Kindheit Im Gedicht
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Andreas Gryphius - Poems
Classic Poetry Series Andreas Gryphius - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Andreas Gryphius(11 October 1616 – 16 July 1664) German lyric poet and dramatist, was born on the 11th of October 1616, at Grossglogau in Silesia, where his father was a clergyman. The family name was Greif, latinized, according to the prevailing fashion, as Gryphius. Left early an orphan and driven from his native town by the troubles of the Thirty Years’ War, he received his schooling in various places, but notably at Fraustadt, where he enjoyed an excellent classical education. In 1634 he became tutor to the sons of the eminent jurist Georg von. Schonborn (1579—1637), a man of wide culture and considerable wealth, who, after filling various administrative posts and writing many erudite volumes on law, had been rewarded by the emperor Ferdinand II. with the title and office of imperial count-palatine (Pfalzgraf). Schonborn, who recognized Gryphius’s genius, crowned him poela laureatus, gave him the diploma of master of philosophy, and bestowed on. him a patent of nobility, though Gryphius never used the title. A month later, on the 23rd of December 1637, Schonborn died; and next year Gryphius went to continue his studies at Leiden, where he remained six years, both hearing and delivering lectures. Here he fell under the influence of the great Dutch dramatists, Pieter Cornelissen Hooft (1581—1647) and Joost van den Vondel (1587—1679), who largely determined the character of his later dramatic works. After travelling in France, Italy and South Germany, Gryphius settled in 1647 at Fraustadt, where he began his dramatic work, and in 1650 was appointed syndic of Glogau, a post he held until his death on the 16th of July 1664. -
1 Recherchierte Dokumente
Herr der Bücher: Marcel Reich-Ranicki in seiner Frankfurter Wohnung MONIKA ZUCHT / DER SPIEGEL SPIEGEL-GESPRÄCH „Literatur muss Spaß machen“ Marcel Reich-Ranicki über einen neuen Kanon lesenswerter deutschsprachiger Werke SPIEGEL: Herr Reich-Ranicki, Sie haben für die an der Literatur interessiert sind. Gibt es um die Schule geht, für den Unterricht den SPIEGEL Ihren persönlichen literari- es überhaupt einen Bedarf für eine solche besonders geeigneter Werke. Die Frage, ob schen Kanon zusammengestellt, die Sum- Liste literarischer Pflichtlektüre? wir einen solchen Katalog benöti- me Ihrer Erfahrung als Literaturkritiker – Reich-Ranicki: Ein Kanon ist nicht etwa ein gen, ist mir unverständlich, denn für Schüler, Studenten, Lehrer und dar- Gesetzbuch, sondern eine Liste empfehlens- über hinaus für alle, werter, wichtiger, exemplarischer und, wenn Das Gespräch führte Redakteur Volker Hage. Chronik der deutschen Literatur Marcel Reich-Ranickis Kanon Johann Wolfgang von Goethe, Andreas Gryphius, 1749 –1832 1616 –1664 „Die Leiden des Gedichte jungen Werthers“, Gotthold Ephraim Lessing, „Faust I“, „Aus Walther von der Christian Hofmann Johann Christian 1729 –1781 meinem Leben. Das Nibe- Vogelweide, Martin Luther, von Hofmannswaldau, Günther, „Minna von Barnhelm“, Dichtung und lungenlied ca. 1170 –1230 1483 –1546 1616 –1679 1695 –1723 „Hamburgische Dramaturgie“, Wahrheit“, (um 1200) Gedichte Bibelübersetzung Gedichte Gedichte „Nathan der Weise“ Gedichte MITTELALTER16. JAHRHUNDERT 17. JAHRHUNDERT 18. JAHRHUNDERT 212 der spiegel 25/2001 Titel der Verzicht auf einen Kanon würde den der verfassten Rahmenrichtlinien und und auch die liebe Elke Heidenreich. Be- Rückfall in die Barbarei bedeuten. Ein Lehrpläne für den Deutschunterricht an merkenswert der Lehrplan des Sächsischen Streit darüber, wie der Kanon aussehen den Gymnasien haben einen generellen Staatsministeriums für Kultus: Da werden sollte, kann dagegen sehr nützlich sein. -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
German Language and Culture Texts
German language and culture texts Title Author Condition Other notes Suggested price Oxford German Dictionary Oxford As new, never used Large, £20 (RRP £30) – though hardback dustjacket has a small tear at the back (could be fixed with selotape easily) Duden CD to go with the £0.20 dictionary (but no dictionary) Understanding Stuart As new Is new £4 Contemporary Germany Parkes Germany a healthy democracy? Can Germany’s allies continue to rely on it as a reliable partner? Introductory survey of German society focusing on post- unification situation Der Nationalsozialismus 12 Fischer/Hu Very old book but 1987 book £0.50 dunkle Jahre deutscher egli/Ischi/S not marked (apart about Nazi Geschichte chaerer from 1 or 2 period of underlines in Germany in pencil) German Complete German Course L.J. Russon Old book but no Overview of £1 markings German grammar German Grammar and Usage A. E. Old book with light Overview of £0.50 Hammer markings German grammar German prelims texts Title Author Condition Other notes Suggested price The Cambridge Cambridge Companion As new Cambridge Companion £15 (RRP £23) Companion to The (Edited by Graham Modern German Novel Bartram) German novel 1890s to present Die Verwandlung Franz Kafka Light pencil marks Pocket size Reclam £1 (RRP £2) on 2 pages Die Verwandlung Kafka Very few Reclam £0.80 markings The Metamorphosis and Franz Kafka Light markings English translation of £2 (RRP £8) other Stories German text Oxford World’s Classics Erläuterungen und Various (Reclam) As new Pocket size £2.50 (RRP £4) Dokumente Reclam -
