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ADOLESCENT GIRLS TOOLKIT Contents
ADOLESCENT GIRLS TOOLKIT Contents Introduction 4 Our Girl Group 71 Understanding Different Types of Violence: Child Marriage The Basics 5 Speaking Without Words 75 Older Adolescents Child Safety Why Girls 6 Making and Keeping friends 77 What Can Girls do if They Experience Managing Stress How to Navigate this Toolkit 7 Violence? Mother/Daughter Activities Adolescent Girl Tools 8 Life Skills 80 Female Genital Cutting Peer pressure 81 Child Marriage Icebreakers and Games Reaching Adolescent Girls: (Community 11 Problem Solving 82 Our Challenges Our Solutions Participation) Relationships with Parents/Caregivers 90 People I Trust (My Safety Network) Monitoring Tools Identify Decision Makers 12 The Choices that we Make 94 Build Trust 13 Communicating in Difficult Situations 97 Financial Education Resource Page Explore Views 13 Understanding our Feelings 99 Why save Community Conversation 15 What We Can Do When We Feel Sad 102 Choosing our Savings Goal Community Action 16 Positive Things Around Me 105 Making a Savings Plan Self Confidence 107 Risky Income: Older Adolescents Setting up an Adolescent Girls Programme 17 Online Safety 109 I Want, I Need (Outreach) What it Means to be a Girl 111 Making Spending Decisions Girl Friendly Space 18 Thinking About the Future Which Girls? 19 Reproductive Health 114 Save Regularly Where are the Girls? 21 Our Rights 115 Gathering Girls 22 Our Bodies: Younger Adolescents 118 Leadership Mobile Activities 23 Our Organs: Younger Adolescents 121 Female Role Models Explaining your Services 25 Our Monthly Cycle: -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
2014 DGA Episodic Director Diversity Report (By SIGNATORY COMPANY)
2014 DGA Episodic Director Diversity Report (by SIGNATORY COMPANY) Signatory Company Title Total # of Combined # Combined # Episodes Male # Episodes Male # Episodes Female # Episodes Female Network Episodes Women + Women + Directed by Caucasian Directed by Minority Directed by Caucasian Directed by Minority Minority Minority % Male % Male % Female % Female % Episodes Caucasian Minority Caucasian Minority 50/50 Productions, LLC Workaholics 13 0 0% 13 100% 0 0% 0 0% 0 0% Comedy Central ABC Studios Betrayal 12 1 8% 11 92% 0 0% 1 8% 0 0% ABC ABC Studios Castle 23 3 13% 20 87% 1 4% 2 9% 0 0% ABC ABC Studios Criminal Minds 24 8 33% 16 67% 5 21% 2 8% 1 4% CBS ABC Studios Devious Maids 13 7 54% 6 46% 2 15% 4 31% 1 8% Lifetime ABC Studios Grey's Anatomy 24 7 29% 17 71% 1 4% 2 8% 4 17% ABC ABC Studios Intelligence 12 4 33% 8 67% 4 33% 0 0% 0 0% CBS ABC Studios Mixology 12 0 0% 13 108% 0 0% 0 0% 0 0% ABC ABC Studios Revenge 22 6 27% 16 73% 0 0% 6 27% 0 0% ABC And Action LLC Tyler Perry's Love Thy Neighbor 52 52 100% 0 0% 52 100% 0 0% 0 0% OWN And Action LLC Tyler Perry's The Haves and 36 36 100% 0 0% 36 100% 0 0% 0 0% OWN The Have Nots BATB II Productions Inc. Beauty & the Beast 16 1 6% 15 94% 0 0% 1 6% 0 0% CW Black Box Productions, LLC Black Box, The 13 4 31% 9 69% 0 0% 4 31% 0 0% ABC Bling Productions Inc. -
Reviewing Romcom: (100) Imdb Users and (500) Days of Summer
. Volume 8, Issue 2 November 2011 Reviewing Romcom: (100) IMDb Users and (500) Days of Summer Inger-Lise Kalviknes Bore Birmingham City University, UK Abstract This article contributes to academic debates around the romantic comedy genre and comedy audiences by examining IMDb user reviews of (500) Days of Summer (2009). Directed by Marc Webb for Fox Searchlight Pictures, (500) Days of Summer was promoted with the tagline ‘Boy meets girl. Boy falls in love. Girl doesn’t’. This presents the film as an unconventional romantic comedy in at least three ways: Firstly, it suggests that these two characters will not actually end up together, which challenges the idea of the romcom couple as ‘meant to be’. Secondly, it presents the possibility that audiences might not get the happy ending we usually expect from comedy. And finally, the tagline casts the boy, rather than the girl, in the role as yearning romantic, thereby challenging the traditional gender roles of heterosexual relationships. So how did audiences respond to this film? At the time of writing, it has been rated by 75,716 IMDb users, and has an average score of 8.0 out of 10. This clearly suggests a favourable reception, but the IMDb reviews also offer qualitative data that can shed further light on how the film has been evaluated. What kinds of criteria are in operation? What elements do reviewers highlight as important for their experiences of the film? How is the film seen to fail for some viewers? Drawing on previous studies of romantic comedy, the analysis will consider how these particular audience members articulated their responses to (500) Days of Summer, as well as their positions as reviewers. -
Sunday Morning Grid 3/18/18 Latimes.Com/Tv Times
