the Rof .E of Co Mp'uters in 1,I Bares Exantned In. Tin As N Tae

Total Page:16

File Type:pdf, Size:1020Kb

the Rof .E of Co Mp'uters in 1,I Bares Exantned In. Tin As N Tae lieS11 0 0 A LITET Qtt r (Ming P ki Jo;'Andpt TrTE,E rt itro lust Oh to tilir-Aiou Tin te=s in i berai Gbra tee. Iti Si IT UT 1014 ibraryof C <ingress,Ha shincitoin. 5POE05. AG ZliC ErtiaderadLi br 4ry copitni-tt t -C.- Ptn DA 70 CCINTPA 'CT, ki6 234 NATO 1 55p.4. t4 of'a Na labJe ish e rd4 copy a to sifiaLlar.4at slzQ of orl.q Anald came -nt AV Ar LA 11:7 01101M Swerj-nt en.de mt of PoulD man -ts. over npnena P -tiro Wanh 1,ngto P,c 2040 '(LC1,2:11 66r4) EP R P u1 cE hil), Pim sPo tage. PC ti c:)t b from 'EEt; DFSCRI -PTC11 Computer I) To 'grams ;*Concpw-ters; Co -ter Stc.raoje 1)Qvi."ces AGo Nernaieri tLi brrj-e5; brary A *im.inj-st_ra ticonz. tgLi_brar y Auitomlaion;Library Men. Mach trio 2yotenis ;Sy st p reach; D.evelopro nit ID EKTI *Ilinicon put° z AB SrlikAT Lis rho° kIO z libra Etclm a toms and Fedeza.-1 bray y ntaff ers the appaicat kin of m ;Bp utc3rs in Fede 11_1' br ar le n- and. o f-ers a r evie w of mi ni.co imptrto chnol gym tpxief OirerViallW of a-litc) atazon. e xpaal.no .coo pu tex techRoL ogy, ardwa_re, and so ft wa - The rof .e of co mp'uters in1,i_ bares exantned in. tin as th ehi 4t cry if co loputrs aid curirent evQl vvirugto chnology, 13..n anin ataora cf microcc mp ut rs asaso 'In ti qntc 1 ib=ary prot3le los fo cu se on hard wa ze and pezi ?he r&194 incl ding mash straqeci.49i4cia5 an dma micoachi_ne interface deivices.spy st cimn Hof= trf ar as disauusecl, with emphasis o n TrogValndeveiopnant aids4 f<i1 emanagementpr Qgzams op erat nq oyotr and a ppai aiosns .Cr it er5_afor system selec.t.i are id en -ti fied,acidlj-br ark applica ti_ oh n the areas of ac guts l,taorns, 'catalogi-nq ,aerials,ci. Tcul. at5-on ,in re fere mcfs sanei. nf qt. tmatio nze zViCes, a nddmi_ni st ration areexaJA.Qrfaa.. Ea. se dcon ti-ae5e ep 4ria r eq uirerue ntf or s Tace andpers-Qni=aa :1-, qu is el Ones are gi'ven for s ys -hemseLec tigA artdeval Alation a rhe rclss of the1 A'brary, agency-,federaL coy- er nmnt,an dprivate n tae, ap lc At ion o f ' aico ipu to -Is are di sc usseci,as w eta as future t A a os nary an dsy tem5 s peci ns f yr poc ur.emen t of ni co ropiatr systems from th9 fibre-ry o or..gre5 sare appended. ( 71:1*A4*2:c** 4,44i*4,442P41**44, 44 * *A.* e-prcdu ct -ions supp liedby- E DR S are the b es t -thatcan beal ada -4 f zoo they qi na ilotim en 1. ****444.***# ** 74* ,1**f..* 4444 *g** 44a****c INTRODUCTIO LU MIN COMM IN FEDERAL LIBRARI Of Ptinf TOF HFA 11 fljO (HI I 0114* 'AIL wAlt NAT I ONE 1.1Ns /ITU TEO. EP UCA-1-104 ,14 11.1t (4 111. 