Alice's Adventures in Wonderland and Through the Looking-Glass
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Lewis Carroll at Play •}'Y It, -Pjf55 Dhhl )')~, I
CQS€.; RS 3b Lewis Carroll at Play •}'Y It, -PJf55 dhhl )')~, I A Thesis Presented to the Chancellor's Scholars Council of The University ofNorth Carolina at Pembroke In Partial Fulfillment Ofthe Requirements for Completion of The Chancellor's Scholars Program By James Nichols December 4,2001 Faculty Advisor's Approval ~ Faculty Advisor's Approvaldi: Faculty Advisor's APproi :£ Date ~ 296640 Lewis Carroll at Play Chancellor's Scholars Paper Outline I. Introduction A. Popularity ofthe Alice books B. Lewis Carroll background & summary ofAlice books C. Lewis Carroll put Alice books together for insight D. Lewis Carroll incorporated math, logic and games in Through the Looking Glass and Alice's Adventures in Wonderland, which benefits computer scientists and mathematicians. II. Mathematics in Alice books relates to computer science A. Properties 1. Identity 2. Inverses 3. No solution problems (nonsense) 4. Rules not absolute-always an exception B. Symmetry C. Dimensions D. Meaning ofmathematical phrases E. Null class F. Math puzzles 1. Multiplying 2. Alice's running 3. Line puzzle 4. Time 5. Zero-sum game 6. Transformations G. Mathematical puns m. Logic in the Alice books relates to computer science A. Concepts being broken down B. Humpty Dumpty chooses what words mean C. Need for Order D. Alice as a logician E. Logic ofa child F. Don't assume anything G. Symbols N. Games in the Alice books relates to computer science A. Cards B. Chess C. Acrostics D. Doublets E. Syzgies F. Magic Tricks 1. Fan 2. Apple 3. Magic Number G. Mazes H. Carroll's Games V. What Lewis Carroll offers to Computer Science and Mathematics today A. -
Humpty Dumpty's Explanation
Humpty Dumpty’s Explanation Humpty Dumpty’s explanation of the first verse of Jabberwocky from Through the Looking Glass and Alice’s Adventures there. 'You seem very clever at explaining words, Sir,' said Alice. 'Would you kindly tell me the meaning of the poem called "Jabberwocky"?' 'Let's hear it,' said Humpty Dumpty. 'I can explain all the poems that were ever invented--and a good many that haven't been invented just yet.' This sounded very hopeful, so Alice repeated the first verse: 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. 'That's enough to begin with,' Humpty Dumpty interrupted: 'there are plenty of hard words there. "BRILLIG" means four o'clock in the afternoon--the time when you begin BROILING things for dinner.' 'That'll do very well,' said Alice: and "SLITHY"?' 'Well, "SLITHY" means "lithe and slimy." "Lithe" is the same as "active." You see it's like a portmanteau--there are two meanings packed up into one word.' 'I see it now,' Alice remarked thoughtfully: 'and what are "TOVES"?' 'Well, "TOVES" are something like badgers--they're something like lizards--and they're something like corkscrews.' 'They must be very curious looking creatures.' 'They are that,' said Humpty Dumpty: 'also they make their nests under sun-dials--also they live on cheese.' 'Andy what's the "GYRE" and to "GIMBLE"?' 'To "GYRE" is to go round and round like a gyroscope. To "GIMBLE" is to make holes like a gimlet.' 1 'And "THE WABE" is the grass-plot round a sun-dial, I suppose?' said Alice, surprised at her own ingenuity. -
Not for Sale, Program That Works, and We’D but It Might Be Moving Like to Bring It to More Schools Soon, According to Owner Across the County.” Chris Redd
Covering all of Baldwin County, AL every Friday. The Baldwin Times State track meet titles PAGE 15 MAY 12, 2017 | GulfCoastNewsToday.com | 75¢ County, Fairhope at odds yet Baldwin again on county road repairs schools By CLIFF MCCOLLUM message boards to County projects. moving [email protected] Road 32 near the intersec- The list includes the fol- tion with Highway 181 lowing: Tensions have once displaying a message to • CR48 just West of Bo- again flared between the motorists and the city hemian Hall Rd forward Baldwin County Com- itself: “Delays caused by According to notes mission and the city of Fairhope Utility. Call 928- from the Baldwin County Academic plan has 4 Fairhope’s utilities depart- 2136.” Highway Department: major components ment following continued The county said several “This site is currently discussions and problems roads, including County open to the public. We By CLIFF MCCOLLUM involving needed upgrades Road 32, have been held have received a quote from [email protected] to county roads on the up for far too long. County Fairhope Water & Sewer PHOTO BY CLIFF MCCOLLUM city’s borders. officials said the holdup to relocate this conflict. During a recent special called County officials moved message boards along Late Tuesday afternoon, Baldwin County Board of Edu- County Road 32 that urged residents upset has been utility line re- The City of Fairhope has by construction delays to contact the City of the county moved the locations near or around the utility agreement and cation work session, Baldwin Fairhope’s utilities department. highway department’s the various uncompleted SEE ROADS, PAGE 25 County Schools Academic Dean Joyce Woodburn laid out an academic plan for the board members comprised of four major components. -
