Introduction to German Literature 1900 – Present
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Literature and Film of the Weimar Republic (In English Translation) OLLI@Berkeley, Spring 2019 Mondays, April 1—29, 2019 (5 Weeks), 10:00 A.M
Instructor: Marion Gerlind, PhD (510) 430-2673 • [email protected] Literature and Film of the Weimar Republic (in English translation) OLLI@Berkeley, Spring 2019 Mondays, April 1—29, 2019 (5 weeks), 10:00 a.m. — 12:30 p.m. University Hall 41B, Berkeley, CA 94720 In this interactive seminar we shall read and reflect on literature as well as watch and discuss films of the Weimar Republic (1919–33), one of the most creative periods in German history, following the traumatic Word War I and revolutionary times. Many of the critical issues and challenges during these short 14 years are still relevant today. The Weimar Republic was not only Germany’s first democracy, but also a center of cultural experimentation, producing cutting-edge art. We’ll explore some of the most popular works: Bertolt Brecht and Kurt Weill’s musical play, The Threepenny Opera, Joseph von Sternberg’s original film The Blue Angel, Irmgard Keun’s bestseller The Artificial Silk Girl, Leontine Sagan’s classic film Girls in Uniform, Erich Maria Remarque’s antiwar novel All Quiet on the Western Front, as well as compelling poetry by Else Lasker-Schüler, Gertrud Kolmar, and Mascha Kaléko. Format This course will be conducted in English (films with English subtitles). Your active participation and preparation is highly encouraged! I recommend that you read the literature in preparation for our sessions. I shall provide weekly study questions, introduce (con)texts in short lectures and facilitate our discussions. You will have the opportunity to discuss the literature/films in small and large groups. We’ll consider authors’ biographies in the socio-historical background of their work. -
German Literature/Ecology Charlotte Melin Department of German, Scandinavian and Dutch University of Minnesota-Twin Cities
Beyond the “Two Cultures Model”: German Literature/Ecology Charlotte Melin Department of German, Scandinavian and Dutch University of Minnesota-Twin Cities The Case for German + Sustainability Studies Readings Forum Discussions Global Connections On-line “Literary intellectuals at the one pole—at the other scientists . .” Each week students participate in a discussion blog written in Links from the course website facilitate exploration of —C. P. Snow, The Two Cultures (1959) German. The topics ask students to connect the assigned readings international connections through supplementary readings, with other aspects of their learning and experience. Students who video, and audio materials. Students have opportunities to “. language is understood as an essential element of have engaged in study abroad add contrastive perspectives. critically evaluate the reliability of websites, use on-line a human being’s thought processes, perceptions, and reference sources, and encounter dialectical variations in self-expressions; and as such it is considered to be at the Sample questions: spoken German. core of translingual and transcultural competence. Language is a complex multifunctional phenomenon that links an individual to other individuals, to communities, and Kaminer uses descriptions of photographs at the beginning to national cultures.” of his work to contrast the relationship to nature of —MLA Ad Hoc Committee on Foreign Languages (2007) generations in and past and people today. Select two photographs that show the relationship between man and “Germany is global leader in exports of environmental protection nature and describe them in German. products” —Umweltbundesamt/The Federal Environmental Agency Compare the understanding of environmental issues in (2008) Pfisters Muehle with the situation today. -
The Cultural Memory of German Victimhood in Post-1990 Popular German Literature and Television
