DOCSLIB.ORG

C6500 COMING HOME (USA, 1978) (Other Titles: Hemkomsten; Navrat Domiu; Regreso; Retour; Tornado a Casa)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
C6500 COMING HOME (USA, 1978) (Other Titles: Hemkomsten; Navrat Domiu; Regreso; Retour; Tornado a Casa) C6500 COMING HOME (USA, 1978) (Other titles: Hemkomsten; Navrat domiu; Regreso; Retour; Tornado a casa) Credits: director, Hal Ashby ; writers, Waldo Salt, Robert Jones. Cast: Jane Fonda, Jon Voight, Bruce Dern, Robert Carradine, Robert Ginty. Summary: Melodrama set in San Diego in 1968. A poignant love story set against the social upheaval of the Vietnam war. Sally Hyde (Fonda) is the wife of a Marine Corps captain (Dern). While he is serving in Vietnam, Sally does volunteer work at a local veterans’ hospital. There she meets and falls in love with paraplegic Luke Martin (Voight). Adair, Gilbert. Hollywood’s Vietnam [GB] (p. 70-75, 109, 206) ___________. Vietnam on film [GB] (p. 103-9, 153, 188) Alemanno, Roberto. “Tornado a casa” Cinema nuovo 27 (Sep/Oct 1978), p. 58-9. Amiel, Mirelle. “Coming home” Cinema 78 235 (Jul 1978), p. 108-9. Applebaum, Ralph. “Positive thinking: Hal Ashby” Films and filming 24 (Jul 1978), p. 129-30. Arnold, Gary. “‘Coming home’: Jon Voight’s sexuality, Jane Fonda’s ideology” Washington post (Apr 12, 1978), p. B1, B5. Ashby, Hal. “Coming home” Film und Fernsehen 10/2 (1982), p. 14-15. Auster, Al and Quart, Leonard. “Hollywood and Vietnam: the triumph of the will” [GB] ________________________. How the war was remembered: Hollywood & Vietnam [GB] (p. 42, 49-52, 79, 84, 120) ________________________. “The wounded vet in postwar film” Social policy 13 (fall 1982), p. 24-31. Baron, Gyorgy. “Amerikai turmix” Film Kultura 16 (May/Jun 1980), p. 53-5. Barry, John. [Coming home] Democratic left 7/6 (Jun 1979), p. 14. Bates, Milton J. The wars we took to Vietnam : cultural conflict and storytelling Berkeley : University of California Press, 1996. (p. 148-55, 157, 162) Behar, Henri. “Retour (Coming home)” Revue du cinema 329 (Jun 1978), p. 129-30. Biskind, Peter. [Coming home] Sevendays 2/4 (Mar 24, 1978), p. 32. Blake, Richard A. “Films/TV: The revolution is forever” America 138 (Mar 18, 1978), p. 211. Blumenberg, Hans C. [Coming home] Die Zeit (May 12, 1978), p. ? Boost, Charles. “‘Coming home’: Vietnam na de vrede en het salonprotest van Jane Fonda” Skoop 14 (Jul 1978), p. 35-7. Boyum, Joy Gould. “On film: Painful journeys to fulfillment” Wall Street journal (Mar 3, 1978), p. 9. Britton, Andrew. “Sideshows: Hollywood in Vietnam” [GB] Brudnoy, David. [Coming home] Boston magazine 70 (Apr 1978), p. 40+ [2 p.] Bullitta, Juan M. “‘Esta tierra es mi tierra’: ‘Regreso sin gloria’” Hablemos de cine 71 (Apr 1980), p. 61-3. Butcher, Maryvonne. “Cinema” Tablet 232 (Jun 3, 1978), p. 536. Cagin, Seth and Dray, Philip. Hollywood films of the seventies: sex, drugs, violence, rock ‘n roll & politics [GB] (p. 258-60) Campbell, James. “‘Coming home’: Difference and reconciliation in narratives of return to ‘the world’” in The United States and Viet Nam from war to peace : papers from an interdisciplinary conference on reconciliation (edited by Robert M. Slabey) Jefferson, NC : McFarland, 