Not for Sale, Program That Works, and We’D but It Might Be Moving Like to Bring It to More Schools Soon, According to Owner Across the County.” Chris Redd
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THE WESTFIELD LEADER the Leading and Most Widely Circulated Weekly Newspaper in Union County Pfieventh YEAR—No
•"•*. THE WESTFIELD LEADER The Leading And Most Widely Circulated Weekly Newspaper In Union County PfiEVENTH YEAR—No. 32 li.llt.eieU M OtoUUllli 1.1U9* . P> Offl TVtflM WESTFIELD. NEW JERSEY, THURSDAY, APRIL 18, 1957 36 Pagei—10 Cent* Westfield Club Primary Vote In Westfield [an Eastertide REPUBLICAN Displays Flowers IW 2W 3W 4W Tot.l Light Vote Tallied Here GOVERNOR Forbes 813 f>47 458 381 2,299 At Public Show Dumont 317 216 187 137 857 lurch Services ASSEMBLY In Quiet Primary Election Griffin . 680 511 367 304 1,862 First Event Rand 190 133 148 109 580 Paris To Be Scene Set At Local Murray , 369 310 222 156 1,057 No Opposition liial Good Of Sunrise Service Thomas 819 037 464 381 2,301 Irene Griffin No Contests For Homes May 9 Vanderbilt 813 627 436 367 2,243 In Mountainside Crane „ . 825 652 459 364 2,300 lay Devotion An Easter Sunday, sunrise serv- Mrs. Torg Tonnessen, president Stamler . 427 319 217 197 1,160 Wins County GOP MOUNTAINSIDE — With Either Party ice will be held at Mindowaskin of the Rake and Hoe Garden Club Velbinger 120 80 109 69 378 •oting described as "extremely Park this week at 0 a.m. under of Westfield, has announced the ight," Mayor Joseph A. C. Komich first Baptist the sponsorship of the youth com- FREEHOLDERS club will hold its first public open Bailey 1,022 805 569 454 2,850 Nod For Assembly nd Councilmen Ronald L. Farrell On Local Scene mittee of the Westfield Council of home flower show May 9. -
Alice's Adventures in Adaptation: the Evolution of Power In
ALICE’S ADVENTURES IN ADAPTATION: THE EVOLUTION OF POWER IN CHILDREN’S AND YOUNG ADULT LITERATURE A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIRMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF ENGLISH, SPEECH, AND FOREIGN LANGUAGES COLLEGE OF ARTS AND SCIENCES BY ALLYSON HIBDON, B.A. DENTON, TEXAS August 2020 Copyright © 2020 by ALLYSON HIBDON DEDICATION This thesis is dedicated to my parents, Kenny and Susan Hibdon, for their unwavering support during the process of writing this thesis. My parents have always believed in my knowledge and capabilities. I would also like to thank them for continued motivation to complete my thesis and the encouragement to continue my education. I will forever be grateful for their unwavering support. This thesis is also dedicated to my best friend, Malena Eaves, for her continued support, encouragement, and accountability during the writing process. At times of frustration and stress, she helped me keep my focus and drive to complete my thesis. Lastly, I would like to dedicate this thesis to my partner, Andrew Prater, for his support, encouragement, and patience as I worked on this project. Andrew listened to my ideas and became on my biggest cheerleaders. ii ACKNOWLEDGEMENTS I would like to thank both of my committee members. Dr. Gretchen Busl served as my committee chair and without her theoretical knowledge and structural guidance, this thesis would not be possible. Dr. Busl’s weekly encouragement and accountability have proven to be invaluable to me. Secondly, I would like to thank Dr. -
Knight Letter No. 85