SUNDAY MORNING GRID 3/18/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) 2018 NCAA Basketball Tournament Second Round: Teams TBA. 2018 NCAA Basketball Tournament 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Paid Journey Journey Golf Arnold Palmer Invitational, Final Round. (N) 5 CW Los Angeles Marathon Runners compete in Los Angeles Marathon. (N) Å Marathon Post Show In Touch Paid Program 7 ABC News This Week News News News Paid Way of Life Paid 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX In Touch Paid Fox News Sunday News Paid Program NASCAR NASCAR 13 MyNet Paid Matter Fred Jordan Paid Program Lake City (2008) (R) 18 KSCI Paid Program Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Memory Rescue With Daniel Amen, MD (TVG) Å Retire Safe & Secure With Ed Slott (TVG) Å Rick Steves Special: European Easter Orman 28 KCET 1001 Nights 1001 Nights Mixed Nutz Edisons Biz Kid$ Biz Kid$ Memory Rescue With Daniel Amen, MD (TVG) Å Retire Safe & Secure 30 ION Jeremiah Youseff In Touch NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 34 KMEX Conexión Paid Program Planeta U Calimero (TVG) Mickey Manny República Deportiva 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress K. -
Star Channels, March 18-24
MARCH 18 - 24, 2018 staradvertiser.com BY THE BOOK A killer takes a bestselling book about crime theory a little too literally in Instinct, a police procedural with a modern touch. In order to solve his murders, Det. Lizzie Needham (Bojana Novakovic) will need the author’s help. Watch as Dr. Dylan Reinhart (Alan Cumming), a former CIA operative-turned-professor and author, joins Needham in order to create a profi le and help catch the killer. Premiering Sunday, March 18, on CBS. WEEKLY NEWS UPDATE LIVE @ THE LEGISLATURE Join Senate and House leadership as they discuss upcoming legislation and issues of importance to the community. TOMORROW, 8:30AM | CHANNEL 49 | olelo.org/49 olelo.org ON THE COVER | INSTINCT The write wit Remixing police procedurals Without any motives or additional leads, following and firmly established the demand Needham reaches out to Reinhart for his help, for the police procedural drama. with ‘Instinct’ knowing that his unique perspective as author “Instinct” pulls from this transitory past, as — and former CIA operative — is her best hope the story began in the pages of a novel. The By K.A. Taylor at stopping this mysterious murderer. series is an adaptation of James Patterson’s TV Media To better prepare himself for the chase, novel “Murder Games,” with much of the Reinhart calls on some old friends for assis- series’ content staying true to Patterson’s olice procedural dramas are a staple of tance from his previous life, including Julian own words. Fans of literary, small-screen and North American television. Just mention- Cousins (Naveen Andrews, “Sense8”). -
Black Masculinity and White-Cast Sitcoms Unraveling Stereotypes in New Girl
Black masculinity and White-cast Sitcoms Unraveling stereotypes in New Girl Marie Zafimehy Supervisor: Alma Persson, Gender Studies, LiU Master’s Programme Gender Studies – Intersectionality and Change Master’s thesis 15 ECTS credits ISRN: LIU-TEMA G/GSIC1-A—19/015-SE Marie Zafimehy 2 Master thesis - Gender, Intersectionality and Change ABSTRACT For decades, situational comedies — commonly named “sitcoms” — have been racially segregated on TV between Black-cast sitcoms and White-cast sitcoms. Extensive research has been led about representation of Black and White masculinities in this segregated context. This master thesis studies what happens when White and Black males are equally casted as main characters in contemporary sitcoms by offering a case-study of the 2011 sitcom New Girl (2011-2017). How is Black masculinity represented in New Girl, and in which ways does it intersect with contemporary societal issues (e.g. racial profiling, Black Lives Matter movement)? This case-study uses tools, methodologies and concepts, drawn from Black and Intersectional feminism as well as Feminist media studies. Based on a 25 episodes sample of the show, it implements Ronald Jackson’s traditional stereotypes classification and “Black masculine identity theory” (Jackson, 2006) to study representations of Black masculinity in New Girl, through its two main Black male characters, Winston and Coach. Given that representations of minorities in popular culture reflect and influence our contemporary society, the results offer new insights about how sitcoms, series and pop- culture productions in general can challenge traditional stereotypes and display a more progressive Black masculinity. Key words: Black feminism, Feminist media studies, Men and masculinities, Representation, New Girl, Sitcoms Marie Zafimehy 3 Master thesis - Gender, Intersectionality and Change ACKNOWLEDGEMENTS Thank you to Johanna Hägg and Sebastian Ingels who successively shared their Netflix access codes with me. -