1996. (p. 198-207) Canby, Vincent. “Film: post-Vietnam romantic triangle” New York times 127 (Feb 16, 1978), p. C20. ____________. “Hollywood focuses on Vietnam at last” New York times 127 (Feb 19, 1978), sec. 2, p. 1+ Cebe, Gilles. “Retour” Ecran 71 (Jul 15, 1978), p. 57-8. Chotiner, H. [Coming home] East Bay 3/2 (Jun 1978), p. 14. Coleman, John. “Crying out loud” New statesman 95 (Jun 2, 1978), p. 751-2. Combs, Richard. “Coming home” Sight and sound 47/3 (1978), p. 191-2. [Coming home] Cineaste 8/3 (winter 1977), p. 60. “Coming home” Films and filming 24/10 (Jul 1978), p. 17-19. [Coming home] Hollywood reporter 250/18 (Feb 15, 1978), p. 3, 12. [Coming home] [report on court case - film not based on “Concomitant soldier - woman and war” by Sonya Jason] Hollywood reporter 269/37 (Dec 11, 1981), p. 15. [Coming home] Hollywood reporter 303/16 (Jul 18, 1988), p. 4, 8. [Coming home] Ladies home journal 95 (May 1978), p. 18+ [Coming home] Los Angeles times (Feb 12, 1978), Calendar, p. 1. [Coming home] Maclean’s 91 (May 1, 1978), p. 82-3. [Coming home] Mademoiselle 84 (May 1978), p. 60. “Coming home” Motion picture guide (edited by Jay Robert Nash and Stanley Ralph Ross) Chicago : Cinebooks, 1985. (v. 2, p. 465) [Coming home] Motion picture herald product digest (Feb 22, 1978), p. 25. [Coming home] New times 10 (Mar 20, 1978), p. 54-9+ [Coming home] New times 10 (Mar 20, 1978), p. 65-8. [Coming home] St. Anthony messenger 86 (Jul 1978), p. 8. [Coming home] Screen international n. 140 (May 27, 1978), p. 18. [Coming home] US 2 (May 2, 1978), p. 12. Coming home. Toluca, Calif. : Film Analysis Series, 1983. [A minute-by-minute analysis of the film] (43 leaves) Conlon, James. “Making love, not war” Journal of popular film and television 18/1 (spring 1990), p. 18-27. Connolly, K. “Vietnam on film” Cinema papers 21 (May/Jun 1979), p. 334-8. Cook, David A.. Lost illusions : American cinema in the shadow of Watergate and Vietnam, 1970-1979 New York : Scribner’s, 1999. (p. 113-15+) Crane, William. “Creative conflict: Bruce Dern and the making of ‘Coming home’” Post script 1/2 (winter 1982), p. 27-45. Cros, Jean-Louis. “Retour (Coming home)” Revue du cinema 332 (Oct 1978), p. 258-9. Cumbow, Robert C. “Coming home” Movietone news 60-61 (Feb 1979), p. 49-50. Denisoff, R. Serge and Romanowski, William D. Risky business: rock in film [GB] (p. 607-9, 612, 643) Devine, Jeremy M. Vietnam at 24 frames a second [GB] (p. 148-58+) Dickstein, Morris. “Going to the movies: Bringing it all back home” Partisan review 45/4 (Apr 1978), p. 627-33. Dray, Philip (see under Cagin, Seth) Early, Emmett. The war veteran in film Jefferson, N.C. : McFarland, 2003. (p. 8, 27, 38, 118) Ehrenstein, David. “Melodrama and the new woman” Film comment 14 (Sep/Oct 1978), p. 59-62. Ehrhart and Venes. [Coming home] In these times 2/26 (May 17, 1978), p. 22. Elwood, Ron. How we live: an analysis of the films directed by Hal Ashby from 1970 to 1980 Thesis (Ph.D.)