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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Alfred Newman Collection, Date (Inclusive): Ca
http://oac.cdlib.org/findaid/ark:/13030/ft500004m6 No online items Finding Aid for the Alfred Newman Collection ca. 1940-1959 Processed by UCLA Library Special Collections staff. UCLA Library Special Collections Young Research Library, Room 22478 Box 95175 Los Angeles, CA 90095-1575 Phone: (310) 825-7253 Fax: (310) 825-1210 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm ©2011 The Regents of the University of California. All rights reserved. Finding Aid for the Alfred PASC-M 19 1 Newman Collection ca. 1940-1959 Descriptive Summary Title: Alfred Newman Collection, Date (inclusive): ca. 1940-1959 Collection number: PASC-M 19 Creator: Newman, Alfred Extent: 6 boxes Repository: University of California, Los Angeles. Library. UCLA Library Special Collections Los Angeles, California 90095-1490 Abstract: Collection consists of 78 rpm and 33 rpm recordings of soundtracks composed by Newman, and other music conducted by Newman. Preferred Citation [Identification of item], Alfred Newman Collection, PASC-M 19, UCLA Library Special Collections , University of California, Los Angeles. Biographical Note Newman was born on Mar. 17, 1901 in New Haven, CT; became pianist, composer, and conductor; studied with Sigismond Stojowski, Reuben Goldmark, George Wedge, and Arnold Schoenberg; at age 13 he played piano at the Strand Theatre in NY, and was a pianist, accompanist, and conductor in vaudeville, and later in Broadway musicals; moved to Hollywood in 1930; appeared as a guest conductor with the Cincinnati Symphony, National Symphony, Los Angeles Philharmonic, and the Hollywood Bowl Symphony; became writer of film scores; won Academy Awards for The song of Bernadette (1943), Mother wore tights (1947), With a song in my heart (1952), Call me madam (1953), Love is a many-splendored thing (1955), The King and I (1956), and Camelot (1967); he died on Feb. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Copyrighted Material
335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition. -
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002E]
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002e] January 26, 1947 [Sunday]: Jerry Gray arranged tunes made famous by Glenn Miller for New York City-based “Here’s To Ya” broadcast over the CBS radio network, January 26, 1947, 2:30 – 3:00 pm local time, performed by the Phil Davis Orchestra [including Trigger Alpert and Bernie Privin] and the Hires Hands vocal group [including Bill Conway]. Sponsored by Hires Root Beer. Moonlight Serenade – arranged by Jerry Gray Don’t Sit Under The Apple Tree – arranged by Jerry Gray Moonlight Cocktail – arranged by Jerry Gray A String Of Pearls – arranged by Jerry Gray Serenade In Blue – arranged by Jerry Gray In The Mood – arranged by Jerry Gray Chattanooga Choo Choo – arranged by Jerry Gray _______________ Harrisburg Telegraph [Harrisburg, Pennsylvania], Jan 18, 1947, Page 19: NEW SUNDAY MUSICAL SHOW HEARD ON WHP ‘Here’s To Ya’ Opens Jan. 26; Stars Louise Carlyle, Phil Hanna, Phil Davis “Here’s To Ya,” sparkling half-hour of popular and familiar music, featuring Contralto Louise Carlyle, Baritone-Emcee Phil Hanna, Phil Davis’ orchestra, and the Hires Hands singing group, starts on the Columbia network and WHP Sunday, January 26, 2:30-3 p.m. “Here’s To Ya” will be the first of a series of new shows to be added to the WHP schedule during the first few weeks of 1947 daytime schedule. Time and all information on the new programs will be announced in the near future on this page. Louise Carlyle, feminine star of “Here’s To Ya,” got her first big break several years ago as vocalist with her brother Russ’ orchestra. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
