How to Assess X Ssumptions, Met Ssumptions, Am P Les of Heritage Assessment Systems

Total Page:16

File Type:pdf, Size:1020Kb

How to Assess X Ssumptions, Met Ssumptions, Am P Les of Heritage Assessment Systems H C resear OF OF state urrent C the D an lems OB R P HOW TO ASSESS the BUILT HERITAGE? ASSUMPTIONS, METHODOLOGIES, EXAMPles OF heritage assessment systems ISBN: 978-83-940280-3-9 VALUE ASSESSMENT SYSTEMS – SYSTEMS ASSESSMENT VALUE International Scientific Committee for Theory HERITAGE and Philosophy of Conservation and Restoration ICOMOS Romualdo Del Bianco Foundatione Lublin University of Technology Florence–Lublin 2015 HOW TO ASSESS BUILT HERITAGE? ASSUMPTIONS, METHODOLOGIES, EXAMPLES OF HERITAGE ASSESSMENT SYSTEMS HOW TO ASSESS BUILT HERITAGE? ASSUMPTIONS, METHODOLOGIES, EXAMPLES OF HERITAGE ASSESSMENT SYSTEMS Editor: Bogusław Szmygin International Scientific Committee for Theory and Philosophy of Conservation and Restoration ICOMOS Romualdo Del Bianco Foundatione Lublin University of Technology Florence–Lublin 2015 Reviewers: Wilfried Lipp Rasa Čepaitienė Marko Špikić Editor: Bogusław Szmygin Publishers: International Scientific Committee for Theory and Philosophy of Conservation and Restoration ICOMOS Romualdo Del Bianco Foundatione Lublin University of Technology Nadbystrzycka 38D, 20-618 Lublin Finance for publishing this monograph has been provided within SMART VALUE project. The project has been financed by National Science Centre under the decision no. DEC-2013/11/Z/HS2/00001. ISBN: 978-83-940280-3-9 Printed by: Drukarnia ALF-GRAF, Abramowicka 6, 20-442 Lublin CONTenTS Foreword ................................................................................................................... 7 TECHNITAS method for assessment of the values attributed to cultural heritage of technology Waldemar J. Affelt ...................................................................................................... 9 Problems regarding valuable characteristics of 20th-century modernist public buildings in Lithuania Vaida Almonaitytė-Navickienė .................................................................................. 47 Integration and participation Mieke van Bers (ma) .................................................................................................. 63 Genius Loci as a “Nameless Value” of Natural and Built Heritage Rasa Čepaitienė ........................................................................................................ 75 Social value of cultural heritage: Lithuanian case Angelė Čepėnaitė ...................................................................................................... 97 The influence of location and community on the appreciation of significant and large-scale architectural heritages Kristina Daubarytė ...................................................................................................... 113 Cultural values for intercultural dialogue, in an economy-driven world Paolo Del Bianco ....................................................................................................... 129 Understanding Architectural Heritage Values -three case studies, lessens to learn Mats Edström ............................................................................................................. 139 The defence of Cultural Heritage in between conservation and transformation: methodologies and heritage assessment systems Rosa Anna Genovese ................................................................................................ 157 Heritage significance assessments to evaluate retrofit impacts: From heritage values to character-defining elements in praxis Carsten Hermann, Dennis Rodwell ........................................................................... 169 Difficult Heritage. Traumatic Memory or Want of Political Will Ieva Kuizinienė ............................................................................................................ 191 Methodology for Global Comparative Analysis Paul Mahoney ............................................................................................................. 207 Patrimonialization paradoxes in Lithuania and opportunities for good practice Vaida Ščiglienė ............................................................................................................ 219 New social multi-criteria evaluation strategy in the protection of cultural heritage Iwona Szmelter ............................................................................................................ 241 In Stakeholders We Trust: Changing the Ontological and Epistemological Orientation of Built Heritage Assessment through Participatory Action Research Jeremy C. Wells .......................................................................................................... 249 7 FOrewOrd For over ten years it is the principal objective pursued by ICOMOS International Scientific Committee for Theory and Philosophy of Conservation and Restoration to stimulate discussions about the most important topics covering conservation and protection of heritage. Due to the nature of works carried out by ICOMOS, these de- bates are usually held in form of conferences and publications. Every year a number of topics are therefore verified in terms of their importance to conservation areas. Only the ones which are of deepest significance for a large number of conservation fields are discussed on conferences. What was conferred about in 2015 was value assessment. Its importance to protection of monuments and sites is unquestionable and needs no further illustration. Assessing values is of utmost importance at every stage of dealing with heritage: starting from selection of protected properties, through analysing their values, defining the scope of conservation works and methods applied to carry them