1St Semester 2017/18
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Annual Results FY 2019/2020
Annual results FY 2019/2020 Operating margin rate at 31%, increasing significantly compared with previous fiscal years Continued decrease in overheads : new drop of €14 M compared with 2018/2019 overheads, which were already €7 M lower than the previous fiscal year Net result of €(95) M, mainly due to non-recurring items linked to the restructuring : exceptional result of €(64) M including €(60) M with no cash impact Finalization of the financial restructuring with the completion after closing of the share capital increases reserved for the Vine and Falcon funds for €193 M Saint-Denis, 29 July 2020 – EuropaCorp, one of the leading independent film studios in Europe, film producer and distributor, reports its annual consolidated income, which ended on 31 March 2020, as approved by the Board of Directors at its meeting on 28 July 2020. Presentation IFRS 5* Profit & Loss – € million 31 March 2019 31 March 2020 Var. 31 March 2019 31 March 2020 Var. Revenue 150,0 69,8 -80,2 148,7 69,8 -78,9 Cost of sales -121,6 -48,3 73,3 -121,4 -48,3 73,1 Operating margin 28,4 21,4 -6,9 27,3 21,4 -5,8 % of revenue 19% 31% 18% 31% Operating income -79,0 -59,1 19,9 -71,2 -59,1 12,1 % of revenue -53% -85% -48% -85% 0 Net Income -109,9 -95,1 14,8 -109,9 -95,1 14,8 % of revenue -73% -136% -74% -136% * To be compliant with IFRS 5, the activity related to the exploitation of the catalog Roissy Films, sold in March 2019, has been restated within the consolidated FY 2018/19 for a better comparison. -
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LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome. -
Boletín De Política Pública Y Fiscal
Boletín de Política Pública y Fiscal Año 4, Edición Nº 9 Junio de 2014 ISSN : 2248 - 6240 CAPITALISMO DE ESTADO CONTRA EL MERCADO: EL DESEMPEÑO DE LA ECONOMÍA LATINOAMERICANA EN LA ÚLTIMA DÉCADA Giuseppe De Corso, Gustavo Ramírez IMPACTO DEL USO DE LAS APLICACIONES TECNOLÓGICAS EN EL SERVICIO DE TAXI EN BOGOTÁ Carolina Perilla Gómez, Jonathan German Santos Sabogal, Nubia Lorena Sánchez Monsalve, Pilar Zorayda Ramos Ospina 2 Boletín de Política Pública y Fiscal Nº 9 Boletín de Política Pública y Fiscal Año 4 - Edición Nº 9 junio de 2014 ISSN : 2248 - 6240 Directivas Universidad Jorge Tadeo Lozano _______________________________ Cecília María Vélez White Rectora Editorial Fernando Copete Saldarriaga Decano Facultad de Ciencias Económicas-Administrativas El Boletín de Política Pública y Fiscal presenta en este nuevo número un con- junto de artículos de gran interés y actualidad: el primero es un trabajo ti- tulado Capitalismo de Estado contra el mercado: el desempeño de la economía Comité Editorial _______________________________ latinoamericana en la última década, de los profesores Giuseppe De Corso y Gustavo Ramírez, cuyo objetivo es examinar el comportamiento cuantita- Editor Giuseppe Bernardo de Corso tivo de algunas de las principales economías de Suramérica en la primera Coordinador Observatorio de Política década del siglo XXI, a la luz de las diferencia en la escogencia de políticas Fiscal (OPF)-UJTL económicas. El segundo escrito se interna en un tema vital para la ciudad de Gustavo Ramírez Valderrama Bogotá, como lo es el análisis de un importante segmento del sistema de Director Posgrados Ciencias Administrativas movilidad de la capital. El enfoque se orienta al estudio de la conexión entre Facultad de Ciencias Económicas- el servicio de taxis y los nuevos dispositivos tecnológicos de comunicación. -
À Corps Perdus / De Rouille Et D'os, France / Belgique 2012, 1 H 55
Document généré le 2 oct. 2021 06:39 Séquences La revue de cinéma --> Voir l’erratum concernant cet article À corps perdus De rouille et d’os, France / Belgique 2012, 1 h 55 Élie Castiel Numéro 281, novembre–décembre 2012 URI : https://id.erudit.org/iderudit/67890ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Castiel, É. (2012). Compte rendu de [À corps perdus / De rouille et d’os, France / Belgique 2012, 1 h 55]. Séquences, (281), 42–43. Tous droits réservés © La revue Séquences Inc., 2012 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 42 LES FILMS | En couverture DE ROUILLE et D'OS À corps perdus Quelle belle chose de constater, autant pour le public que pour les critiques, que certains cinéastes font leur «meilleur film » à chaque nouvelle proposition. C’est bien le cas de Jacques Audiard qui, après l’édifiant et magnifique Un prophète, surprend de mille et une façons avec De rouille et d’os. -
