Syllabus for Use in Imperial Russian History. INSTITUTION Toledo Public Schools, Ohio
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Russian (RUS) 1
Russian (RUS) 1 RUSSIAN (RUS) RUS 53: Intermediate Intensive Russian for Graduate Students 3 Credits RUS 1: Elementary Russian I Continued intensive study of Russian at the intermediate level: reading, 4 Credits writing, speaking, listening, cultural contexts. RUS 053 Intermediate Intensive Russian for Graduate Students (3)This is the third in a series Audio-lingual approach to basic Russian; writing. Students who have of three courses designed to give students an intermediate intensive received high school credit for two or more years of Russian may not knowledge of Russian. Continued intensive study of Russian at the schedule this course for credit, without the permission of the department. intermediate level: reading, writing, speaking, listening, and cultural contexts. Lessons are taught in an authentic cultural context. Bachelor of Arts: 2nd Foreign/World Language (All) Prerequisite: RUS 052 or equivalent, and graduate standing RUS 2: Elementary Russian II 4 Credits RUS 83: First-Year Seminar in Russian Audio-lingual approach to basic Russian continued; writing. Students 3 Credits who have received high school credit for four years of Russian may not schedule this course for credit, without the permission of the department. Russia's cultural past and present. RUS 083S First-Year Seminar in Russian (3) (GH;FYS;US;IL)(BA) This course meets the Bachelor of Arts Prerequisite: RUS 001 degree requirements.Russia, the world's largest country stretching Bachelor of Arts: 2nd Foreign/World Language (All) over eleven time zones in Europe and Asia, is currently undergoing a dramatic transformation. For the past hundred years, Russia has RUS 3: Intermediate Russian served as a laboratory of gigantic dimensions as various social ideals 4 Credits were implemented with unprecedented radicalism. -
Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports Tim Harte Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Russian Faculty Research and Scholarship Russian 2009 Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports Tim Harte Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/russian_pubs Custom Citation Harte, Tim. "Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports," Nabokov Studies 12.1 (2009): 147-166. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/russian_pubs/1 For more information, please contact [email protected]. Tim Harte Bryn Mawr College Dec. 2012 Athletic Inspiration: Vladimir Nabokov and the Aesthetic Thrill of Sports “People have played for as long as they have existed,” Vladimir Nabokov remarked in 1925. “During certain eras—holidays for humanity—people have taken a particular fancy to games. As it was in ancient Greece and ancient Rome, so it is in our present-day Europe” (“Braitenshtreter – Paolino,” 749). 1 For Nabokov, foremost among these popular games were sports competitions. An ardent athlete and avid sports fan, Nabokov delighted in the competitive spirit of athletics and creatively explored their aesthetic as well as philosophical ramifications through his poetry and prose. As an essential, yet underappreciated component of the Russian-American writer’s art, sports appeared first in early verse by Nabokov before subsequently providing a recurring theme in his fiction. The literary and the athletic, although seemingly incongruous modes of human activity, frequently intersected for Nabokov, who celebrated the thrills, vigor, and beauty of sports in his present-day “holiday for humanity” with a joyous energy befitting such physical activity. -
Contemporary China: a Book List
PRINCETON UNIVERSITY: Woodrow Wilson School, Politics Department, East Asian Studies Program CONTEMPORARY CHINA: A BOOK LIST by Lubna Malik and Lynn White Winter 2007-2008 Edition This list is available on the web at: http://www.princeton.edu/~lynn/chinabib.pdf which can be viewed and printed with an Adobe Acrobat Reader. Variation of font sizes may cause pagination to differ slightly in the web and paper editions. No list of books can be totally up-to-date. Please surf to find further items. Also consult http://www.princeton.edu/~lynn/chinawebs.doc for clicable URLs. This list of items in English has several purposes: --to help advise students' course essays, junior papers, policy workshops, and senior theses about contemporary China; --to supplement the required reading lists of courses on "Chinese Development" and "Chinese Politics," for which students may find books to review in this list; --to provide graduate students with a list that may suggest books for paper topics and may slightly help their study for exams in Chinese politics; a few of the compiler's favorite books are starred on the list, but not much should be made of this because such books may be old or the subjects may not meet present interests; --to supplement a bibliography of all Asian serials in the Princeton Libraries that was compiled long ago by Frances Chen and Maureen Donovan; many of these are now available on the web,e.g., from “J-Stor”; --to suggest to book selectors in the Princeton libraries items that are suitable for acquisition; to provide a computerized list on which researchers can search for keywords of interests; and to provide a resource that many teachers at various other universities have also used. -
