Survey Completed on Lake Sanitation
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Daily Iowan (Iowa City, Iowa), 1956-06-21
,. dsin I ' '011- · Jack Rule of .' nder par 66 Serv .•ng The State University of Iowa gnd the People of Iowa City top the field Chamber of ol( , Tourua· " I 3-under par ound, fired, a Byrnes Park Ing to post a I strokes un· ). Hc collect~ one bogey on lhree ranking tann, Daven. Spirit La~e, to ee rinnell-qua!i. National Jay. lurnament at Birdwatchersl Here's a Rare Specimen. ·25. Red ·Forces' )() shotmaker OXFORD. England IlI-Oxlord ourth appear· University students cbectcd Har· JayCee meet. rJ Truman in Latin Wednuday ,n last year's MoYe:tallecf night. lanta. Ga .• . , As the fOx·Presldent welkfd be· I for the ' na. JliCath som~lnclowll In NeYt' Col· ·72-71·215. Nor· lege •• If P of students IcatlCd Hl-216 and 'Propaganda': Out' and ye ; 2·218. • "Harricuml Harricum ' " WASHINGTON 111- Admini tra· BRANDENBURG. East Germany WIlen Truman lookcd up tIley Uoa 0I1lclals -.ld WedDctldlay the t l:U- lA"I-The Russians began their ad· shouted: Ualted ItateI mllit DOW review _ vertlaed withdrawal of 33.500 Sov. "Give 'em heU. Harricum," aDd pubapI lllarply re\~ _ IU iet servicemen from German soU policy of IUppott lor Yu ~Ollavla. Wednesday with a propaganda TMy MId this reappraisal Is neces. show aimed at the West. Eng,·neel,·ng sary because of the much tighter "We cballenge the Westem Pow- collaboratJon Jpat m.bllshed with ers to follow the example of the RuuJa by NanbaJ T1tAt. Soviet Unloa and disarm," was the Studen'ts' rAA. a.y The ebaIIce tI a ctmpWte cutoff theme of Communist speeches and '" of Arqerican ec:ooomic and mUltary banners at a C('remony marklng .1eI wu dJICowIted by informed oJ. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
A Diary Manifesto for Oil Painters Amy Wing
RHYTHYM AND THE MONSTROUS: A DIARY MANIFESTO FOR OIL PAINTERS AMY WING-HANN WONG A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS GRADUATE PROGRAM IN VISUAL ARTS YORK UNIVERSITY TORONTO, ONTARIO MAY 2015 © AMY WONG 2015 ABSTRACT I’M GOING TO TRY DESPARATELY TO FOLLOW OPRAH’S MEDIA TACTIC HERE. INTRO: what I am about to tell you BODY: TELL IT. END: summarize what I just told you. The invisible threads that form identity politics are especially messy today. Through the lens of a transnational/intersectional/feminist sensibility, my thesis paper and body of work weaves influences from both visual and music culture. Socio-political agency is explored through reconfiguration. Both thesis and artwork are informed by the organizational principles of collage logic - specifically through the contrast in texture and rhythm, and employing the notion of the monster as a harmony of incongruence. All in all, this is an account of the struggles of Diaspora Repping and artistic practice, and the dilemma of ensuing ‘rep sweats’. ii ACKNOWLEDGEMENT I would like to express sincere thanks to my power trio thesis committee - Janet Jones, Brandon Vickerd and Suzanne Carte for their incredible insight, feedback and support. I would like to thank all my mentors and colleagues throughout my artistic and academic career. Thank you to my mom Regina, my dad Paul, my sister Polly, my brother Chris. And my fabtabulous BFFs at home and abroad. Together we make up this electric web of equal parts craziness and unconditional love, and without this I would not be able to do what I do. -
© 2013 Charlesa Hann All Rights Reserved
© 2013 CHARLESA HANN ALL RIGHTS RESERVED CITIZEN PARTICIPATION IN HEALTH POLICY AGENDA-SETTING: PERCEPTIONS OF THOSE INFLUENCING POLICY A Dissertation Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Charlesa A. Hann December, 2013 CITIZEN PARTICIPATION IN HEALTH POLICY AGENDA-SETTING: PERCEPTIONS OF THOSE INFLUENCING POLICY Charlesa A. Hann Dissertation Approved: Accepted: Advisor Department Chair Dr. Raymond Cox Dr. John Green Committee Member Dean of the College Dr. Ghazi Falah Dr. Chand Midha Committee Member Dean of the Graduate School Dr. Namkyung Oh Dr. George Neukome Committee Member Date Dr. Lawrence Keller Committee Member Dr. Kathryn Feltey ii ABSTRACT This study explored the experiences and perceptions of citizen participation in health policy agenda-setting held by those citizens most likely to influence the health policy process: legislators and health policy advocates. Findings from a review of the literature regarding previous studies of the process of citizen participation were used to guide a qualitative research project in North Carolina. A case study approach was employed to facilitate an in-depth exploration of the meanings and perceptions of legislative members of the North Carolina General Assembly and Executive Directors of health policy advocacy organizations in North Carolina. Using a non-probability sampling procedure, study participants of the legislative case type were purposefully selected based upon membership in legislative committees and sponsorship of particular legislation, and recruited on a volunteer basis. Study participants of the other case type – Directors of health policy organizations and health programs – were recruited by referral. -