out, to gaining social accept- ance and means for implementing conservation works. The considerable importance that value assessment has in monument protection re- sulted in a number of discussions being held. For the first time the International Scientific Committee on Theory and Philosophy of Conservation and Restoration debated the problem of value assessment in Values and Criteria in Heritage Conservation (2008). This monograph consists of fifty articles which focus on various aspects of heritage valuing. This publication proved that the problem of value assessment should be ap- proached as a part of the contemporary conservation theory in particular. The contemporary conservation theory attempts to describe the complexity of heritage and its functions, regarding factors which determine the forms of its protection. It is, however, not a simple task because, apparently, the currently available theoretical tools are not effective enough in practice today. The major problem is that more and more monuments are modernized, adapted, and transformed in order to meet the needs and standards expected from society today. The theory of conservation should, therefore, clarify and clearly outline the rules and limits of intervention pertaining to the historical design and substance. The pre-requisite at the outset must be a comprehensive analy- sis covering value assessment as well. 7 Bogusław Szmygin It is rather a simple task to prepare an inventory of material elements for which stand- ards and procedures have been developed. Analysis of heritage values is, however, a far more complex process. This results not only from uniqueness and purposes for which properties are used but also from regional aspects. As a consequence, gen- erally accepted methodologies of cultural heritage assessment need to be differenti- ated, depending on a specific cultural context. Considering the aforementioned conditions and needs, International Scientific Committee for Theory and Philosophy of Conservation and Restoration decided to address the problem of value assessment once again. The International conference „How to assess built heritage? Assumptions, methodologies, examples of herit- age assessment systems” was organized in collaboration with Fondazione Romualdo Del Bianco in Florence on 5th–8th March, 2015. The purpose of the conference was to address the current systems of assessing (immovable) cultural heritage and discuss options and possibilities to develop differ- entiated methodologies/systems of cultural heritage assessment. In accordance with the aim of the conference, the authors of the papers provided herein were asked to fo- cus on two issues, i.e. critical evaluation of existing assessment methods and propos- als for differentiated systems of heritage assessment. The articles published in this monograph are based on papers read at conferences and articles written by other authors interested with the discussed subject matter. The publisher disclaims liability for English versions of articles translated by their authors. Bogusław Szmygin General Secretary ISC Theory of Conservation 8 TECHNITAS METHOD FOR ASSESSMENT OF THE VALUES attRIBUTED TO CULTURAL HERitaGE OF TECHNOLOGY Waldemar J. Affelt* In techne genius, in res veritas INTRODUctiON Evaluation or assessment of value in heritage science, i.e. heritology translates into as- signing specific values to the material objects from the past. Basic construct of such evaluation refers to two aspects: the object being evaluated and the name of the value assigned to it. Every object can be assigned many different values, and at this point the role of the heritage expert in such process must be mentioned, too. While the sub- ject of valuation can be described objectively “here and now”, according to set stand- ards, for example, based on the European standards Conservation of cultural property group, the valuation
Recommended publications
  • Kanutas Ruseckas, "Italian Landscape. Antiquity Ruins. Tivoli Waterfall and Vesta Temple", 1825, Lithuanian Art Museum, LDM T-2108
    Kanutas Ruseckas, "Italian Landscape. Antiquity ruins. Tivoli Waterfall and Vesta Temple", 1825, Lithuanian Art Museum, LDM T-2108 94 CHILDREN OF MYKOLAS KLEOPAS OGINSKIS Mykolas Kleopas Oginskis officially had eight chil- dren of Mykolas Kleopas, especially of those born in dren. Living in the marriage with Isabel Lasocka the first marriage with Isabel Lasocka (1764–1852). (1764–1852) two sons were born – Tadas Antonijus All their children equally loved Mykolas Kleopas.190 (1798–1844), Pranciðkus Ksaveras (1801–1837) and a daughter that likely died while an infant. Paula TADAS ANTONIJUS OGINSKIS (1798–1844) Szembek-Oginskienë mentioned her in a letter writ- AND PRANCIÐKUS KSAVERAS OGINSKIS ten in 1792 to Mykolas Kleopas Oginskis. (1801–1837) In the marriage with Maria de Neri (1778–1851), Tadas Antonijus Oginskis (Tadeusz Antoni Ogins- five more children were born: Amelia (1804–1858), ki, 1798–1844) and Pranciðkus Ksaveras Oginskis Ema (1809/1810–1871), Ida (1813-?), Irenëjus Kle- (Franciszek Ksawery Oginski, 1801–1837) – Mykolas opas (1808–1863), and Sophia (1807–1807/1808), Kleopas sons from his first marriage. who died early. According to I. Zaluski, Sofia's death Both of them are directly related to the Vilnius Uni- was a tragedy in the family of Kleopas and Maria, versity, the Barons Rönne from the manors of Renavas which was the first step ending their idyllic life.189 and Gargþdai, and Veisiejai town history. Tadas An- Two more daughters Mykolas Kleopas mentions tonijus Oginskis was the oldest son of Isabel Lasocka in the testament constituted on 16th of August 1818. and Mykolas Kleopas Oginskis. His first name was gi- He did reveal neither their names nor a date of birth/ ven in an honour of his grandfather from the father's death, only the burial place – Corpus Christi Chapel side.