Author, Title Price Notes
Contact: Suriya Prabhakar [email protected] Hey Germanists/Linguists, I’m Suriya, a recent German graduate from Teddy Hall, and I’m looking to sell most of my books that I bought firsthand during my degree. All the books are in extremely good condition, and some of them barely used. You may find the occasional annotation but it will be in pencil and easily erasable (except poetry books where specified). All these prices are half the original price or less (based on Amazon), so I can guarantee you will be saving loads of money (unlike me in first year) on books that you probably won’t use after your degree! They will be sold on a first come first served basis – all you need to do is email me as soon as you’ve decided which ones you want! I’m happy to answer any questions you may have, and am willing to provide details/photos of books if needed. Do get in touch at: [email protected] All the best, Suriya Author, Title Price Notes Georg Kaiser, Von morgens bis 50p Prelims mitternachts (Reclam) Frank Wedekind, Frühlings Erwachen 50p Prelims Arthur Schnitzler, Liebelei (Reclam) 50p Prelims Deutsche Lyrik (Eine Anthologie) £4 Prelims; pencil annotations on set poems Mann, Mario und der Zauberer (Fischer) £3 Prelims Brecht, Die Maßnahme £2 Prelims Erich Maria Remarque, Im Westen nichts £3 Prelims Neues Hartmann von Aue, Gregorius (Reclam) £2 Prelims/Medieval Wolfram von Eschenbach, Parzival £7 VI/IX Medieval; very slight tear on Band 1 + 2 (Reclam) front cover of Band 1 (does not impact text) Parzival Translation (Penguin -
Staging Memory: the Drama Inside the Language of Elfriede Jelinek
Studies in 20th & 21st Century Literature Volume 31 Issue 1 Austrian Literature: Gender, History, and Article 13 Memory 1-1-2007 Staging Memory: The Drama Inside the Language of Elfriede Jelinek Gita Honegger Arizona State University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, and the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Honegger, Gita (2007) "Staging Memory: The Drama Inside the Language of Elfriede Jelinek," Studies in 20th & 21st Century Literature: Vol. 31: Iss. 1, Article 13. https://doi.org/10.4148/2334-4415.1653 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Staging Memory: The Drama Inside the Language of Elfriede Jelinek Abstract This essay focuses on Jelinek's problematic relationship to her native Austria, as it is reflected in some of her most recent plays: Ein Sportstück (A Piece About Sports), In den Alpen (In the Alps) and Das Werk (The Plant). Taking her acceptance speech for the 2004 Nobel Prize for Literature as a starting point, my essay explores Jelinek's unique approach to her native language, which carries both the burden of historic guilt and the challenge of a distinguished, if tortured literary legacy. Furthermore, I examine the performative force of her language. Jelinek's "Dramas" do not unfold in action and dialogue, rather, they are embedded in the grammar itself. -
I Urban Opera: Navigating Modernity Through the Oeuvre of Strauss And
Urban Opera: Navigating Modernity through the Oeuvre of Strauss and Hofmannsthal by Solveig M. Heinz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Germanic Languages and Literatures) in the University of Michigan 2013 Doctoral Committee: Associate Professor Vanessa H. Agnew, Chair Associate Professor Naomi A. André Associate Professor Andreas Gailus Professor Julia C. Hell i For John ii Acknowledgements Writing this dissertation was an intensive journey. Many people have helped along the way. Vanessa Agnew was the most wonderful Doktormutter a graduate student could have. Her kindness, wit, and support were matched only by her knowledge, resourcefulness, and incisive critique. She took my work seriously, carefully reading and weighing everything I wrote. It was because of this that I knew my work and ideas were in good hands. Thank you Vannessa, for taking me on as a doctoral rookie, for our countless conversations, your smile during Skype sessions, coffee in Berlin, dinners in Ann Arbor, and the encouragement to make choices that felt right. Many thanks to my committee members, Naomi André, Andreas Gailus, and Julia Hell, who supported the decision to work with the challenging field of opera and gave me the necessary tools to succeed. Their open doors, email accounts, good mood, and guiding feedback made this process a joy. Mostly, I thank them for their faith that I would continue to work and explore as I wrote remotely. Not on my committee, but just as important was Hartmut. So many students have written countless praises of this man. I can only concur, he is simply the best. -