^ ^ KNIGHT LETTER ^ ^^ ^ The Lewis Carroll Society ofNorth America Winter 2010 Volume II Issue 15 Number 85 Knight Letter is the official magazine of the Lewis Carroll Society of North America. It is published twice a year and is distributed free to all members. Editorial correspondence should be sent to the Editor in Chief at [email protected]. SUBMISSIONS Submissions for The Rectory Umbrella and Mischmasch should be sent to [email protected]. Submissions and suggestions for Serendipity and Sic Sic Sic should be sent to [email protected]. Submissions and suggestions for From OurFar-Flung Correspondents should be sent to [email protected]. © 2010 The Lewis Carroll Society of North America ISSN 0193-886X Sarah Adams-Kiddy, Editor in Chief Mahendra Singh, Editor, The Rectory Umbrella Sarah Adams-Kiddy ^ Ray Kiddy, Editors, Mischmasch James Welsch 6^ Rachel Eley, Editors, From Our Far-Rung Correspondents Mark Burstein, Production Editor Andrew H. Ogus, Designer THE LEWIS CARROLL SOCIETY OF NORTH AMERICA President: Mark Burstein, [email protected] Vice-President: Cindy Watte r, [email protected] Secretary: Clare Imholtz, [email protected] www.LewisCarroll . org Annual membership dues are U.S. $35 (regular), $50 (international), and $100 (sustaining). Subscriptions, correspondence, and inquiries should be addressed to: Clare Imholtz, LCSNA Secretary 11935 Beltsville Dr. Beltsville, Maryland 20705 Additional Contributors to This Issue Barbara Adams, Ruth Berman, Angelica Carpenter, Bonnie Hagerman, Alan Tannenbaum, Cindy Watter On the cover: Secret Garden, digital collage by Adriana Peliano. Seepage 21. 1 -^ -^0^ ^ CONTENTS H^ i^y„s^ ^S ^i^"^^^ ^ THe ReCTORY UMBRSLLA OF BOOKS AND THINGS m Livefrom Lincoln Center Evermore Everson 's Everytype! 45 MARK BURSTEIN MARK BURSTEIN Keith Shepard's Wonderland Revisited, Meeting Mr. -
Alice's Adventures in Wonderland and Through the Looking-Glass
Table of Contents From the Pages of Alice’s Adventures in Wonderland and Through the Looking-Glass Title Page Copyright Page Lewis Carroll The World of Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking-Glass Introduction Alice’s Adventures in Wonderland PREFACE CHRISTMAS-GREETINGS. [FROM A FAIRY TO A CHILD.] I - Down the Rabbit Hole II - The Pool of Tears III - A Caucus Race & a Long Tale IV - The Rabbit Sends in a Little Bill V - Advice from a Caterpillar VI - Pig & Pepper VII - A Mad Tea Party VIII - The Queen’s Croquet Ground IX - The Mock Turtle’s Story X - The Lobster Quadrille XI - Who Stole the Tarts? XII - Alice’s Evidence Through the Looking-Glass and What Alice Found There PREFACE TO 1896 EDITION INTRODUCTION. CHAPTER I. - LOOKING-GLASS HOUSE. CHAPTER II. - THE GARDEN OF LIVE FLOWERS. CHAPTER III. - LOOKING-GLASS INSECTS. CHAPTER IV. - TWEEDLEDUM AND TWEEDLEDEE. CHAPTER V. - WOOL AND WATER. CHAPTER VI. - HUMPTY DUMPTY. CHAPTER VII. - THE LION AND THE UNICORN. CHAPTER VIII. - “IT’S MY OWN INVENTION.” CHAPTER IX. - QUEEN ALICE. CHAPTER X. - SHAKING. CHAPTER XI. - WAKING. CHAPTER XII. - WHICH DREAMED IT? Endnotes Inspired by Alice’s Adventures in Wonderland and Through the Looking-Glass Comments & Questions For Further Reading From the Pages of Alice’s Adventures in Wonderland and Through the Looking-Glass The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down what seemed to be a very deep well. -
Representation Learning: What Is It and How Do You Teach It?
