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Jane Fonda, IPC Films and Hollywood, 1977-1982 Rafferty, James Michael
Politicising stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982 Rafferty, James Michael The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. https://qmro.qmul.ac.uk/jspui/handle/123456789/675 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] 1 Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982 James Michael Rafferty Queen Mary, University of London Thesis submitted for the qualification of Doctorate of Philosophy (PhD) 2 Abstract This thesis is an empirical analysis of Jane Fonda’s films, stardom, and political activism during the most commercially successful period of her career. At the outset, Fonda’s early stardom is situated in relation to contemporaneous moral and political ideologies in the United States and how she functioned as both an agent and symbol of these ideologies. Her anti-war activism in the early-1970s constituted the apex of Fonda’s radicalisation and the nadir of her popular appeal; a central question of this thesis, therefore, is how her stardom was rehabilitated for the American mainstream to the point of becoming Hollywood’s most bankable actress. As the star and producer of IPC Films, Fonda developed political projects using commercial formats, namely Coming Home (1978), The China Syndrome (1979), Nine to Five (1980), and Rollover (1981). -
978–0–230–30016–3 Copyrighted Material – 978–0–230–30016–3
Copyrighted material – 978–0–230–30016–3 Introduction, selection and editorial matter © Louis Bayman and Sergio Rigoletto 2013 Individual chapters © Contributors 2013 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2013 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–0–230–30016–3 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. -
Souper Bowl Cyan
HAPPY NEW YEAR! INSIDE: 21 VOICES 26,000 COPIES Please Deliver Before FRIDAY, DECEMBER 29, 2006 Vol. 32 | No. 51 | 3 Sections |40 Pages Souper Bowl Cyan WHS fills Magenta Empty Bowls BY LIZ PREMO ATlaNTIC NEWS STAFF WRITER Yellow HAMPTON | There was a Bowl-a-Thon at Winnacunnet High School recently, and all the Black action therein had nothing to do with the venerable indoor sport with the funny-looking shoes. Instead, it was a creative ven- ture held in preparation for the annual Empty Bowls fundraiser, scheduled for Saturday, January 20 from 11 a.m. to 1 p.m. in the spacious WHS dining hall. Taking a quick break from her seat behind one of the potter’s wheels in the school’s ceramics studio, WHS senior Megan Tyler washes clay mud off her hands and arms. She is wearing a clay- “This is a big help for ics students in their regular streaked blue denim apron Empty Bowls,” says Megan, classes at WHS as well as Inside... which reaches somewhere surveying the busy yet sur- professional potters in the around her shins. Behind her, prisingly serene surround- Seacoast area. “We want to EALTH there are several students ings. get as many people involved H & are bent over their wheels, Along with classmate as possible.” WELLNESS patiently using wet hands to Nicole Kapral, who is off She notes that some of the • When the party’s over... shape and mold the spinning running errands, Megan students who have helped out • New technology may clay into smooth bowls. is the co-organizer of this are experienced clay crafters, WE SPECIALIZE IN SERVICE OF revolutionize Nearby, other students year’s Empty Bowls at WHS. -
Homage to Lina Wertmüller the First Woman Ever Nominated for the Academy Award for Best Director
Cinema Italia SF, in collaboration with the Italian Cultural Institute of San Francisco and The Italian Consulate General and with the support of The Leonardo da Vinci Society, is proud to present its 6th series of Italian Classic Cinema: Homage to Lina Wertmüller The first woman ever nominated for the Academy Award for Best Director. Saturday, September 23, 2017 – Castro Theatre, San Francisco A day-long cinematic celebration of Lina Wertmüller, the groundbreaking, pioneering woman director and visionary whose fearless, polemical and provocative films have left indelible marks and influence on the international entertainment field. • 11:00 AM: “Love & Anarchy” (129 min.) • 1:30 PM: “Behind the White Glasses” (104 min.) • 4:00 PM: “Swept Away” (115 min.) • 6:30 PM: “Seven Beauties” (116 min.) • 8:30 PM: White Glasses Party