other notes Suggested price The Cambridge Cambridge Companion As new Cambridge Companion £15 (RRP £23) Companion to The (Edited by Graham Modern German Novel Bartram) German novel 1890s to present Die Verwandlung Franz Kafka Light pencil marks Pocket size Reclam £1 (RRP £2) on 2 pages Die Verwandlung Kafka Very few Reclam £0.80 markings The Metamorphosis and Franz Kafka Light markings English translation of £2 (RRP £8) other Stories German text Oxford World’s Classics Erläuterungen und Various (Reclam) As new Pocket size £2.50 (RRP £4) Dokumente Reclam
    [Show full text]
  • Author, Title Price Notes
    Contact: Suriya Prabhakar [email protected] Hey Germanists/Linguists, I’m Suriya, a recent German graduate from Teddy Hall, and I’m looking to sell most of my books that I bought firsthand during my degree. All the books are in extremely good condition, and some of them barely used. You may find the occasional annotation but it will be in pencil and easily erasable (except poetry books where specified). All these prices are half the original price or less (based on Amazon), so I can guarantee you will be saving loads of money (unlike me in first year) on books that you probably won’t use after your degree! They will be sold on a first come first served basis – all you need to do is email me as soon as you’ve decided which ones you want! I’m happy to answer any questions you may have, and am willing to provide details/photos of books if needed. Do get in touch at: [email protected] All the best, Suriya Author, Title Price Notes Georg Kaiser, Von morgens bis 50p Prelims mitternachts (Reclam) Frank Wedekind, Frühlings Erwachen 50p Prelims Arthur Schnitzler, Liebelei (Reclam) 50p Prelims Deutsche Lyrik (Eine Anthologie) £4 Prelims; pencil annotations on set poems Mann, Mario und der Zauberer (Fischer) £3 Prelims Brecht, Die Maßnahme £2 Prelims Erich Maria Remarque, Im Westen nichts £3 Prelims Neues Hartmann von Aue, Gregorius (Reclam) £2 Prelims/Medieval Wolfram von Eschenbach, Parzival £7 VI/IX Medieval; very slight tear on Band 1 + 2 (Reclam) front cover of Band 1 (does not impact text) Parzival Translation (Penguin
    [Show full text]
  • The Heuristic Value of German Literature: the Eternal Plea for the Relevance of Medieval and Early Modern Literature from a Practical/Pedagogical Perspective
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals... The Heuristic Value of German Literature: The Eternal Plea for the Relevance of Medieval and Early Modern Literature from a Practical/Pedagogical Perspective Albrecht Classen Introduction1 The question of what the meaning of the Humanities might be for the current student generation continues to vex us all. We can all try to look backwards and explain the significance of past literary documents as being contributions to the canon of all literary studies. That would be the answer of an archivist. We can also try to understand literary texts from the pre- modern period as expressions of the overarching endeavor to make sense of human life, to figure out the meaning of human life, and to explain the purpose of our existence. At first look, this seems to be quite self-evident, but at a closer analysis we can realize how much both medieval and modern literary manifestations are simply waiting for us to gain deeper understanding of human interactions, conflicts, and cooperation. This article continues with previous efforts to make sense of medieval narratives and to demonstrate how much they can serve as literary expressions for the further explorations of human identity, ethics, morality, and religion. The central argument for the humanistic value of literature, as developed here, is predicated on practical experiences in teaching the history of German literature and has profited from numerous critical reflections on modern challenges to our discipline. The Relevance of the Humanities For a long time the very same question has occupied the Humanities most profoundly, and it is a question which will be raised over and over again in the future, irrespective of current answers and responses to the issue at 1 Albrecht Classen is Distinguished Professor of German Studies at the University of Arizona.