The Heuristic Value of German Literature: the Eternal Plea for the Relevance of Medieval and Early Modern Literature from a Practical/Pedagogical Perspective
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals... The Heuristic Value of German Literature: The Eternal Plea for the Relevance of Medieval and Early Modern Literature from a Practical/Pedagogical Perspective Albrecht Classen Introduction1 The question of what the meaning of the Humanities might be for the current student generation continues to vex us all. We can all try to look backwards and explain the significance of past literary documents as being contributions to the canon of all literary studies. That would be the answer of an archivist. We can also try to understand literary texts from the pre- modern period as expressions of the overarching endeavor to make sense of human life, to figure out the meaning of human life, and to explain the purpose of our existence. At first look, this seems to be quite self-evident, but at a closer analysis we can realize how much both medieval and modern literary manifestations are simply waiting for us to gain deeper understanding of human interactions, conflicts, and cooperation. This article continues with previous efforts to make sense of medieval narratives and to demonstrate how much they can serve as literary expressions for the further explorations of human identity, ethics, morality, and religion. The central argument for the humanistic value of literature, as developed here, is predicated on practical experiences in teaching the history of German literature and has profited from numerous critical reflections on modern challenges to our discipline. The Relevance of the Humanities For a long time the very same question has occupied the Humanities most profoundly, and it is a question which will be raised over and over again in the future, irrespective of current answers and responses to the issue at 1 Albrecht Classen is Distinguished Professor of German Studies at the University of Arizona. -
Bert Papenfuß: Tiské
GDR Bulletin Volume 25 Issue 1 Spring Article 23 1998 Bert Papenfuß: Tiské Erk Grimm Columbia University / Barnard College Follow this and additional works at: https://newprairiepress.org/gdr This work is licensed under a Creative Commons Attribution-Share Alike 4.0 License. Recommended Citation Grimm, Erk (1998) "Bert Papenfuß: Tiské," GDR Bulletin: Vol. 25: Iss. 1. https://doi.org/10.4148/ gdrb.v25i0.1265 This Review is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in GDR Bulletin by an authorized administrator of New Prairie Press. For more information, please contact cads@k- state.edu. Grimm: Bert Papenfuß: Tiské BOOK REVIEWS as she dismantles her previous world, she is not without Like a work of high modernism, the literary techniques sympathy for the memories she conjures up of her grand• of montage, interior monologue and stream-of-conscious- mother or the Russian children who once lived in her midst. ness, rather than plot, characterize this work. The reader Her demolition plans take on one final target: a large accompanies Krauß on a flight through a dreamscape of sofa soaked to the springs with the sweat of previous genera• impressions of objects, people, and places. In epic-like tions. It is associated with the narrator's grandmother, an fashion Krauß constructs scenes which sometimes burst at early twentieth-century socialist, a woman of strong the seams with thick description, yet always seem light as a character and constitution. Like an animal, the sofa is haiku. The narration often takes on the function of poetry. -
Im Nonnengarten : an Anthology of German Women's Writing 1850-1907 Michelle Stott Aj Mes