Alice in Wonderland (3)
Alice in Wonderland (3) Overview of chapters 7-12 Chapter 7: A Mad Tea Party Alice tries to take tea with the Hatter, the March Hare, and a Dormouse. She takes part in a confusing conversation and hears the beginning of the Dormouse’s tale. Madness: the Hatter and the Hare The Mad Hatter and the March Hare are another example of how in Wonderland language creates reality (rather than just reflecting it) “as mad as a hatter” (also because Victorian hatters worked with mercury, and mercury poisoning leads to insanity) Madness: the Hatter and the Hare “as mad as a March (>marsh?) hare” Tenniel drew the March Hare with wisps of straws on its head. This was a clear symbol of lunacy or insanity in the Victorian age. Unsurprisingly, Disney’s Hare does not retain any trace of the straws. A Mad Tea Party: a central chapter Alice reaches the furthest point in her descent into chaos: the word ‘mad’ is particularly prominent. The conversation at the tea table is absurd and aggressive, a parody perhaps of Victorian hypocrite ‘civil’ conversations during snobbish tea-parties. Alice’s puzzlement: the conversation “seemed to her to have no sort of meaning, and yet it was certainly English”. Agon at the tea table “Have some wine,” the March Hare said in an encouraging tone. [...] “I don’t see any wine,” she remarked. “There isn’t any,” said the March Hare. “Then it wasn’t very civil of you to offer it,” said Alice angrily. “It wasn’t very civil of you to sit down without being invited,” said the March Hare. -
Audition Pack
AUDITION PACK Production details Our production of Alice in Wonderland will take place at Millers Theatre, Seefeldstrasse 225, 8008 Zürich. Production dates Saturday 2nd March 2019 at 2.30pm and 6.30pm Sunday 3rd March 2019 at 2.30pm and 6.30pm Want to audition? If you are aged between 8 and 18 you can book your audition time by signing up at www.simplytheatre.com/productions/audition Audition details Auditions for Alice in Wonderland will take place on the 8th and 9th December 2018 at Gymnos Studios, Gladbachstr. 119, 8044 Zürich. If you are selected for a CALLBACK, you will need to be available on the afternoon of Sunday 9th December. If you want to audition but cannot make these dates please let us know in advance and we may be able to help. Audition times are: Saturday 8th December Sunday 9th December Session 1: 14.45 – 15.45 Session 4: 11.00 – 12.00 Session 2: 15.55 – 16.55 Session 3: 17.00 – 18.00 Recall auditions: 13.00 – 16.00 (by invite only) Please indicate which audition slot you would like when booking your time. 1 What will I be doing in the audition process? As part of your audition, you will be asked to perform a small monologue. These monologues are listed at the end of this pack. This monologue should be memorised. When learning your monologue, remember to consider where you think your character is at the time of this monologue, who (s)he may be talking to, and what they are feeling. How can you get this information over to your audience (audition panel) through your audition? You may feel free to choose any of the monologues for your audition, as no matter what you perform at audition you will still be considered for all parts. -
The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, the Hunting of the Snark, a Tangled Tale, Phantasmagoria, Nonsense from Letters) Online
yaTOs (Download pdf) The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) Online [yaTOs.ebook] The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) Pdf Free Lewis Carroll ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #1419651 in Books 2011-11-07Original language:EnglishPDF # 1 1.70 x 6.50 x 9.30l, 1.70 #File Name: 0890097003440 pages | File size: 46.Mb Lewis Carroll : The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters) before purchasing it in order to gage whether or not it would be worth my time, and all praised The Best of Lewis Carroll (Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, A Tangled Tale, Phantasmagoria, Nonsense from Letters): 1 of 1 people found the following review helpful. Wonderful books for a wonderful priceBy llamapyrLewis Carroll must've been the greatest children's book author of his time. I really admire his writing style and the creativity of his books, having grown up on them since I was 6. I've got a bunch of his novels in hardcover and paperback sitting on my shelves, so it seemed only right to add some digital versions to my library :)Anyway, I came here looking for Alice in Wonderland and Through the Looking Glass and found this set, and for a mere 99 cents it seemed worth a look. -