Representation Learning: What is it and how do you teach it? Clayton Greenberg Spoken Language Systems Group (LSV) Graduate School of Computer Science (GSCS) Saarland Informatics Campus, Saarland University (UdS) May 8, 2017 Clayton Greenberg (UdS) Representation Learning May 8, 2017 1 / 41 Who are you? “I . I hardly know, sir, just at present . at least I know who I WAS when I got up this morning, but I think I must have been changed several times since then.” Clayton Greenberg (UdS) Representation Learning May 8, 2017 2 / 41 Representation learning in a neural network xt is the set the features about you that is given to the system. A is where other sources of information are incorporated. ht is the task-specific output. Representation learning is how the computer decides on the xt to A arrow. Clayton Greenberg (UdS) Representation Learning May 8, 2017 3 / 41 Some natural language processing (NLP) applications Speech Recognition Machine Translation Information Retrieval Clayton Greenberg (UdS) Representation Learning May 8, 2017 4 / 41 The disciplines of NLP Computer Science Mathematics Linguistics Clayton Greenberg (UdS) Representation Learning May 8, 2017 5 / 41 Educational objectives for representation learning CS Students can collect high-quality data in an organized fashion. M Students can extrapolate from exploring representative samples. L Students can recognize and describe useful patterns in data. Students can build appropriate models of data. Students can apply their models to relevant tasks. Clayton Greenberg (UdS) Representation -
A Prima Vista
A PRIMA VISTA a survey of reprints and of recent publications 2012/2 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: + 31 (0)20 679 65 75 CDs: + 31 (0)20 675 16 53 / fax: + 31 (0)20 664 67 59 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2012/2 PAGE HEADING 03 PIANO 2-HANDS 11 PIANO 4-HANDS, 2 PIANOS 12 HARPSICHORD, ORGAN 15 KEYBOARD, ACCORDION 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 15 VIOLIN SOLO 16 CELLO SOLO, 17 DOUBLE BASS SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 17 VIOLIN with accompaniment 20 VIOLIN PLAY ALONG 22 VIOLA with accompaniment, CELLO with accompaniment 24 VIOLA DA GAMBA with accompaniment 24 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 28 FLUTE SOLO 29 CLARINET SOLO 30 SAXOPHONE SOLO 31 BASSOON SOLO, HORN SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 31 FLUTE with accompaniment 33 FLUTE PLAY ALONG 34 OBOE with accompaniment 35 CLARINET with accompaniment 36 CLARINET PLAY ALONG 37 SAXOPHONE with accompaniment 38 SAXOPHONE PLAY ALONG, 39 BASSOON with accompaniment, TRUMPET with accompaniment, TRUMPET PLAY ALONG 40 HORN with accompaniment, TROMBONE with accompaniment, TROMBONE PLAY ALONG 2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 40 2 AND MORE WOODWIND INSTRUMENTS 43 2 AND MORE BRASS INSTRUMENTS 44 COMBINATIONS OF WOODWIND AND BRASS INSTRUMENTS 45 COMBINATIONS OF WIND AND STRING INSTRUMENTS 46 RECORDER 48 GUITAR 50 BANJO, HARP, PERCUSSION 51 MISCELLANEOUS, 52 SOLO VOICE(S) AND/OR CHOIR WITH INSTRUMENTAL ACCOMPANIMENT 58 SOLO VOICE(S) AND/OR CHOIR WITH ORCHESTRAL ACCOMPANIMENT 59 UNACCOMPANIED CHOIR 61 OPERA, OPERETTA, MUSICAL, ORATORIA, MASS (SCORES: POCKET-, STUDY-, FULL-, VOCAL-) 62 ORCHESTRA WITH AND WITHOUT INSTRUMENTAL SOLOISTS 63 MUSIC MINUS ONE 63 BOOKS OF MUSICAL INTEREST compilation by Jan A. -
Alice in Wonderland Is a Timeless Classic