110- NJ CI tt (11-7 A. 11117711V 4J11 w100 T,4 7711 74Sor-.4 tilt 7171G,F111/ 7.011) 1,111N I 7111t, AT :111, 1 T p(DiNt --30;,31EW ORX111111ONrg, HOTNI rE35s= it 111 37 1,1107 11r/11 r4AttC) 114 115T- 11117 LE 1) IJCA z 11I0 1110I10 GIN 1,01 1 cf By MICK! JO YOUNG with FIRAMK A. PEZZANITE And J- CHRIS REISINGER Prepared, under contract A76-234 . for the Fader-al Library Committee , ILIIirsry ofC4iofc Cots mh mk In VoniiK, Nikki Jo. itittioluttioli iniiiicomptitets Folef ill inrai les. "Prepared tinder colitrakt A7Ii-231 for theFegle141 Lila:fly Committee. Liformly of I:limiters." bibliography; p. %Wof. 11: 1.2: td Iiii/V I, tibia riesL.41nel "itates---A AN 2. Idinicompliters. 3. Libraries . Goverouter-mot, administrative, Stain, I.Pt.7ttaittle. Frank*.joint Atli /101,II. Iteisinfor,j, m. mm «uIL 131)441w4aFederal 111),yl; Committee, IV. Title. 7678,9.Vti.ti 027.5'023'5.1 78-1052 4 :thitrilts, U,S, zicut (grlec Sal Ow e eg±m (JI I).(: '!6.1-1.Y2, -3011:-111111,)7-11 1 TABLE lXi C9'E S Page PREFACE . ... ....... 10 ..-ftVii Vii THE SCOPE .. , ....... .... L . VII TIMELINESS .. ..... .. TRE SPONSORS , .. viii CHAPTER ONEt OVEIt VIEW OF AdTOMATION HOW A COMPUTER WORKS ; ..... HARDWARE . ... ......... 1 Central Processing Ilnri ."; ... 2 kfernory J. .. 6 Input , . .. 8 Output.. .. .. ... , .. B 77re Configuration , SOFTWARE; COMPUTER PROGRAMS 9 input/Wpm Instructions 13 Internal Data itlovement Instructrons .. Anthrtrttic Instruction' . Testini and Comparison Instractroar .. Jumping or 13ranching Instructions 14 Prograrnnang E-rample . , Assembly Language Terms . .... 15 High-Level Language Terrus OPERATING MODE t .. ..16 Dedicated, Shared or Time-Shared ............ = .......,......... 16 Batch, Remote Brack Online Interactive, or nue-Shanng . 16 ROLE OF THE COMPUTER,. 16 CHAPTER TWO: ROLE OF COMPUTERS IN LIBILARIES._.. 19 DIRECTIIONS LIBRARY AUTONLATION . .19- HISTORY OF COMPUTERS IN LIBRARIES . 20 CUR,RENT EVOLVING rEcHNoLocv . 22 Alancomputers ... , \,. ............ 22 Cooperative Processing .. .. ......... .... , . 22 Online Files . .,........ ........ ........ ... 23 Packaged S'ofavare _ . .. .... 23 Commercial Services . ...... , .. ..... .. , .... 23 Cominakr-Ouiput Microfrrrn . Telecorranumcations FUTURE APPLICATION S OF NE RVORKS IN LIBRARIES 24 Communications . ...... .25 Computers . .. ... ...... ... 26 Information ... .... , 26 PROBLEMS IN CURRENT LIBRARY APPLICATIONS. 27 Poor Aysterni Design. .. ... 27 Poor Librarian/Computer Personnel Interface .. 27 Poor Support _ _ _ A .. .. ..... .. .. 28 Other Problems ... .. _ . .. * .. 28 FEDERAL LIBRARY AUTOMATION API?LICATIONS .. 