Sunday, April 29 Chelmsford, MA
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
THE LAND BEYOND the MAGIC MIRROR by E
GREYHAWK CASTLE DUNGEON MODULE EX2 THE LAND BEYOND THE MAGIC MIRROR by E. Gary Gygax AN ADVENTURE IN A WONDROUS PLACE FOR CHARACTER LEVELS 9-12 No matter the skill and experience of your party, they will find themselves dazed and challenged when they pass into The Land Beyond the Magic Mirror! Distributed to the book trade in the United States by Random House, Inc. and in Canada by Random House of Canada Ltd. Distributed to the toy and hobby trade by regional distributors. Distributed in the United Kingdom by TSR Hobbies (UK) Ltd. AD&D and WORLD OF GREYHAWK are registered trademarks owned by TSR Hobbies, Inc. ©1983 TSR Hobbies, Inc. All Rights Reserved. TSR Hobbies, Inc. TSR Hobbies (UK) Ltd. POB 756 The Mill, Rathmore Road Lake Geneva, Cambridge CB14AD United Kingdom Printed in U.S.A. WI 53147 ISBN O 88038-025-X 9073 TABLE OF CONTENTS This module is the companion to Dungeonland and was originally part of the Greyhawk Castle dungeon complex. lt is designed so that it can be added to Dungeonland, used alone, or made part of virtually any campaign. It has an “EX” DUNGEON MASTERS PREFACE ...................... 2 designation to indicate that it is an extension of a regular THE LAND BEYOND THE MAGIC MIRROR ............. 4 dungeon level—in the case of this module, a far-removed .................... extension where all adventuring takes place on another plane The Magic Mirror House First Floor 4 of existence that is quite unusual, even for a typical AD&D™ The Cellar ......................................... 6 Second Floor ...................................... 7 universe. This particular scenario has been a consistent ......................................... -
The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, the Hunting of the Snark, a Tangled Tale, Phantasmagoria, Nonsense from Letters) Online
yaTOs (Download pdf) The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) Online [yaTOs.ebook] The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) Pdf Free Lewis Carroll ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #1419651 in Books 2011-11-07Original language:EnglishPDF # 1 1.70 x 6.50 x 9.30l, 1.70 #File Name: 0890097003440 pages | File size: 46.Mb Lewis Carroll : The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) before purchasing it in order to gage whether or not it would be worth my time, and all praised The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters): 1 of 1 people found the following review helpful. Wonderful books for a wonderful priceBy llamapyrLewis Carroll must've been the greatest children's book author of his time. I really admire his writing style and the creativity of his books, having grown up on them since I was 6. I've got a bunch of his novels in hardcover and paperback sitting on my shelves, so it seemed only right to add some digital versions to my library :)Anyway, I came here looking for Alice in Wonderland and Through the Looking Glass and found this set, and for a mere 99 cents it seemed worth a look. -
ARTICLE: Jan Susina: Playing Around in Lewis Carroll's Alice Books
Playing Around in Lewis Carroll’s Alice Books • Jan Susina Mathematician Charles Dodgson’s love of play and his need for rules came together in his use of popular games as part of the structure of the two famous children’s books, Alice in Wonderland and Through the Looking-Glass, he wrote under the pseudonym Lewis Carroll. The author of this article looks at the interplay between the playing of such games as croquet and cards and the characters and events of the novels and argues that, when reading Carroll (who took a playful approach even in his academic texts), it is helpful to understand games and game play. Charles Dodgson, more widely known by his pseudonym Lewis Carroll, is perhaps one of the more playful authors of children’s literature. In his career, as a children’s author and as an academic logician and mathematician, and in his personal life, Carroll was obsessed with games and with various forms of play. While some readers are surprised by the seemingly split personality of Charles Dodgson, the serious mathematician, and Lewis Carroll, the imaginative author of children’s books, it was his love of play and games and his need to establish rules and guidelines that effectively govern play that unite these two seemingly disparate facets of Carroll’s personality. Carroll’s two best-known children’s books—Alice’s Adventures in Wonderland (1865) and Through the Looking- Glass and What Alice Found There (1871)—use popular games as part of their structure. In Victoria through the Looking-Glass, Florence Becker Lennon has gone so far as to suggest about Carroll that “his life was a game, even his logic, his mathematics, and his singular ordering of his household and other affairs. -