    [Show full text]
  • The Awareness of Time and Eternity in the German Lyrics of Andreas
    THE AWARENESS 01 TIME AND ETEINITY IT THE GERMkN LYRICS OF ANDREAS CRYPHIUS by Edith Katherine Evenhuis B.A. Honours, submittea in fulfilment of the requirements for the degree of Doctor of Philosophy, University of Tasmania, NovPmber 1975. T MKS ^ Record Copy STATEMENT I, the undersigned, herewith declare that the following thesis contains no material which has been accepted for the award of any other degree or diploma in any university, and that, to the best of my knowledge and belief, the thesis contains no copy or paraphrase of material previously published or written by another person, except when due reference is made in the text of the thesis. PC• v. 44111444- 5 TABLE OF COT:TENTS: INTRODUCTION. Page 1. CHAPTER I. The life and Background of Andreas Gryphius. Page 3. CHAPTER II. The Awareness of Time and Eternity in Gryphius' Works. Page 15. CHAPTER III. The Awareness of Transience. Page 29. CHAPTER IV. The Awareness of Human Transience. Page CHAPTER V. The Transience of Human Values. Page 14. CHAPTER VI. The Concept of Human Life. Page 1;9. CHAPTER VII. The Uonquest of Time. Page 167. CHAPTER VIII. The Awareness of Time and Eternity as refle:tted in Structure and Imagery. Page 1814.. CHAPTER IX. The Awareness of Time and Eternity reflected In Gryph's Uf3e of Allegory and Emblem. Page 229. CONCLUSION. Page 24..S. Selective Bibliography in Alphabetical Order. Page 2!!.9. Bibliography of Primarv Sources. Page 260„ THE AWARENESS OF TIME AND ETERNITY IN THE GERMAN LYRICS OF ANDREAS GRYPHIUS Abstract of Thesis submitted by Edith Katherine Evenhuis B.A.
    [Show full text]
  • 9. Gundolf's Romanticism
    https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0.
    [Show full text]
  • Katharsis – a Tool for Computational Drametrics
    Katharsis – A Tool for Computational Drametrics Katharsis – A Tool for Computational Drametrics Thomas Schmidt ([email protected]), University of Regensburg, Germany Manuel Burghardt ([email protected]), University of Leipzig, Germany Katrin Dennerlein ([email protected]), University of Würzburg, Germany Christian Wolff ([email protected]), University of Regensburg, Germany Please cite as: Schmidt, T., Burghardt, M., Dennerlein, K. & Wolff, C. (2019). Katharsis - A Tool for Computational Drametrics. In: Book of Abstracts, Digital Humanities Conference 2019 (DH 2019). Utrecht, Netherlands. 1. Introduction With his idea of 'Distant Reading', Moretti (2000) introduced an important leitmotif in the Digital Humanities that has led to an ongoing discussion about quantitative methods in literary and cultural studies (Clement et al., 2008; Crane, 2006). We believe that the literary genre of drama is particularly well suited for quantitative analyses and hence adapt the concept of "Drametrics" (as proposed by Romanska, 2015) as a term for the distant reading of dramatic texts. In addition to the actual dialogs, dramatic texts contain other structural elements that can be easily quantified, such as the characters of the play as well as an explicit act and scene structure. Keeping these features in mind, it is hardly surprising that we find a number of recent studies dedicated to the quantitative analysis of drama (e.g. Ilsemann, 2013; Wilhelm et al., 2013; Nalisnick and Baird, 2013; Trilcke et al., 2015; Dennerlein, 2015; Xanthos et al., 2016; Willand and Reiter, 2017; Krautter, 2018). At the same time, there have been quantitative approaches to the analysis of drama that date far back into the pre-digital age.
    [Show full text]
  • Frankfurter Anthologie. Gedichte Und Interpretationen
    Frankfurter Anthologie. Gedichte und Interpretationen Zweiunddreißigster Band Bearbeitet von Marcel Reich-Ranicki 1. Auflage 2008. Buch. 308 S. Hardcover ISBN 978 3 458 17409 7 Format (B x L): 12,5 x 20,4 cm Gewicht: 408 g schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Insel Verlag Leseprobe Reich-Ranicki, Marcel Frankfurter Anthologie. Gedichte und Interpretationen Zweiunddreißigster Band Herausgegeben von Marcel Reich-Ranicki © Insel Verlag 978-3-458-17409-7 Zweiunddreißigster Band Gedichte und Interpretationen Herausgegeben von Marcel Reich-Ranicki Insel Verlag Insel Verlag Frankfurt am Main und Leipzig 2008 Alle Rechte vorbehalten, insbesondere das der Übersetzung, des öffentlichen Vortrags sowie der Übertragung durch Rundfunk und Fernsehen, auch einzelner Teile. Kein Teil des Werkes darf in irgendeiner Form (durch Fotografie, Mikrofilm oder andere Verfahren) ohne schriftliche Genehmigung des Verlages reproduziert oder unter Verwendung elektronischer Systeme verarbeitet, vervielfältigt oder verbreitet werden. Quellenhinweise am Schluß des Bandes Satz und Druck: Memminger MedienCentrum AG Printed in Germany Erste Auflage 2008 ISBN 978-3-458-17342-7 123456–13 12 11 10