Brigham Young University BYU ScholarsArchive Resources Supplementary Information 1997 Im Nonnengarten : An Anthology of German Women's Writing 1850-1907 Michelle Stott aJ mes Follow this and additional works at: https://scholarsarchive.byu.edu/sophsupp_resources Part of the German Literature Commons BYU ScholarsArchive Citation James, Michelle Stott, "Im Nonnengarten : An Anthology of German Women's Writing 1850-1907" (1997). Resources. 2. https://scholarsarchive.byu.edu/sophsupp_resources/2 This Book is brought to you for free and open access by the Supplementary Information at BYU ScholarsArchive. It has been accepted for inclusion in Resources by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. lm N onnengarten An Anthology of German Women's Writing I850-I907 edited by MICHELLE STOTT and JOSEPH 0. BAKER WAVELAND PRESS, INC. Prospect Heights, Illinois For information about this book, write or call: Waveland Press, Inc. P.O. Box400 Prospect Heights, Illinois 60070 (847) 634-0081 Copyright © 1997 by Waveland Press ISBN 0-88133-963-6 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without permission in writing from the publisher. Printed in the United States of America 765432 Contents Preface, vii Sources for further study, xv MALVIDA VON MEYSENBUG 1 Indisches Marchen MARIE VON EBNER-ESCHENBACH 13 Die Poesie des UnbewuBten ADA CHRISTEN 29 Echte Wiener BERTHA VON -
Heinrich Von Kleist
Heinrich von Kleist: Das gescheiterte Genie (Paper VIII, Paper X) Tue 2-3 (wks: 5-8), Taylor Institution Rm 2 This four-week lecture will cover the life and selected writings of Heinrich von Kleist. Besides the prescribed text for paper X, the play ‘Prinz Friedrich von Homburg’, the course will focus on the modernity and openness of Kleist’s work, making him up until the present day one of the most eminent authors in German language. His reputation becomes apparent in the continuous presence of his plays on German stages. While none of his works is autobiographic in a narrow sense, his narrative prose and his plays in many ways reflect the author’s personal struggle with emotions, sexuality and his failure ever to pursue a satisfactory career. To a certain extent, Kleist can be regarded as the contemporary counterpart to Johann Wolfgang von Goethe, the omnipotent embodiment of artistic genius. Finally, the lecture will address Kleist’s unabated relevance, exploring the ambiguities of justice and violence in texts like ‘Michael Kohlhaas’ and ‘die Hermannsschlacht’. This course will be held in German, which makes it particularly suitable for 2nd year students intending to spend their year abroad at a German university and for finalists who would like to improve their German language skills, in particular with relation to literature. To support language learning alongside the lecture’s literary subject matter, specific vocabulary will be addressed and the content will be recapitulated regularly throughout the lecture. Lecture plan: Week 5: Kleist: Leben – Themen – Rezeption Week 6: Widersprüche der Lektüre: Das Erdbeben in Chili Week 7: Die Geburt des Partisanen aus dem Geist der Poesie: Michael Kohlhaas / Die Hermannsschlacht Week 8: Traum und Wirklichkeit: Prinz Friedrich von Homburg Letters in German Literature: From Goethe's ‚’Werther’ to Kafka's 'Brief an den Vater' (Paper VIII, Paper X) Tue 9-10 (wks:1-8), 47 Wellington Square, Grnd Flr Lec Rm 1 This seminar will address the role of the letter in the history of German literature through selected examples. -
Wolf Biermann, Warte Nicht Auf Bessre Zeiten!
Wolf Biermann, Warte nicht auf bessre Zeiten! Die Autobiographie, Propyläen Verlag, Berlin 2016, 543 S., geb., 28,00 €. Wolf Biermann hat ein großes, ja großartiges Buch geschrieben. Die Autobiografie ist mehr als nur die Selbstsicht des wichtigsten Liedermachers der antistalinistischen Opposition in der SED-Diktatur, sie ist ein Parforce-Ritt durch die deutsch-deutsche Zeitgeschichte. Es beginnt mit der Schilderung des Schicksals und des Widerstands gegen den Nationalsozialismus der kommunistischen Arbeiterfamilie Biermann in Hamburg. Hier werden zwei Konstanten im Leben Wolf Biermanns deutlich: sein bis zum Anfang der 1980er-Jahre reichendes Bekenntnis zum Kommunismus und die Trauer um den jüdischen Vater, der in Auschwitz sein Leben lassen musste. Viele Stationen aus Biermanns Leben waren bis zu dieser Autobiografie öffentlich bereits durch seine zahlreichen Lieder und diese kommentierende Erzählungen bekannt. Sie gewinnen jedoch eine andere emotionale Wucht in der zusammenfassenden Erzählung. Zuerst gilt das für den Überlebenskampf im 1943 verheerend bombardierten Hamburg. Genauso dicht ist die Schilderung des kommunistischen Milieus in der Hansestadt nach der Befreiung vom Nationalsozialismus, das schließlich auch direkt mit seinem Wechsel 1953 in die SED-Diktatur zu tun hatte. Der Schüler Biermann erlebte hier schnell die Verfolgung der Mitglieder der evangelischen Jungen Gemeinde, wandte sich in seiner Internatsschule öffentlich dagegen und sollte trotzdem als Spitzel für die Geheimpolizei geworben werden. Auch hier widerstand er und sein Selbstbewusstsein als Kommunist blieb bei dieser ersten Prüfung »unbeschädigt«. Das ändert sich auch in seiner Zeit in Ost-Berlin als Student an der Humboldt-Universität und als Regie- assistent am Brecht-Theater »Berliner Ensemble« nicht. Hier begann aber das, was Biermann für die ostdeutschen Oppositionellen so wichtig machte, ja Verehrung erzeugte, die bis heute bei vielen anhält.