Alfred Newman Collection, Date (Inclusive): Ca
http://oac.cdlib.org/findaid/ark:/13030/ft500004m6 No online items Finding Aid for the Alfred Newman Collection ca. 1940-1959 Processed by UCLA Library Special Collections staff. UCLA Library Special Collections Young Research Library, Room 22478 Box 95175 Los Angeles, CA 90095-1575 Phone: (310) 825-7253 Fax: (310) 825-1210 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm ©2011 The Regents of the University of California. All rights reserved. Finding Aid for the Alfred PASC-M 19 1 Newman Collection ca. 1940-1959 Descriptive Summary Title: Alfred Newman Collection, Date (inclusive): ca. 1940-1959 Collection number: PASC-M 19 Creator: Newman, Alfred Extent: 6 boxes Repository: University of California, Los Angeles. Library. UCLA Library Special Collections Los Angeles, California 90095-1490 Abstract: Collection consists of 78 rpm and 33 rpm recordings of soundtracks composed by Newman, and other music conducted by Newman. Preferred Citation [Identification of item], Alfred Newman Collection, PASC-M 19, UCLA Library Special Collections , University of California, Los Angeles. Biographical Note Newman was born on Mar. 17, 1901 in New Haven, CT; became pianist, composer, and conductor; studied with Sigismond Stojowski, Reuben Goldmark, George Wedge, and Arnold Schoenberg; at age 13 he played piano at the Strand Theatre in NY, and was a pianist, accompanist, and conductor in vaudeville, and later in Broadway musicals; moved to Hollywood in 1930; appeared as a guest conductor with the Cincinnati Symphony, National Symphony, Los Angeles Philharmonic, and the Hollywood Bowl Symphony; became writer of film scores; won Academy Awards for The song of Bernadette (1943), Mother wore tights (1947), With a song in my heart (1952), Call me madam (1953), Love is a many-splendored thing (1955), The King and I (1956), and Camelot (1967); he died on Feb. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Copyrighted Material
335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition. -
ED311449.Pdf
DOCUMENT RESUME ED 311 449 CS 212 093 AUTHOR Baron, Dennis TITLE Declining Grammar--and Other Essays on the English Vocabulary. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-1073-8 PUB DATE 89 NOTE :)31p. AVAILABLE FROM National Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 10738-3020; $9.95 member, $12.95 nonmember). PUB TYPE Books (010) -- Viewpoints (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *English; Gr&mmar; Higher Education; *Language Attitudes; *Language Usage; *Lexicology; Linguistics; *Semantics; *Vocabulary IDENTIFIERS Words ABSTRACT This book contains 25 essays about English words, and how they are defined, valued, and discussed. The book is divided into four sections. The first section, "Language Lore," examines some of the myths and misconceptions that affect attitudes toward language--and towards English in particular. The second section, "Language Usage," examines some specific questions of meaning and usage. Section 3, "Language Trends," examines some controversial r trends in English vocabulary, and some developments too new to have received comment before. The fourth section, "Language Politics," treats several aspects of linguistic politics, from special attempts to deal with the ethnic, religious, or sex-specific elements of vocabulary to the broader issues of language both as a reflection of the public consciousness and the U.S. Constitution and as a refuge for the most private forms of expression. (MS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** "PERMISSION TO REPRODUCE THIS MATERIAL HAS BEEN GRANTED BY J. Maxwell TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC)." U S. -
Album of the Year Record of the Year