28 MitNic(i pu-ruis IN I I ARIES iv I f()W THE N [COMPUTE, )U HISTORY AND DEVEI )PM ENT , .1 CI-IARAC"I*Elt 1STI(:S . .... , , DEFINITIONS , BASIC U(iES ANI) A1'111,1CATI( )N.9 . 30 Industrial l'rocess (.onirol , '31 1),TO/terra/Go/aro! .... ... ... .. .. _ .. ,/)aitlcquitifinra 31 Cnovnunications ... Corulailation .. .. ......... MINII:IONIPUTEItS IN( 1.11iltA RI ES 4R . 44433 . 4! 444, SUMMARY ..* . .. , ... ................. 35 CHAPTEIt THREE: MINICOIVIPIJ'IT iti . .. HARDWAR1'. MAINFRAME 36 (:4011 ... Instruraion Set , . .. 37 Addreming Capabilities ,.. ... 37 Instruction Execution Screed .. .....:t ......,... ..... , ., 37 Register- (,:unfigurittiOn .,........, , . InternitAN . .. .. OptionaI,Eerrttires ..... ... Maio rilemoo, . ,, 39 . ,. hipt./014frut Coniroi .... 3() PElt IPIIERALS " 39 M ass Storage Dances 40 Punch Cards . 40 , Papei 'cape 40 +Casette or (:artridge 40 Indoitry-litanriarcl Magnetic Irtpt- ... .* . 41 1)iskette, or floppy Disk .. 41 . .. _ Fixed-bead [Ask 41 Movable.head 1)isk . 41 . ...... .. .,..... Man /Machine Interliste l)epor% 42 Punch Cards . 4o Paper 42 Key-tb-IVIarr,netic-rs:lediton Stations 42 Transaction Recoi den; 43 Printer; . , Interactive Niani'Machior- I Etter-11(r I )(Nice% . ... ..... , . 45 r Ins . Input /Output 45 SOETW ARE S()111/VARE . ... .. .. 46 Progrojefr Derel4rorne ..1: 1 c . .. .,.... Assemblers . .. ...46 ... .. -., ..... - ........... .. ...... Larariers. .. ... .. 46 Ecli,torN ....,_ .. .. ..47 ........ .. .. ..._ ... -.. ....:..., ...... 1)r:buggers ... 47 1-)iatznristics .. 47 15 tilitics 47 . ,...... _...,_.... _ .. .. Srthroutine 1.ihr;trics... , .. ..,, ,.. .. r.- ... 47 ropi len ............. .... .. .. ....... ., ., ... ....... .. .. .. .413 Far Ifanagement Programs . ... .. .-.... ._ ..... .. ,. * . Operoung Systron.... ... _ .. , cam- li \TAM", CONTENTS . A I \Ari'LICA'FIONS S()VEINAltE 4 50 IL NFIGOLI RATIONS , , ,. ;.. ... ' .. ...... .. .. _ .. .. ... ... .,....... 50 kILASSES M IN rcayrsirrnits. 50. CI-IAPTIER. FOUR!: MIN icom Pi.ITEtsLIIIIIARY APPLICATIONS 53 SYSTEM SELECTION: THM BRIM; ...... 53 COLUMN ONE: DESIGN CHA RA TIERISTICS . 53 Meant of Inputting .... .. ...... Types of Oliipta Products . .. ... 55 File Sinicture and Size. .X).55 iiarisactioni Volume . j 56 1 'ons . .... .............. ....... 56 Itittiface with Other Systems ' .... 57 COLUMNS TWO AND THREE: HARDWARE ANDSOFPWARE IMPACTS.....: 57 COLUMN FIVE: CLASS OF MINICOMPUTER 65 COLUMN FOUR: LIBRARY SYSTEM SPECIFICATIONS 65 .System Requirement (hle End of the Badge.. .65. .Systems Design Die Other End of the Bridge _17 J LIBRARY APPLICATIONS ef69 GENERAL ,...:.,..,,a,. 69 . , , ACQUISITIONS ..... ......,. , 70 Case Study Problem Area..... ......... 