--New York University, 1988. Emerson, Gloria. “Gloria Emerson comes home” MS 6 (May 1978), p. 26-7, 32. _____________. “Jon Voight: making peace with an endless war” Village voice 23 (Feb 20, 1978), p. 38-9. Enjuto, Esther (see under Llacer, Eusebio V.) Epstein, Leslie. “Why are we in Vietnam films” Boston magazine 72 (Mar 1980), p. 186+ [6 p.] “Family Circle goes to the movies” [review] Family circle 91 (May 19, 1978), p. 228. Farber, Stephen. [Coming home] New West 3 (Feb 27, 1978), p. 59-60. Feldman, Silvia. “Picture shows: Coming home” Human behavior 7 (Jun 1978), p. 75. Fieschi, Jacques. “Retour (Coming home)” Cinematographe 39 (Jun 1978), p. 27-8. Fleming, Michael and Manvell, Roger. Images of madenss : the portrayal of insanity in the feature film Rutherford, N.J. : Fairleigh Dickinson Univ. Press, 1985. (p. 205) Francois, Pierre. “Retour (Coming home)” Telecine 230 (Jul/Aug 1978), p. 77. Fuller, Richard. [Coming home] Philadelphia magazine 69 (Apr 1978), p. 67+ [2 p.] ____________. [Coming home] St. Louisan 10 (Apr 1978), p. 44-51. Gehler, Fred. “Coming home” Film und Fernsehen 10/6 (1982), p. 41. Girard, James P. “Coming home” Magill’s survey of cinema—English language films, first series Englewood Cliffs, N.J. : Salem Press, 1980. (v. 1, p. 374-79) Goodwin, Michael. “Kovacs & Wexler: the fine art of cinematography” Moving image 5 (Mar/Apr 1982), p. 55-9. Gow, Gordon. “Coming home” Films and filming 24 (Jul 1978), p. 32. Greenspun, Roger. “Films: unhappy returns” Penthouse 9 (Jun 1978), p. 54-5. Haddad-Garcia, George. The films of Jane Fonda Secaucus, N.J. : Citadel Press, 1981. (p. 201-8) Harvey, Stephen. [Coming home] Inquiry 1 (Apr 2, 1978), p. 30-31. Hasan, Zia. American films of the 1970s: through fantasy (“Star wars,” 1977) ... and the Vietnam war (“Coming home,” 1978) Thesis (Ph.D.)--Oklahoma State University, 1980. Haskell, Molly. “The great Hollywood con: machismo doesn’t live here anymore” Village voice 23 (Sep 18, 1978), p. 74-5. ___________. “Movies: home from the hell” New York 11 (Feb 27, 1978), p. 68-9. Henry, Michael. “Retour (Coming home)” Positif 208/209 (Jul/Aug 1978), p. 116- 17. Hillson, J. [Coming home] Militant 42/20 (May 26, 1978), p. 26. Hillstrom, Kevin and Hillstrom, Laurie Collier. The Vietnam experience : a concise encyclopedia of American literature, songs, and films [GB] (p. 72-78) Hillstrom, Laurie Collier (see under Hillstrom, Kevin) Holzl, Gebhard and Peipp, Matthias. Fahr zur Holle, Charlie! [GB] (p. 199, 218-21+, 227, 230, 260) Honeycutt, Kirk. “The five tear struggle to make ‘Coming home’” New York times 127 (Feb 19, 1978), sec. 2, p. 13+ Hurley, Joseph. [Coming home] Honolulu 12 (Jun 1978), p. 99. Jackson, Martin A. “Films: ‘Coming home’; ‘An unmarried woman’” USA today 107 (Jul 1978), p. 64-5. Jansen, Peter W. [Coming home] Kirche und Film (Jul 1978), p. ? Jeffords, Susan. “Coming home” Vietnam war feature filmography (1992 draft) [GB] (p. 89-90) and Vietnam war films [GB] (Entry 117) ____________. “Friendly civilians: images of women and the feminization of the audience in Vietnam films” Wide angle 7/4 (1983), p. 13-22. ____________. Remasculinization of America: gender and the Vietnam war [GB] (p. 118, 145-47) Jensen, Niels. “De der matte ofres - og de der kom tilbage” Kosmorama 25/142 (summer 1979), p. 78-88. Jones, Robert C. (Bob) (see under Salt, Waldo) Jorgensen, Ul. “Coming home - Pa vej hejm” Kosmorama 24/139 (1978), p. 236-7. Kael, Pauline.