Musical Theatre of Anthem Anthem, AZ Copyright © 2020 Playbill Online Inc. All marks used by permission. Copyright © 2020 Playbill Online Inc. All marks used by permission. FROM MTA'S PRODUCING ARTISTIC DIRECTOR AUTOGRAPHS Welcome to MTA’s Lucky 13th Season! With eight full stage productions, a Holiday Show, Minis Program, and Benefit this season is sure to excite our audience members! It takes so many people to make a production come to life. I give many heartfelt thanks to the hard-working production staff, amazing volunteers, our donors and sponsors, the Board of Directors, and our very talented performers. Please continue to check our website at www.musicaltheatreofanthem.org, or sign up for our mailing list for detailed audition and performance information. It is MTA’s hope that you will return to future productions, as audience members and performers, so that we may continue to offer “high quality theater to performers and patrons alike." --Jackie Hammond DIRECTOR'S NOTES What a wonderful experience it has been to be a part of such fun productions. I am impressed with the cast’s dedication, hard work, and their love of being on stage. It has truly been a pleasure working with them. Alice in Wonderland is a timeless classic. It is a pleasure to present to you these very colorful, creative and fun portrayals of Cheshire Cat, Alice, the Mad Hatter, the March Hare, the White Rabbit, Tweedle Dee and Tweedle Dum, and the many other characters of Wonderland. In Alice in Wonderland Jr, we see a young girl who tries to learn more about who she is and who she would like to become. -
UNBIRTHDAY.Ch1 .Pdf
UNBIRTHDAY A TWISTED TALE LIZ BRASWELL Los Angeles • New York Copyright © 2020 Disney Enterprises, Inc. All rights reserved. Published by Disney • Hyperion, an imprint of Buena Vista Books, Inc. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from the publisher. For information address Disney • Hyperion, 125 West End Avenue, New York, New York 10023. Printed in the United States of America First Hardcover Edition, September 2020 1 3 5 7 9 10 8 6 4 2 FAC-021131-20199 Library of Congress Control Number: 2020002213 ISBN 978-1-4847-8131-9 Visit disneybooks.com For my sister, Sabrina. We are not Mathilda and Alice but have moments of each. I forgive you for that time you tricked me into eating a fancy chocolate with a hairball inside. Sort of. —L.B. A gentle note, Dear Reader: As you are probably already aware, this book is a work of Nonsense. That being said, it behooves us to remind you that the Mad Hatter is a fctional character and doesn’t conform to the strict rules of our own world. To wit: mercury is deadly poisonous. Hatters really were said to have gone mad in the nineteenth century because of exposure to mercury in their hat-making processes: in efect, they sufered long-term mercury poisoning. You cannot eat the fsh from many rivers and lakes of America even today because of the deadly mercury that lies on their muddy bottoms eternally, the result of toxic industrial pollution. -
1872 THROUGH the LOOKING GLASS Lewis Carroll Illustrations
1 1872 THROUGH THE LOOKING GLASS Lewis Carroll Illustrations by John Tenniel Carroll, Lewis (pen name of Charles Lutwidge Dodgson) (18321898) - English novelist, poet, photographer, and mathematician, best known for his fantastical childrens’ classics. He was a mathematical lecturer at Oxford. Through the Looking-Glass (1872) - The sequel to “Alice in Wonderland.” Alice climbs through a mirror and discovers that the world is totally reversed like the mirror’s reflection. The ballad “Jabberwocky” is included in this book. Sir John Tenniel drew the classic illustrations. 2 Table Of Contents THROUGH THE LOOKING GLASS . 3 CHAPTER I LOOKING GLASS HOUSE . 4 JABBERWOCKY . CHAPTER II THE GARDEN OF LIVE FLOWERS . 11 CHAPTER III LOOKING GLASS INSECTS . .17 CHAPTER IV TWEEDLEDUM AND TWEEDLEDEE . 23 CHAPTER V WOOL AND WATER . 30 CHAPTER VI HUMPTY DUMPTY . .37 CHAPTER VII THE LION AND THE UNICORN . 43 CHAPTER VIII “IT’S MY OWN INVENTION” . 50 CHAPTER IX QUEEN ALICE . 59 CHAPTER X SHAKING . 68 CHAPTER XII WHICH DREAMED IT? . 