Flores Och Blanzeflor and the Orient: Depicting The Other In Medieval Sweden Virgile Reiter To cite this version: Virgile Reiter. Flores Och Blanzeflor and the Orient: Depicting The Other In Medieval Sweden. Tijdschrift voor Skandinavistiek, University of Amsterdam, 2017. hal-01937958 HAL Id: hal-01937958 https://hal.archives-ouvertes.fr/hal-01937958 Submitted on 28 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License FLORES OCH BLANZEFLOR AND THE ORIENT: DEPICTING THE OTHER IN MEDIEVAL SWEDEN Virgile Reiter EA 1853 LCE, Université Lyon II Lumière
[email protected] Abstract This article aims to explore the representation of the Other in Flores och Blanzezflor , a 1312 translation of a French ‘“roman idyllique”’, Le conte de Floire et Blanchefleur . As most of the action takes place in the Orient and as many of the main characters are pagan, including one of the main protagonist, Flores, Flores och Blanzeflor offers an opportunity to analyze how the Other was depicted in medieval Scandinavia. I argue in the present article that, probably influenced by the Germanic tradition, the translator chose to depict both the Orient and its inhabitants in a rather positive light.