Load more

Recommended publications
  • The Inventory of the Richard Roud Collection #1117
    The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
    [Show full text]
  • Jane Fonda, IPC Films and Hollywood, 1977-1982 Rafferty, James Michael
    Politicising stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982 Rafferty, James Michael The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. https://qmro.qmul.ac.uk/jspui/handle/123456789/675 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] 1 Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982 James Michael Rafferty Queen Mary, University of London Thesis submitted for the qualification of Doctorate of Philosophy (PhD) 2 Abstract This thesis is an empirical analysis of Jane Fonda’s films, stardom, and political activism during the most commercially successful period of her career. At the outset, Fonda’s early stardom is situated in relation to contemporaneous moral and political ideologies in the United States and how she functioned as both an agent and symbol of these ideologies. Her anti-war activism in the early-1970s constituted the apex of Fonda’s radicalisation and the nadir of her popular appeal; a central question of this thesis, therefore, is how her stardom was rehabilitated for the American mainstream to the point of becoming Hollywood’s most bankable actress. As the star and producer of IPC Films, Fonda developed political projects using commercial formats, namely Coming Home (1978), The China Syndrome (1979), Nine to Five (1980), and Rollover (1981).
    [Show full text]
  • Cast Bios Lea Thompson
    ‘TIES THAT BIND’ CAST BIOS LEA THOMPSON (Cathy Davis) – Lea Thompson is best known for her roles in the Steven Spielberg and Robert Zemeckis “Back to the Future” feature film franchise and as the title character in the now-syndicated TV comedy “Caroline in the City,” for which she won TV Guide and People’s Choice Awards. A native of Minnesota, Thompson began her career as a professional ballet dancer and performed in more than 45 ballets with the Minnesota Dance Theatre. After apprenticing with the Pennsylvania Ballet, she moved to New York at the age of 20 to pursue an acting career. She was first featured in a supporting role in the motion picture “Jaws 3-D,” which was followed by a starring role opposite Tom Cruise in “All the Right Moves.” Additional film credits include “Article 99,” “Casual Sex?,” John Hughes’ “Some Kind of Wonderful,” “Dennis the Menace,” “Red Dawn,” “The Wizard of Loneliness,” “Howard the Duck,” “The Wild Life,” “Space Camp,” “The Beverly Hillbillies,” “The Little Rascals,” “The Unknown Cyclist,” “Fish Don’t Blink,” “Come Away Home” and the upcoming “Senior Skip Day” with Norm MacDonald. Thompson’s television credits include a guest-starring role on “Law & Order: SVU,” the series “For the People,” the miniseries “A Will of Their Own,” and the original movies “The Right to Remain Silent,” “The Unspoken Truth,” “The Substitute Wife,” “Montana,” “Stolen Babies” and “Nightbreaker,” for which she received a CableACE nomination. She is currently filming a mini-series for Hallmark, “Final Approach,” in which she stars with Dean Cain, Anthony Michael Hall and Ernie Hudson.
    [Show full text]
  • Mar Apr Tirsdag 3
    0220 MAR APR TIRSDAG 3. MARS TIRSDAG 10. MARS TIRSDAG 17. MARS TIRSDAG 24. MARS ONSDAG 1. APRIL 18:00 Thelma & Louise 18:00 Der vindane møtes 18:00 Cairo Station 18:00 Architecture of Infinity 20:30 Coming Home Hal Ashby [L] PROGRAM Ridley Scott [T] Martti Helde [L] Youssef Chahine [L] Christoph Schaub [T] 18:30 Filmsalongen Uno 18:30 Harold and Maude 19:00 Solaris Andrej Tarkovskij [T] 18:30 The Last Detail Hal Ashby [L] TORSDAG 2. APRIL 20:00 Sången om den eldröda 20:00 Aksel Hennie Hal Ashby [T] Solaris Andrej Tarkovskij [T] 18:00 Human Wild MARS Møt Aksel Hennie i samtale 20:00 Den trettende fangen blomman Mauritz Stiller [L] 20:30 Alexandria… Why? Marthe Thorshaug med Per Haddal [L] Costa-Gavras [L] Youssef Chahine [L] Samtale med regissør Marthe 20:45 The Souvenir 20:30 Hushjelpen Im Sang-soo [T] ONSDAG 18. MARS Thorshaug etter filmen [L] APRIL Joanna Hogg [T] 18:00 El Valley Centro ONSDAG 25. MARS 20:00 Tilståelsen Costa-Gavras [L] 21:00 Sovevognsmordet ONSDAG 11. MARS James Benning [L] 18:00 Ten Skies James Benning [L] Costa-Gavras [L] 18:00 Cleo fra 5 til 7 18:30 The Experimental City 19:00 Casablanca Michael Curtiz [T] FREDAG 3. APRIL 2020 Agnés Varda [L] Chad Freidrichs [T] 20:00 The Last Detail Hal Ashby [L] 18:00 Riket I - del 1 ONSDAG 4. MARS 20:00 Z Costa-Gavras [L] 18:30 Cairo Station 21:00 Z Costa-Gavras [T] Lars von Trier [T] 18:00 20:30 Earth Nikolaus Geyrhalter [T] Sovevognsmordet Youssef Chahine [T] 18:00 Bait Mark Jenkin [L] 20:00 Costa-Gavras [L] Hushjelpen Im Sang-soo [L] TORSDAG 26.