    [Show full text]
  • Social Condenser’ in Eldar Ryazanov’S Irony of Fate VOL
    ESSAY Soviet Bloc(k) Housing and the Self-Deprecating ‘Social Condenser’ in Eldar Ryazanov’s Irony of Fate VOL. 113 (MARCH 2021) BY LARA OLSZOWSKA A completely atypical story that could happen only and exclusively on New Year's Eve. – Eldar Ryazanov, Irony of Fate, 1976. Zhenya lives in apartment № 12 of unit 25 in the Third Builder Street, and so does Nadia, only that she lives in Leningrad, whereas Zhenya lives in Moscow. After a heavy drinking session at the bathhouse with friends on New Year’s Eve, Zhenya accidentally gets on a flight to Leningrad one of his friends had booked for himself. Still intoxicated on arrival, he gives his address to a taxi driver and arrives “home”. He lets himself into Nadia’s flat with his key – even their locks match – and falls asleep. When Nadia wakes him, the comical love story between the two takes center stage and the coincidence of their matching housing blocks seems to be little more than a funny storytelling device. Upon further examination it is far more significant. The misleading epigraph at the start of Eldar Ryazanov’s Irony of Fate quoted above links the ludicrous events that follow to the date on which they unfold. On New Year’s Day 1976, the film was first broadcast to television audiences across the Soviet Union, telling an extraordinary tale in a very ordinary place. This “atypical story” is not really a result of the magic of New Year’s Eve alone, but more so a product of its setting: a Soviet apartment in a Soviet housing block in a socialist city.
    [Show full text]
  • OGINSKIŲ GIMINĖS ISTORIJOS BRUOŽAI / HISTORIC FEATURES of the OGINSKI FAMILY Ramunė Šmigelskytė-Stukienė
    OGINSKIŲ GIMINĖS ISTORIJOS BRUOŽAI / HISTORIC FEATURES OF THE OGINSKI FAMILY Ramunė Šmigelskytė-Stukienė Iškilių didikų giminių istorija, sovietmečiu išbraukta iš gija. Biržų grafų Tiškevičių palikimas\ Sapiegų giminės istorinio ir kultūrinio Lietuvos diskurso, atgavus Ne­ istorijai skirta tarptautinė paroda Kryžiai yra dorybės priklausomybę palengva susigrąžinama. Istoriografijoje ženklas, o Strėlė - pergalės... Sapiegos - valstybininkai, naujai apmąstoma dvaro vieta modernėjančioje visuo­ meno mecenatai ir kolekcininkai, surengta Vilniaus dai­ menėje, vis platesnius visuomenės elito atstovų indėlio lės muziejuje 2012 m.4, ir kita. į valstybės istoriją horizontus atveria daugelyje mokslo Kunigaikščių Oginskių istorijos tyrimai per pas­ centrų atliekami išsamūs monografiniai giminių isto­ tarąjį dešimtmetį taip pat išgyveno savąjį renesansą: rijos tyrimai. Didikų giminių istoriją ir jų kultūrinio publikuojami Oginskių istorijos šaltiniai5, išleistos My­ paveldo klodus šiuolaikinėje istoriografijoje pristato kolui Kleopui Oginskiui skirtos mokslo monografijos6, parengtos ir paskelbtos monografijos, skirtos Radvilų, surengtos parodos7. Sutelkus Lietuvos ir Baltarusijos Kiškų, Chodkevičių giminėms1, rengiamos tarptautinės mokslininkų pajėgas, parengti ir paskelbti du teminiai parodos, atskleidžiančios vienos ar kitos giminės isto­ mokslo straipsnių rinkiniai Kunigaikščiai Oginskiai rinę svarbą. Lietuvos istorijoje. Kultūrinės veiklos pėdsakais, kuriuo­ Plataus visuomenės susidomėjimo sulaukė 2006 m. se publikuoti Oginskių giminės pradžią
    [Show full text]
  • Representations of Pleasure and Worship in Sankei Mandara Talia J
    Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively).
