United Nations Orders Peace-Keeping Force Liberal Arts Enrollment Drops
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Papers of Val Lewton [Finding Aid]. Library of Congress
Val Lewton A Register of His Papers in the Library of Congress Prepared by Mary A. Lacy Revised by Mary A. Lacy with the assistance of Michael W. Giese Manuscript Division, Library of Congress Washington, D.C. 2003 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 2004 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms004005 Latest revision: 2004-07-01 Collection Summary Title: Papers of Val Lewton Span Dates: 1924-1982 Bulk Dates: (bulk 1926-1951) ID No.: MSS81531 Creator: Lewton, Val Extent: 90 items; 3 containers plus 4 oversize; 6.2 linear feet; 5 microfilm reels Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Motion picture producer, screenwriter, and novelist. Correspondence, film scripts, scrapbooks, and other papers pertaining chiefly to Lewton's career as a publicity writer and as a story editor for David O. Selznick at Metro-Goldwyn-Mayer (1928-1942); as scriptwriter and producer of Cat People and other horror films for RKO Radio Pictures (1942-1947); and as novelist, especially as author of No Bed of Her Own (1932). Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Names: Lewton, Val Selznick, David O., 1902-1965 Metro-Goldwyn-Mayer RKO Radio Pictures, inc. Lewton, Val. No bed of her own (1932) Subjects: Cat people (Motion picture) Horror films Motion picture industry--United States Publicity Occupations: Motion picture producers and directors Novelists Screenwriters Administrative Information Provenance: The papers of Val Lewton, motion picture producer, screenwriter, and novelist, were given to the Library of Congress by his son, Val Edwin Lewton, in 1992. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Probablemente El Diablo: El Terror Elíptico De La Séptima Víctima
PROBABLEMENTE EL DIABLO: EL TERROR ELÍPTICO DE LA SÉPTIMA VÍCTIMA Francisco García Gómez Universidad de Málaga RESUMEN La séptima víctima, la primera película dirigida por Mark Robson, constituye un magnífico ejemplo de la concepción del terror que tenía el productor Val Lewton. Su cuarto filme para la RKO, el primero no dirigido por Jacques Tourneur, pone de manifiesto que Lewton era el auténtico responsable de su ciclo fantástico. PALABRAS CLAVE: RKO, Val Lewton, Mark Robson, serie B, terror, satanismo, paladismo. ABSTRACT «Probably the Devil: The Elliptical Terror in The Seventh Victim». The Seventh Victim, first film directed by Mark Robson, is a magnificent example of the producer Val Lewton’s terror concept. His fourth RKO film, the first without Jacques Tourneur, reveals that Lewton was the genuine responsible of his fantastic cycle. KEY WORDS : RKO, Val Lewton, Mark Robson, B Film, terror, satanism, paladism. 163 Una película a redescubrir y reivindicar, ése es el caso de La séptima víctima (The Seventh Victim, 1943), la cuarta del ciclo de nueve cintas de terror de serie B producidas por Val Lewton en la RKO entre 1942 y 19461. Dirigida por Mark Robson en su debut como realizador, fue además la primera cuya dirección no corrió a cargo de Jacques Tourneur, tras La mujer pantera (Cat People, 1942), Yo anduve con un zombi (I Walked with a Zombie, 1943) y El hombre leopardo (The Leopard Man, 1943). Precisamente a consecuencia de los grandes éxitos de público obtenidos con estas tres, el estudio decidió separar al tándem Lewton-Tourneur, convencido de que rendirían el doble por separado, poniendo en seguida al francés al frente de mayores presupuestos. -
Uncut! First Time In