    [Show full text]
  • Danger, Danger
    FINAL-1 Sat, Apr 27, 2019 6:22:37 PM tvupdateYour Weekly Guide to TV Entertainment For the week of May 5 - 11, 2019 Emily Watson stars in “Chernobyl” INSIDE Danger, •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 Hollywood Q&A Page14 danger • On Monday, May 6, join Soviet scientist Valery Legasov (Jared Harris, “The Terror”), nuclear physicist Ulana Khomyuk (Emily Watson, “Genius”) and head of the Bureau for Fuel and Energy of the Soviet Union Boris Shcherbina (Stellan Skarsgård, “River”), as they seek to uncover the truth behind one of the world’s worst man-made catastrophes in the premiere of “Chernobyl,” on HBO. WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS To advertise here GOLD/DIAMONDS BUY SELL please call ✦ 40 years in business; A+ rating with the BBB. TRADE ✦ For the record, there is only one authentic CASH FOR GOLD, PARTS & ACCESSORIESBay 4 (978) 946-2375 Group Page Shell We Need: SALES & SERVICE Motorsports 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLE1 x 3” We are the ORIGINAL and only AUTHENTIC INSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car 1615 SHAWSHEEN ST., TEWKSBURY, MA at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 978-851-3777 Open 7 Days A Week ~ www.cashforgoldinc.com WWW.BAY4MS.COM FINAL-1 Sat, Apr 27, 2019 6:22:38 PM COMCAST ADELPHIA 2 CHANNEL Kingston Sports Highlights Atkinson Londonderry 10:30 p.m. NESN Red Sox Final Live ESPN Softball NCAA ACC Tournament NESN Baseball MLB Seattle Mariners Salem Sunday Sandown Windham (60) TNT Basketball NBA Playoffs Live Women’s Championship Live at Boston Red Sox Live GUIDE Pelham, 10:55 a.m.