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons@Wayne State University Wayne State University Wayne State University Dissertations 1-1-2010 The ulturC al Memory Of German Victimhood In Post-1990 Popular German Literature And Television Pauline Ebert Wayne State University Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the European History Commons, European Languages and Societies Commons, and the German Literature Commons Recommended Citation Ebert, Pauline, "The ulturC al Memory Of German Victimhood In Post-1990 Popular German Literature And Television" (2010). Wayne State University Dissertations. Paper 12. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE CULTURAL MEMORY OF GERMAN VICTIMHOOD IN POST-1990 POPULAR GERMAN LITERATURE AND TELEVISION by ANJA PAULINE EBERT DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2010 MAJOR: MODERN LANGUAGES Approved by: ________________________________________ Advisor Date ________________________________________ ________________________________________ ________________________________________ ________________________________________ © COPYRIGHT BY ANJA PAULINE EBERT 2010 All Rights Reserved Dedication I dedicate this dissertation … to Axel for his support, patience and understanding; to my parents for their help in financial straits; to Tanja and Vera for listening; to my Omalin, Hilla Ebert, whom I love deeply. ii Acknowledgements In the first place I would like to express my deepest gratitude to my advisor, Professor Anne Rothe. -
Diplomarbeit Aktuell
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Andrea Wenighofer Grenzzwischenfall mit Nachspiel Ödön von Horváths „Hin und Her“ und die Nachlassmaterialien im Österreichischen Literaturarchiv Diplomarbeit zur Erlangung des Magistergrades der Philosophie aus der Studienrichtung Deutsche Philologie eingereicht an der Universität Wien Wien, März 2006 Die Person geht in einem solchen Fall zur nächsten ZUSTÄNDIGEN BEHÖRDE und besorgt sich den sogenannten Brückenlichtbildausweis. Personen, die sich mit einem BRÜCKENLICHTBILDAUSWEIS legitimieren, dürfen vom Brückenwärter nicht abgewiesen werden, außer dem Brückenwärter erscheint die Person UNHEIMLICH. Gert Jonke, Geometrischer Heimatroman Inhalt 1. Grenzziehungen ......................................................................................................... 5 2. „[...] eingedenk der Tatsache, daß im ganzen genommen das menschliche Leben immer ein Trauerspiel, nur im einzelnen eine Komödie ist.“........................ 6 3. Entstehungs- und Rezeptionsgeschichte des Stückes Hin und Her........................19 3.1. Exkurs: Wie weit ist’s bis zur Exilliteratur?......................................................25 4. Fragen zur Textgestaltung........................................................................................28 4.1. Horváths Idiolekt: Der „Bildungsjargon“ und seine Realisation in Hin und Her...........................................................................................................................28 -
Author, Title Price Notes
Contact: Suriya Prabhakar [email protected] Hey Germanists/Linguists, I’m Suriya, a recent German graduate from Teddy Hall, and I’m looking to sell most of my books that I bought firsthand during my degree. All the books are in extremely good condition, and some of them barely used. You may find the occasional annotation but it will be in pencil and easily erasable (except poetry books where specified). All these prices are half the original price or less (based on Amazon), so I can guarantee you will be saving loads of money (unlike me in first year) on books that you probably won’t use after your degree! They will be sold on a first come first served basis – all you need to do is email me as soon as you’ve decided which ones you want! I’m happy to answer any questions you may have, and am willing to provide details/photos of books if needed. Do get in touch at: [email protected] All the best, Suriya Author, Title Price Notes Georg Kaiser, Von morgens bis 50p Prelims mitternachts (Reclam) Frank Wedekind, Frühlings Erwachen 50p Prelims Arthur Schnitzler, Liebelei (Reclam) 50p Prelims Deutsche Lyrik (Eine Anthologie) £4 Prelims; pencil annotations on set poems Mann, Mario und der Zauberer (Fischer) £3 Prelims Brecht, Die Maßnahme £2 Prelims Erich Maria Remarque, Im Westen nichts £3 Prelims Neues Hartmann von Aue, Gregorius (Reclam) £2 Prelims/Medieval Wolfram von Eschenbach, Parzival £7 VI/IX Medieval; very slight tear on Band 1 + 2 (Reclam) front cover of Band 1 (does not impact text) Parzival Translation (Penguin -