Spilplus.Journals.Ac.Za
http://spilplus.journals.ac.za http://spilplus.journals.ac.za THE WORLD OF LANGUAGE 2 ITS BEHAVIOURAL BELT by Rudolf P. BOlha SPIL PLUS 25 1994 http://spilplus.journals.ac.za CONTENTS 2 Language behaviour 2.1 General nature: unobservable action 2 2.2 Specific properties 4 2.2.1 Purposiveness 4 2.2.2 Cooperativeness 13 2.2.3 Space-time anchoredness 16 2.2.4 Nonlinguistic embeddedness 18 2.2.5 Innovativeness 21 2.2.6 Stimulus-freedom 22 2.2.7 Appropriateness 24 2.2.8 Rule-governedness 25 2.3 Kinds of language behaviour 26 2.3.1 Forms of language behaviour 27 2.3.1.1 Producing utterances 28 2.3.1.2 Comprehending utterances 30 2.3.1.3 Judging utterances 32 2.3.2 Means of language behaviour 39 2.3.3 Modes of language behaviour 47 2.4 The bounds of language behaviour 51 Notes to Chapter 2 53 Bibliography 62 http://spilplus.journals.ac.za 1 2 Language behaviour In Carrollinian worlds, all sorts of creatures have the remarkable knack of appearing, as it were, from nowhere. For instance, soon after Alice had entered the world created by Gilbert Adair beyond a needle's eye, she witnessed how kittens and puppies, followed by cats and dogs, fell out of the sky: 'Hundreds of cats and dogs .... were pouring down as far as she could see. Once they landed, they would all make a rush for lower ground, gathering there in huddles --- "or puddles, I suppose one ought to say" --- .... ' [TNE 41] In Needle's Eye World, one could accordingly say It rained cats arui dogs, and mean it literally. -
Through the Looking Glass
THROUGH THE LOOKING GLASS By HateAnon Welcome to Looking-Glass World, my Imperial Kitten. This world is a chessboard you see, split into squares by rivers and hedges. You begin as a Pawn but if you reach the 8th rank you become a Queen and you will throw a fantabulous feast for us. I have already invited all your guests. Take these pounds and avoid all trains! +1000£ This game has been going on for quite a while truth be told so let us first see which square you are on as it is. Roll 1d8 or pay 50£ to choose. 1. Looking-Glass House? What sneaky people live behind the mirror. It is all pretense I say. However there could be a volcano, an invisible giant and a very clever poem here. If only I had made a memorandum of it! 2. The Garden of Live Flowers? Do you know why most flowers do not talk? Because they are planted in soft ground and they tend to fall asleep that way. The Red Queen is here but you must walk backwards to meet her, run all you can to keep in place and run twice as fast to get somewhere. 3. Looking-Glass Insects? I warned you! No word about that train: you have no pounds to spare and they charge a thousand pounds a word you see. The Gnat is worth talking to but it might break your heart to hear of the Bread-and-Butterfly’s sorrow fate. You forget something in the woods as well but I forgot what it is you forget. -
The Other Side of the Lens-Exhibition Catalogue.Pdf
The Other Side of the Lens: Lewis Carroll and the Art of Photography during the 19th Century is curated by Edward Wakeling, Allan Chapman, Janet McMullin and Cristina Neagu and will be open from 4 July ('Alice's Day') to 30 September 2015. The main purpose of this new exhibition is to show the range and variety of photographs taken by Lewis Carroll (aka Charles Dodgson) from topography to still-life, from portraits of famous Victorians to his own family and wide circle of friends. Carroll spent nearly twenty-five years taking photographs, all using the wet-collodion process, from 1856 to 1880. The main sources of the photographs on display are Christ Church Library, the Metropolitan Museum, New York, National Portrait Gallery, London, Princeton University and the University of Texas at Austin. Visiting hours: Monday: 2:00 pm - 4.30 pm; Tuesday - Thursday: 10.00 am - 1.00 pm; 2:00 pm - 4.30 pm; Friday: 10:00 am - 1.00 pm. Framed photographs on loan from Edward Wakeling Photographic equipment on loan from Allan Chapman Exhibition catalogue and poster by Cristina Neagu 2 The Other Side of the Lens Lewis Carroll and the Art of Photography ‘A Tea Merchant’, 14 July 1873. IN 2155 (Texas). Tom Quad Rooftop Studio, Christ Church. Xie Kitchin dressed in a genuine Chinese costume sitting on tea-chests portraying a Chinese ‘tea merchant’. Dodgson subtitled this as ‘on duty’. In a paired image, she sits with hat off in ‘off duty’ pose. Contents Charles Lutwidge Dodgson and His Camera 5 Exhibition Catalogue Display Cases 17 Framed Photographs 22 Photographic Equipment 26 3 4 Croft Rectory, July 1856. -
Alice Through the Looking-Glass Is Presented by Special Arrangement with the Estate of James Crerar Reaney