45833_AFI_AGS 3/30/04 11:38 AM Page 1 THE AMERICAN FILM INSTITUTE GUIDE April 23 - June 13, 2004 ★ TO THEATRE AND MEMBER EVENTS VOLUME 1 • ISSUE 10 AFIPREVIEW UNCUT! FIRST TIME IN DC! GODZILLA!GODZILLA! Plus: Great World War II Films, Filmfest DC, Val Lewton Centennial, Three by Alfred Hitchcock, Natalie Wood Tribute MC5*A TRUE TESTIMONIAL POINT OF ORDER A STREETCAR NAMED DESIRE CITY LIGHTS GODSEND SYLVIA BLOWUP DARK VICTORY SEPARATE BUT EQUAL STORMY WEATHER CAT ON A HOT TIN ROOF WAR AND PEACE PHOTO NEEDED WORD WARS 45833_AFI_AGS 3/30/04 11:39 AM Page 2 Features 2, 3, 4, 7, 13 2 POINT OF ORDER MEMBERS ONLY SPECIAL EVENT! 3 MC5 *A TRUE TESTIMONIAL, GODZILLA GODSEND MEMBERS ONLY 4WORD WARS, CITY LIGHTS ●M ADVANCE SCREENING! 7 KIRIKOU AND THE SORCERESS Wednesday, April 28, 7:30 13 WAR AND PEACE, BLOWUP When an only child, Adam (Cameron Bright), is tragically killed 13 Two by Tennessee Williams—CAT ON A HOT on his eighth birthday, bereaved parents Rebecca Romijn-Stamos TIN ROOF and A STREETCAR NAMED DESIRE and Greg Kinnear are befriended by Robert De Niro—one of Romijn-Stamos’s former teachers and a doctor on the forefront of Filmfest DC 4 genetic research. He offers a unique solution: reverse the laws of nature by cloning their son. The desperate couple agrees to the The Greatest Generation 6-7 experiment, and, for a while, all goes well under 6Featured Showcase—America Celebrates the the doctor’s watchful eye. Greatest Generation, including THE BRIDGE ON The “new” Adam grows THE RIVER KWAI, CASABLANCA, and SAVING into a healthy and happy PRIVATE RYAN young boy—until his Film Series 5, 11, 12, 14 eighth birthday, when things start to go horri- 5 Three by Alfred Hitchcock: NORTH BY bly wrong. -
BAM Presents NYC Horror, Oct 31—Nov 5, a Series of New York Nightmares
BAM presents NYC Horror, Oct 31—Nov 5, a series of New York nightmares October 3, 2019/Brooklyn, NY—From Thursday, October 31 through Tuesday, November 5, BAM presents NYC Horror, a series that explores the terrors, both supernatural and quotidian, of life in New York City. The series begins with Michael Almereyda’s downtown vampire film, Nadja (1994), which blends poetic horror and deadpan comedy, accompanied by lustrous black-and-white cinematography and a dreamy soundtrack featuring My Bloody Valentine and Portishead. Other films include Bill Gun’s visionary, avant- garde mélange of vampire tales and Afrocentric mythologies Ganja & Hess (1973), which filmed at the Brooklyn Museum; Brian De Palma’s Staten Island-set, lurid psychosexual thriller Sisters (1973); Mary Harron’s controversial, bloody satire of Wall Street greed and white male privilege American Psycho (2000); Michael Winner’s satanism-in-Brooklyn shocker The Sentinel (1977); Larry Cohen’s subversive, sci-fi portrait of society gone mad God Told Me To (1976), as well as his Q (1982), the director’s homage to Ray Harryhausen-style creature-features; and Michael Wadleigh’s werewolf flick-cum-gentrification critique Wolfen (1981). The series continues with Mark Robson and B-movie producer extraordinaire Val Lewton’s Greenwich Village-set The Seventh Victim (1943), one of the most haunting, transgressive horror films of Hollywood’s Golden Age; the Wes Craven-directed Eddie Murphy cult comedy Vampire in Brooklyn (1995); George P. Cosmatos’ darkly relatable tale of man-versus-rat, Of Unknown Origin (1983); writer- director-producer-star James Bond III’s stylish monster horror Def by Temptation (1990), shot by legendary cinematographer Ernest Dickerson; and cult auteur Larry Fessenden’s portrait of alcoholic paranoia and emotional (and possibly literal) vampirism, Habit (1995). -
Alfred Newman Collection, Date (Inclusive): Ca
http://oac.cdlib.org/findaid/ark:/13030/ft500004m6 No online items Finding Aid for the Alfred Newman Collection ca. 1940-1959 Processed by UCLA Library Special Collections staff. UCLA Library Special Collections Young Research Library, Room 22478 Box 95175 Los Angeles, CA 90095-1575 Phone: (310) 825-7253 Fax: (310) 825-1210 Email: [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm ©2011 The Regents of the University of California. All rights reserved. Finding Aid for the Alfred PASC-M 19 1 Newman Collection ca. 1940-1959 Descriptive Summary Title: Alfred Newman Collection, Date (inclusive): ca. 1940-1959 Collection number: PASC-M 19 Creator: Newman, Alfred Extent: 6 boxes Repository: University of