in the Theatre’s Mezzanine (ends at 10:00 PM) • 10:00 PM: “The Seduction of Mimi” (112 min.) Four narrative films in 2K Restoration DCP and one documentary film. All DCPs are provided by Kino Lorber. All four narrative feature films star Giancarlo Giannini. We are excited to welcome to San Francisco Valerio Ruiz, the director of the documentary film “Behind the White Glasses”. The Director: Lina Wertmüller was born Arcangela Felice Assunta Wertmüller von Elgg Spañol von Braueich in Rome in 1928 to a devoutly Roman Catholic Swiss family of aristocratic descent. After graduating from school, her first job was touring Europe in a puppet show. For the next ten years she worked as an actress, director and playwright for the stage. During this period she met Giancarlo Giannini, who later starred in many of her films. -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International, -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ezekiel Crago June 2019 Dissertation Committee: Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson Dr. Carole-Anne Tyler Copyright by Ezekiel Crago 2019 The Dissertation of Ezekiel Crago is approved: __________________________________________ __________________________________________ Committee Co-Chairperson __________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgments I wish to thank my committee chairs, Sherryl Vint and Derek Burrill, for their constant help and encouragement. Carole-Anne Tyler helped me greatly by discussing gender and queer theory with me. Josh Pearson read drafts of chapters and gave me invaluable advice. I was able to work out chapters by presenting them at the annual conference of the Science Fiction Research Association, and I am grateful to the members of the organization for being so welcoming. I owe Erika Anderson undying gratitude for meticulously aiding me in research and proofreading the entire project. iv ABSTRACT OF THE DISSERTATION Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema by Ezekiel Crago Doctor of Philosophy, Graduate Program in English University of California, Riverside, June 2019 Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson This study investigates anxieties over the role of white masculinity in American society after World War Two articulated in speculative films of the post-apocalypse. It treats the nascent genre of films as attempts to recenter white masculinity in the national imagination while navigating the increased visibility of this subject position, one that maintains dominance in society through its invisibility as superordinate standard of manhood. -
Gender Roomours II: Gender and Space
Issue 2006 16 22 Gender Roomours II: Gender and Space Edited by Prof. Dr. Beate Neumeier ISSN 1613-1878 Editor About Prof. Dr. Beate Neumeier Gender forum is an online, peer reviewed academic University of Cologne journal dedicated to the discussion of gender issues. As English Department an electronic journal, gender forum offers a free-of- Albertus-Magnus-Platz charge platform for the discussion of gender-related D-50923 Köln/Cologne topics in the fields of literary and cultural production, Germany media and the arts as well as politics, the natural sciences, medicine, the law, religion and philosophy. Tel +49-(0)221-470 2284 Inaugurated by Prof. Dr. Beate Neumeier in 2002, the Fax +49-(0)221-470 6725 quarterly issues of the journal have focused on a email: [email protected] multitude of questions from different theoretical perspectives of feminist criticism, queer theory, and masculinity studies. gender forum also includes reviews Editorial Office and occasionally interviews, fictional pieces and poetry Laura-Marie Schnitzler, MA with a gender studies angle. Sarah Youssef, MA Christian Zeitz (General Assistant, Reviews) Opinions expressed in articles published in gender forum are those of individual authors and not necessarily Tel.: +49-(0)221-470 3030/3035 endorsed by the editors of gender forum. email: [email protected] Submissions Editorial Board Target articles should conform to current MLA Style (8th Prof. Dr. Mita Banerjee, edition) and should be between 5,000 and 8,000 words in Johannes Gutenberg University Mainz (Germany) length. Please make sure to number your paragraphs Prof. Dr. Nilufer E. -
C6500 COMING HOME (USA, 1978) (Other Titles: Hemkomsten; Navrat Domiu; Regreso; Retour; Tornado a Casa)
