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Smash Hits Volume 34

\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5.
Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1St Edition)

R O C K i n t h e R E S E R V A T I O N Songs from the Leningrad Rock Club 1981-86 Yngvar Bordewich Steinholt Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1st edition). (text, 2004) Yngvar B. Steinholt. New York and Bergen, Mass Media Music Scholars’ Press, Inc. viii + 230 pages + 14 photo pages. Delivered in pdf format for printing in March 2005. ISBN 0-9701684-3-8 Yngvar Bordewich Steinholt (b. 1969) currently teaches Russian Cultural History at the Department of Russian Studies, Bergen University (http://www.hf.uib.no/i/russisk/steinholt). The text is a revised and corrected version of the identically entitled doctoral thesis, publicly defended on 12. November 2004 at the Humanistics Faculty, Bergen University, in partial fulfilment of the Doctor Artium degree. Opponents were Associate Professor Finn Sivert Nielsen, Institute of Anthropology, Copenhagen University, and Professor Stan Hawkins, Institute of Musicology, Oslo University. The pagination, numbering, format, size, and page layout of the original thesis do not correspond to the present edition. Photographs by Andrei ‘Villi’ Usov ( A. Usov) are used with kind permission. Cover illustrations by Nikolai Kopeikin were made exclusively for RiR. Published by Mass Media Music Scholars’ Press, Inc. 401 West End Avenue # 3B New York, NY 10024 USA Preface i Acknowledgements This study has been completed with the generous financial support of The Research Council of Norway (Norges Forskningsråd). It was conducted at the Department of Russian Studies in the friendly atmosphere of the Institute of Classical Philology, Religion and Russian Studies (IKRR), Bergen University.
Girls Like Us: Linder

Linder Sterling is a British These include her 13-hour artist and performer whose NICOLE EMMENEGGER improvised dance perfor- career spans the 1970s WORDS mance piece Darktown Cake- B Manchester punk scene to Y walk and her most recent her current collaborations work, The Ultimate Form, a with Tate St. Ives and The 'performance ballet' inspired Hepworth Centre in north- at the photographed by Barbara Hepworth, fea- west England. turing dancers from North- PORTRAITS PORTRAITS ern Ballet and costumes by She has worked in a variety B arbara Pam Hogg. of mediums – from music H B Y DEVIN (as singer/songwriter/gui- Ives St. Tate Museum in epworth We met at the The Barbican B tarist for post-punk band LAIR Centre in London on a crisp Ludus) and collage (using March morning, just days a steady scalpel to splice after the opening of her first pornographic images into big retrospective at Le Musée feminist statements), to her d’Art Moderne in Paris. current durational works. Linder 18 19 Nicole Emmenegger: First off, thank you for send- Yes, I used to have this fascination for the mid-fifties. People ing through the preparatory text about you and your I know at every age seem to have this fascination about the work. It ended up being ten pages in 10-point font! culture that you were born into, climbed into. It’s your own personal etymology and you have to go back and work it Linder: How strange, I don’t even enjoy writing! out. It’s good detective work. It makes sense and how lucky for you that 1976 was such a great year.
Smash Hits Volume 36

4pril 17-30 ^ 1980 m 30p 1 4. \ t, i% \ '."^.iiam 1 \ # »^» r ,:?^ ) ^ MARNF B. A. ROBERTSON NONKEES THE originals/ The Atlantic Masters — original soul music from the Atlantic label. Ten seven inch E.P.s, each with four tracks and at least two different artists. Taken direct from the original master tapes. Re-cut, Re-issued, Re-packaged. £1.60^ 11168 2 SMASH HITS April 17-30 1980 Vol 2 No. 8 WILL I HOLD IT right there! Now before WHAT DO WITHOUT YOU? you all write in saying how come Lene Lovich 4 there's only four of Madness on CLEAN CLEAN the cover, we'll tell ya. That heap of metalwork in the background The Buggies 5 IS none other than the Eiffel DAYDREAM BELIEVER Tower and the other trois {that's i'our actual French) scarpered off The Monkees 7 up it instead of having their photo MODERN GIRL taken. Now you know why Sheena Easton 8 they're called Madness! More nuttiness can be found on pages SILVER DREAM RACER 12 and 13, and other goodies in David Essex 14 this issue include another chance to win a mini-TV on the I'VE NEVER BEEN IN LOVE crossword, a binder offer for all Suzi Quatro 15 your back issues of Smash Hits CHECK OUT THE GROOVE (page 36), another token towards Mandging Editor your free set of badges (page 35) Nick Logan Bobby Thurston 19 and our great Joe Jackson SEXY EYES competition featuring a chance to Editor himself! (That's Dr. Hook 22 meet the man on Ian Cranna page 28).
BUZZCOCKS Christmas 1976. Manchester Punk Pioneers