    [Show full text]
  • 9781474437257 Refocus The
    ReFocus: The Films of Andrei Tarkovsky 66616_Toymentsev.indd616_Toymentsev.indd i 112/01/212/01/21 111:211:21 AAMM ReFocus: The International Directors Series Series Editors: Robert Singer, Stefanie Van de Peer, and Gary D. Rhodes Board of advisors: Lizelle Bisschoff (University of Glasgow) Stephanie Hemelryck Donald (University of Lincoln) Anna Misiak (Falmouth University) Des O’Rawe (Queen’s University Belfast) ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of international film directors, from the celebrated to the ignored, in direct relationship to their respective culture—its myths, values, and historical precepts—and the broader parameters of international film history and theory. The series provides a forum for introducing a broad spectrum of directors, working in and establishing movements, trends, cycles, and genres including those historical, currently popular, or emergent, and in need of critical assessment or reassessment. It ignores no director who created a historical space—either in or outside of the studio system—beginning with the origins of cinema and up to the present. ReFocus brings these film directors to a new audience of scholars and general readers of Film Studies. Titles in the series include: ReFocus: The Films of Susanne Bier Edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice ReFocus: The Films of Francis Veber Keith Corson ReFocus: The Films of Jia Zhangke Maureen Turim and Ying Xiao ReFocus: The Films of Xavier Dolan
    [Show full text]
  • Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Laura Nuffer University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Medieval Studies Commons Recommended Citation Nuffer, Laura, "Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan" (2014). Publicly Accessible Penn Dissertations. 1389. https://repository.upenn.edu/edissertations/1389 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1389 For more information, please contact [email protected]. Of Mice and Maidens: Ideologies of Interspecies Romance in Late Medieval and Early Modern Japan Abstract Interspecies marriage (irui kon'in) has long been a central theme in Japanese literature and folklore. Frequently dismissed as fairytales, stories of interspecies marriage illuminate contemporaneous conceptions of the animal-human boundary and the anxieties surrounding it. This dissertation contributes to the emerging field of animal studies yb examining otogizoshi (Muromachi/early Edo illustrated narrative fiction) concerning elationshipsr between human women and male mice. The earliest of these is Nezumi no soshi ("The Tale of the Mouse"), a fifteenth century ko-e ("small scroll") attributed to court painter Tosa Mitsunobu. Nezumi no soshi was followed roughly a century later by a group of tales collectively named after their protagonist, the mouse Gon no Kami. Unlike Nezumi no soshi, which focuses on the grief of the woman who has unwittingly married a mouse, the Gon no Kami tales contain pronounced comic elements and devote attention to the mouse-groom's perspective.
    [Show full text]
  • A POPULAR DICTIONARY of Shinto
    A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first.
    [Show full text]
  • The Old Tea Seller
    For My Wife Yoshie Portrait of Baisaō. Ike Taiga. Inscription by Baisaō. Reproduced from Eastern Buddhist, No. XVII, 2. The man known as Baisaō, old tea seller, dwells by the side of the Narabigaoka Hills. He is over eighty years of age, with a white head of hair and a beard so long it seems to reach to his knees. He puts his brazier, his stove, and other tea implements in large bamboo wicker baskets and ports them around on a shoulder pole. He makes his way among the woods and hills, choosing spots rich in natural beauty. There, where the pebbled streams run pure and clear, he simmers his tea and offers it to the people who come to enjoy these scenic places. Social rank, whether high or low, means nothing to him. He doesn’t care if people pay for his tea or not. His name now is known throughout the land. No one has ever seen an expression of displeasure cross his face, for whatever reason. He is regarded by one and all as a truly great and wonderful man. —Fallen Chestnut Tales Contents PART 1: The Life of Baisaō, the Old Tea Seller PART 2: Translations Notes to Part 1 Selected Bibliography Glossary/Index Introductory Note THE BIOGRAPHICAL SKETCH of Baisaō in the first section of this book has been pieced together from a wide variety of fragmented source material, some of it still unpublished. It should be the fullest account of his life and times yet to appear. As the book is intended mainly for the general reader, I have consigned a great deal of detailed factual information to the notes, which can be read with the text, afterwards, or disregarded entirely.