The FAO Journal VOLUME XIII, NUMBER 1 February 2010
The FAO Journal VOLUME XIII, NUMBER 1 February 2010 Defeating Islamists at the Ballot Reflections on the fall of The Wall The AKP’s Hamas Policy Transformation of Turk Foreign Policy and the Turk view of the West 4th Generation War on Terror The ―New Great Game‖ for the Modern Operator Mentorship - Leaving a Legacy The US-Indonesia Military Relationship Dynamic Cooperation for Common Security Interests Service Proponent Updates and Book Reviews DISCLAIMER: Association’s International Affairs Journal (a none-profit publication The Foreign Area Officer Association’s Journal for US Regional and International Affairs professionals) is printed by the Foreign Area Officer Association, Mount Vernon, The FAO Journal VA. The views expressed within are those of the various authors, not of the Depart- Politico-Military Affairs - Intelligence - Security Cooperation ment of Defense, the Armed services or any DoD agency, and are intended to advance the profession through thought, dialog and Volume XIII, Edition Number 1 academic discussion. The contents do not reflect a DoD position and are not intended Published February 2010 to supersede official government sources. ISSN 1551-8094 Use of articles or advertisements consti- tutes neither affirmation nor endorsement by FAOA or DoD. PURPOSE: To publish a journal for dis- seminating professional knowledge and Inside This Issue: furnishing information that promotes under- standing between U.S. regional and interna- tional affairs specialists around the world and improve their effectiveness in advising Defeating Islamists at the Ballot Pg 4 decision-makers. It is intended to forge a By: Khairi Abaza and Dr. Soner Cagaptay closer bond between the active, reserve, and retired FAO communities. -
Columbia Filmcolumbia Is Grateful to the Following Sponsors for Their Generous Support
O C T O B E R 1 8 – 2 7 , 2 0 1 9 20 TH ANNIVERSARY FILM COLUMBIA FILMCOLUMBIA IS GRATEFUL TO THE FOLLOWING SPONSORS FOR THEIR GENEROUS SUPPORT BENEFACTOR EXECUTIVE PRODUCERS 20 TH PRODUCERS FILM COLUMBIA FESTIVAL SPONSORS MEDIA PARTNERS OCTOBER 18–27, 2019 | CHATHAM, NEW YORK Programs of the Crandell Theatre are made possible by the New York State Council on the Arts with the support of Gov. Andrew Cuomo and the New York filmcolumbia.org State Legislature. 5 VENUES AND SCHEDULE 9 CRANDELL THEATRE VENUES AND SCHEDULE 11 20th FILMCOLUMBIA CRANDELL THEATRE 48 Main Street, Chatham 13 THE FILMS á Friday, October 18 56 PERSONNEL 1:00pm ADAM (page 15) 56 DONORS 4:00pm THE ICE STORM (page 15) á Saturday, October 19 74 ORDER TICKETS 12:00 noon DRIVEWAYS (page 16) 2:30pm CROUCHING TIGER, HIDDEN DRAGON (page 17) á Sunday, October 20 11:00am QUEEN OF HEARTS: AUDREY FLACK (page 18) 1:00pm GIVE ME LIBERTY (page 18 3:30pm THE VAST OF NIGHT (page 19) 5:30pm ZOMBI CHILD (page 19) 7:30pm FRANKIE + DESIGN IN MIND: ON LOCATION WITH JAMES IVORY (short) (page 20) á Monday, October 21 11:30am THE TROUBLE WITH YOU (page 21) 1:30pm SYNONYMS (page 21) 4:00pm VARDA BY AGNÈS (page 22) 6:30pm SORRY WE MISSED YOU (page 22) 8:30pm PARASITE (page 23) á Tuesday, October 22 12:00 noon ICE ON FIRE (page 24) 2:00pm SOUTH MOUNTAIN (page 24) 4:00pm CUNNINGHAM (page 25) 6:00pm THE CHAMBERMAID (page 26) 8:15pm THE SONG OF NAMES (page 27) á Wednesday, October 23 11:30am SEW THE WINTER TO MY SKIN (page 28) 2:00pm MICKEY AND THE BEAR (page 28) 3:45pm CLEMENCY (page 29) 6:00pm -
12 Big Names from World Cinema in Conversation with Marrakech Audiences
The 18th edition of the Marrakech International Film Festival runs from 29 November to 7 December 2019 12 BIG NAMES FROM WORLD CINEMA IN CONVERSATION WITH MARRAKECH AUDIENCES Rabat, 14 November 2019. The “Conversation with” section is one of the highlights of the Marrakech International Film Festival and returns during the 18th edition for some fascinating exchanges with some of those who create the magic of cinema around the world. As its name suggests, “Conversation with” is a forum for free-flowing discussion with some of the great names in international filmmaking. These sessions are free and open to all: industry professionals, journalists, and the general public. During last year’s festival, the launch of this new section was a huge hit with Moroccan and internatiojnal film lovers. More than 3,000 people attended seven conversations with some legendary names of the big screen, offering some intense moments with artists, who generously shared their vision and their cinematic techniques and delivered some dazzling demonstrations and fascinating anecdotes to an audience of cinephiles. After