Of Russian Literaturepart I Russian Literature: Background, Foreground, Creative Cognition
The Mythopoetic “Vectors” of Russian LiteraturePART I Russian Literature: Background, Foreground, Creative Cognition Chapter 1 The Mythopoetic “Vectors” of 27. Russian Literature1 Any national literature is to some significant extent a mirror held up to its people’s collective countenance: its myths, aspirations, national triumphs and traumas, current ideologies, historical understanding, lin guistic tra- ditions. But it is also more than that — more than a reflection in the glass of what has come before and what is now, even as one glances into it, passing from view. It is, in a real sense, generative of new meaning, and thus capable of shaping that countenance in the future. For the society that takes its literary products seriously, the text of a novel or poem can be a kind of genetic code2 for predicting, not concrete outcomes or actual progeny, but something no less pregnant with future action: the forms of a culture’s historical imagination. The variations seem limitless, and yet how is it we are able to determine any given work of literature is clearly identifiable as Russian? Why could Flaubert’s Emma Bovary in some sense not be imagin- ed by the great realist who created Anna Karenina? How is Dostoevsky’s 1 Originally appeared 2 See Chapter 4 in Part 1 as part 1 of the essay/chapter of the present volume with its “Russian Literature,” in Cambridge discussion of how genes and Companion to Modern Russian “memes” work together to create Culture, ed. Nicholas Rzhevsky an individual’s and a culture’s (Cambridge: Cambridge University views of itself. -
A Short History of Russian Literature
CORNELL UNIVERSITY LIBRARY Short history of Russian iiterature 3 1924 026 645 790 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026645790 1 A SHORT HISTORY OF RUSSIAN LITERATURE Translated from the Russian OF SHAKHNOVSKI With a Supplementary Chapter bringing the work down to date (written specially for this book) BY SERGE TOMKEYEFF London KEGAN PAUL, TRENCH, TRUBNER & Co., Ltd. New York : E. P. BUTTON & Co. 193 f\.S^1\3 4- V. ^.. \'-"f .. CONTENTS PAGE Introductory . i Chap I. Oral and written literature . 3 II. The beginnings of written literature . 9 III. The monuments of the twelfth century r8. IV. The monuments of the thirteenth century 22 V. The monuments of the fourteenth century 24 VI. The modern period . 30 VII. The epoch of reconstruction . 36 VIII. Sumar6kov and the literary writers under Catherine II . 46 IX Von Visin 52 X. The first Russian periodicals . 62 XI. N. Y. Karamzln . 66 XII. Zhuk6vski 74 XIII. Kryl6v and the journalism of the Romantic epoch . 81 XIV. A. S. Pushkin and his followers . 86 XV. Griboiedov, Lermontov . 99 XVI. Gogol 106 XVII. Modem Literature : The Schellingists, Slavophils and Westemizers . 117 XVIII. Later poets and the great novelists . 123 XIX. Grigor6vich and other novelists . 131 XX. Russian Literature from Leo Toistoy to the present date . 138 (Writter. by Serge Tomkeyeff./ INTRODUCTORY. The history of literature presents a progressive develop- ment of the art of writing in every country, and is corre- lated with the culture of the people. -
The Arts in Russia Under Stalin
01_SOVMINDCH1. 12/19/03 11:23 AM Page 1 THE ARTS IN RUSSIA UNDER STALIN December 1945 The Soviet literary scene is a peculiar one, and in order to understand it few analogies from the West are of use. For a vari- ety of causes Russia has in historical times led a life to some degree isolated from the rest of the world, and never formed a genuine part of the Western tradition; indeed her literature has at all times provided evidence of a peculiarly ambivalent attitude with regard to the uneasy relationship between herself and the West, taking the form now of a violent and unsatisfied longing to enter and become part of the main stream of European life, now of a resentful (‘Scythian’) contempt for Western values, not by any means confined to professing Slavophils; but most often of an unresolved, self-conscious combination of these mutually opposed currents of feeling. This mingled emotion of love and of hate permeates the writing of virtually every well-known Russian author, sometimes rising to great vehemence in the protest against foreign influence which, in one form or another, colours the masterpieces of Griboedov, Pushkin, Gogol, Nekrasov, Dostoevsky, Herzen, Tolstoy, Chekhov, Blok. The October Revolution insulated Russia even more com- pletely, and her development became perforce still more self- regarding, self-conscious and incommensurable with that of its neighbours. It is not my purpose to trace the situation histori- cally, but the present is particularly unintelligible without at least a glance at previous events, and it would perhaps be convenient, and not too misleading, to divide its recent growth into three main stages – 1900–1928; 1928–1937; 1937 to the present – artifi- cial and over-simple though this can easily be shown to be. -