California, Los Angeles. Library. UCLA Library Special Collections Los Angeles, California 90095-1490 Abstract: Collection consists of 78 rpm and 33 rpm recordings of soundtracks composed by Newman, and other music conducted by Newman. Preferred Citation [Identification of item], Alfred Newman Collection, PASC-M 19, UCLA Library Special Collections , University of California, Los Angeles. Biographical Note Newman was born on Mar. 17, 1901 in New Haven, CT; became pianist, composer, and conductor; studied with Sigismond Stojowski, Reuben Goldmark, George Wedge, and Arnold Schoenberg; at age 13 he played piano at the Strand Theatre in NY, and was a pianist, accompanist, and conductor in vaudeville, and later in Broadway musicals; moved to Hollywood in 1930; appeared as a guest conductor with the Cincinnati Symphony, National Symphony, Los Angeles Philharmonic, and the Hollywood Bowl Symphony; became writer of film scores; won Academy Awards for The song of Bernadette (1943), Mother wore tights (1947), With a song in my heart (1952), Call me madam (1953), Love is a many-splendored thing (1955), The King and I (1956), and Camelot (1967); he died on Feb. -
Films Shown by Series
Films Shown by Series: Fall 1999 - Winter 2006 Winter 2006 Cine Brazil 2000s The Man Who Copied Children’s Classics Matinees City of God Mary Poppins Olga Babe Bus 174 The Great Muppet Caper Possible Loves The Lady and the Tramp Carandiru Wallace and Gromit in The Curse of the God is Brazilian Were-Rabbit Madam Satan Hans Staden The Overlooked Ford Central Station Up the River The Whole Town’s Talking Fosse Pilgrimage Kiss Me Kate Judge Priest / The Sun Shines Bright The A!airs of Dobie Gillis The Fugitive White Christmas Wagon Master My Sister Eileen The Wings of Eagles The Pajama Game Cheyenne Autumn How to Succeed in Business Without Really Seven Women Trying Sweet Charity Labor, Globalization, and the New Econ- Cabaret omy: Recent Films The Little Prince Bread and Roses All That Jazz The Corporation Enron: The Smartest Guys in the Room Shaolin Chop Sockey!! Human Resources Enter the Dragon Life and Debt Shaolin Temple The Take Blazing Temple Blind Shaft The 36th Chamber of Shaolin The Devil’s Miner / The Yes Men Shao Lin Tzu Darwin’s Nightmare Martial Arts of Shaolin Iron Monkey Erich von Stroheim Fong Sai Yuk The Unbeliever Shaolin Soccer Blind Husbands Shaolin vs. Evil Dead Foolish Wives Merry-Go-Round Fall 2005 Greed The Merry Widow From the Trenches: The Everyday Soldier The Wedding March All Quiet on the Western Front The Great Gabbo Fires on the Plain (Nobi) Queen Kelly The Big Red One: The Reconstruction Five Graves to Cairo Das Boot Taegukgi Hwinalrmyeo: The Brotherhood of War Platoon Jean-Luc Godard (JLG): The Early Films, -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Copyrighted Material
335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition. -
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002E]
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002e] January 26, 1947 [Sunday]: Jerry Gray arranged tunes made famous by Glenn Miller for New York City-based “Here’s To Ya” broadcast over the CBS radio network, January 26, 1947, 2:30 – 3:00 pm local time, performed by the Phil Davis Orchestra [including Trigger Alpert and Bernie Privin] and the Hires Hands vocal group [including Bill Conway]. Sponsored by Hires Root Beer. Moonlight Serenade – arranged by Jerry Gray Don’t Sit Under The Apple Tree – arranged by Jerry Gray Moonlight Cocktail – arranged by Jerry Gray A String Of Pearls – arranged by Jerry Gray Serenade In Blue – arranged by Jerry Gray In The Mood – arranged by Jerry Gray Chattanooga Choo Choo – arranged by Jerry Gray _______________ Harrisburg Telegraph [Harrisburg, Pennsylvania], Jan 18, 1947, Page 19: NEW SUNDAY MUSICAL SHOW HEARD ON WHP ‘Here’s To Ya’ Opens Jan. 26; Stars Louise Carlyle, Phil Hanna, Phil Davis “Here’s To Ya,” sparkling half-hour of popular and familiar music, featuring Contralto Louise Carlyle, Baritone-Emcee Phil Hanna, Phil Davis’ orchestra, and the Hires Hands singing group, starts on the Columbia network and WHP Sunday, January 26, 2:30-3 p.m. “Here’s To Ya” will be the first of a series of new shows to be added to the WHP schedule during the first few weeks of 1947 daytime schedule. Time and all information on the new programs will be announced in the near future on this page. Louise Carlyle, feminine star of “Here’s To Ya,” got her first big break several years ago as vocalist with her brother Russ’ orchestra. -