C6500 COMING HOME (USA, 1978) (Other titles: Hemkomsten; Navrat domiu; Regreso; Retour; Tornado a casa) Credits: director, Hal Ashby ; writers, Waldo Salt, Robert Jones. Cast: Jane Fonda, Jon Voight, Bruce Dern, Robert Carradine, Robert Ginty. Summary: Melodrama set in San Diego in 1968. A poignant love story set against the social upheaval of the Vietnam war. Sally Hyde (Fonda) is the wife of a Marine Corps captain (Dern). While he is serving in Vietnam, Sally does volunteer work at a local veterans’ hospital. There she meets and falls in love with paraplegic Luke Martin (Voight). Adair, Gilbert. Hollywood’s Vietnam [GB] (p. 70-75, 109, 206) ___________. Vietnam on film [GB] (p. 103-9, 153, 188) Alemanno, Roberto. “Tornado a casa” Cinema nuovo 27 (Sep/Oct 1978), p. 58-9. Amiel, Mirelle. “Coming home” Cinema 78 235 (Jul 1978), p. 108-9. Applebaum, Ralph. “Positive thinking: Hal Ashby” Films and filming 24 (Jul 1978), p. 129-30. Arnold, Gary. “‘Coming home’: Jon Voight’s sexuality, Jane Fonda’s ideology” Washington post (Apr 12, 1978), p. B1, B5. Ashby, Hal. “Coming home” Film und Fernsehen 10/2 (1982), p. 14-15. Auster, Al and Quart, Leonard. “Hollywood and Vietnam: the triumph of the will” [GB] ________________________. How the war was remembered: Hollywood & Vietnam [GB] (p. 42, 49-52, 79, 84, 120) ________________________. “The wounded vet in postwar film” Social policy 13 (fall 1982), p. 24-31. Baron, Gyorgy. “Amerikai turmix” Film Kultura 16 (May/Jun 1980), p. 53-5. Barry, John. [Coming home] Democratic left 7/6 (Jun 1979), p. 14. -
Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982
1 Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982 James Michael Rafferty Queen Mary, University of London Thesis submitted for the qualification of Doctorate of Philosophy (PhD) 2 Abstract This thesis is an empirical analysis of Jane Fonda’s films, stardom, and political activism during the most commercially successful period of her career. At the outset, Fonda’s early stardom is situated in relation to contemporaneous moral and political ideologies in the United States and how she functioned as both an agent and symbol of these ideologies. Her anti-war activism in the early-1970s constituted the apex of Fonda’s radicalisation and the nadir of her popular appeal; a central question of this thesis, therefore, is how her stardom was rehabilitated for the American mainstream to the point of becoming Hollywood’s most bankable actress. As the star and producer of IPC Films, Fonda developed political projects using commercial formats, namely Coming Home (1978), The China Syndrome (1979), Nine to Five (1980), and Rollover (1981). The final IPC film, On Golden Pond (1981), signalled an ideological breach in this political strategy by favouring a familial spectacle, and duly outperformed its predecessors significantly. The first and last chapters of this work provide historical parameters for IPC in Fonda’s career, while the remaining chapters are structured by the conceptual and political aspects of each IPC project. Julia (1977) is discussed as an IPC prototype through its dramatisation of political consciousness. Coming Home, The China Syndrome, Nine to Five, and Rollover all exhibit this motif whereas On Golden Pond employs melodramatic nostalgia. -
YCP 5Th Film Fest.Cdr
Yashwant Intl. Film Festival 2015 Yashwantrao Chavan The birth centenary of Shri Yashwantrao Chavan (1913 - 1984) was celebrated last year in a befitting manner by the Government of Maharashtra and the Yashwantrao Chavan Pratishthan, Mumbai. It was an acknowledgement of his stellar contribution as first Chief Minister to the making of modern Maharashtra, as a State with progressive policies and a decentralized democratic set up of administration. In November, 1962, he became the Defence Minister in the aftermath of the India-China conflict. He worked hard to restore the morale of the armed forces and to enhance his strength through modern weapons, better equipment, organisational changes and a harmonious relationship with the armed forces. The efforts paid off in the India- Pakistan conflict in 1965. Subsequently, he held the high offices of Union Home Minister, Union Finance Minister and Foreign Minister of India. In 1979, he became the Deputy Prime Minister of India. He was a freedom fighter, effective parliamentarian and an astute administrator. He was a connoisseur of fine arts, a great lover of books