    [Show full text]
  • Ge1 Module Descriptions and Reading Lists 1. Medieval Literature
    Ge1 Module Descriptions and Reading Lists 1. Medieval Literature (Literature A) This module introduces students to the literature of the medieval and early modern periods through the works of three authors. Iwein, an Arthurian romance by Hartmann von Aue, is a tale of knightly adventure which nonetheless shines a critical light on the chivalric lifestyle and its institutions. The poetry of Catharina Regina von Greiffenberg and Andreas Gryphius illuminates life in the German-speaking territories during and in the aftermath of the Thirty Years’ War, and the very different experiences of a male and a female poet of the time. Lectures will introduce students to the texts and the latest critical approaches; the aim is to understand the texts both on their own terms, as products of a particular historical culture, and also as classics with enduring appeal – works of literary art which use the same techniques as modern writers, and deal with the same range of ‘mortal questions’ thrown up by the human condition. Texts • Hartmann von Aue, Iwein. The original text, accompanied by a parallel translation into modern German, is included in the following paperback edition of several works by Hartmann: Gregorius, Der arme Heinrich, Iwein: Text und Kommentar, ed. and trans. Volker Mertens (Frankfurt: Deutscher Klassiker Verlag paperback, 2008). There is no need to read more than Iwein. • Catharina Regina von Greiffenberg, Geistliche Sonnette, Lieder und Gedichte (1662), ed. Michael Holzinger (Berlin 2015). • Andreas Gryphius, Gedichte (1663), ed. Thomas Borgstedt (Stuttgart 2012). • Special reference will be made to the poems listed in Appendix A. Introductory reading Hartmann • Wolf, Jürgen, Einführung in das Werk Hartmanns von Aue (Darmstadt: Wissenschaftliche Buchgesellschaft, 2007) • Bein, Thomas, ‘Hartmann’s Poetry’, in A New History of German Literature, ed.
    [Show full text]
  • (Aufgenommen Sind Im Text Erwähnte Personen) Adorno, Theodor W. 118 Allemann, Beda 125 Angelloz, J Oseph-Fran~Ois 125 Arnim, Ac
    REGISTER (aufgenommen sind im Text erwähnte Personen) Adorno, Theodor W. 118 Diest, Heinrich 141 Allemann, Beda 125 Dilthey, Friedrich 58, 81 f., 142f. Angelloz, J oseph- Fran~ois 125 Dionysios von Hallikarnaß 112 Arnim, Achim, von 25,139,106 Arnim, Bettina von 44, 139f. Ebe!, Johann Gottfried 21, 36,136 Auguste, Prinzessin von Hessen- Emerich, Friedrich 25 Homburg 27, 112, 139 Autenrieth, Heinrich Ferdinand Fichte, J ohann Gottlieb 20 f., 24, von 50 27,57,61,64,70, 72ft, 82 Autenrieth, J ohanne 7 Flaubert, Gustave 26 Bardili, Regina 10 Franziska von Hohenheim 12,55 Basaglia, Franco 45 Friedrich 1., König von Württem- Beck, Adolf 7,37,41,46,55,137, berg 49 145 Friedrich V., Landgraf von Hessen­ Bertaux, Pierre35ff, 41, 42 ff, 147, Homburg 27, 48 125 Beißner, Friedrich 2,118,126, 134f.,144f. Geliert, Christian Fürchtegott 136 Benjamin, Walter 144 George, Stefan 33, 112, 118, 136, Bianquis, Genevieve 34 145 Binder, Wolfgang 3, 59, 62,83,121, Goethe, Johann Wolfgang von 25 f., 126 55, 62f., 88, 91,119,136,145 Blankenstein, Alexander 49 Gok,Johann Christoph (der Stief­ Böckmann, PauI125f., 146 vater) 11 Böhlendorff, Casimir Ulrich 25, 27, Gok,J ohanna Christina (verwitwe­ 42, 114t, 119,124,136 te Hölderlin, die Mutter) 11, 13, Böhm, Wilhe!m 81 f., 144 15,26, 30, 40 ft, 48, 50, 136 Böschenstein, Bernhard 7, 134 Gok, Karl (der Stiefbruder) 11, Bröcker, Walter 126 136f. Brentano, Clemens 140 Gontard,Jacob 23, 26, 40 Gontard, Susette 24, 26, 41,66, Buddeberg, Else 125 89 f., 98, 136 Gonzenbach, Anton von 41 Carl Eugen, Herzog von Württem- berg 15 Görres, J ohann J oseph 140 Cassirer, Ernst 81 f.
    [Show full text]