This production was originally produced at the Stratford Festival in association with Canada’s National Arts Centre in 2014. nov dec 26 19 2015 THEATRE FOR YOUNG AUDIENCES GENEROUSLY SUPPORTED BY STUDY GUIDE Adapted from the Stratford Festival 2014 Study Guide by Luisa Appolloni This production was originally produced at the Stratford Festival in association with Canada's National Arts Centre in 2014. Alice Through the Looking-Glass is presented by special arrangement with the Estate of James Crerar Reaney. 1 THEATRE ETIQUETTE “The theater is so endlessly fascinating because it's so accidental. It's so much like life.” – Arthur Miller Arrive Early: Latecomers may not be admitted to a performance. Please ensure you arrive with enough time to find your seat before the performance starts. Cell Phones and Other Electronic Devices: Please TURN OFF your cell phones/iPods/gaming systems/cameras. We have seen an increase in texting, surfing, and gaming during performances, which is very distracting for the performers and other audience members. The use of cameras and recording devices is strictly prohibited. Talking During the Performance: You can be heard (even when whispering!) by the actors onstage and the audience around you. Disruptive patrons will be removed from the theatre. Please wait to share your thoughts and opinions with others until after the performance. Food/Drinks: Food and hot drinks are not allowed in the theatre. Where there is an intermission, concessions may be open for purchase of snacks and drinks. There is complimentary water in the lobby. Dress: There is no dress code at the Royal Manitoba Theatre Centre, but we respectfully reQuest that patrons refrain from wearing hats in the theatre. -
ARTICLE: Jan Susina: Playing Around in Lewis Carroll's Alice Books
Playing Around in Lewis Carroll’s Alice Books • Jan Susina Mathematician Charles Dodgson’s love of play and his need for rules came together in his use of popular games as part of the structure of the two famous children’s books, Alice in Wonderland and Through the Looking-Glass, he wrote under the pseudonym Lewis Carroll. The author of this article looks at the interplay between the playing of such games as croquet and cards and the characters and events of the novels and argues that, when reading Carroll (who took a playful approach even in his academic texts), it is helpful to understand games and game play. Charles Dodgson, more widely known by his pseudonym Lewis Carroll, is perhaps one of the more playful authors of children’s literature. In his career, as a children’s author and as an academic logician and mathematician, and in his personal life, Carroll was obsessed with games and with various forms of play. While some readers are surprised by the seemingly split personality of Charles Dodgson, the serious mathematician, and Lewis Carroll, the imaginative author of children’s books, it was his love of play and games and his need to establish rules and guidelines that effectively govern play that unite these two seemingly disparate facets of Carroll’s personality. Carroll’s two best-known children’s books—Alice’s Adventures in Wonderland (1865) and Through the Looking- Glass and What Alice Found There (1871)—use popular games as part of their structure. In Victoria through the Looking-Glass, Florence Becker Lennon has gone so far as to suggest about Carroll that “his life was a game, even his logic, his mathematics, and his singular ordering of his household and other affairs. -
Reply to Donald Rackin's Review of in the Shadow of the Dreamchild
Reply to Donald Rackin’s review of In the Shadow of the Dreamchild A number of years ago, the noted Carrollian Donald Rackin wrote a scathing review of In The Shadow Of The Dreamchild IN VICTORIAN STUDIES,(VOL. 43 no. 4). The journal refused me the right to reply, so I did so on the web... Mr Rackin's review is largely (I think he would agree), a sweeping and wholesale condemnation of my work in broad, non-specific strokes. In the Shadow of the Dreamchild is, he says, “difficult to take seriously”. He adds that it is “feebly documented”, “tendentious”, unreliable and inaccurate. He claims that I „misrepresent‟ my material both overtly and „insidiously‟. This is fairly uncompromising. He does, however, offer one opening comment on which we can both agree: If Leach's contentions were valid, our understanding of Dodgson, his particular upper-middle-class milieu, and even his literary and photographic achievements, would require substantial revision I wholly accept this. If – and I stress the „if‟ – I am correct in my contention that biography has seriously misrepresented the documentary reality of Charles Dodgson's life, and if those manifold inaccuracies and „myths‟ (as I have termed them) can be proved to exist and to diverge markedly from the documentary reality, then indeed our understanding of Dodgson would require very „substantial revision‟ indeed. So, the vital question would seem to be – am I correct? Mr Rackin would have his readers believe that the very idea is ridiculous. But in truth, all we need to do is review Carroll's biographical history, and we discover all the numerous errors and flights of fancy that combined to create the present image of Lewis Carroll.