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LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome. -
Film & Event Calendar
1 SAT 17 MON 21 FRI 25 TUE 29 SAT Events & Programs Film & Event Calendar 12:00 Event 4:00 Film 1:30 Film 11:00 Event 10:20 Family Gallery Sessions Tours for Fours: Art-Making Warm Up. MoMA PS1 Sympathy for The Keys of the #ArtSpeaks. Tours for Fours. Daily, 11:30 a.m. & 1:30 p.m. Materials the Devil. T1 Kingdom. T2 Museum galleries Education & 4:00 Film Museum galleries Saturdays & Sundays, Sep 15–30, Research Building See How They Fall. 7:00 Film 7:00 Film 4:30 Film 10:20–11:15 a.m. Join us for conversations and T2 An Evening with Dragonfly Eyes. T2 Dragonfly Eyes. T2 10:20 Family Education & Research Building activities that offer insightful and Yvonne Rainer. T2 A Closer Look for 7:00 Film 7:30 Film 7:00 Film unusual ways to engage with art. Look, listen, and share ideas TUE FRI MON SAT Kids. Education & A Self-Made Hero. 7:00 Film The Wind Will Carry Pig. T2 while you explore art through Research Building Limited to 25 participants T2 4 7 10 15 A Moment of Us. T1 movement, drawing, and more. 7:00 Film 1:30 Film 4:00 Film 10:20 Family Innocence. T1 4:00 Film WED Art Lab: Nature For kids age four and adult companions. SUN Dheepan. T2 Brigham Young. T2 This Can’t Happen Tours for Fours. SAT The Pear Tree. T2 Free tickets are distributed on a 26 Daily. Education & Research first-come, first-served basis at Here/High Tension. -
À Corps Perdus / De Rouille Et D'os, France / Belgique 2012, 1 H 55
Document généré le 2 oct. 2021 06:39 Séquences La revue de cinéma --> Voir l’erratum concernant cet article À corps perdus De rouille et d’os, France / Belgique 2012, 1 h 55 Élie Castiel Numéro 281, novembre–décembre 2012 URI : https://id.erudit.org/iderudit/67890ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Castiel, É. (2012). Compte rendu de [À corps perdus / De rouille et d’os, France / Belgique 2012, 1 h 55]. Séquences, (281), 42–43. Tous droits réservés © La revue Séquences Inc., 2012 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 42 LES FILMS | En couverture DE ROUILLE et D'OS À corps perdus Quelle belle chose de constater, autant pour le public que pour les critiques, que certains cinéastes font leur «meilleur film » à chaque nouvelle proposition. C’est bien le cas de Jacques Audiard qui, après l’édifiant et magnifique Un prophète, surprend de mille et une façons avec De rouille et d’os. -
Jeanne Lanvin
JEANNE LANVIN A 01long history of success: the If one glances behind the imposing façade of Rue du Faubourg Saint-Honoré, 22, in Paris, Lanvin fashion house is the oldest one will see a world full of history. For this is the Lanvin headquarters, the oldest couture in the world. The first creations house in the world. Founded by Jeanne Lanvin, who at the outset of her career could not by the later haute couture salon even afford to buy fabric for her creations. were simple clothes for children. Lanvin’s first contact with fashion came early in life—admittedly less out of creative passion than economic hardship. In order to help support her six younger siblings, Lanvin, then only fifteen, took a job with a tailor in the suburbs of Paris. In 1890, at twenty-seven, Lanvin took the daring leap into independence, though on a modest scale. Not far from the splendid head office of today, she rented two rooms in which, for lack of fabric, she at first made only hats. Since the severe children’s fashions of the turn of the century did not appeal to her, she tailored the clothing for her young daughter Marguerite herself: tunic dresses designed for easy movement (without tight corsets or starched collars) in colorful patterned cotton fabrics, generally adorned with elaborate smocking. The gentle Marguerite, later known as Marie-Blanche, was to become the Salon Lanvin’s first model. When walking JEANNE LANVIN on the street, other mothers asked Lanvin and her daughter from where the colorful loose dresses came. -
