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January 2012 at BFI Southbank
PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival: -
Granny Mildred Lynch and Tim Buck II Esq. Partner to Buy the Mount Delusion Ski Resort in Bovina Center at the County Delinquent Property Auction
Granny Mildred Lynch and Tim Buck II Esq. Partner to Buy the Mount Delusion Ski Resort in Bovina Center at the County Delinquent Property Auction Installment II of a tweet story by @Scatoma The Pepacton Watershed’s Premier Satirist “I’m not a cynic, I’m a careful observer” Mildred Lynch aka “Granny”: a retired CIA assassin who lives in rural Hamden, NY, where she raises Dorset sheep and runs embroidery and vanity press side businesses. She is a stalker whose fixation on retired NBA legend, Rik Smits is eclipsed in installment two by her simultaneous obsessions with Todd Palin and Sean Hannity. “There’s two sides to every woman,“ she explains “and each side should have a man to take care of it, preferably at the same time.“ In this second installment she partners with Tim Buck II Esq. to buy the Mount Delusion Ski resort. Tim Buck II Esq.: An Oneonta, NY attorney who represents arrested college students in public urination and capital murder arrests. He is trying to overcome rumors he is carrying out an affair with the local DA. He claims to be a childhood friend of Paul Ruebens of Pee Wee Herman fame. He begins invoking his 1/64 Mahican ancestry and begins wearing a red Mohawk. In installment II, he buys the Mount Delusion Ski Resort with an eye towards buying out Granny Lynch, his partner, with his “hush revenue” and opening a small “1/64 Indian Casino” there called “Mahican Some”, a place for small percentage Mahicans to meet, gamble and inter-marry impulsively. -
RANGO (PG) Ebert: Users: You: Rate This Movie Right Now
movie reviews Reviews Great Movies Answer Man People Commentary Festivals Oscars Glossary One-Minute Reviews Letters Roger Ebert's Journal Scanners Store News Sports Business Entertainment Classifieds Columnists search RANGO (PG) Ebert: Users: You: Rate this movie right now GO Search powered by YAHOO! register You are not logged in. Log in » Subscribe to weekly newsletter » times & tickets Rango in theaters The Adjustment Bureau Fandango BY ROGER EBERT / March 2, 2011 I Will Follow Search movie Ip Man 2 showtimes and buy "Rango" is some kind of a Rango tickets. miracle: An animated Take Me Home Tonight comedy for smart cast & credits moviegoers, wonderfully more current releases » about us With the voices of: made, great to look at, one-minute movie reviews wickedly satirical, and About the site » (gasp!) filmed in glorious 2- Rango/Lars Johnny Depp D. Its brilliant colors and Beans Isla Fisher still playing Site FAQs » startling characters spring Priscilla Abigail Breslin from the screen and remind The Adjustment Bureau Contact us » Mayor Ned Beatty us how very, very tired we Roadkill Alfred Molina All Good Things are of simpleminded little Another Year Email the Movie Jake Bill Nighy characters bouncing around Barney's Version Answer Man » Doc/Merrimack Stephen Root dimly in 3-D. Biutiful Balthazar Harry Dean Stanton Blue Valentine This is an inspired comic Bad Bill Ray Winstone Casino Jack on sale now Western, deserving Cedar Rapids comparison with "Blazing Paramount Pictures presents a film Certifiably Jonathan Saddles," from which it directed by Gore Verbinski. Written The Company Men Country Strong borrows a lot of farts. -
The Other Side of the Lens-Exhibition Catalogue.Pdf
The Other Side of the Lens: Lewis Carroll and the Art of Photography during the 19th Century is curated by Edward Wakeling, Allan Chapman, Janet McMullin and Cristina Neagu and will be open from 4 July ('Alice's Day') to 30 September 2015. The main purpose of this new exhibition is to show the range and variety of photographs taken by Lewis Carroll (aka Charles Dodgson) from topography to still-life, from portraits of famous Victorians to his own family and wide circle of friends. Carroll spent nearly twenty-five years taking photographs, all using the wet-collodion process, from 1856 to 1880. The main sources of the photographs on display are Christ Church Library, the Metropolitan Museum, New York, National Portrait Gallery, London, Princeton University and the University of Texas at Austin. Visiting hours: Monday: 2:00 pm - 4.30 pm; Tuesday - Thursday: 10.00 am - 1.00 pm; 2:00 pm - 4.30 pm; Friday: 10:00 am - 1.00 pm. Framed photographs on loan from Edward Wakeling Photographic equipment on loan from Allan Chapman Exhibition catalogue and poster by Cristina Neagu 2 The Other Side of the Lens Lewis Carroll and the Art of Photography ‘A Tea Merchant’, 14 July 1873. IN 2155 (Texas). Tom Quad Rooftop Studio, Christ Church. Xie Kitchin dressed in a genuine Chinese costume sitting on tea-chests portraying a Chinese ‘tea merchant’. Dodgson subtitled this as ‘on duty’. In a paired image, she sits with hat off in ‘off duty’ pose. Contents Charles Lutwidge Dodgson and His Camera 5 Exhibition Catalogue Display Cases 17 Framed Photographs 22 Photographic Equipment 26 3 4 Croft Rectory, July 1856. -