James W. Phillips Collection
JAMES W. PHILLIPS COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gigi Monacchino, spring 2013 Revised by Gail E. Lowther, winter 2019 1 TABLE OF CONTENTS Description of Collection . 3 Description of Series . 5 INVENTORY Sub-Group I: Composer Subdivision Series 1: Irving Berlin . 7 Series 2: George Gershwin, Victor Herbert, and Jerome Kern . 35 Series 3: Jerome Kern and Cole Porter . 45 Series 4: Cole Porter and Richard Rodgers . 60 Series 5: Richard Rodgers . 72 Series 6: Richard Rodgers and Sigmund Romberg . 86 Sub-Group II: Individual Sheet Music Division . 92 Sub-Group III: Film and Stage Musical Songs . 214 Sub-Group IV: Miscellaneous Selections . 247 2 DESCRIPTION OF COLLECTION Accession no. 2007/8/14 Shelf location: C3B 7,4–6 Physical extent: 7.5 linear feet Biographical sketch James West Phillips (b. August 11, 1915; d. July 2, 2006) was born in Rochester, NY. He graduated from the University of Rochester in 1937 with distinction with a Bachelor of Arts in Mathematics; he was also elected to the academic honors society Phi Beta Kappa. In 1941, he moved to Washington, DC, to work in the Army Ordnance Division of the War Department as a research analyst. He left that position in 1954 to restore a house he purchased in Georgetown. Subsequently, in 1956, he joined the National Automobile Dealers Association as a research analyst and worked there until his retirement in 1972. He was an avid musician and concert-goer: he was a talented pianist, and he composed music throughout his life. -
Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series ( -
Bensman, Marvin R.; Walker, Dennis Sources of Broadcast Audio
DOCUMENT RESUME ED 109 724 CS 5,01 094 AUTHOR Bensman, Marvin R.; Walker, Dennis TITLE Sources of Broadcast Audio Programming. PUB DATE 75 NOTE 332p. EDRS PRICE MF-$0.76 HC-$17.13 PLUS POSTAGE DESCRIPTORS *Broadcast Industry; Instructional Materials; *Phonograph Records; *gadio; Resource Materials IDENTIFIERS *DiscographieS _ABSTRACT This publication'is the result of a search conducted for sources of,recordings of old radio programs. Section 1 consists of an annotated list of broadcast programs available on commercial phonograph records. Section 2 consists of an annotated listing of associations concerned with the preservation of recorded broadcast material, organizations which sell programs, newsletters and publications by individuals who collect and trade old radio prograts, and institutions which ha *e collections which are available to some degree for research and teaching purposes. Section 3 is a computerized- catalog of over 100 private collections which was devised to locate specific programs as well as to give some idea of the depth of the material available from such sources. (TS) ****************************************************4i***************** Documents acquired by ERIC Include manyinformal unpublished * materials not available from other sources. ERIC wakes everyeffort * * to obtain the best copy available. nevertheless, items ofmarginal * * reproducibility are often encountered and this affects thequality * * of the microfiche and hardcopy reproductions ERIC makesavailable * * via the ERIC Document Reproduction Service -
United Nations Orders Peace-Keeping Force Liberal Arts Enrollment Drops