BUZZCOCKS Christmas 1976. Manchester punk pioneers Buzzcocks formed by Howard Devoto and Pete Shelley have recorded and are just about to have phenomenal success with the groundbreaking, Spiral Scratch EP. Two months later, as the release starts to take off, Howard Devoto leaves. A quick reshuffle and Pete Shelley takes over lead vocals. Over the years, the lineups change. Only Pete Shelley and Steve Diggle remain constant members of this iconic band. The methodology remains constant too: short, sharp slices of sublime guitar punk pop music, revered by a global army of fans and vitally influential to legions of bands coming up behind. Flash-forward to 2018. Buzzcocks have been throttling back a bit, being a bit more exclusive but still very busy. The band signs their catalogue to Domino Records and announce a landmark performance of “Singles Going Steady” at the Royal Albert Hall for June 2019 with The Skids and Penetration. It looks as if Buzzcocks are going to enjoy some well deserved and high profile recognition of their contribution to British culture. On 6th December, that bright prospect is thrown into darkness with Pete's tragic and unexpected death. The Albert Hall show is recast as a tribute to Pete Shelley with remaining members Steve Diggle, Chris Remington, and Danny Farrant, joined by original band members, 'special guest' vocalists and guitarists. For now and into the future Buzzcocks will continue with Steve on lead vocals/guitar, Chris Remington on Bass, and Danny Farrant on Drums with an added guitarist. Commitments will be honoured; you can't hold a good band down.
Authenticity, Politics and Post-Punk in Thatcherite Britain

‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1.
Buzzcocks the Peel Sessions Album Mp3, Flac, Wma

Buzzcocks The Peel Sessions Album mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Peel Sessions Album Country: UK Released: 1989 Style: Punk MP3 version RAR size: 1475 mb FLAC version RAR size: 1846 mb WMA version RAR size: 1831 mb Rating: 4.4 Votes: 204 Other Formats: AHX ASF ASF WMA VOC AA MP4 Tracklist A1 Fast Cars 2:15 A2 Pulse Beat 4:40 A3 What Do I Get 2:50 A4 Noise Annoys 2:55 A5 Walking Distance 2:00 A6 Late For The Train 5:10 A7 Promises 2:29 B1 Lipstick 2:40 B2 Everybody's Happy Nowadays 2:17 B3 16 Again 3:14 B4 I Don't Know What To Do With My Life 2:40 B5 Mad Mad Judy 2:45 B6 Hollow Inside 3:45 B7 E.S.P 3:35 Companies, etc. Phonographic Copyright (p) – BBC Enterprises Ltd. Copyright (c) – Strange Fruit Records Ltd. Distributed By – Pinnacle Credits Composed By – Howard Devoto (tracks: A1), John Maher (tracks: A6), Pete Shelley (tracks: A1 to A4, A6 to B7), Steve Diggle (tracks: A1, A6, A7), Steve Garvey (tracks: A5, A6) Design [Sleeve] – Vici MacDonald Liner Notes – Richard Boon Photography By – Chris Gabrin Producer – Bob Sargeant (tracks: B1 to B3), Malcolm Brown (tracks: A1 to A3), Tony Wilson (tracks: A4 to A7, B4 to B7) Remastered By [Digitally Remastered] – Don Walker Notes Tracks A1 to A3: Recorded 7-9-77 Tracks A4 to A7: Recorded 10-4-78 Tracks B1 to B3: Recorded 18-10-78 Tracks B4 to B7: Recorded 21-5-79 All titles published by Virgin Music (Publishing) Ltd.
Constructing the Temporal and Spatial in Commercial Punk Imagery