If Charles Dodgson (Lewis Carroll)
If Charles Dodgson (Lewis Carroll) had not written Alice’s Adventures in Wonderland and Through the Looking-Glass, he’d probably be remembered as a pioneer photographer. But his Oxford ‘day job’ was as Lecturer in Mathematics at Christ Church. What mathematics did he do? C L Dodgson Dodgson time-line 1832 Born in Daresbury, Cheshire 1843 Moves to Croft Rectory, Yorkshire ( ) 1844–49 At Richmond and Rugby Schools Lewis Carroll 1850 Matriculates at Oxford University 1851 Studies at Christ Church, Oxford 1852 Nominated a ‘Student’ at Christ Church Oxford 1854 Long Vacation at Whitby studying with ‘Bat’ Price First Class in Mathematics in his Finals Examinations mathematician 1856 Mathematical Lecturer at Christ Church Adopts the pseudonym Lewis Carroll “What I look like when I’m lecturing. The merest sketch, you will allow – Develops an interest in photography yet still I think there’s something grand 1860 Notes on the First Two Books of Euclid In the expression of the brow 1861 The Formulae of Plane Trigonometry and in the action of the hand.” 1862 Boat trip to Godstow with the C L Dodgson Liddell sisters 1865 The Dynamics of a Parti-cle Alice’s Adventures in Wonderland 1866 ‘Condensation of Determinants’ read to the Royal Society 1867 An Elementary Treatise on Determinants 1868 The Fifth Book of Euclid 1871 Through the Looking-Glass, and What Alice Found There 1873 A Discussion of the Various Methods of Procedure in Conducting Elections 1876 The Hunting of the Snark 1879 Euclid and his Modern Rivals 1881 Resigns Mathematical Lecturership 1882 Euclid, Books I, II 1883 Lawn Tennis Tournaments 1884 The Principles of Parliamentary Representation 1885 A Tangled Tale 1886 The Game of Logic 1888 Curiosa Mathematica, I. -
Annihilating Nihilistic Nonsense Tim Burton Guts Lewis Carroll’S Jabberwocky
Annihilating Nihilistic Nonsense Tim Burton Guts Lewis Carroll’s Jabberwocky Alice in Wonderland seems to beg for a morbid interpretation. Whether it's Marilyn Manson's "Eat Me, Drink Me," the video game "American McGee's Alice," or Svankmajer's "Alice" and "Jabberwocky," artists love bringing out the darker elements of Alice’s adventures as she wanders among creepy creatures. The 2010 Tim Burton film is the latest twisted adaptation, featuring an older Alice that slays the Jabberwocky. However, unlike the other adaptations, Burton’s adaptation draws most of its grim outlook by gutting Alice in Wonderland of its fundamental core - its nonsense. Alice in Wonderland uses nonsense to liberate, offering frightening amounts of freedom through its playful use of nonsense. However, Burton turns this whimsy into menacing machinations - he pretends to use nonsense for its original liberating purpose but actually uses it for adult plots and preset paths. Burton takes the destructive power of Alice’s insistence for order and amplifies it dramatically, completely removing its original subversive release from societal constraints. Under the façade of paying tribute to Carroll’s whimsical nonsense verse, Burton directly removes nonsense’s anarchic freedom and replaces it with a destructive commitment to sense. This brutal change to both plot and structure turns Alice into a mindless juggernaut, slaying not only the Jabberwock, but also the realm of nonsense, non-linear narrative and real world empires. At first, nonsense in Lewis Carroll’s books seems to just a light-hearted play with language. Even before we come into Wonderland, the idea of nonsense as just a simple child’s diversion is given by the epigraph. -
The Musical Misadventures of a Girl Named Alice Book by JAMES DEVITA Music and Lyrics by BILL FRANCOEUR Based on the Novel Through the Looking Glass by LEWIS CARROLL