and an author of acknowledged literary merit. He was very fond of watching good films, plays and stage performances of folk-art. The 'Yashwant' International Film Festival is a tribute to the outstanding personay of Yashwantrao Chavan. Yashwant Intl. Film Festival 2015 Yashwantrao Chavan Pratishthan Presents Jointly with: Supported by: Government of Maharashtra Yashwant Intl. Film Festival 2015 Foreword It is a matter of great satisfaction that the 5th Yashwant International Film Festival is being organized from 17th to 23rd January, 2015, at the Chavan Center by the Yashwantrao Chavan Pratishthan, Mumbai, in collaboration with the Pune Film Foundation, and financial support from the Government of Maharashtra. -
ADIEU BONAPARTE De Youssef Chahine (1985, 1H55) Un Film Restauré En 4K À Partir Du Négatif Image Et Des Magnétiques Son
DOSSIER DE PRESSE SÉLECTION OFFICIELLE CANNES 1985 SÉLECTION OFFICIELLE CANNES CLASSICS 2016 ADIEU BONAPARTE de Youssef Chahine (1985, 1h55) Un film restauré en 4K à partir du négatif image et des magnétiques son Mardi 17 mai à 18h, Salle Buñuel Michel Piccoli dans Adieu Bonaparte de Youssef Chahine, 1985 © TF1 Studio / MISR International Films. Une restauration de Misr International Films, TF1 Studio menée en 2016 par La Cinémathèque française avec le soutien du CNC, du Fonds Culturel Franco-Américain (DGA-MPA-SACEMWGAW), des Archives audiovisuelles de Monaco et de l’Association Youssef Chahine. La restauration, réalisée au laboratoire Eclair Ymagis et au studio L.E.Diapason, a été supervisée par Céline Charrenton, Marianne Khoury et Hervé Pichard. CONTACTS LA CINÉMATHÈQUE FRANÇAISE Jean-Christophe Mikhaïloff Elodie Dufour Directeur de la Communication, Attachée de presse des Relations extérieures et du Développement +33 (0)1 71 19 33 65 +33 (0)1 71 1933 14 - +33 (0)6 23 91 46 27 +33 (0)6 86 83 65 00 [email protected] [email protected] SOMMAIRE 1- La restauration d’Adieu Bonaparte 3 Adieu Bonaparte, sur les traces de l’Egypte moderne. La restauration du film. Générique technique et artistique. Biographie et filmographie de Youssef Chahine. 2- Un ambitieux plan de sauvegarde 9 Les archives « non film » du cinéaste à La Cinémathèque française. Dès 2018, rétrospective intégrale à La Cinémathèque française. Le comité scientifique Youssef Chahine. 3- Chahine, champagne d’Egypte 10 par Serge Daney. Libération, 17 mai 1985. Affiche française du film. Adieu Bonaparte de Youssef Chahine, 1985. 2 Adieu Bonaparte revient au Festival de Cannes 31 ans après sa présentation en Compétition officielle. -
The Cambridge Companion to Modern Italian Culture
The Cambridge Companion to Modern Italian Culture This book provides a comprehensive account of the culture of modern Italy.Specially commissioned essays by leading specialists focus on a wide range of political, historical and cultural questions. The volume provides information and analysis on such topics as regionalism, the growth of a national language, social and political cultures, the role of intellectuals, the Church, the left, Feminism, the separatist movements, organized crime, literature, art, design, fashion, the mass media and music. While offering a thorough history of Italian cultural movements, political trends and literary texts over the last century and a half, the volume also examines the cultural and political situation in Italy today and suggests possible future directions in which the country might move. Each essay contains suggestions for further reading on the topics covered. The Cambridge Companion to Modern Italian Culture is an invaluable source of materials for courses on all aspects of modern Italy. Zygmunt Guido Baran´ ski isProfessor of Italian Studies at the University of Reading. He has published extensively on Dante, medieval poetics, modern Italian literature and culture, post-war Italian cinema and literary theory.He is the editor of the interdisciplinary journal The Italianist and co-editor, with Professor Laura Lepschy,of the book series ‘Italian Perspectives’ (Northern Universities Press). Rebecca J. West isProfessor of Italian and Cinema/Media Studies in the Department of Romance Languages and Literatures at the University of Chicago. She is the author of Eugenio Montale: Poet on the Edge, which won the Howard Marraro Prize in 1982, and of Gianni Celati: The Craft of Everyday Storytelling, winner of the Scaglione Publication Prize in 1999.