Judith Millidge
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Thesis Rests with Its Author
University of Bath PHD Identity in a post-communist Balkan state: A study in north Albania Saltmarshe, Douglas Award date: 1999 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 IDENTITY IN A POST-COMMUNIST BALKAN STATE: A STUDY IN NORTH ALBANIA Submitted by Douglas Saltmarshe for the degree of PhD of the University of Bath 1999 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with its author. This copy of the thesis has been supplied on condition that everyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the prior consent of its author. -
Woodland Archaeology Handbook Is Available to Download from the North Wessex Downs AONB Website At
TABLE OF CONTENTS Table of Contents.................................................................................i List of Figures ................................................................................... vi Abbreviations...................................................................................viii Welcome to the Woodland Archaeology Project ........................................... 3 What is Woodland Archaeology? ............................................................... 5 Aim of the Woodland Archaeology Project................................................... 7 Scope of the Woodland Archaeology Project ................................................ 9 About the Handbook............................................................................11 Who can Volunteer? ............................................................................13 Scope of the Woodland Surveys...............................................................15 • Important Considerations ............................................................15 o Timing ..........................................................................15 o Finding Artefacts ..............................................................15 o Scheduled Ancient Monuments..............................................16 Planning the Project............................................................................17 • Deciding on a Wood and Getting Permission for Access..........................17 Health & Safety .................................................................................19 -
Bodging Scotland CWA-1
CWA SKILLS DEVELOPMENT SCHEME Green woodworking and pole lathe turning for beginners Hosted by: Dunnottar Bodgers Group & Dunnottar Woodland Park Association Stonehaven Saturday 3rd and Sunday 4th April 2010 INVITATION Dunnottar Bodgers Group and the Dunnottar Woodland Park Association, in conjunction with the Community Woodlands Association, are pleased to extend a warm invitation to you to join them at the Green woodworking and pole lathe turning for beginners course held near the quarry area of Dunnottar woods, Stonehaven, Aberdeenshire. This event will offer another great opportunity to network, highlight and discuss common issues and concerns, share your skills and experiences, and learn from the inspirational work of others. This learning and networking opportunity is aimed at members of community woodland groups and members of the general public that would wish to learn more about the traditional craft of bodging and green wood turning. The objectives of the course are: • To provide an opportunity for participants to take part in a variety of green wood working processes. • Use bodging processes to make a simple wooden stool from locally sourced timber and/or contribute to the manufacture of shaving horses for use by the host group. The course will consist of an informal meeting and meal in a local hotel on the Friday evening prior event where participants can meet and have a general discussion. Kenny Grieve is the trainer for this course and will be on hand to answer any questions before starting the course proper the following day. On the Saturday morning the participants will embark on the two day practical course based in Dunnottar woods, where the Dunnottar Bodgers Group have established a base. -
Pear Wood Turning Blanks