69 3 THROUGH THE LOOKING GLASS Child of the pure unclouded brow And dreaming eyes of wonder! Though time be fleet, and I and thou Are half a life asunder, Thy loving smile will surely hail The love-gift of a fairy-tale. 5} I have not seen thy sunny face, Nor heard thy silver laughter: No thought of me shall find a place In thy young life’s hereafter- 10} Enough that now thou wilt not fail To listen to my fairy-tale. A tale begun in other days, When summer suns were glowing- 15} A simple chime, that served to time The rhythm of our rowingWhose echoes live in memory yet, Though envious years would say ‘forget.’ 20} Come, hearken then, ere voice of dread, With bitter tidings laden, Shall summon to unwelcome bed A melancholy maiden! We are but order children, dear, 25} Who fret to find our bedtime near. -
India/Postcolonial Focus
Fall 2009 | Volume 26 | Number 1 India/Postcolonial Focus India/Postcolonial VOLUME 26 | NUMBER 1 | FALL 2009 | $8.00 Deriving from the German weben—to weave—weber translates into the literal and figurative “weaver” of textiles and texts.Weber (the word is the same in singular and plural) are the artisans of textures and discourse, the artists of the beautiful fabricating the warp and weft of language into ever-changing pattterns. Weber, the journal, understands itself as a tapestry of verbal and visual texts, a weave made from the threads of words and images. Of Empresses, Empires, and Jewels Benjamin Disraeli, several-time British Prime Minister, famously dubbed India “a jewel in the Crown of England.” A long-term political moderate of the British Conservative Party, Disraeli advocated maintaining rather than expanding British interests. He eventually promoted expansion of British power when it became clear that Russia had increased its sphere of influence beyond the Balkans into the Far East. (Readers of Rudyard Kipling’s Kim may remember these territorial disputes in the Himalayas known as the “Great Game.”) In his private correspondence with Queen Victoria, he pledged “to clear Central Asia of Muscovites and drive them into the Caspian.” One step to secure British advantage was the purchase of 44% of the shares of the Suez Canal Company with the help of Lionel de Rothchild in 1875 through a short-term loan. Disraeli exercised this act of strategic genius with the secret consent of the Queen, but without the consent of Parliament and over resistance from his own cabinet. -
University of Florida Thesis Or Dissertation Formatting Template
CHARLOTTE’S WEB SITE: THE CONVERGENCE CULTURE OF CHILDREN’S PRINT AND DIGITAL LITERATURE By CATHLENA ANNA MARTIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Cathlena Anna Martin 2 To my family 3 ACKNOWLEDGMENTS Above all, I thank my parents, who supported me throughout the entire process that led to this dissertation, including reading to me as a child, encouraging me in every academic and non-academic pursuit, and grounding me in the belief that I could do anything I set my mind to. Without them, I would not be Dr. Martin. And I am grateful to my sister, Tamara, and her husband, Phillip, for their letters, packages, shared books, and inspiration. I would not have pushed myself as hard without such an amazing big sister to compete with. Additionally, this project could not have been completed without the guidance and help of Dr. Kenneth Kidd. He provides the perfect blend of criticism and encouragement, revision and hope. Moreover, I want to thank my committee members—Dr. John Cech, Dr. Greg Ulmer, and Dr. Barbara Pace—for providing feedback and support throughout this process. I thank fellow kiddie litters, Julie Sinn Cassidy and Ramona Caponegro, for solidarity in our subject matter, and Rita Smith, for allowing me solace in the stacks of the Baldwin. And I thank two gaming ladies, Laurie Taylor and Lisa Dusenberry, for their passion and knowledge on all things digital. I thank the members of my dissertation seminar—Aaron Talbot, Joel Adams, and Mindy Cardozo—and editor friend Joi Tribble. -
RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No.