the success of the previous edition, the Festival is recreating the experience and expanding from seven to 11 conversations at this year’s event. Once again, some of the biggest names in international filmmaking have confirmed their participation at this major FIFM event. They include US director, actor, producer, and all-around legend Robert Redford, along with Academy Award-winning French actor Marion Cotillard. Multi-award-winning Palestinian director Elia Suleiman will also be in attendance, along with independent British producer Jeremy Thomas (The Last Emperor, Only Lovers Left Alive) and celebrated US actor Harvey Keitel, star of some of the biggest hits in cinema history including Thelma and Louise, The Piano, and Pulp Fiction. -
The EU Film Industry in the Spotlight at the Venice International Film Festival
The EU film industry in the spotlight at the Venice International Film Festival Five films which have been awarded EU funding are competing in the prestigious 72nd Venice International Film Festival between 2 and 9 September. The European Commission has invested around €260,000 through the Creative Europe MEDIA programme to support the development and distribution of these films, which are taking part in the Official Selection and Orizzonti competitions. Venice Film Festival Films in the Official selection Three EU-supported films will be shown as world premieres in the Venezia 72 competition for feature films: Marguerite, 1921, a big castle not far from Paris. Marguerite, the owner, is affluent and devotes all of her time to her passion: music. Loosely based on the life of the American soprano Florence Foster Jenkins, who became famous between 1930 and 1940 thanks to her poor singing skills, the film is a French, Czech and Belgian co-production, directed by Xavier Giannoli. It stars Catherine Frot, André Marcon, Michel Fau, Christa Théret, Denis Mpunga, Sylvain Dieuaide. A Bigger Splash, this thriller feature the rock star Marianne Lane and Paul, her film director fiancé, who are on holiday in Pantelleria. The sudden visit of Harry, and his daughter Penelope, will drag all the characters into a whirlpool of passion and jealousy. A remake of the French detective film La piscine (1968), this is an Italian, French production starring Tilda Swinton, Ralph Fiennes, Matthias Schoenaerts, Dakota Johnson, Corrado Guzzanti, directed by Luca Guadagnino. L’Hermine, the story starts the day before a trial: during the hearing, something extraordinary will happen and will change everything. -
Marion Cotillard Matthias Schoenaerts RUST AND
RustnBone1.indd 1 6/5/12 15:12:51 Why Not Productions and Page 114 present Marion Cotillard Matthias Schoenaerts RUST AND BONE A film by Jacques Audiard Armand Verdure / Céline Sallette / Corinne Masiero Bouli Lanners / Jean-Michel Correia France / Belgium / 2012 / color / 2.40 / 120 min International Press: International Sales: Magali Montet Celluloid Dreams [email protected] 2, rue Turgot - 75009 Paris Tel: +33 6 71 63 36 16 Tel: +33 1 4970 0370 Fax: +33 1 4970 0371 Delphine Mayele [email protected] [email protected] Tel: +33 6 60 89 85 41 Contact in Cannes Celluloid Dreams 84, rue d’Antibes 06400 Cannes Hengameh Panahi +33 6 11 96 57 20 Annick Mahnert +33 6 37 12 81 36 Agathe Mauruc +33 6 82 73 80 04 Director’s Note There is something gripping about Craig Davidson’s short story collection “Rust and Bone”, a depiction of a dodgy, modern world in which individual lives and simple destinies are blown out of all proportion by drama and accident. They offer a vision of the United States as a rational universe in which the physical needs to fight to find its place and to escape what fate has in store for it. Ali and Stephanie, our two characters, do not appear in the short stories, and Craig Davidson’s collection already seems to belong to the prehistory of the project, but the power and brutality of the tale, our desire to use drama, indeed melodrama, to magnify their characters all have their immediate source in those stories. -
The Marketing Mix Strategy Based on Consumer Behavior Analysis at Taxi Max Cipaganti in Surabaya