500M 57 29 11 9 39
29 2008 Warner Bros. 27 series for 10 networks 57 39 20th Century Fox TV 20 broadcast Universal Television 2013 7 basic cable 43 original series for 16 networks* 22 for broadcast 18 basic cable 11 19 ABC Studios 2 pay cable 1 digital Growth Sony Pictures *16 new series in 2013-14 Television Fox TV Studios 2013 Emmy 9 Nominations CBS Television Studios 20th Century Fox Television Fox 21 Studios Cable series: 2013-14 20 20th Century Fox TV 15 Warner Bros. Output ABC “Modern Family” 10 Universal Television CBS “How I Met Your Mother” 7 Sony Pictures Television USA “Burn Notice” USA “White Collar” 2 ABC Studios SHO “Homeland” 2 CBS Television Studios Third-Party Broadcast series: 2013-14 Network Hits 34 Warner Bros. 22 20th Century Fox TV 18 ABC Studios 18 Universal Television 17 CBS Television Studios 11 Sony Pictures Television “American Dad” “Bob’s Burgers” “Family Guy” “Futurama” The World of “How I Met Your Mother” “King of the Hill” Off-Network “Last Man Standing” Brian Grazer & Ron Howard Dana Walden & Pipeline (2015-16) (“24,” “Arrested Development”) “Modern Family” “New Girl” (2015-16) Gary Newman “Raising Hope” Howard Gordon (2014-15) (“The X-Files,” “24,” “The Simpsons” “Homeland,” Diverse in both content and “Legends,” “Tyrant”) outlets, 20th Century Fox TV has flourished under the leadership of its chairman-CEOs. Key Exec “Angel” Producers Key Library “Buffy the Vampire Slayer” Series “King of the Hill” “MASH” “Prison Break” “Reba” “24” Seth MacFarlane “The X-Files” (“Family Guy,” More than 50 current “American Dad,” “The and -
The New Girl Pdf, Epub, Ebook
THE NEW GIRL PDF, EPUB, EBOOK Madonna,Jeffrey Fulvimari | 123 pages | 13 Sep 2007 | Penguin Putnam Inc | 9780142408841 | English | New York, NY, United States The New Girl PDF Book Retrieved April 8, Archived from the original on October 27, As part of her postconcussion TV marathon, she revisited an old favorite, Buffy the Vampire Slayer —appropriate for someone who loves teen-girl culture. Retrieved September 28, On a personal front, this handsome actor remarried in and continues to raise his two kids from his previous partner. Go to the content Go to the footer Close Worldwide icon-chevron-right Worldwide. Cancel Resend Email. Retrieved March 30, Retrieved November 16, Everything from the instructions to the logo seems crafted to promote hope and optimism in the user. Peter Sobczynski. Tristram Shapeero. I'd like to see people who invent the greatest games of our time— World of Warcraft, Super Mario, Angry Birds—turn to this field. Wayans' surprise disappearance left many a Coach fan pondering not only why the character didn't return for the series premiere, but why the character was not recast, and instead simply replaced. We just have to be there for each other. He would have to put money in this jar every time he said or did something that was offensive or particularly "douchebag-y". Retrieved February 24, Retrieved January 27, Jay Chandrasekhar. Retrieved February 17, Worst Superhero Movies. Laure Gardette Film Editor. Reginald Hudlin. Cinemark Coming Soon. Archived from the original on January 2, Share Share Tweet Email 0. Its goal: creating games "powered by the science of positive emotions. -
Karma Chameleon”
WONDERFALLS “Karma Chameleon” Written by Tim Minear Directed by Marita Grabiak Air #102 Final Shooting Script ALL RIGHTS RESERVED. COPYRIGHT © 2003 TWENTIETH CENTURY FOX FILM CORPORATION AND REGENCY ENTERTAINMENT (USA), INC. NO PORTION OF THIS SCRIPT MAY BE PERFORMED, PUBLISHED, REPRODUCED, SOLD OR DISTRIBUTED BY ANY MEANS OR QUOTED OR PUBLISHED IN ANY MEDIUM, INCLUDING ON ANY WEB SITE, WITHOUT THE PRIOR WRITTEN CONSENT OF TWENTIETH CENTURY FOX FILM CORPORATION. DISPOSAL OF THIS SCRIPT COPY DOES NOT ALTER ANY OF THE RESTRICTIONS SET FORTH ABOVE. WONDERFALLS “Karma Chameleon” TEASER 1 EXT. BOOK STORE - DISPLAY WINDOW - DAY 1 A display in the window: “Thumbing Through The Finger Lakes With Karen Tyler.” One of the books is open so we CAN SEE the inner dust cover flap. There is a PHOTO of KAREN TYLER just above her bio. PUSH IN until Mom’s face FILLS FRAME: DAD (V.O.) About the author: Karen Tyler is the award winning author of several best selling travel guides. She resides in Niagara Falls, New York with her husband, noted area physician, Dr. Darrin Tyler... Now the IMAGE of Mom ANIMATES. Now we’re in: 2 INT. THE BARREL - NIGHT 2 CAMERA PANS off MOM to find DAD there, holding the book we saw in the window. He’s reading from the inner flap... DAD The Tyler’s have three beautiful grown children... CAMERA PANS to find SHARON. She reacts to the mention of: DAD (CONT’D) Their eldest, daughter Sharon, is a respected immigration attorney and the newest partner at the law firm of Merrifield, Hanson and Eldrich.