    [Show full text]
  • Lithuanian Tourism Product Manual 2007
    Lithuanian Tourism Product Manual 2007 LITHUANIAN STATE DEPARTMENT OF TOURISM 2006 CONTENTS BASIC DATA..................................................................................... 3 ALYTUS COUNTY......................................................................52 USEFUL.INFORMATION................................................................. 3 ALYTUS.TOWN.AND.DISTRICT................................................52 TRANSPORT..................................................................................... 4 VArėNA District......................................................................53 BY.AIR............................................................................................... 4 DRUSKININKAI.RESORT...........................................................54 BY.SEA............................................................................................... 5 LAZDIJAI.DISTRICT....................................................................56 LOCAL.FERRIES.............................................................................. 5 VArėNA District......................................................................57 BY.CAR.............................................................................................. 5 UTENA COUNTY........................................................................59 BY.COACH........................................................................................ 5 UTENA.DISTRICT........................................................................59
    [Show full text]
  • Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
    Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of
    [Show full text]
  • Wings Five Evenings Flying Asleep and Awake Beware of the Car Walking the Streets of Moscow
    2014 AMHERST COLLEGE RUSSIAN DEPARTMENT GOOD OLD SOVIET CLASSICS WITH ENGLISH SUBTITLES. STIRN AUDITORIUM, AMHERST COLLEGE, 7 PM. SPRING Flying Asleep and Five evenings Th 1979 Awake Wings 4/17 1982 1966 Nikita Mikhalkov Fr Beware of the Car Fr 4/25 3/28 Roman Balayan Walking the Streets of Fr 1966 Larisa Shepitko The tangible world of an old 2/21 Eldar Ryazanov communal apartment in Moscow It is a tragicomedy about a man Moscow 1963 It is a fascinating and human Fr of the 1950’s is recreated who is in no way aggressive or 3/7 portrayal of a once-famous Georgiy Daneliya A comedy film noir about Soviet Robin Hood onscreen with an incredible embittered, but nothing makes fighter pilot and loyal Stalinist In this charming lyrical comedy, which also - a modest insurance agent who in his spare accuracy, capturing the flair of the him happy: his loving wife, his named Nadezhda Petrovna. appears as an unofficial tourist guide of the time - is engaged in theft of private cars of time. Alexander and Tamara, who young mistress, friends, or job. Now a 41-year-old provincial Russian capital, a young writer from Siberia major criminals. He sells the stolen cars and loved each other before the war He just cannot find a place where schoolmistress, she has so comes to Moscow and makes new friends. anonymously transfers the money to the separated them, meet here after he "belongs", and often acts like a internalized the military ideas Russian youngsters of the sixties emerge as the accounts of various orphanages.
    [Show full text]
  • Roof Typology and Composition in Traditional Japanese Architecture
    Roof Typology and Composition in Traditional Japanese Architecture I Introduction…………………………………………………………………...1 II Basic Roof Forms, Structures and Materials………………………………….3 II.1 Basic Roof Forms II.1.1 Kirizuma, Yosemune and Irimoya II.1.2 Combined Roofs II.1.3 Gable Entered (tsuma-iri) and Side Entered (hira-iri) II.2 Roof Trusses II.2.1 Sasu-gumi II.2.2 Wagoya II.2.3 Shintsuka-gumi II.2.4 Noboribari-gumi II.2.5 Combined Systems II.3 Roofing Materials II.3.1 Tile II.3.2 Thatch II.3.3 Wood: Planks, Shingle and Bark III Traditional Japanese Architecture III.1 Prehistoric and Antique Architecture………..………………………………11 III.1.1 Tateana Jukyo III.1.2 Takayuka Jukyo III.1.3 Nara Period Residences III.1.4 Menkiho III.2 Shinto Shrines……………………………………………………………….18 III.2.1 Shimei, Taisha and Sumiyoshi Styles III.2.2 Nagare and Kasuga Styles III.2.3 Later Styles III.3 Aristocrats’ Houses………………………………………………………….25 III.3.1 Shinden Style III.3.2 Shoin Style III.4 Common People Houses: Minka…………………………………………….29 III.4.1 Structure III.4.2 Type of Spaces III.4.3 Plan Evolution III.4.4 Building Restrictions III.4.5 Diversity of Styles III.4.5.1.1 City Dwellings, machiya III.4.5.1.2 Farmers’ Single Ridge Style Houses III.4.5.1.3 Farmers’ Bunto Style Houses III.4.5.1.4 Farmers’ Multiple Ridges Style Houses IV Relation Between Different Functional Spaces and the Roof Form………….48 IV.1 Type 1 ……………………………………………………………………..50 IV.2 Type 2 ……………………………………………………………………..67 IV.3 Type 3 ……………………………………………………………………..80 V The Hierarchy Between Functionally Different Spaces Expressed Trough the Roof Design………………………………………………………………….109 VI Conclusion……………………………………………………………..…….119 I- Introduction The purpose of this study is to analyze the typology and the composition of the roofs in Japanese traditional architecture.
    [Show full text]