The Musical Misadventures of a Girl Named Alice based on the novel Through the Looking Glass by Lewis Carroll Book by JAMES DEVITA Music and Lyrics by BILL FRANCOEUR © Copyright 2002, JAMES DeVITA PERFORMANCE LICENSE The amateur acting rights to this play are controlled exclusively by PIONEER DRAMA SERVICE, INC., P.O. Box 4267, Englewood, Colorado 80155, without whose permission no performance, reading or presentation of any kind may be given. On all programs and advertising this notice must appear: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado.” COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. All other rights in this play, including those of professional production, radio broadcasting and motion picture rights, are controlled by Pioneer Drama Service, Inc., to whom all inquiries should be addressed. WONDERLAN D! The Musical Misadventures of a Girl Named Alice Book by JAMES DEVITA Music and Lyrics by BILL FRANCOEUR based on the novel Through the Looking Glass by LEWIS CARROLL CAST OF CHARACTERS ALICE .............................................. the same one that chased the rabbit down the hole TROUBADOUR* .............................. quite the singer MOTHER’S VOICE .......................... offstage RED KING ....................................... soporific monarch WHITE KING .................................... defender of the crown RED QUEEN .................................... vicious, nasty temper WHITE QUEEN ............................... -
Through the Looking-Glass: Translating Nonsense
Through the Looking-Glass: Translating Nonsense In 1871, Lewis Carroll published Through the Looking- Glass, and What Alice Found There, a sequel to his hugely popular Alice’s Adventures in Wonderland. In this sequel, Alice sees a world through her looking-glass which looks almost the same as her own world, but not quite. I'll tell you all my ideas about Looking-glass House. First, there's the room you can see through the glass – that's just the same as our drawing-room, only the things go the other way. [...] the books are something like our books, only the words go the wrong way[...] Alice goes through the mirror into the alternative world, which, not unlike Wonderland, is full of weird and wonderful characters. She finds a book there, which is “all in some language I don't know”. Below are the first few lines of the book – can you read it? Just the same, only things go the other way... ‘Some language I don’t know’, ‘the words go the wrong way’. Alice might almost be talking about the practice of translation, which makes a text accessible to a reader unfamiliar with the original language it was written in. And translation, too, can often feel like it is almost the same as the original, and yet somehow also different. We might say that translation is like Alice’s looking-glass: it reflects the original but in distorted and imaginative ways. Can you think of any other similes for translation? Translation is like ....................................................................................................................... because -
Lewis Carroll 'The Jabberwocky'
Lewis Carroll ‘The Jabberwocky’ 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. Rudyard Kipling ‘The Way Through The Woods’ They shut the road through the woods Seventy years ago. W eather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few) You will hear the beat of a horse’s feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods… But there is no road through the woods. -
Ambivalent Texts, the Borderline, and the Sense of Nonsense in Lewis Carroll’S “Jabberwocky”
International Journal of IJES English Studies UNIVERSITY OF MURCIA http://revistas.um.es/ijes Ambivalent texts, the borderline, and the sense of nonsense in Lewis Carroll’s “Jabberwocky” MICHAEL TEMPLETON Princess Nourah bint Abdulrahman University (Saudi Arabia) Received: 13/11/2017. Accepted: 18/08/2018. ABSTRACT Taking Carroll‘s ―Jabberwocky‖ as emblematic of a text historically enjoyed by both children and adults, this article seeks to place the text in what Kristeva defines as the borderline between language and subjectivity to theorize a realm in which ambivalent texts emerge as such. The fact that children‘s literature remains largely trapped in the literary–didactic split in which these texts are understood as either learning materials and primers for literacy, or as examples of poetic or historical modernist discourse. This article situates Carroll‘s text in the theories of language, subjectivity, and clinical discourse toward a more complex reading of a children‘s poem, one that finds a point of intersection between the adult and the child reader. KEYWORDS: Ambivalent text, The borderline, Children‘s literature, Nonsense poems. 1. INTRODUCTION Maria Nikolajeka demonstrates that children‘s literature occupies a middle place in the world of literary studies. Children‘s literature is either studied exclusively as a didactic tool—a literary form that exists entirely to provide stepping stones toward literacy for young readers—or else children‘s literature is understood as a projection of the author‘s imagination, a nostalgic portrait of some feature of the author‘s own youth. This is commonly referred to as the ―literary–didactic split‖ (Nikolajeka, 2005: xi). -