Social Justice in the Carolingian World Poverty, Hierarchy, and the (Non)Uses of Pseudo-Cyprian’S De Duodecim Abusivis Saeculi in the Ninth Century
Social justice in the Carolingian world Poverty, hierarchy, and the (non)uses of Pseudo-Cyprian’s De duodecim abusivis saeculi in the ninth century RMA-thesis Ancient, Medieval, and Renaissance Studies, University of Utrecht Student Jelle Wassenaar (Student no. 370219) First reader Dr. Rob Meens (Utrecht University) Second reader Dr. Rutger Kramer (Austrian Academy of Sciences) Date of submission 06.08.2016 Contents Introduction .................................................................................................................................................. 4 I. Methodological foundation ..................................................................................................................... 8 1.1. Defining the pauper ......................................................................................................................... 8 1.2. Defining social justice .................................................................................................................... 11 1.3. ‘Early medieval Ireland’ and ‘the Carolingian world’ ................................................................ 14 II. Social justice in De duodecim abusivis ..................................................................................................... 16 2.1. Social justice and the rex iniquus ................................................................................................. 16 2.2. Moralising wealth, poverty, and power ...................................................................................... -
America's Russian-Speaking Jews Come of Age
Toward a Comprehensive Policy Planning for R u s s i a n - Speaking Jews in North America Project Head Jonathan D. Sarna Contributors Dov Maimon, Shmuel Rosner In dealing with Russian-speaking Jews in North America, we face two main challenges and three possible outcomes. CHALLENGES: 1. Consequences of disintegration of the close-knit immigrant society of newly arrived Russian-speaking Jews. 2. Utilizing the special strengths of Russian-speaking Jews for the benefit of the wider American Jewish community. POSSIBLE OUTCOMES: 1. The loss of Jewish identity and rapid assimilation. 2. An adaptation of American-Jewish identity (with the benefits and shortcomings associated with it). 3. A formation of a distinctive Russian-speaking Jewish identity strong enough to be further sustained. There is a 10 to 15-year window of opportunity for intervention with this population. There is also a need to integrate, in a comprehensive manner, organizations to positively intervene in the field. At this preliminary stage, several recommendations stand out as urgent to address this population’s needs: - An effort on a national scale to assist the communities that are home to the majority of Russian-speaking Jews. - Funding for programs that will encourage Russian-speaking Jews to move into Jewish areas. - Special programs to promote in-marriage. - Dialogue mechanisms for Russian-speaking Jews in Israel, the US, Germany, and the Former Soviet Union. - Programs building on Russian-speaking Jews’ sense of peoplehood to bolster ties among all Jews to Israel. - Possible reciprocity between Jewish education and education in science and math for Russian-speaking Jews ("Judaism for math"). -
Himalayan Journal of Education and Literature Macrocosm and Its Dark in Cherkess Women's Poetry Today
Himalayan Journal of Education and Literature Open Access Research Article Macrocosm and Its Dark in Cherkess Women's Poetry Today Кhuako Fatimet Doctor of Philology, Professor, Maikop State Technological University, Russia *Corresponding Author Кhuako Fatimet Abstract: As revealed in the presented work, the Circassian literature of the post- Soviet period, based on the then newly emerged concept of the macrocosm and personality, exacerbated the layer of creative immersion in being. This was due to the Article History fact found in the work: the word-creation of poets, caused by the oppressive Received: 30.04.2021 destruction of perestroika, is often aimed at regulating ordinary issues, necessarily Accepted: 10.05.2021 saturated with black-and-white problems and its antipodes. Accordingly, the closeness Published: 20.05.2021 of the art authors considered in the article as research objects to the media environment that paints the realities of life is evident. The analyzed materials here are Citations: poetic works of female Circassian lyrics (in particular, Sanyat Gutova, Muliat Emizh). Кhuako Fatimet. (2021); Macrocosm and The rationale for this choice is given in the Introduction, and it allows us to assume Its Dark in Cherkess Women's Poetry Today. the relevance of the study. The methods involve textual comparison, analysis, Hmlyan Jr Edu Lte, 2(3) 9-14 commenting based on facts and personal experience. The direct and natural rhythmization of the century that has come with a peculiar, thorough reflection on the Copyright @ 2021: This is an open-access article distributed under the terms of the macrocosm has perceptibly determined, in particular, the literary texts of the Creative Commons Attribution license which Circassian poetesses who create today, and in various genres. -