Gktmwtfrtd iatlg (EamjmB Serving Storrs Since 1896 VOL. LXXI NO. 35 STORRS, CONN. FRIDAY, OCTOBER 26, 1973 5 CENTS OFF CAMPUS United Nations orders peace-keeping force (UPI) - The United Nations ordered The U.N. Security Council quiculy a peace keeping force to the Middle East voted to send military units into the Thursday night, specifically excluding region to police the cease-fire between soldiers of the major powers after the Israel and her Arab neighbors. United States put its armed forces on Secretary General Kurt Wtldheim worldwide alert to head off the ordered troops of Finland, Austria and threatened ii torduction of Soviet Sweden to Egypt from Cyprus, where troops. they had been serving a peacekeeping Israel reported the cease-fire was mission in the strife between the island's being observed Thursday, but Egypt Greek majority and its Turk minority. accused the Israelis of pouring men and More truce supervision forces will be tanks across the Suez Canal and sent later, Valdheim said. attacking the Egyptian port of Suez City Valdhcim's order was issued less twice during the day. than three hours after the Security Hours after the U.S. issued a general Council voted 14-0, with China precautionary alert for its entire 2.3 abstaining, to establish a new Middle million-member armed forces, the Soviet East peacekeeping force specifically delegation to the U.N. agreed that the barring troops of the Soviet Union, the U.S., Russia, and other big powers United States or any of the other Over 50 people took part in an Indian social dance Thursday night at tne should not be included in the so-called "Big Five" nuclear powers. -
Music Video Viewing and Adolescents' Perceptions of Movie Musicals
UNLV Retrospective Theses & Dissertations 1-1-1993 Music video viewing and adolescents' perceptions of movie musicals Patricia Callanan Coaley University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Coaley, Patricia Callanan, "Music video viewing and adolescents' perceptions of movie musicals" (1993). UNLV Retrospective Theses & Dissertations. 283. http://dx.doi.org/10.25669/tryo-4irv This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Euro = US$ X 1.2961 Pound = US$ X 1.9657 US$ = Euro X .7716 US$ = Pound X .5087 for More Info, See Tutorial
TITLE YEAR NAT SIZE DESCRIPTION COND PRICE $* PRICE €* PRICE £* DLR M R1996 US 24x34 PETER LORRE NM € 50 KA M 1951 BEL 14x22 PETER LORRE EXC € 150 DB M R1960 GER 23x33 PETER LORRE F € 180 KA M R1965 GER 23x33 SCHMIDT ART; F/VF € 120 KA M R1965 GER 24x33 PETER LORRE EXC $96 MAS M R1970 GER 23x33 PETER LORRE F € 70 KA M R1978 GER 23x33 PETER LORRE F € 40 KA M. BUTTERFLY 1993 US 27x40 JEREMY IRONS VG-E $20 TCT M. BUTTERFLY 1993 US 27x40 IRONS; LONE A € 30 INT M. BUTTERFLY 1993 US 27x40 IRONS; LONE EXC $25 BPM M. BUTTERFLY 1993 GER 23x33 JEREMY IRONS VF € 20 KA M /OTHER 1999 FRE 16x23 COMBO; MIURA; A € 8 INT M3: THE GEMINI STRAIN 1978 US 27x41 KATE REID E $15 TCT MA AND PA KETTLE 1949 US 27x41 VF $125 CLT MA BARKER 1959 US 11x14 LCS; TUTTLE EXC $75 PW MA COUSINE DE VARSOVIE 1932 FRE 94x126 EXC € 300 DB MA FEMME EST FORMIDABLE 1951 FRE 47x63 GRAVEY; VALERE A € 80 INT MA FEMME EST UNE ACTRICE 2001 SWI 27x41 EXC $20 MAS MA MERE 2004 FRE 16x23 A € 8 INT MA NUIT CHEZ MAUD 1969 US 27x41 GARREL; HUPPERT A € 90 INT MA NUIT CHEZ MAUD 1969 FRE 23x31 GARREL; HUPPERT A € 120 INT MA NUIT CHEZ MAUD 1969 FRE 47x63 GARREL; HUPPERT A € 120 INT MA NUIT CHEZ MAUD 1969 GER 17x25 GARREL; HUPPERT EXC $120 MAS MA NUIT CHEZ MAUD 1969 IT 13x28 GARREL C € 40 INT MA NUIT CHEZ MAUD 1969 IT 39x55 GARREL; HUPPERT A € 55 INT MA NUIT CHEZ MAUD 1969 POL 23x31 GARREL; HUPPERT A € 200 INT MA PETITE FOLIE 1954 FRE 47x63 EXC $120 MAS MA POMME 1950 BEL 14x22 CHEVALIER; DESMARETS A € 45 INT MA POMME 1950 FRE 23x31 CHEVALIER; DESMARETS A € 150 INT MA VRAIE VIE A ROUEN 2002 FRE 16x23