Die Rechtsextreme Rezeption Des Nibelungenliedes Nach 1945
Die rechtsextreme Rezeption des Nibelungenliedes nach 1945 Beispiele und Hintergründe einer Vereinnahmung Masterarbeit zur Erlangung des akademischen Grades Master of Arts (MA) an der Karl-Franzens-Universität Graz vorgelegt von Matthias KRASSER am Institut für Germanistik Begutachterin: Ao.Univ.-Prof. Mag. Dr.phil. Brigitte Spreitzer-Fleck Graz, 2019 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen inlän- dischen oder ausländischen Prüfungsbehörde vorgelegt und auch noch nicht veröf- fentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Versi- on. Datum: 01.10.2019 Unterschrift: Die Krux mit den Geschlechtern bzw. dem generischen Maskulinum In dieser Arbeit beschäftige ich mich mit dem heiklen Thema Rechtsextremismus. Neben seinen anderen Erscheinungsformen ist der Rechtsextremismus per se stark männlich geprägt1, patriarchale Weltvorstellungen sind zentral. Umso mehr ist also eine besondere Sensibilität beim geschlechtergerechten Formulieren geboten. Allerdings bin ich mit dem vollständigen Ausschreiben der männlichen und der weiblichen Formen aus Gründen der umständlichen Lesbarkeit unzufrieden. Auch das Binnen-I oder die Verwendung von Schrägstrichen, Unterstrichen oder Sternen halte ich aus ästhetischen Aspekten für unzureichend. Deshalb galt es, eine passen- dere Form zu finden: Zuerst hatte ich die Idee ‚neutral‘ zu gendern à la Autoras und Leseras, doch spätestens bei den Pluralformen bzw. den Pronomen wird es hier mühsam und die eigentlich gewünschte Vereinfachung zunichte gemacht. Die übrig- gebliebene Lösung schien nur mehr der Einsatz des generischen Maskulinums2 mit Inklusionsverweis zu sein. -
Thesis Formatted for Submission Final Oct 6.Pdf
TALKING ABOUT THE AESTHETIC OF THE HUMANE: EXPLORING COMMUNICATION IN THE CONTENT AND STRUCTURE OF HEINRICH BÖLL’S EARLY NOVELS A Thesis Presented to the Faculty of the Graduate School Of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts By David Sebastian Low January 2009 © 2009 David Sebastian Low ABSTRACT In his Frankfurter Vorlesungen Heinrich Böll attempts to formulate an aesthetic program that explains how the moral content of writing might be inscribed in its structure. This “aesthetic of the humane” would involve the subject-matter and orientation of a work’s content toward the representation of the historically real and the truth content of that reality. The “real” as it is in the historical world and that “reality” that contains the truth content of the experienced world are to be unified in the aesthetic of the humane, and it is the author who is burdened with the task of mediating the two for her reader. In many of his essays Böll privileges communication as an inherently moral act, and emphasizes the responsibility of the author to use his vocation humanely. In order to understand how Böll realized the concept of the aesthetic of the humane in his own writing we may look to how he uses communication within his texts to demonstrate moral action. Communication between characters at the level of plot corresponds to the author’s obligation to depict the “real” historical component, and communicative structures in the matrix of his novels relate to the “reality” of mediated experience provided as commentary by the author to the reader. -
Narrating a Valley in Max Frisch's Der Mensch Erscheint Im Holozän