The Gloom and Glory of Russian Literature. 393
390 THE OPEN COURT. position to men of proven worth. In the United States candidates are restricted, by Constitutional provision, to local constituencies. In consequenqe the quality of our leadership suffers. Politically it is a great Constitution, one of which we are rightly proud. It might, however, easily be improved—were the world any longer interested in politics. THE GLOOM AND GLORY OF RUSSIAN LITERA- TURE.^ BY MAXIMILIAN J. RUDWIN. Russian Literature the Lady of Sorrozvs of Holy Russia. '* A BANDON all hope, ye who enter here." These fateful words i\ of Dante might well be inscribed on the fly-leaf of every Russian book. The foreign reader of Russian literature walks in the Valley of Shadow. He is overwhelmed by a wealth of woe. He is steeped in gloom. The Tragedy of Russian Life. Russian literature is a faithful record of the history of Russia. In her literature, hapless and helpless, Russia has recorded her grief and sorrow. In her song and story she has uttered her heaven- rending cry of anguish. Russia's fiction is the direct outcome of the sufferings of her people. The misfortunes of Russia are darker and deeper, her shrieks of agony are louder and longer than those of any other country. Her literature is sadder and gloomier that that of any land. It is the literature of a country which is always "complaining and sighing and wailing." If the joys of Russia are bitterly ignored in her literature, it is because in truth they cannot be said to exist. The humorous details in Russian literature often hide a most tragical background, w^hich all of a sudden breaks 1 In this essay pre-revolutionary literature only will be considered. -
Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers
Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers by Kathryn Douglas Schild A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Harsha Ram, Chair Professor Irina Paperno Professor Yuri Slezkine Fall 2010 ABSTRACT Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers by Kathryn Douglas Schild Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Harsha Ram, Chair The breakup of the Soviet Union in 1991 reminded many that “Soviet” and “Russian” were not synonymous, but this distinction continues to be overlooked when discussing Soviet literature. Like the Soviet Union, Soviet literature was a consciously multinational, multiethnic project. This dissertation approaches Soviet literature in its broadest sense – as a cultural field incorporating texts, institutions, theories, and practices such as writing, editing, reading, canonization, education, performance, and translation. It uses archival materials to analyze how Soviet literary institutions combined Russia’s literary heritage, the doctrine of socialist realism, and nationalities policy to conceptualize the national literatures, a term used to define the literatures of the non-Russian peripheries. It then explores how such conceptions functioned in practice in the early 1930s, in both Moscow and Baku, the capital of Soviet Azerbaijan. Although the debates over national literatures started well before the Revolution, this study focuses on 1932-34 as the period when they crystallized under the leadership of the Union of Soviet Writers. -
Serfdom and State Power in Imperial Russia
Roger Bartlett Serfdom and State Power in Imperial Russia The institution of serfdom has been a central and much debated feature of early modern Russian history: it has sometimes been described as Russia’s ‘peculiar institution’, as central to the Russian experience as black slavery has been to the American.1 It is striking, however, that the rise and dominance of serfdom within Muscovite/Russian society coincided closely in historical terms with the rise to European eminence and power of the Muscovite state and Russian Empire. The subjection of the peasantry to its landlord masters was finally institutionalized in 1649, at a time when for most of the rest of Europe Muscovy was a little-known and peripheral state, in John Milton’s words, ‘the most northern Region of Europe reputed civil’.2 When Peter I proclaimed Russia an empire, in 1721, it had displaced Sweden to become the leading state of Northern Europe; one hundred years later Russia was the premier European land power. Its loss of international status after the Crimean War in 1856 helped to precipitate the abolition of serfdom (1861); but the ‘Great Reforms’ of the 1860s did not enable it to regain the international position achieved after the Napoleonic Wars. Thus the period of history from the mid-seventeenth to mid-nineteenth centuries, when serfdom became a securely entrenched legal and economic institution, was also the period in which Russia — the Muscovite state and Russian Empire — became relatively more powerful than at any other time in its history before 1945. This article seeks to examine some of the features of serfdom in Russia, to look briefly at its place in the structure and dynamics of Russian society, and to investigate the relationship between the establish- ment of serfdom in practice and the success of Russian govern- ments both in domestic affairs and on the international stage.