Album of the Year I, I Bon Iver NORMAN F—ING ROCKWELL! Lana del Rey WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Billie Eilish THANK U, NEXT Ariana Grande I USED TO KNOW HER H.E.R. 7 Lil Nas X CUZ I LOVE YOU Lizzo FATHER OF THE BRIDE Vampire Weekend Record of the Year HEY MA Bon Iver BAD GUY Billie Eilish 7 RINGS Ariana Grande HARD PLACE H.E.R. TALK Khalid OLD TOWN ROAD Lil Nas X ft. Billy Ray Cyrus TRUTH HURTS Lizzo SUNFLOWER Post Malone Song of the Year ALWAYS REMEMBER US THIS WAY Natalie Hemby, Lady Gaga, Hillary Lindsey and Lori McKenna, songwriters (Lady Gaga) BAD GUY Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish) BRING MY FLOWERS NOW Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker, songwriters (Tanya Tucker) HARD PLACE Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins, songwriters (H.E.R.) LOVER Taylor Swift NORMAN F***ING ROCKWELL Jack Antonoff and Lana del Ray, songwriters (Lana del Rey) SOMEONE YOU LOVED Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn and Sam Roman, songwriters (Lewis Capaldi) TRUTH HURTS Steven Cheung, Eric Frederic, Melissa Jefferson and Jesse Saint John, songwriters (Lizzo) Best New Artist BLACK PUMAS BILLIE EILISH LIL NAS X LIZZO MAGGIE ROGERS ROSALíA TANK AND THE BANGAS YOLA Best Pop Solo Performance SPIRIT Beyoncé BAD GUY Billie Eilish 7 RINGS Ariana Grande TRUTH HURTS Lizzo YOU NEED TO CALM DOWN Taylor Swift Best Pop Duo/Group Performance BOYFRIEND Ariana Grande & Social House SUCKER Jonas Brothers OLD TOWN ROAD Lil Nas X Featuring Billy -
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002E]
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002e] January 26, 1947 [Sunday]: Jerry Gray arranged tunes made famous by Glenn Miller for New York City-based “Here’s To Ya” broadcast over the CBS radio network, January 26, 1947, 2:30 – 3:00 pm local time, performed by the Phil Davis Orchestra [including Trigger Alpert and Bernie Privin] and the Hires Hands vocal group [including Bill Conway]. Sponsored by Hires Root Beer. Moonlight Serenade – arranged by Jerry Gray Don’t Sit Under The Apple Tree – arranged by Jerry Gray Moonlight Cocktail – arranged by Jerry Gray A String Of Pearls – arranged by Jerry Gray Serenade In Blue – arranged by Jerry Gray In The Mood – arranged by Jerry Gray Chattanooga Choo Choo – arranged by Jerry Gray _______________ Harrisburg Telegraph [Harrisburg, Pennsylvania], Jan 18, 1947, Page 19: NEW SUNDAY MUSICAL SHOW HEARD ON WHP ‘Here’s To Ya’ Opens Jan. 26; Stars Louise Carlyle, Phil Hanna, Phil Davis “Here’s To Ya,” sparkling half-hour of popular and familiar music, featuring Contralto Louise Carlyle, Baritone-Emcee Phil Hanna, Phil Davis’ orchestra, and the Hires Hands singing group, starts on the Columbia network and WHP Sunday, January 26, 2:30-3 p.m. “Here’s To Ya” will be the first of a series of new shows to be added to the WHP schedule during the first few weeks of 1947 daytime schedule. Time and all information on the new programs will be announced in the near future on this page. Louise Carlyle, feminine star of “Here’s To Ya,” got her first big break several years ago as vocalist with her brother Russ’ orchestra. -
Occupied by Jobs, Program After Election Weep Turns Over Control
•\ Tenure Law THE WEATIER OVER THE WEEK-END (By wire from U. S. Weather Bureau, Washington) Occupied by Jobs, OK Retains TOBAY Mostly sunny with westerly winds 10 to 15 miles per hour and highest temperature in lower SO's, this afternoon. Clear Civil Aides. tonight with lowest in low <£Q's. FRIDAY Program After Election Increasing: cloudiness and slightly warmer, followed by occa- All Whose, Jobs Not Set sional rain early Saturday. , , By RALPH J. BILLS SATURDAY AND SUNDAY . and Up by Statute Given Mostly sunny and coo!. WINDSOR J. LAKIS Protection of Tenure weep Turns Over Control j WOODBRIDGE—With the pas- sage of the local Civil Service referendum by an overwhelming Patronage Plans-Confused by Tenure majority Tuesday, all the clerks, typists and secretaries employed by the Township, road department Claims and Civil Service Acceptance; employes and the entire police de- •partment were automatically | placed under the protection of the Conference Expected to be Held This week's question: "What Civil Service. qualities do you think a man Charles P. Messick, secretary of should possess in order to be- the Civil Service Commission, said Promptly to Ontline Party Plans come a good policeman?" yesterday that all municipal em- VOL. X—No. 1 FORDS, N. J., THURSDAY, NOVEMBER 6, 1947 PRJCE THREB?CEHTS ployes, "with the exception of (A Complete Election Table on Page 3) Charles McGettigan elected officials or appointees WOODBRIDGE—A justifiably jubilant Democratic Port Reading whose terms of office are set by The best statute were protected by Civil party, in control of Woodbridge Township's govern- quality a po- Service laws as soon as the ballots ment for the first time in 14 years, will turn its atten- | hceman could were counted." Representatives of The Battle Over, Victors Rejoice with Families? Friends 1 possibly have is the Civil Service Commission will tion promptly to the two major tasks facing it—for- common sense come to the Township soon to mulation, of a program of operation for 1948, and ,. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L.