82 Library linvilorilnent 7... ........ 82 Goals... ....... , ..... Q2 Proposed Flow' .... ... 82 System Requirements . Alternative Designs . ... .... ...... ........ 82 The Bridge: Review of Design Characteristics find Their Impacts 82 The Analysis ... 86 CATALOGING , ........ ; 86 SERIALS , 88 CIRCULATION .,,,. - - INTERLI BRA ItLOAN . 91 REFERENCE A NEC)R MAT1ON SERVICES. .. , 92 ADM isnsTRAT re= 94 SUMMARY 95 CHAVIT,R FIVE: SELECTION CRITERIA- ..... .............. 97 FACTORS INFLUENCING THE DECISION . ., . 97 CONIPARISON Tf) A MANUAL SYSTEM. ........ 97 COMPARISON TO A LARGE-SCALE SYSTEM . 98 SERVICE CONSIDERATIONS ................................................................ 98 cosribENEFrr ANALYSES - 98 SELECTING THE SYSTEM ........._....:.,...a.,,,,. , REVIEW OF HARDWAREISOVIV4ARE .. .. .. 100 CPU 101 Peripherals. .... 102 Ma...m Storage Device_s 103 Ivian/Nlachine Interface Devices......... _ . .. ........ ...... , . 105 . °Apart 107 Systems .... EVALUATION 107 ..... =. ...... 108 Turrikg, Synerns . ...... 110 REVI EW OF ocH ER RESOURCES/REWIREMENTS . ..... 112 i MINICOMPUTERS IN FEDERALLIBRAIHES . ..II . .. Physical &pummel , , ,,,, .... 112 Space 112 PowCr 112 No 11 Maintenance 111 ' Personnel Time Frame , `THE HDECISION 11$ Federal ADPPr, °carmen/ :1\7 CHAPTER SIX: CONCLUSIONS PROJECTS IN FEDERAL INITIATING MINICOMPUTER 117 LIBRARIES 117 THE LIBRARY'S ROLE 117 . I .. THE AGENCY'S ROLE . ..... 1111 1 FEDERAL GOVERNMENT ROLE 11 11 ROLE OF THE PRIVATE SECTOR OF MINICOMPUTERS TRENDS IN FUTUR APPLICATIONS 1111 IN FEDERAL IiIBRA IES 119 IN CLOSING " ...... .... APPENDIX A. GL ARY........... ....... ...... .. ......... 133 PROCUREMENT OF MINICOMPUTRSYSTEMS .... 151 BIBLIOGRAPHY ... ... vi I PREFACE THE AUDIENCE detailed input to the- system designers. It has been pointed out that often only the staff arc "in a position This book is directed to Federal libraries and th to recognize a serious flaw in an operating procedure. librarians who staff them. The main audience will 6c Unless they have- been given the opportunity to sec library administrators; middle-level managers and what the "purposes are, .they can hardly begin to bring .1Vection heads also ivilIbenefit from this material. Parts out what would otherwise bo only intuitive feelings the book also may be of value for staff training late that 'something's not righ'."? To participate fully and in the development of minicomputer projects.
Recommended publications
  • Uila Supported Apps
    Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage.
    [Show full text]
  • … … Mushi Production
    1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod.