    [Show full text]
  • AFI PREVIEW Check for Updates
    THE AMERICAN FILM INSTITUTE GUIDE Oct. 29-Dec. 30, 2004 ★ TO THEATRE AND MEMBER EVENTS VOLUME 1 • ISSUE 14 AFIPREVIEW European Union Film Showcase Oct 29-Nov 7 Plus: HEARTS AND MINDS EASY RIDER THE BIG RED ONE HEAVEN’S GATE George Stevens Centennial 50th Anniversary! Also: New Films from the Czech Republic, Tribute to Elia Kazan, ON THE WATERFRONT New 35mm Restoration Yuletide Classics, Washington Jewish Film Festival Much More! NOW PLAYING FEATURED FILMS Features 30th Anniversary! “HEARTS AND New Academy-Restored 2 HEARTS AND MINDS, Restored MINDS is not only 35mm Print! the best documentary 2EASY RIDER Academy Award-Winning 3 THE BIG RED ONE, Restored Documentary! I have ever seen, 3 ON THE WATERFRONT, 50th it may be the best Anniversary Restoration HEARTS AND MINDS movie ever... a film Film Festivals Opens Friday, October 22 that remains every bit “The ultimate victory will depend on the hearts and as relevant today. 4 EU SHOWCASE Required viewing for 13 Washington Jewish Film Festival: minds of the people.”—Lyndon Baines Johnson. Four films plus THE DIARY OF ANNE Documentarian Peter Davis (THE SELLING OF THE anyone who says, FRANK (p.11) PENTAGON) combined newsreel clips, TV reports, and ‘I am an American.’” striking color footage shot here and in a still war-torn —MICHAEL MOORE Film Series Vietnam, eschewing narration to let raw footage paint (2004) its own vivid portrait of the South and North 7 George Stevens Centennial Vietnamese, the Americans engineering the war here and abroad—and its critics. The 11 New from the Czech Republic
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]
  • Making Meatballs: Canadian Film and Television Comedy by Monica M
    Making Meatballs: Canadian Film and Television Comedy by Monica M. Champagne A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario September 13,2005 Copyright © 2005, Monica M. Champagne Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-18243-7 Our file Notre reference ISBN: 978-0-494-18243-7 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Panel Votes to Kill Motor Vehicle
    to — MANCHESTER HERALD. Monday. Dec. 19. 1988 HOMES HOMES ROOMS APARTMENTS HELP WANTED l ^ F O R SALE FOR SALE IQ 7 J INDUSTRIAL MISCELLANEOUS CARS FOR RENT FOR RENT PROPERTY FOR SALE FOR SALE OVER Looking for a EXCEPTIONAL Value. MANCHESTER 7 room MANCHESTER. Sleep­ new career? Train to L-Shaped ranch. 3 bed­ MANCHESTER. Second MANCHESTER. 3400 You'll breathe clean, ing room for working floor. 2 bedroom, heat s q u a re foot, free­ DO YOU have a bicycle no drive o tractor trailer. fresh air when yau live rooms, 1'/j baths. New gentleman. Share bath, one rides? Why not offer It (This occupation has family room addition. and appliances. No standing Industrial In this lovely 4 bed­ n o cooking. pets. $600 plus security. building. Loading ENDROLLS for sale with a want ad? among the largest room, 2'/3 bath Colan- $210,000. Flano Realty, $245/month plus one Call 643-2711 to place your n u m b e r of lob 646-5200 Coll 646-3979._________ dock, parking. Waod- 27% width • 258 lal which offers a fam ­ months security. Ref- land Industrial Park. 13% width - 2 tor 288 ad. openIngs-U.S. Depart­ BOLTON. 6 room, 2'/j NOW Accepting applica­ ily sized porch, first erences. 643-21-21_____ tions for 1 bedroom, 1 Principals only. 643- MUST ba plekad up at tha ment of Labor Statis­ floor family room, first bath raised ranch. Fin­ tic.) Earn your class 1 MANCHESTER. F u r ­ bedroom handicapped 2121. Hartid Offica Monday thru floor laundry and large ished family raom, cus­ nished room, kitchen Thursday bafora 11 a.m.only.
    [Show full text]
  • Souper Bowl Cyan
    HAPPY NEW YEAR! INSIDE: 21 VOICES 26,000 COPIES Please Deliver Before FRIDAY, DECEMBER 29, 2006 Vol. 32 | No. 51 | 3 Sections |40 Pages Souper Bowl Cyan WHS fills Magenta Empty Bowls BY LIZ PREMO ATlaNTIC NEWS STAFF WRITER Yellow HAMPTON | There was a Bowl-a-Thon at Winnacunnet High School recently, and all the Black action therein had nothing to do with the venerable indoor sport with the funny-looking shoes. Instead, it was a creative ven- ture held in preparation for the annual Empty Bowls fundraiser, scheduled for Saturday, January 20 from 11 a.m. to 1 p.m. in the spacious WHS dining hall. Taking a quick break from her seat behind one of the potter’s wheels in the school’s ceramics studio, WHS senior Megan Tyler washes clay mud off her hands and arms. She is wearing a clay- “This is a big help for ics students in their regular streaked blue denim apron Empty Bowls,” says Megan, classes at WHS as well as Inside... which reaches somewhere surveying the busy yet sur- professional potters in the around her shins. Behind her, prisingly serene surround- Seacoast area. “We want to EALTH there are several students ings. get as many people involved H & are bent over their wheels, Along with classmate as possible.” WELLNESS patiently using wet hands to Nicole Kapral, who is off She notes that some of the • When the party’s over... shape and mold the spinning running errands, Megan students who have helped out • New technology may clay into smooth bowls. is the co-organizer of this are experienced clay crafters, WE SPECIALIZE IN SERVICE OF revolutionize Nearby, other students year’s Empty Bowls at WHS.