Columbia Filmcolumbia Is Grateful to the Following Sponsors for Their Generous Support
O C T O B E R 1 8 – 2 7 , 2 0 1 9 20 TH ANNIVERSARY FILM COLUMBIA FILMCOLUMBIA IS GRATEFUL TO THE FOLLOWING SPONSORS FOR THEIR GENEROUS SUPPORT BENEFACTOR EXECUTIVE PRODUCERS 20 TH PRODUCERS FILM COLUMBIA FESTIVAL SPONSORS MEDIA PARTNERS OCTOBER 18–27, 2019 | CHATHAM, NEW YORK Programs of the Crandell Theatre are made possible by the New York State Council on the Arts with the support of Gov. Andrew Cuomo and the New York filmcolumbia.org State Legislature. 5 VENUES AND SCHEDULE 9 CRANDELL THEATRE VENUES AND SCHEDULE 11 20th FILMCOLUMBIA CRANDELL THEATRE 48 Main Street, Chatham 13 THE FILMS á Friday, October 18 56 PERSONNEL 1:00pm ADAM (page 15) 56 DONORS 4:00pm THE ICE STORM (page 15) á Saturday, October 19 74 ORDER TICKETS 12:00 noon DRIVEWAYS (page 16) 2:30pm CROUCHING TIGER, HIDDEN DRAGON (page 17) á Sunday, October 20 11:00am QUEEN OF HEARTS: AUDREY FLACK (page 18) 1:00pm GIVE ME LIBERTY (page 18 3:30pm THE VAST OF NIGHT (page 19) 5:30pm ZOMBI CHILD (page 19) 7:30pm FRANKIE + DESIGN IN MIND: ON LOCATION WITH JAMES IVORY (short) (page 20) á Monday, October 21 11:30am THE TROUBLE WITH YOU (page 21) 1:30pm SYNONYMS (page 21) 4:00pm VARDA BY AGNÈS (page 22) 6:30pm SORRY WE MISSED YOU (page 22) 8:30pm PARASITE (page 23) á Tuesday, October 22 12:00 noon ICE ON FIRE (page 24) 2:00pm SOUTH MOUNTAIN (page 24) 4:00pm CUNNINGHAM (page 25) 6:00pm THE CHAMBERMAID (page 26) 8:15pm THE SONG OF NAMES (page 27) á Wednesday, October 23 11:30am SEW THE WINTER TO MY SKIN (page 28) 2:00pm MICKEY AND THE BEAR (page 28) 3:45pm CLEMENCY (page 29) 6:00pm -
12 Big Names from World Cinema in Conversation with Marrakech Audiences
The 18th edition of the Marrakech International Film Festival runs from 29 November to 7 December 2019 12 BIG NAMES FROM WORLD CINEMA IN CONVERSATION WITH MARRAKECH AUDIENCES Rabat, 14 November 2019. The “Conversation with” section is one of the highlights of the Marrakech International Film Festival and returns during the 18th edition for some fascinating exchanges with some of those who create the magic of cinema around the world. As its name suggests, “Conversation with” is a forum for free-flowing discussion with some of the great names in international filmmaking. These sessions are free and open to all: industry professionals, journalists, and the general public. During last year’s festival, the launch of this new section was a huge hit with Moroccan and internatiojnal film lovers. More than 3,000 people attended seven conversations with some legendary names of the big screen, offering some intense moments with artists, who generously shared their vision and their cinematic techniques and delivered some dazzling demonstrations and fascinating anecdotes to an audience of cinephiles. After the success of the previous edition, the Festival is recreating the experience and expanding from seven to 11 conversations at this year’s event. Once again, some of the biggest names in international filmmaking have confirmed their participation at this major FIFM event. They include US director, actor, producer, and all-around legend Robert Redford, along with Academy Award-winning French actor Marion Cotillard. Multi-award-winning Palestinian director Elia Suleiman will also be in attendance, along with independent British producer Jeremy Thomas (The Last Emperor, Only Lovers Left Alive) and celebrated US actor Harvey Keitel, star of some of the biggest hits in cinema history including Thelma and Louise, The Piano, and Pulp Fiction. -
1St Semester 2017/18