    [Show full text]
  • About Reaching Children Through Entertainment a Publication of Brunico Communications Inc.1996 - 2006
    US$7.95 in the U.S. CA$8.95 in Canada 1 US$9.95 outside of Canada & the U.S. May 2006 ® About reaching children through entertainment A Publication of Brunico Communications Inc.1996 - 2006 www.stelorproductions.com NTED IN USPS CANADA Approved Polywrap AFSM 100 NUMBER 40050265 PRI 40050265 NUMBER CANADA POST AGREEMENT POST CANADA Redefi ning Trust In Internet Security.™ Approved by Parents. Loved by Kids. Protected by PiXkey.™ Stelor Productions © 2006 The Googles from Goo are a creation of Steven A. Silvers KKS3996.STELOR.inddS3996.STELOR.indd 1 44/26/06/26/06 88:42:04:42:04 PMPM HHOWOW WWILLILL YYOUOU MAKEMAKE TTHEHE BESTBEST UUSESE OOFF DDIGITALIGITAL TTRENDSRENDS AANDND GGROWROW YYOUROUR BBRANDRAND AACROSSCROSS EEMERGINGMERGING MMEDIAEDIA PPLATFORMS?LATFORMS? WHAT YOU NEED TO KNOW TO GROW YOUR KIDS BRAND ACROSS EMERGING MEDIA PLATFORMS SSPEAKERSPEAKERS IINCLUDE:NCLUDE: Jacqueline Moen Paul Marcum VP & GM, KOL GM, Youth Content AOL Yahoo! John Evershed Co-founder & CEO Larry Seidman Doug Murphy Mondo Media CEO EVP Business Development Dimensional Branding Group Nelvana Ltd. Paul Jelinek Robin Fisher Roffer Deron Triff VP, Digital Media Products CEO, Chief Creative Offi cer VP, Business Development Nickelodeon Big Fish Marketing, Inc Scholastic Media Presented by: The Must Attend Event for Execs Looking to Build Kids Entertainment Brands, Including: Supported by: • Brand / IP Managers • Marketers • Licensors • Content Producers / Distributors • Advertising & Promotion Agencies ™Brand Building in the Kids Digital Space title, tagline and logo are trademarks of, • Digital Media Executives and the event is produced by Brunico Marketing Inc. *$100 discount off full one-day conference rate of $750 by April 17, 2006.
    [Show full text]
  • Bikini Bottom Geek Meet Spongebob Squarepants Writer Derek Iversen
    Student Life Magazine The University of Advancing Technology Issue 4 WINTER/SPRING 2009 34 BIKINI BOTTOM GEEK MEET SPONGEBOB SQUAREPANTS WRITER DEREK IVERSEN 18 SPRUCE YOUR EWARDROBE SMART CLOTHES Are THE APEX OF EMBEDDED SYSTEMS 10 THE LITTLE BIG BANG SECRETS OF THE UNIVERSE PART 2 $6.95 WINTER/SPRING T.O.C. • • • 10 THEHE LITTLELITTLE BIGBIG BANGBANG Secrets of the Universe, Part 2 TABLE OF CONTENTS GEEK 411 ISSUE 4 WINTER/SPRING 2009 ABOUT UAT 8 UAT IN THE NEWS 30 UAT BOOKSTORE 38 MEET THE FACULTY 45 MEET THE STAFF INSIDE THE TECH WORLD FEATURE 20 DIGITAL CITIZENSHIP STORIES 31 GEEK TEST 40 MAKING IT, GAMER STYLE 39 GADGETS & GIZMOS 18 SPRUCE UP YOUR EWARDROBE 36 WHAT’S HOT, WHAT’S NOT FIND OUT WHAT’S HOT IN EMERGING SMART CLOTHES TECHNOLOGY 4 EVENTS ESSENTIAL STUDENT INFO 16 A DAY IN THE LIFE OF A DORM STUDENT 44 BACKGROUND ON UAT 33 REGISTRATION INFO 43 WHERE TO FIND WHAT YOU NEED 50 UAT STUDENT CLUBS & GROUPS 9 TRAVEL SCHEDULE 25 EMOTIONAL ROBOTS PEOPLE THE ROBOTIC SPIDER THAT REMEMBERS YOUR FACE 5 ZERO BARRIER 26 RAY KURZWEIL 32 STUDENT BLOGS 14 FACULTY PROFILE {RYAN CLARKE} 12 SHRED NEBULA 29 MEET NEW FRESHMEN 34 BIKINI BOTTOM GEEK 15 UAT COMMUNITY SERVICE MEET SPONGEBOB SQUAREPANTS 22 UAT STUDENTS SET NEAR SPACE RECORD WRITER DEREK IVERSEN 27 ALUMNI BAND TOGETHER TO LAUNCH NEW COMPANY © CONTENTS COPYRIGHT BY FABCOM 2008 Fly-In The UAT Fly-in G33K Program gives you the opportunity to tour The Game Developers Conference GDC G33k our unique technology-infused defines the future of the multi- campus, sit in on classes, 2009 billion dollar game industry and Program eat at the campus cafe, meet www.gdconf.com shapes the next generation of www.uat.edu/flyingeek with Admissions and Financial San Francisco, CA entertainment.