This is a repository copy of Punk’s dead knot: Constructing the temporal and spatial in commercial punk imagery. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/109284/ Version: Accepted Version Article: Trowell, I.M. (2016) Punk’s dead knot: Constructing the temporal and spatial in commercial punk imagery. Punk & Post Punk, 5 (2). pp. 181-199. ISSN 2044-1983 https://doi.org/10.1386/punk.5.2.181_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ P dead knot: constructing the temporal and spatial in commercial punk imagery Abstract: This article analyses two deliberately constructed visual artefacts broadly classed within the punk style; a photograph from 1976 and a 30 second commercial from 2016.
Smash Hits Volume 8

1 ia^C^—... i ,<M March22-April419. 50 albums 25p to be won ,t|Vf. ^A Heart Thin Lizz akeYour *i ' 1 AND -< ' ... ! I Skids m 3' & Sira PLUS -f IN Chic J*SNAVY Rob Wake 9in Tom *o om yoor d,m. AND Bee Gee; in colon — ^~ ~ T* r u. Imperial Wizard By David Essex on Mercury Records Free the people don't make 'em wait Pity the people don't make a mistake Let go your press JJjen undo your press gangs Hold up your headTMgh make one honest stand Chorus , "^ 'Cos you know what they want And you're here for the grace of God. You send your generals to the front Any uprising will succumb to your guns. You took free speech from the people that spoke Hungary* is hungry and the people are broke Impjnlf fwizard salt mine king What ffntl of state of mind must your state be in Chorus mice Too many people don't feel like they're free Your high ideals look the lowest to me' Open your window let the sun shine on in There's more to living than killing, killing, killing . Chorus repeat to fade Words and music by David Essex. Reproduced by kind permission Imperial Songs. 2 SMASH HITS 4Way frefL '.fW tfo»L yOU e |5 a eoY ^ AP ri lViess 9 n s&s?*^2 BUZ*' Oeov^ pa9eS ^s d** » t Nee MK'\9] 0/2\ >aQeS 2 - '&$" '<< ' > C ? crt\99 sit,'- < Ceovo CW\C ao?StteW IX \ i V O ; iStffe V«S doSF ,s*> to" a* rr>a eet ,viet ^»fC S St* ^<?^s^^&tt#ess oeV EjtiW ntec i;^ffi#8Sis ,??&: ^%;^'s-'"?iS&" Use P^^ SMASH HITS 3 FRANKIE MILLER ^FALLING IN LOVE** Latest Album Available Now CHR1220 IncludesThe Singles 'GOODTO SEE YOU' D4RJN' and WHEN I'M AWAYFROMTCXJ also available on cassette **0.
Felix Issue 0001, 1988 Additional/Special Issue

FREE! No. 798 Friday 11th March 1988 INSIDE Will we Too good for CU again? Christian Union (CU) were thrown 2 Frazer out of Imperial College Union last students? Monday when ICU Council ruled that their current constitution violates ICU Shan by-laws. The Student's Union at Silwood Park is fighting to obtain As reported in FELIX last week, accommodation promised by College administration for its full-time clauses in the CU constitution had 3 Housing postgraduates following the sale of Sandyride House. Sandyride, a been objected to. These clauses five acre property, was acquired by the Sherfield Trust in 1970 in required all members to sign a statement of belief, required Benefit order to provide accommodation for married overseas students but committee members to sign a further was sold so that new upgraded blocks could be built. Two of these —the update. 'doctrinal basis', and stated that any blocks will be completed within the next two months but Silwood speaker at CU meetings had to 'have Administrator Mr Keith Fisher is no longer willing to guarantee that views in accordance with the doctrinal 4 SciTech all these places will be available to full-time Silwood students. basis'. The two new blocks contain six two- he doesn't feel that the William The ICU by-laws state that Union person flats and sixteen single rooms. Penney rooms will be of a high facilities should be open to all IC 5 Paper College Secretary John Smith told enough standard to be used for the students, and this had hitherto been FELIX yesterday that the flats will be post-experience short course students.
Smash Hits Volume 42