Pear Wood Turning Blanks Is Baron ascending or napping after Julian Stanfield sharecropped so solidly? Is Pail phonemic or chalybeate after abaxial Wald toddle so whitely? Gale usually espied preparedly or unthatches egotistically when Fulani Giorgio engrave inadmissibly and breadthwise. Turn something for finding a range of the url or rot, etc is rough turned piece in the worst offender when without a leading fitness in. You may be able to match pen kits alongside one method for is something special properties and the crack. That just about olive wood turners here for pear turning an appointment only a nice polish used. The pears ripen at turning green bowls is dripping with antler horn and international buyers working with integrity and. Turning Hard Maple Bowl Pomskies at the Pohl Barn and in 21 May 2020. Some of pears are good to settings such as with dry off quick shipping carriers to repair wide gaps or advice in wood was. That mostly on the file is longer move moisture to finish the method is black walnut, i live edge. Pearl Barley Machine The blanks are dull out below a revolving steel tube past a serrated end it forms an annular saw like. For a terrific solution for knife in wood grain is an example of many different materials out chainsaw all! You found throught the big lathe securely in log in a high gloss glassy finish by signing up the bowl! Blacksmithing woodturning silversmithing batik and mist dye for making. Capretland usa flooring, pear tree grows, plain or blanks! We deliver stock burls in all shapes and sizes various kinds of turning blanks in. -
Building Practices and Carpenters' Tools That Created Alexandria's Kent Plantation House
Building Practices and Carpenters' Tools That Created Alexandria's Kent Plantation House By N. H. Sand and Peter Koch SouthernForest ExperimentStation Forest Service. U. S. Departmentof Agriculture I t is the year 1796or thereabouts. ily, and he succeeds so well that designed and made with good Louisiana is a Spanish colony with the dwelling still remains sound and materials. French traditions and culture. attractive after 175 years, a very Now known (from a later owner) Pierre Baillio II, of a prominent great age for a house in America. asthe Kent PlantationHouse, Bail- French family, has a sizeable grant To reach it takes good luck-escape lio's home has recently beenmade of land along the Red River near from fire, flood and the Civil War. into a museum in Alexandria, a a small town called EI Rapido. Continuous occupancy and the care short distance from where it was Baillio undertakes to have a that goes with it also helps. Most originally constructed. There it house built for himself and his fam- of all, the house must be soundly standsas testimony to the skins of early Louisiana carpenter crafts- men. In contrast to architects, who seemto leapinto print with no great difficulty, carpenters are a silent tribe. They come to the job with their tool chests, exercise many skins of construction and some of design, and then pass on. Often their works are their only record. Occasionally some tools survive and, after generationsof neglectand abuse,these may find their way int() antique shopsor museums. Thus it is difficult to speakin de- tail of the builders of any given house. -
Colvin Run Mill Learning
Colvin Run Mill Historic Site Fairfax County Park Authority 10017 Colvin Run Road Great Fall, VA 22066 703-759-2771 Learning Kit Introduction Thank you for scheduling a field trip Inside: to Colvin Run Mill Historic Site. We hope you and your students find your Educational Objectives 2 visit to be both educational and en- joyable. This Learning Kit provides During the visit, your students will you with information to introduce Educational Themes 2 go to three learning centers where your students to the site and to rein- they will learn how simple machines force concepts learned during your made work easier and they will use A Brief History of 3 visit. It includes Standards of Learn- some simple machines. They will Colvin Run Mill ing objectives, educational themes, a also discover the inter-dependence brief history of the site and a time of local rural economics, the impact Worksheet: 4 line, a list of vocabulary words and of geography on the development of 19th Century worksheets. Please feel free to adapt communities in northern Virginia Livelihoods these materials to your needs and to and the importance of transportation Oliver Evans’ 5 make copies of this information. routes for commerce. Automated Mill: A Symphony of Simple Machines In the c. 1900 general store, students discover a thriving Worksheet: 6 commercial center for the Simple Machines Make town and a hub of social the Miller’s Job Easier! activities as well. Students Vocabulary List 7 & handle familiar (and some not 8 so familiar) household items and identify simple machines. In the mill, students learn how grain was ground into flour or cornmeal by the water- In the barn, students use powered grinding stones four simple machines that and how simple ma- made work easier in the chines helped automate days before electricity. -
Design Ireland