    [Show full text]
  • TV Review: "The Great" - UCSD Guardian
    Accessed: 6/10/2020 TV Review: "The Great" - UCSD Guardian To learn more about The UCSD Guardian's coverage of the COVID-19 pandemic, click here → TV Review: “The Great” May 25, 2020 Chloe Esser “The Great” doesn’t care about history, and neither should you. From creator of “The Favourite” Tony McNamara comes another historical retelling that slides right out of the conventions typically associated with the period drama genre into a terribly clever, terrifically dark piece of its own. “The Great” covers Russian empress Catherine the Great’s rise to power as a teenage girl — with some massive liberties. The show neatly balances the courtly decadence and subtle power plays of “The Favourite” with the blood, sex, and quick wit that’s to be expected in a world where all historical dramas must compete to be the next “Game of Thrones.” Nevertheless, it’s a well-maintained balance. Heavily stylized, effortlessly witty, and maybe a bit needlessly obscene, “The Great” is a show that knows exactly what it is, whether or not that has anything to do with actual history. The show begins with German teenager Catherine (Elle Fanning), who has come to Russia to marry a man she has never met –– Emperor Peter III (Nicholas Hoult). An idealist and intellectual caught up in the wave of Europe’s Enlightenment, Catherine has big plans for Accessed: 6/10/2020 TV Review: "The Great" - UCSD Guardian her new home, and she is disappointed to find a court more concerned with hunting, sex, and booze than discussing the latest Voltaire.
    [Show full text]
  • University of Oklahoma Graduate College An
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE AN ETHNOGRAPHY OF TWITCH STREAMERS: NEGOTIATING PROFESSIONALISM IN NEW MEDIA CONTENT CREATION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By CHRISTOPHER M. BINGHAM Norman, Oklahoma 2017 AN ETHNOGRAPHY OF TWITCH STREAMERS: NEGOTIATING PROFESSIONALISM IN NEW MEDIA CONTENT CREATION A DISSERTATION APPROVED FOR THE DEPARTMENT OF COMMUNICATION BY _______________________________ Dr. Eric Kramer, Chair _______________________________ Dr. Ralph Beliveau _______________________________ Dr. Ioana Cionea _______________________________ Dr. Lindsey Meeks _______________________________ Dr. Sean O’Neill Copyright by CHRISTOPHER M. BINGHAM 2017 All Rights Reserved. Dedication For Gram and JJ Acknowledgements There are many people I would like to acknowledge for their help and support in finishing my educational journey. I certainly could not have completed this research without the greater Twitch community and its welcoming and open atmosphere. More than anyone else I would like to thank the professional streamers who took time out of their schedules to be interviewed for this dissertation, specifically Trainsy, FuturemanGaming, Wyvern_Slayr, Smokaloke, MrLlamaSC, BouseFeenux, Mogee, Spooleo, HeavensLast. and SnarfyBobo. I sincerely appreciate your time, and am eternally envious of your enthusiasm and energy. Furthermore I would like to acknowledge Ezekiel_III, whose channel demonstrated for me the importance of this type of research to semiotic theory, as well as CohhCarnage and ItmeJP, whose show Dropped Frames, allowed further insight into the social milieu of professional Twitch streaming. I thank Drew Harry, PhD, Twitch’s Director of Science for responding to my enquiries. Finally, I thank all the streamers and fans who attended TwitchCon in 2015 and 2016, for the wonderful experience.