Proceeding, 6th International Seminar on Industrial Engineering and Management Harris Hotel, Batam, Indonesia, February 12th-14th, 2013 ISSN : 1978-774X THE MARKETING MIX STRATEGY BASED ON CONSUMER BEHAVIOR ANALYSIS AT TAXI MAX CIPAGANTI IN SURABAYA Esti Dwi Rinawiyanti1, Rosita Meitha2, Ira Mayasari3 1 2 3Departement of Industrial Engineering, University of Surabaya Raya Kalirungkut, Surabaya 60293, Indonesia E-mail: [email protected] ABSTRACT Nowadays transportation is a rapidly growing service industry in Indonesia. Taxi Max is Cipaganti new transport service division of PT Citra Graha. Taxi Max which has been operating in Bandung and Jakarta tried to enter Surabaya by relying on the superiority completeness facilities. In order to compete with other existing similar industries, Taxi Max 'Cipaganti need to pay attention to the characteristics of consumer behavior of taxi users, especially in the city of Surabaya. The results of sampling showed that the majority of taxi users are female (54%), aged 16-25 years (79%), students (67%), and income <Rp 1,500,000 (45%). Based on lifestyle, the majority of consumer users Taxi Max are The Socialite (29%) and The Affluent (21%). The results also showed that the excellence of Taxi Max with a high level of satisfaction lies in good taxi condition (3.79), the comfortable atmosphere in a taxi with full facilities (3.96), the cleanliness in the taxi (3.87), comparable rates to the facilities provided (3.56), security service to destination (3.79), hospitality of taxi driver (3.65), the driver has good knowledge of the destination path (3.66). While the lack of taxis Max with low satisfaction level are on ease of finding a taxi public places (2.96), the ease of booking a taxi (3.18), easy to remember phone numbers (3.16), affordable rates (3.44), and the appearance of taxi driver uniform (3:53). -
Film Reviews Interviews Video Interviews
berlinale 2019 EFM Coverage as of Feb 20, 2019 300 Photos published on facebook 34 videos published on youtube FILM REVIEWS AMAZING GRACE, A Long Delayed Aretha Franklin Film surfaces at Berlin '69 What she said: The Art of Pauline Kael review Leakage | Nasht by Suzan Iravanian (Forum): Berlinale Review The Golden Glove by Fatih Akin: Berlinale Review Sampled reviews of Jessica Forever A City Hunts for a Murderer, and a Forum film hunts for meaning Berlinale by Alex: Mid Point Festival Reviews MK2 is very proud from the reviews on the Varda doc The Ground beneath my Feet in review Sondre Fristad's First Feature The Writer at the Berlinale System Crasher in review: Amazing ! Forget about all other contenders Derek Jarman's THE GARDEN, starring Tilda Swinton, returns to Berlinale 28 years after its premiere DIE KINDER DER TOTEN - World Premiere and Q&A with Kelly Copper and Pavol Liska INTERVIEWS Xaver Böhm on O Beautiful Night: Interview at Berlinale 2019 Interview with Brazilian Director Marcus Ligocki at Berlinale Marie Kreuzer: The Ground beneath my feet The Writer: Interview with Sondre Fristad in Berlin Interview with Producer, Director Writer Stu Levy @ 2019 Berlinale Interview with Director Gustavo Steinberg for 'Tito and the Birds' (2018) Alexandr Gorchilin on his First Feature Acid VIDEO INTERVIEWS VIDEO: Dieter Kosslick recalls some nice moments on the red carpet VIDEO: Anthony Bregman describes IFP's programs suppporting independent film making VIDEO: IFP Anthony Bregman opening remarks on his producing experiences at Friday's -
Thomas Vinterberg Film
LUC BESSON PRESENTS MATTHIAS LÉA COLIN SCHOENAERTS SEYDOUX FIRTH A THOMAS VINTERBERG FILM COMING SOON SYNOPSIS Kursk is inspired by the unforgettable true story of the K-141 Kursk, a Russian flagship nuclear-powered submarine that sank to the bottom of the Barents Sea in August 2000. As 23 sailors fought for survival aboard the disabled sub, their families desperately battled bureaucratic obstacles and impossible odds to find answers and save them. 2 THE KURSK TRAGEDY On August 10, 2000, Kursk — a submarine twice the size of a jumbo jet and longer than two football fields, the “unsinkable” pride of the Russian Navy’s Northern Fleet — embarked upon a naval exercise. It was their first exercise in a decade and the maneuvers entailed 30 ships and three submarines. Two days later, two internal explosions, powerful enough to register on seismographs as far away as Alaska, sent the ship to the bottom of the Arctic waters of the Barents Sea. At least 23 of the 118 sailors aboard survived the explosions. Over the next nine days, the entire world was on tenterhooks, as rescue operations faltered and foreign assistance was refused. The fate of the men aboard hung in the balance. Journalist Robert Moore’s book A Time to Die: The Untold Story of the Kursk Tragedy scrupulously dissects all the forensic evidence and every agonizing moment on the final hours in the lives of those doomed sailors. 3 PRODUCTION NOTES FROM BOOK TO SCREEN recalls. “But one thing that stayed with me, from the what happened. They all died. So we surrounded news coverage, was the tapping.