humanities Article Narrating a Valley in Max Frisch’s Der Mensch erscheint im Holozän: Material Agency, Rain, and the Geologic Past Kiley M. Kost Department of German and Russian, Carleton College, Northfield, IL 55057, USA; [email protected] Abstract: The complex narrative composition of image and text in Max Frisch’s Der Mensch erscheint im Holozän discloses entanglements between humans and nonhuman entities that impact the narrative and that demand careful consideration. The story depicts the aging protagonist’s struggle with memory loss and his careful examination of the valley’s mountain formations in fear of a landslide. In this analysis, I show that both of these threats can be read as entangled with nonhuman agents. By focusing on the material dimension of the text, two central and related shifts occur: the background element of rain becomes foregrounded in the narrative, and the natural formations of the valley that are assumed to be static are revealed to be dynamic. These shifts lead to an interpretation of Frisch’s text focused on the impacts of rain and the temporal scale of the text’s geologic dimension. Approaching the text through the lens of material ecocriticism unveils the multiple agencies at play, decenters the human, and illustrates the embodied experience of climate change. Keywords: material ecocriticism; rain; geology; scale; Max Frisch; Der Mensch erscheint im Holozän 1. “Draußen regnet es” When Max Frisch was living in Berzona, a small village near Lake Maggiore in the Citation: Kost, Kiley M.. 2021. Swiss canton of Ticino, his friend and editor Uwe Johnson gifted him a book about the Narrating a Valley in Max Frisch’s region: Der Lago Maggiore und seine Täler (Lake Maggiore and its Valleys). -
"The Silent Angel" by Heinrich Boll
ISSN 2411-9598 (Print) European Journal of January-April 2018 ISSN 2411-4103 (Online) Language and Literature Studies Volume 4 Issue 1 Function of Symbols in the Setting of the Novel "The Silent Angel" by Heinrich Boll Somayeh Aghajani Kalkhoran Assistant professor at Hankuk University of Foreign Studies. Abstract The story atmosphere includes the setting, scene components, and all the descriptions the author uses to further advance the plot, events, and introduction of characters. In a good story, none of the words and parts of the story are futile and are used in the direction of the author's purpose for the artistic treatment of events and characters of the story. In the novel "The Silent Angel" by Heinrich Boll, the author uses tools such as dark and negative color like yellow and black, describes the scenes and people with negative words and uses several statues to create a cool and sober atmosphere of war also confusion and discouragement of people and inconvenient events and shows them more tangible and powerful to the reader of the story. Heinrich Boll, using the power of symbols in colors and words, brings the reader fully into the story atmosphere and creates all the emotions in the reader that can be seen and received from the warrior city and its people. Keywords: Setting, Symbol, The Silent Angel, Heinrich Boll Introduction In a good story all words have their own role and make the components of the fiction such as plot, setting, characters and so on. These words represent the whole story which is the result of interaction between the author’s internal and external worlds that are under influence of situation and society circumstances. -
Bibliography
Bibliography Adorno, Theodor. Minima Moralia: Reflections from Damaged Life. Translated by E. F. N. Jephcott. London: New York: Verso, 1978 [1951]. Aleichem, Sholem. Tevye’s Daughters: Collected Stories of Sholom Aleichem. NY: Crown, 1949 [1894]. Aleichem, Sholem, and Maurice Schwartz, dirs. Tevye. Magna Tech and International Cinema. 1939. Film. Améry, Jean: Bez viny a bez trestu: pokus o zvládnutí nezvládnutelného. Translated by Daniela Petříčková and Miroslav Petříček. Praha: Prostor, 2011. Anderson, Mark M. “The Child Victim as Witness to the Holocaust: An American Story?” Jewish Social Studies 14, no. 1 (Fall 2007): 1-22. Arendt, Hannah. Eichmann in Jerusalem: A Report on the Banality of Evil. Harmondsworth: Penguin Books, 1984. Banki, Peter. “The Survival of the Question: Simon Wiesenthal’s The Sunflower,” in The Forgiveness to Come: The Holocaust and the Hyper- Ethical. 