2017/2018 half-year results As previously announced, first semester 2017/2018 marked by losses: o Revenues up to €138.1 M versus €60.6 M in N-1, thanks to the sales generated by Valerian and the City of a Thousand Planets o Half-year loss of €(70.6) M, due to underperformance of the films distributed in the United States during the period and accounting of impairment of assets with no cash impact First reduction in overheads by 13% The Company continues its actions to reinforce financial capacities and reduce overheads Saint-Denis, December 15 th , 2017 – EuropaCorp, producer and distributor of films and TV series, announces today its revenue and consolidated half-year results as at 30 September 2017. Half-year results – 1st semester 2017/18 Sept. 30, 2017 Sept. 30, 2016 Consolidated results - in € million Variation (6 months) (6 months) Revenue 138.1 60.6 +77.5 Cost of sales -170.6 -70.4 -100.2 Operating margin -32.5 -9.8 -22.7 % CA -23.5% -16.2% Operating profit (loss) -65.7 -33.6 -32.1 % CA -47.6% -55.4% Financial income -10.2 -7.4 -2.8 Net income (Group share) -70.6 -27.6 -43 % CA -51.1% -45.5% To be compliant with IFRS 5, the Music Publishing and French Television Production activities – sold or held for sale - have been restated within the consolidated half-year 2017-2018 financial statement above. The net income for those specific lines of business as of September 30 th , 2017 (+€10.4 M) has been booked directly in « Net Income – Group Share ». -
Fragonard Magazine N°9 - 2021 a Year of PUBLICATION DIRECTOR and CHIEF EDITOR New Charlotte Urbain Assisted By, Beginnings Joséphine Pichard Et Ilona Dubois !
MAGAZINE 2021 9 ENGLISH EDITORIAL STAFF directed by, 2021, Table of Contents Agnès Costa Fragonard magazine n°9 - 2021 a year of PUBLICATION DIRECTOR AND CHIEF EDITOR new Charlotte Urbain assisted by, beginnings Joséphine Pichard et Ilona Dubois ! ART DIRECTOR Claudie Dubost assisted by, Maria Zak BREATHE SHARE P04 Passion flower P82 Audrey’s little house in Picardy AUTHORS Louise Andrier P10 News P92 Passion on the plate recipes Jean Huèges P14 Laura Daniel, a 100%-connected by Jacques Chibois Joséphine Pichard new talent! P96 Jean Flores & Théâtre de Grasse P16 Les Fleurs du Parfumeur Charlotte Urbain 2020 will remain etched in our minds as the in which we all take more care of our planet, CELEBRATE CONTRIBUTORS year that upturned our lives. Yet, even though our behavior and our fellow men and women. MEET P98 Ten years of acquisitions at the Céline Principiano, Carole Blumenfeld we’ve all suffered from the pandemic, it has And especially, let’s pledge to turn those words P22 Musée Jean-Honoré Fragonard leading the way Eva Lorenzini taught us how to adapt and behave differently. into actions! P106 A-Z of a Centenary P24 Gérard-Noel Delansay, Clément Trouche As many of you know, Maison Fragonard is a Although uncertainty remains as to the Homage to Jean-François Costa a familly affair small, 100% family-owned French house. We reopening of social venues, and we continue P114 Provence lifestyle PHOTOGRAPHERS enjoy a very close relationship with our teams to feel the way in terms of what tomorrow will in the age of Fragonard ESCAPE Olivier Capp and customers alike, so we deeply appreciate bring, we are over the moon to bring you these P118 The art of wearing perfume P26 Viva România! Eva Lorenzini your loyalty. -
The EU Film Industry in the Spotlight at the Venice International Film Festival
The EU film industry in the spotlight at the Venice International Film Festival Five films which have been awarded EU funding are competing in the prestigious 72nd Venice International Film Festival between 2 and 9 September. The European Commission has invested around €260,000 through the Creative Europe MEDIA programme to support the development and distribution of these films, which are taking part in the Official Selection and Orizzonti competitions. Venice Film Festival Films in the Official selection Three EU-supported films will be shown as world premieres in the Venezia 72 competition for feature films: Marguerite, 1921, a big castle not far from Paris. Marguerite, the owner, is affluent and devotes all of her time to her passion: music. Loosely based on the life of the American soprano Florence Foster Jenkins, who became famous between 1930 and 1940 thanks to her poor