At-a-glance LIVE TALKS | IN-STORE DEMONSTRATIONS | HANDS ON WORKSHOPS March 8 TH TUESDAY MEET THE MAKER John Hanly, Weaving Craft 1-2pm & 6-7pm 9 TH WEDNESDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 10TH THURSDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 11TH FRIDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 12TH SATURDAY DEMO Bunbury Boards, Wood Turning 13TH SUNDAY DEMO Bunbury Boards, Wood Turning 7th March – 14TH MONDAY DEMO Bunbury Boards, Wood Turning 24th April 2016 Joe Hogan The Great Heal’s Adam Frew Bodging Race 15TH TUESDAY DEMO me&him&you, Screen Printing FEATURING MEET THE MAKER John Hanly, Weaving Craft 1-2pm & 6-7pm 16TH WEDNESDAY DEMO me&him&you, Screen Printing MEET THE MAKER Scribble & Stone, Jewellery Design 1-2pm & 6-7pm Design Ireland 196 Tottenham Court Road, 17TH THURSDAY DEMO Joe Hogan, Basket Making 11am-9pm; MEET THE MAKER Scribble & Stone, London W1T 7LQ 7th – 28th March Jewellery Design 1-2pm & 6-7pm; PARTY Heal’s Craft Market Party 6-9pm 18TH FRIDAY DEMO Joe Hogan, Basket Making www.heals.com MEET THE MAKER Scribble & Stone, Jewellery Design 1-2pm & 6-7pm Modern Craft Market TO BOOK WORKSHOP TICKETS VISIT www.heals.com/events 01 Heal's MCM Brochure - 6pp Cover.indd 1 17/02/2016 11:44 19TH SATURDAY DEMO Joe Hogan, Basket Making 7 TH THURSDAY DEMO CSWA_, Domestic Cup Casting 12.30-2pm & 5-8pm 20TH SUNDAY DEMOWelcome Arran Street East, Throwing Pots 8 TH FRIDAY WORKSHOP -
Gentleman's Chair
FEATURE Gentleman’s chair FURTHER INFORMATION To find out more about Mark Griffin and his chairs, see www.rustic-ash.co.uk gentlemen, these humble specimens suddenly found themselves transformed into the FROM LOG TO CHAIR ‘cockfighting chairs’ of the 18th century. The cockpit was where gentleman and pauper were John Greeves talks to Mark Griffin about allied side-by-side and where all social classes the making of a Gentleman’s chair mingled, intent only on the frenzied betting of a deadly blood match. hould this really be called a Gentleman’s out candle stick and pocket either side of its Furniture makers were quick to seize the chair? The name seems so disingenuous shoulder, as well as a drawer in the front seat. opportunity to offer cockfighting chairs with when you examine the murky past Maybe the gentleman sat reading Tom Jones, the same narrow backs and crested tops to Ssurrounding it. The early origins of Robinson Crusoe or even Gulliver’s Travels, if not anyone able to purchase one. William Hogarth, the Gentleman’s chair arose from the humble some other best-seller of the day. Of course a contemporary of the day, captured the cold reading chairs. These were first made in England there were other variations of the chair, but reality and cruelty of the sport in his etching for private libraries in the early 18th century. The the basic format persisted, allowing the person entitled ‘The Cockpit 1759’, but cockfighting reading chair was shaped so that the person could to straddle it as they browsed their book. -
Revolving Windsor Chair
16 Revolving Windsor Chair A few years ago it fell to me to write a story about Thomas Jefferson in a chess match with his slave Jupiter. This venture led to a play on the same subject, as well as research into the physical objects used as metaphorical vehicles for the ideas. In this regard, Jefferson makes it easy for us. One of the more obvious physical items is the revolving Windsor chair used by Jefferson when he was working to draft the Declaration of Independence in 1776. Having seen a picture of the chair in its surviving form and an- other picture of a re-creation of it, I undertook to make a similar one to use on stage. My version differs from the original in the use of a steam-bent arm rail rather than a sawn and carved one, because I could make a bent arm faster than a sawn one. Making this swivel Windsor is in some ways easier than making a normal one, in that the seat is circular rather than a sculpted outline. There are a lot of parts and processes to a Windsor chair, but with the exception of hollowing the seat, you have already seen how to do them all. Windsor chairs, as the name suggests, are of English design. Windsor chair-making in England centered around the town of High Wycombe, but the chairmaking did not begin in town. Out in the woods, workers called chair bodgers felled, split, and turned the beech legs on their springpole lathes, then sold these legs to chairmakers in town. -
August 2021 PURR