20-48. New York: Fordham University Press, Modern Language Initiative, 2017. Benvenga, Nancy. “Frankl, Newman and the Meaning of Suffering.” Journal of Religion and Health 37, no. 1 (Spring 1998): 63-65. Bílek, Petr. A. “Existencialismus v poválečné próze a poezii—tematika a kladení otázek.” Česká literature 51, no. 6 (December 2003): 735-737. Biller, Karlheinz, Jay I. Levinson, and Timothy Pytell. “Viktor Frankl: Opposing Views.” Journal of Contemporary History 37, no. 1 (January 2002): 105-113. Broch, Hermann. The Sleepwalkers. New York: Vintage International; Random House, 1996. ———. Hofmannsthal and His Time. Chicago: The University of Chicago Press, 1984 [1948]. Brown, Wendy. “Tolerance as Museum Object: The Simon Wiesenthal Center Museum of Tolerance,” in Regulating Aversion: Tolerance in the Age of Identity and Empire, 107-148. Princeton: Princeton University Press, 2006. -
1 Schiller and the Young Coleridge
Notes 1 Schiller and the Young Coleridge 1. For the details of Schiller’s career and thought I am drawing on a number of works including Lesley Sharpe, Friedrich Schiller: Drama, Thought and Politics (Cambridge: Cambridge University Press, 1991); Walter Schafarschik, Friedrich Schiller (Stuttgart: Philipp Reclam, 1999); F. J. Lamport, German Classical Drama: Theatre, Humanity, and Nation, 1750–1870 (Cambridge: Cambridge University Press, 1990); and T. J. Reed, The Classical Centre: Goethe and Weimar, 1775–1832 (Oxford: Oxford University Press, 1986), and Schiller- Handbuch, ed. Helmut Koopmann (Stuttgart: Alfred Kröner, 1998). 2. Schiller later revised the essay and published it in his Shorter Works in Prose under the title ‘The Stage Considered as a Moral Institution’ (‘Die Schaubühne als eine moralische Anstalt betrachtet’). 3. See David Pugh, ‘“Die Künstler”: Schiller’s Philosophical Programme’, Oxford German Studies, 18/19 (1989–90), 13–22. 4. See J. M. Ellis, Schiller’s ‘Kalliasbriefe’ and the Study of his Aesthetic Theory (The Hague and Paris: Mouton, 1969). 5. See Paul Robinson Sweet, Wilhelm von Humboldt: a Biography, 2 vols (Columbus: Ohio State University Press, 1978–80) and W. H. Bruford, The Ger- man Tradition of Self-Cultivation: ‘Bildung’ from Humboldt to Thomas Mann (Cambridge: Cambridge University Press, 1975), ch. 1; also E. S. Shaffer, ‘Romantic Philosophy and the Organization of the Disciplines: the Found- ing of the Humboldt University of Berlin’, in Romanticism and the Sciences, ed. Andrew Cunningham and Nicholas Jardine (Cambridge: Cambridge University Press, 1990), 38–54. 6. Norbert Oellers, Schiller: Geschichte seiner Wirkung bis zu Goethes Tod, 1805– 1832 (Bonn: Bouvier, 1967). -
The German Literature in American Exile – Great Writers and Their Wives: Perspectives from Russian Scholars
SHS Web of Conferences 55, 04018 (2018) https://doi.org/10.1051/shsconf/20185504018 ICPSE 2018 The German literature in American exile – great writers and their wives: perspectives from Russian scholars Svetlana Averkina1,*, Angelika Kalinina1, and Tatiana Suchareva1 1Linguistics University of Nizhny Novgorod, 603115, 31-a Minina str., Nizhniy Novgorod, Russia Abstract. The article focuses on the life and art of the famous Germane writers, namely Thomas Mann, Lion Feuchtwanger, and Franz Werfel. After the outbreak of WWII, when the Nazi forces invaded these lands, a lot of emigres managed to leave for the USA. For many of them, the escape route was extremely turbulent. The German writers in the USA settled closely together in California, forming a tight community. The famous Germane writers had to decide upon two principal questions: what they could do for the culture of their home country while staying in exile, and how to interact with the culture of the country where they live. In this connection, it is of great importance to analyze not their works, but the books of their wives. They took care of the house and children on a daily basis, as well as became secretaries, councilors, and closest associates of their great husbands. The authors also propose the main perspectives on a future research on this topic, focusing on the social and political phenomenon of “the community of German writers in American exile”, analyzing how the intellectual community was formed, discussing the documents of this age, studying the memories about their time in America in the context of the contemporary gender theory.