^K^fee ^^'' '-%* # WiTHTl ^•b.„ ULTR Words tert TOPSINGL including ^ Xanadu Whole Lotta Rosle British Way Of Life BOB MARLEY& THE WAIL DEXY'S MIDNIGHT RUNNERS VAPORS in colour :% LPs to be won -x"! I X I j:*^ i_ I--' KING'S CALL July 10-23 1980 Vol 2 No. 14 PhilLynott 4 Avast, hearties — me welcome BRITISH WAY OF LIFE aboard the new Issue of Smash Hits I Pull up a bollard and malce yourself The Chords 4 comfortable. Now then, before certain of you landlubbers start demanding XANADU your rations of Queen, let me tell 'ee, Olivia Jim lad/lass, that certain blackbeards Newton John 5 at ElMi iMusic are witholding stores. JUST ANOTHER DREAM They won't let us use the songs they own (as opposed to the bands that The Professionals 8 EMI Records put out) straight away EMPIRE STATE HUMAN because they thinic it stops you from buying their sheet music. This The Human League 14 accounts for the late appearances here of Darts and The Sex Pistols and CUPID the absence of Queen till, EMI say, around the end of July. That's EMI for The Detroit Spinners 16 you. Never mind — on a brighter note, USE IT UP AND WEAR IT OUT you will find in this issue plenty of other good song words and features Editor Odyssey 16 plus of course our fab video game Ian prize with our crossword competition Cranna JUMP TO THE BEAT and the Jayne County competition on Stacey Lattisaw 19 page 28, with much other goodness Features Editor spread liberally throughout the mag.
Morcheeba David & the Citizens Speedy J Masayah Paris Joppe

Nummer 5 • 2002 | Sveriges största musiktidning Morcheeba David & the Citizens Speedy J Masayah Paris Joppe Pihlgren Groove 5 • 2002 Ledare Chefredaktör & ansvarig utgivare Gary Andersson, [email protected] Skivredaktör Vintern är Per Lundberg Gonzalez-Bravo, [email protected] Bokredaktör Dan Andresson, [email protected] Speedy J sid. 5 långt borta Bildredaktör En fråga till Joppe Pihlgren sid. 5 Johannes Giotas, [email protected] Det enda jag är intresserad av just nu är somma- Layout Inget förskräckt våp sid. 5 ren. Dagarna är långa och solstinna, fotbolls- Henrik Strömberg, [email protected] Paris sid. 6 VM är äntligen igång och musikfestivalerna känns extremt lockande. Dessutom har det kom- Redigering Skivlangning i förtid sid. 6 mit en hel del kanonplattor den senaste månaden Gary Andersson, Henrik Strömberg (om du inte hittar recensionerna i pappers-Groove Masayah sid. 7 så finns de på www.groove.st). Annonser Ett subjektivt alfabet sid. 7 Just resorna till festivaler känns sommarlov. Per Lundberg G.B. Bilen/tåget/bussen tar dig ut på äventyr i världen Distribution David & the Citizens sid. 9 vare sig det innebär Småland eller utlandet. Helt Karin Stenmar, [email protected] Morcheeba sid. 11 plötsligt befinner man sig i ett sammanhang utan regler där dina enda åtaganden är att ha roligt Web Primal Scream sid. 12 tre dygn i rad tillsammans med dina vänner. Rätt Ann-Sofie Henricson, Henrik Ragnevi okej förutsättningar. Kanske inmundigas även Bokrecensioner sid. 16 alkoholhaltiga drycker. Som grädde på det moset Groovearbetare Albumrecensioner sid. 19 kan du även se oräkneliga band om du orkar Mats Almegård Björn Magnusson hasa dig från campingområdet.