    [Show full text]
  • Music, Sound & Animation
    April 1997 Vol. 2 No. 1 Music,Music, SoundSound && AnimationAnimation Andrea Martignoni on Pierre Hébert’s La Plante humaine William Moritz on The Dream of Color Music Carl Stalling’s Humor Voice Acting 101 Table of Contents 3 Editor’s Notebook A Word on Music and Animation; Harry Love. 5 Letters to the Editor The Thief and the Cobbler. Children’s Workshops; Errata. 8 The Ink and Paint of Music Amin Bhatia recounts a day in his life as an “electronic composer” for animated TV shows, explaining his tools and techniques. 11 The Burgeoning of a Project: Pierre Hébert’s La Plante humaine [English & Italian] Andrea Martignoni delves into Pierre Hébert’s radical method for marrying animation with music. 20 The Dream of Color Music, and Machines That Made it Possible William Moritz gives a quick and dazzling historical overview attempts to create visual music using “color organs.” 25 Who’s Afraid of ASCAP? Popular Songs in the Silly Symphonies From 1929 to 1939, Disney’s Silly Symphonies united animation with a rich array of music, including such songs as “Who’s Afraid of the Big Bad Wolf.” J.B. Kaufman reports. 28 Carl Stalling and Humor in Cartoons Daniel Goldmark shows how Carl Stalling, who may have been the most skilled and clever composer of car- toon music Hollywood ever had, used music to create gags and help tell a story at the same time. 31 Voice Acting 101 So, you want to be a voice actor? Well, Joe Bevilacqua tells you all you ever wanted to know, drawing on his experience and that of some of Hollywood’s top voice talent.
    [Show full text]
  • Histories of Gender & Sexual Diversity in Games
    Memory Insufficient the games history e-zine Queering Histories of history in NES ROMs gender & sexual PLUS diversity Gender villainy, Queer genealogies, in games and four histories Issue three of character creation June 2013 Cover image from Helly Kitty World, courtesy of Party Time Hexcellent This work is licensed under the Creative Commons Attribution - Non-commercial - NoDerivs 3.0 Unported License. See more information. Memory Insufficient the games history e-zine About the Editor: Zoya Street is a freelance video game historian, journalist and writer, working in the worlds of design criticism and digi- tal content business strategy. zoyastreet.com | @rupazero Memory Insufficient is a celebration of history. First and foremost, it is an attempt to promote and encourage historical writing about games; social histories, biographies, historically situated criticism of games and anything else. It is also a place to turn personal memories of games past into eye-opening written accounts. It is a place to honour the work of game developers who have influenced the path of history. It is a place to learn what games are - not as a formal discipline, but as lived realities. Like all historical study, Memory Insufficient is fundamentally about citizenship. It’s not enough to just remember and admire the games of the past. History is about understanding our place in the world; as developers, as critics and as players. The power of history is to reveal where the agents of change reside, and empower us to be the change we want to see. Memory Insufficient is a celebration of history, not just as fact but as action.
    [Show full text]
  • Brian Carlisle
    Auburn CA 1:31:04 m4v Brian Carlisle An interview conducted by Peter Asaro with Selma Šabanović November 21 2010 Q: Okay, so why don't we just start by having you introduce yourself and tell us where you were born and where you grew up. Brian Carlisle: Hi. I'm Brian Carlisle. I was born in San Francisco. I grew up in both San Francisco and Marin County and then later lived down in the Peninsula. Q: And where did you do your undergraduate studies? Brian Carlisle: I went to both undergraduate and graduate work at Stanford University. So I studied mechanical engineering there at Stanford. And a professor was a gentleman named Bernie Roth, who was very well known in the robotics community and who was also the advisor and professor for a number of other colleagues that I subsequently worked with, including Bruce Shimano, whom I believe you've also interviewed. Q: How did you first become interested in robotics? Brian Carlisle: I was always kind of interested in mechanical things. My grandfather was a pattern maker who made patterns for big diesel engines. So what he did was make big wooden patterns for these giant engines that would pull freight trains around. And I visited him several times in Ohio. And he took me one time to his factory where he worked. And I was sort of fascinated by the whole process of making things, and creating something that was big and strong and powerful and mechanical. So that got me interested in mechanical things at a very early age.