What Is “Horror”? 8 Slashers & Serial Killers 20 Cannibals, Freaks & Hillbillies 54 Revenge of Nature & 80
What is “Horror”? 8 Slashers & Serial Killers 20 Science-Fiction-Horror 96 The Living Dead 126 Introduction The Abominable Dr. Phibes / Deep Red / Alien / Aliens / Altered States / The Androm- 28 Days Later… / Bowery at Midnight / Dressed to Kill / Friday the 13th / Halloween / eda Strain / The Devil Commands / Eyes The Brain that Wouldn’t Die / Braindead / M / Man Bites Dog / Peeping Tom / Psycho / without a Face / The Fly / Goke, Body Snatcher Bride of Frankenstein / The Curse of Scream / The Silence of the Lambs / The from Hell / Invaders from Mars / Invasion of Frankenstein / Day of the Dead / Flesh for Stepfather / The Vanishing the Body Snatchers / The Invisible Man / The Frankenstein / Frankenhooker / Frankenstein / Invisible Man Returns / Island of Lost Souls / The Golem / The Mummy / Night of the Living Naked Lunch / Planet of the Vampires / Dead / Pet Sematary Pumpkinhead / Shivers / Tetsuo: The Iron Man / They Live / The Thing from Another World / Videodrome / The Village of the Damned Cannibals, Freaks & Hillbillies 54 Revenge of Nature & 80 Ghosts & Haunted Houses 150 Possession, Demons 166 Basket Case / Blood Feast / The Cabinet of Environmental Horror The Cat and the Canary / A Chinese Ghost & Tricksters Dr. Caligari / Cannibal Holocaust / Deliverance / The Alligator People / Creature from the Black Story / Don’t Look Now / The Haunting / The The Bad Seed / Candyman / The Exorcist / Eraserhead / Freaks / The Hills Have Eyes / Lagoon / Eight Legged Freaks / Environmental Innocents / Kill, Baby… Kill / Kwaidan / Lady Exorcist II: The Heretic / Faust / Häxan: House of 1000 Corpses / It’s Alive / The Last Horror / Godzilla / Gremlins / The Innocent and in White / The Old Dark House / Poltergeist Witchcraft through the Ages / Hellbound: House on the Left / The Phantom of the the Beast / Jaws / King Kong / Phase / Hellraiser 2 / Dr. -
The Culture of Queers
THE CULTURE OF QUEERS For around a hundred years up to the Stonewall riots, the word for gay men was ‘queers’. From screaming queens to sensitive vampires and sad young men, and from pulp novels and pornography to the films of Fassbinder, The Culture of Queers explores the history of queer arts and media. Richard Dyer traces the contours of queer culture, examining the differ- ences and continuities with the gay culture which succeeded it. Opening with a discussion of the very concept of ‘queers’, he asks what it means to speak of a sexual grouping having a culture and addresses issues such as gay attitudes to women and the notion of camp. Dyer explores a range of queer culture, from key topics such as fashion and vampires to genres like film noir and the heritage film, and stars such as Charles Hawtrey (outrageous star of the Carry On films) and Rock Hudson. Offering a grounded historical approach to the cultural implications of queerness, The Culture of Queers both insists on the negative cultural con- sequences of the oppression of homosexual men and offers a celebration of queer resistance. Richard Dyer is Professor of Film Studies at The University of Warwick. He is the author of Stars (1979), Now You See It: Studies in Lesbian and Gay Film (Routledge 1990), The Matter of Images (Routledge 1993) and White (Routledge 1997). THE CULTURE OF QUEERS Richard Dyer London and New York First published 2002 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor and Francis e-Library, 2005.