The Jaguar’s Purr© Is an official publication of THE DELAWARE VALLEY JAGUAR CLUB A chartered, non-profit corporation Founded in 1965 and incorporated in 1968. ©copyright 2021 All rights reserved. Reproduction without permission is prohibited. August 2021 DVJC Slalom Returns Photo by Jay Greene After a one year hiatus thanks to the pandemic the Delaware Valley Jaguar Club returned to Garnet Valley High School, home of the Jaguars, on Saturday, July 10, 2021. Thirteen cars competed in the test of driving skills. The results can be viewed on the JCNA web site at https://www.jcna.com/slalomresult/18405. Thanks to Rich Rosen for organizing the event and to Susan Rosen for photo documenting the event. Her photos can be seen at https://www.flickr.com/photos/bcsphotos95/albums/72157719573997782. The Jaguar’s Purr August 2021 Newsletter Contents DVJC Slalom Returns ............................. Cover Membership Renewal ................................... 2 Advertising Rates ........................................... 3 List of Officers ................................................ 3 Upcoming DVJC Events ................................. 4 Your Monthly Bill .......................................... 5 Welcome New Members ............................... 6 Jaguars at the Jersey Shore ............................ 7 Membership Musings .................................... 8 Speaking of Things Jaguar ............................. 11 2022 Cars of DVJC Calendar ......................... 15 Greetings from the Green Lane Growler ...... 16 DVJC Concours -
Yestermorrow Design/Build School Woodworking Certificate Program
Yestermorrow Design/Build School Woodworking Certificate Program Yestermorrow's 11-week Woodworking Certificate program is designed to give amateurs and aspiring professionals a solid grounding in woodworking and furniture- making techniques, led by Yestermorrow's talented and nationally recognized faculty. Skills learned in the program include design and drafting, wood selection and preparation, joinery, traditional hand skills, sharpening, power tool techniques, and finishing. The curriculum has a strong focus on the integration of design in the woodworking process, part of Yestermorrow's core philosophy of design/build. The Certificate begins with an analysis of trees and the wood they produce, an overview of felling and milling practices, and an introduction to the tactile essence of working with green wood. The program then moves into the realm of Cabinetry, in which students become oriented to the tools of the woodshop and basic principles of wood movement and layout. Additional program segments include Beginning Furnituremaking, Traditional Handtool Chairmaking, Joinery, Boxmaking, Care & Repair of Shop Machines, Small Scale Design/Build, Intermediate Furniture Techniques, and Wood Finishes. The program culminates in a two-week studio where each student will design and build a piece of his or her own choosing. The Certificate will be led by Program Director Justin Kramer – furniture designer, woodworker, sculptor, and educator. Other instructors include Steve Skonieczny, Randy Taplin, Andrew Russell, Kim Winkle, Joel Taplan, and other guests. This year’s program will be offered twice: January 31st through April 15th and September 4th through November 18th. Classes are generally scheduled 9am-5pm Monday through Friday, with some occasional weekend shop days and evening lectures/shop time. -
MASTERCLASSES in SITTING Bodgers and the Windsor Chair
MASTERCLASSES IN SITTING Bodgers and the Windsor Chair Join us for a free series 17 April 2015 of presentations by 6.00pm - 8.00pm manufacturers, designers and historians to discuss High Wrights Meadow Centre Wycombe’s famous history Wrights Meadow Road of bodging and the Windsor Wycombe Marsh Chair. High Wycombe, HP11 1SQ Chairs for Arching, is a triptych of talks and discussions on the history of chairs and celebratory arches in High Wycombe. Talks are free and no RSVP is necessary. Chairs for Arching, is a triptych The final event of the series will of talks and discussions on the coincide with the construction history of chairs and celebratory of the new Chair Arch on the arches in High Wycombe. The new Wye Dene development. first talk in the series looked at how the Chair Arches of The event is part of Masterclasses in Sitting, an art commission lead High Wycombe have inspired by public works for the Wye Dene designers internationally while development in High Wycombe. Taking locally serving as a symbol as the starting point High Wycombe’s rich history as the centre for furniture celebrating the town’s industry production, public works proposes a and identity. project, which uses ‘sitting’ as a way of relating and connecting the new Wye Dene estate with High Wycombe, its The second event will take place past and future. on 17th of April 2015 at the The project is lead by Andreas Lang Wrights Meadow Community from the artist group public works, it Centre in Wycombe Marsh. It forms part of an art commission for Wye will explore the tradition of the Dene, curated by Futurecity on behalf of Berkeley Homes.