    [Show full text]
  • Breaking It All Down
    Vol: 1 No: 1 Fall 2013 About the Front Cover “Science fiiction and Anime together? Sounds like Gundam to me. Or at least, 80s era gigantic mecha with a realistic bent. A proper sense of their massive scale is a must.” About the Artist Brian A. Caslis is an artist living in Oregon. You can find more of his work athttp://greencoat7.tumblr.com/ Vol: 1 No: 1 Fall 2013 Hello, and welcome to Breaking It All Down: The Zine! This is meant as something of a companion volume to my web-series “Breaking It All Down”, as occasionally viewed on YouTube at http://www.youtube.com/user/CountZeroOr. Part of the point of the show was to discuss science fiction books and movies, as well as discussing video games from a literary SF perspective. Over time, I realized that while I had a certain degree of engagement with younger audiences, older SF fans generally prefer to take in discussion of SF in writing, rather in videos, with a few exceptions. In particular, Harlan Ellison has started up his own YouTube channel, which thus far he’s been using to upload some of the older video clips he did for The Science Fiction Channel (back before it contracted a case of Syfy). Consequently, if I wanted to get in a dialog with older fans who might be interested in my views on SF, it would have to be in writing. However, in this day and age of blogs, combined with the fact that I’m already writing for a web page – Bureau42.com, I would, theoreti- cally, have that covered, I thought.
    [Show full text]
  • 3D Visualisation of Oil Reservoirs
    Mulholland, Samantha (2017) 3D visualisation of oil reservoirs. MPhil(R) thesis. http://theses.gla.ac.uk/8590/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] 3D Visualisation of Oil Reservoirs Samantha Mulholland Submitted in fulfilment of the requirements for the Degree of Master of Philosophy School of Computing Science College of Science and Engineering University of Glasgow 28th March 2017 Abstract This research introduces a novel approach to storing compressed 3D grid information by ap- plying octree compression techniques. This new data structure stores the octree in a pruned flattened fashion where only header and active leaf nodes are stored in a linear array. This generates high levels of lossless compression when applied to 3D geometry where clusters of homogeneous information exist. This data structure yields fast, log(n) look-up times and initial results show that when coupled with bespoke scanning methods searching times can surpass that of direct access. Hierarchical pyramid visualisations techniques are also presen- ted using the information stored at each level in the tree structure.
    [Show full text]
  • Field Engineering Technical Manual SPD 10/20 Stored Program Display
    - ' FIELD ENGINEERING T EC HNI CAL MANUAL SPD™ 10/20 STORED PROGRAM DISPLAY ., INCOTERM Corporation FS 002 "This document contains information proprietary to INCOTERM Corporation and is delivered on the express condition that it is not to be dis­ closed, reproduced in whole or in part, or used for manufacture for anyone other than INCOTERM Corporation without its written consent, and that no right is granted to disclose or so use any in­ formation obtained in said document. This re­ striction does not limit the right to use information obtained from another source. 11 SPDTM Copyright © 1971 by INCOTERM Corporation, Marlboro, Mass. TABLE OF CONTENTS Chapter LIST OF ILLUSTRATIONS ix LIST OF TABLES xi I INTRODUCTION · 1-1 1. 1 Scope 1-1 1. 2 General Specifications 1-1 1. 3 Configuration 1 -1 1. 3. 1 Minimum Configurations 1-2 1. 3. 2 Units Available for Expanded Configurations 1-2 1. 4 Reference Documents 1-3 II INSTALL.A TION 2-1 2. 1 Visual Inspection 2-1 2. 2 Configuration Chart 2-3 2. 3 Site Preparation 2-10 2. 4 Installation 2-10 2. 4. 1 Cabling of Product 005, Model 00010 2-10 2. 4. 2 Cabling of Product 005, Model 00011 2-13 2. 4. 3 Cabling of Product 005, Model 00014 2-13 III OPERATION 3-1 3. 1 General Information 3-1 3. 2 Keyboard 3-1 3. 2. 1 Introduction 3-1 3. 2. 2 Key Functions 3-2 3. 2. 3 Indicator Functions 3-6 3. 3 Initial Turn On and Check Out 3 -6 3.
    [Show full text]