    [Show full text]
  • Carradine, Beverly
    John Ellzey From: WrCarradine <[email protected]> Sent: Thursday, January 22, 2015 12:43 PM To: John Ellzey Subject: Obituaries Hello John, It has been awhile, and I am looking for more obits. I certainly appreciate the ones you have already sent. Before I forget; I have sent another donation to Ricks via Chase Bank. It should be there In a few days. I noticed the "Bricks for Ricks" program on your home page. Are those still available? I could do one for all the early Carradlnes. Have I previously requested an obit for: May 4, 1957 Mary North Wilson I thought I had, but I can't find a record of doing so. ^ Here are the new ones: 1857- 1858GeorgeFnley / J ^ ^ Apr or MayI873Mary Jane Chisolm l/^V P jj A^JanJuly 28, 12,1886Caroline 1889JamesM (Carrie)Chisolm Chisolm l'^\kJL ^ 5il^aJU4 / ^ Mar 27, 1892John Martin Chisolm J ^92^ ' May 24, 1921 MonroeD Chisolm ^ ^Augl6,1923ElizabethJohnson ^ :\^Apr 21, 1991 ClarenceM Powell ■\Aj :>cay^M^A ^ ^ Apr 3, 2009Johnnie Chisolm Powell ){<y^isSiL '^\ The first two are clearly more difficult, so I realize that you may not be able to do much with them. There was Dr James H Wilson who was born in Tennessee, but was apparently a prominent Yazoo citizen in the mid 1800's. He married Sarah G Carradlne in 1856. I think he died about 1875, but perhaps not In Yazoo County. I have been looking for somethinginformation in about the library him for which a long you time can without easily find?much success.
    [Show full text]
  • WEEKSWORTH, DAILY COURIER, Grants Pass, Oregon • FRIDAY, SEPTEMBER 24, 2021 THIS WEEK’S HIGHLIGHTS Saturday Wednesday the Goldbergs 90 Day: the Single Life ABC 8 P.M
    Daily Courier We e k’sWor th THE TV MAGAZINE SEPTEMBER 25-OCTOBER 1, 2021 Nathan Fillion returns as THE ROOKIE for a fourth season on CBS ‘The Rookie’ returns after cliffhanger drama By Kyla Brewer TV Media Cop shows have been around practically since the dawn of television, and there’s still nothing quite like a good police drama, especially one with a nail-biting cliffhanger season finale. After months of waiting, anxious fans will finally find out what happens when a prime-time hit returns to the airwaves. Nathan Fillion reprises his role as John Nolan, a cop who sets out to find a col- league after she goes missing in the sea- son premiere of “The Rookie,” airing Sun- day on ABC. The debut marks the fourth season of the hour-long drama centered on Nolan, a 40-something cop — and oldest rookie in the history of the LAPD — who works at the Mid-Wilshire Division of the Los Ange- les Police Department. The police drama is the latest in a string of hits for Canadian-American actor Fillion, who rose to fame as Capt. Mal- colm Reynolds in the cult favorite TV series “Firefly” and its subsequent spinoff film, “Serenity” (2005), and as sleuthing mystery writer Richard Castle in the ABC crime drama “Castle.” Born and raised in Edmonton, Fillion moved south to pursue a career in acting, landing roles in TV shows “One Life to Live” and “Two Guys, a Girl and a Pizza Place” and in the movie “Saving Private Ryan” (1998). Now, he’s leading the cast of one of prime time’s highest-rated network series: “The Rookie.” At the end of last season, pregnant Det.
    [Show full text]