singing skills, the film is a French, Czech and Belgian co-production, directed by Xavier Giannoli. It stars Catherine Frot, André Marcon, Michel Fau, Christa Théret, Denis Mpunga, Sylvain Dieuaide. A Bigger Splash, this thriller feature the rock star Marianne Lane and Paul, her film director fiancé, who are on holiday in Pantelleria. The sudden visit of Harry, and his daughter Penelope, will drag all the characters into a whirlpool of passion and jealousy. A remake of the French detective film La piscine (1968), this is an Italian, French production starring Tilda Swinton, Ralph Fiennes, Matthias Schoenaerts, Dakota Johnson, Corrado Guzzanti, directed by Luca Guadagnino. L’Hermine, the story starts the day before a trial: during the hearing, something extraordinary will happen and will change everything. -
Marion Cotillard Matthias Schoenaerts RUST AND
RustnBone1.indd 1 6/5/12 15:12:51 Why Not Productions and Page 114 present Marion Cotillard Matthias Schoenaerts RUST AND BONE A film by Jacques Audiard Armand Verdure / Céline Sallette / Corinne Masiero Bouli Lanners / Jean-Michel Correia France / Belgium / 2012 / color / 2.40 / 120 min International Press: International Sales: Magali Montet Celluloid Dreams [email protected] 2, rue Turgot - 75009 Paris Tel: +33 6 71 63 36 16 Tel: +33 1 4970 0370 Fax: +33 1 4970 0371 Delphine Mayele [email protected] [email protected] Tel: +33 6 60 89 85 41 Contact in Cannes Celluloid Dreams 84, rue d’Antibes 06400 Cannes Hengameh Panahi +33 6 11 96 57 20 Annick Mahnert +33 6 37 12 81 36 Agathe Mauruc +33 6 82 73 80 04 Director’s Note There is something gripping about Craig Davidson’s short story collection “Rust and Bone”, a depiction of a dodgy, modern world in which individual lives and simple destinies are blown out of all proportion by drama and accident. They offer a vision of the United States as a rational universe in which the physical needs to fight to find its place and to escape what fate has in store for it. Ali and Stephanie, our two characters, do not appear in the short stories, and Craig Davidson’s collection already seems to belong to the prehistory of the project, but the power and brutality of the tale, our desire to use drama, indeed melodrama, to magnify their characters all have their immediate source in those stories. -
Fragrance List Print
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Thomas Vinterberg Film
LUC BESSON PRESENTS MATTHIAS LÉA COLIN SCHOENAERTS SEYDOUX FIRTH A THOMAS VINTERBERG FILM COMING SOON SYNOPSIS Kursk is inspired by the unforgettable true story of the K-141 Kursk, a Russian flagship nuclear-powered submarine that sank to the bottom of the Barents Sea in August 2000. As 23 sailors fought for survival aboard the disabled sub, their families desperately battled bureaucratic obstacles and impossible odds to find answers and save them. 2 THE KURSK TRAGEDY On August 10, 2000, Kursk — a submarine twice the size of a jumbo jet and longer than two football fields, the “unsinkable” pride of the Russian Navy’s Northern Fleet — embarked upon a naval exercise. It was their first exercise in a decade and the maneuvers entailed 30 ships and three submarines. Two days later, two internal explosions, powerful enough to register on seismographs as far away as Alaska, sent the ship to the bottom of the Arctic waters of the Barents Sea. At least 23 of the 118 sailors aboard survived the explosions. Over the next nine days, the entire world was on tenterhooks, as rescue operations faltered and foreign assistance was refused. The fate of the men aboard hung in the balance. Journalist Robert Moore’s book A Time to Die: The Untold Story of the Kursk Tragedy scrupulously dissects all the forensic evidence and every agonizing moment on the final hours in the lives of those doomed sailors. 3 PRODUCTION NOTES FROM BOOK TO SCREEN recalls. “But one thing that stayed with me, from the what happened. They all died. So we surrounded news coverage, was the tapping.