Untangling the Knot
Untangling the Knot An Analysis of Lewis Carroll’s The Hunting of the Snark ''A knot!” said Alice. "Oh, do let me help to undo it!"1 “These problems were all called Knots and were told in the form of stories.” Belle Moses, the author of Lewis Carroll In Wonderland And At Home on Carroll’s puzzle and logic books2 In 1872, Charles Lutwidge Dodgson wrote a monograph on The New Belfry of Christ Church, Oxford. He used the pseudonym D. C. L., a rather elementary scrambling of his initials, last name first, for Dodgson, Charles Lutwidge. In a further story in the set, he created himself as a character, Mr. De Ciel, a phonetic sounding out of those same scrambled initials, which had the added appeal of meaning “Of Heaven” in French. “Everything has a moral,” he wrote, as D. C. L., “if you choose to look for it.”3 In this, he was echoing the words he’d put in the mouth of the Duchess in Alice’s Adventures in Wonderland years before, which was, “Everything’s got a moral, if only you can find it.” Years later, he’d have Sylvie of Sylvie and Bruno say, “There generally is a Moral.”4 1 Quotation selected by Carroll to head his appendix of answers to the Knots presented in A Tangled Tale, Carroll, Lewis, 1832-1898. A Tangled Tale. London: Macmillan, 1885, p 77 [“A knot!” said Alice, “Oh, do let me help to undo it!”] 2 Moses, Belle, Lewis Carroll In Wonderland And At Home: the Story of His Life New York: D. -
Lewis Carroll (Charles L
LEWIS CARROLL (CHARLES L. DODGSON) a selection from The Library of an English Bibliophile Peter Harrington london VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Registered in England and Wales No: 3609982 Design: Nigel Bents; Photography Ruth Segarra. Peter Harrington london catalogue 119 LEWIS CARROLL (CHARLES L. DODGSON) A collection of mainly signed and inscribed first and early editions From The Library of an English Bibliophile All items from this catalogue are on display at Dover Street mayfair chelsea Peter Harrington Peter Harrington 43 Dover Street 100 Fulham Road London w1s 4ff London sw3 6hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 usa 011 44 20 7591 0220 Dover St opening hours: 10am–7pm Monday–Friday; 10am–6pm Saturday www.peterharrington.co.uk FOREWORD In 1862 Charles Dodgson, a shy Oxford mathematician with a stammer, created a story about a little girl tumbling down a rabbit hole. With Alice’s Adventures in Wonderland (1865), children’s literature escaped from the grimly moral tone of evangelical tracts to delight in magical worlds populated by talking rabbits and stubborn lobsters. A key work in modern fantasy literature, it is the prototype of the portal quest, in which readers are invited to follow the protagonist into an alternate world of the fantastic. The Alice books are one of the best-known works in world literature. They have been translated into over one hundred languages, and are referenced and cited in academic works and popular culture to this day. -
1880 a TANGLED TALE Lewis Carroll
1 1880 A TANGLED TALE Lewis Carroll Carroll, Lewis (pen name of Charles Lutwidge Dodgson) (18321898) - English novelist, poet, photographer, and mathematician, best known for his fantastical childrens’ classics. He was a mathematical lecturer at Oxford. A Tangled Tale (1880) - This work consists of ten puzzles or “knots” that were originally published serially in “The Monthly Packet.” 2 Table Of Contents TANGLED TALE . 4 PREFACE KNOT I Excelsior . 7 KNOT II Eligible Apartments . 8 KNOT III Mad Mathesis . KNOT IV The Dead Reckoning . KNOT V Oughts and Crosses . KNOT VI Her Radiancy . KNOT VII Petty Cash . 18 KNOT VIII De Omnibus Rebus . KNOT IX A Serpent with Corners . KNOT X Chelsea Buns . 3 APPENDIX ANSWERS TO KNOT I . ANSWERS TO KNOT II . ANSWERS TO KNOT III . 32 ANSWERS TO KNOT IV . ANSWERS TO KNOT V . ANSWERS TO KNOT VI . 38 ANSWERS TO KNOT VII . ANSWERS TO CORRESPONDENTS. ANSWERS TO KNOT VIII . ANSWERS TO KNOT IX . 48 4 TANGLED TALE TO MY PUPIL Beloved Pupil! Tamed by thee, Addish-, Subtrac-, Multiplica-tion, Division, Fractions, Rule of Three, Attest thy deft manipulation! Then onward! Let the voice of Fame From Age to Age repeat thy story, Till thou hast won thyself a name Exceeding even Euclid’s glory. THIS Tale originally appeared as a serial in The Monthly Packet beginning in April 1880. The writer’s intention was to embody in each Knot (like the medicine so dexterously, but ineffectually, concealed in the jam of our early childhood) one or more mathematical questions- in Arithmetic, Algebra, or Geometry, as the case might be- for the amusement, and possible edification, of the fair readers of that magazine.