CURRICULUM VITAE Min ZHOU, Ph.D
CURRICULUM VITAE Min ZHOU, Ph.D. ADDRESS Department of Sociology, UCLA 264 Haines Hall, 375 Portola Plaza, Box 951551 Los Angeles, CA 90095-1551 U.S.A. Office Phone: +1 (310) 825-3532 Email: [email protected]; home page: https://soc.ucla.edu/faculty/Zhou-Min EDUCATION May 1989 Doctor of Philosophy in Sociology, State University of New York (SUNY) at Albany May 1988 Certificate of Graduate Study in Urban Policy, SUNY-Albany December 1985 Master of Arts in Sociology, SUNY-Albany January 1982 Bachelor of Arts in English, Sun Yat-sen University (SYSU), China PHD DISSERTATION The Enclave Economy and Immigrant Incorporation in New York City’s Chinatown. UMI Dissertation Information Services, 1989. Advisor: John R. Logan, SUNY-Albany • Winner of the 1989 President’s Distinguished Doctoral Dissertation Award, SUNY-Albany PROFESSIONAL CAREER Current Positions • Distinguished Professor of Sociology and Asian American Studies, UCLA (since July 2021) • Walter and Shirley Wang Endowed Chair in U.S.-China Relations and Communications, UCLA (since 2009) • Director, UCLA Asia Pacific Center (since November 1, 2016) July 2000 to June 2021 • Professor of Sociology and Asian American Studies, UCLA • Founding Chair, Asian American Studies Department, UCLA (2004-2005; Chair of Asian American Studies Interdepartmental Degree Program (2001-2004) July 2013 to June 2016 • Tan Lark Sye Chair Professor of Sociology & Head of Division of Sociology, School of Humanities and Social Sciences, Nanyang Technological University (NTU), Singapore • Director, Chinese Heritage Centre (CHC), NTU, Singapore July 1994 to June 2000 Assistant to Associate Professor with tenure, Department of Sociology & Asian American Studies Interdepartmental Degree Program, UCLA August 1990 to July 1994 Assistant Professor of Sociology, Louisiana State University, Baton Rouge M. -
The Influence of Bushido, Way of the Warrior, On
THE INFLUENCE OF BUSHIDO ON NATHAN ALGREN’S PERSONALITY DEVELOPMENT AS SEEN IN JOHN LOGAN’S MOVIE SCRIPT THE LAST SAMURAI A Thesis Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By PRIMADHY WICAKSONO Student Number: 991214175 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 THE INFLUENCE OF BUSHIDO ON NATHAN ALGREN’S PERSONALITY DEVELOPMENT AS SEEN IN JOHN LOGAN’S MOVIE SCRIPT THE LAST SAMURAI A Thesis Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By PRIMADHY WICAKSONO Student Number: 991214175 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 i This thesis is dedicated to My beloved Family: ENY HARYANI and ENDHY PRIAMBODO You are the best that God has given to me iv v ACKNOWLEDGEMENTS First of all, I would like to thank The Almighty Allah, SWT, for giving me the amazing love, courage and honor in my life. Through Allah’s love, I can stand in every moment in my life to face the sadness and happiness, and I can see that everything is beautiful. I also would like to thank my major sponsor, Drs. A. Herujiyanto, MA., Ph.D., who has devoted his time, knowledge and effort to improve this thesis. He has not only given me considerable and continual corrections, guidance, and support, but also great lessons for my life in the future. -
Finding Neverland
BARRIE AND THE BOYS 0. BARRIE AND THE BOYS - Story Preface 1. J.M. BARRIE - EARLY LIFE 2. MARY ANSELL BARRIE 3. SYLVIA LLEWELYN DAVIES 4. PETER PAN IS BORN 5. OPENING NIGHT 6. TRAGEDY STRIKES 7. BARRIE AND THE BOYS 8. CHARLES FROHMAN 9. SCENES FROM LIFE 10. THE REST OF THE STORY Barrie and the Llewelyn-Davies boys visited Scourie Lodge, Sutherland—in northwestern Scotland—during August of 1911. In this group image we see Barrie with four of the boys together with their hostess. In the back row: George Llewelyn Davies (age 18), the Duchess of Sutherland and Peter Llewelyn Davies (age 14). In the front row: Nico Llewelyn Davies (age 7), J. M. Barrie (age 51) and Michael Llewelyn Davies (age 11). Online via Andrew Birkin and his J.M. Barrie website. After their mother's death, the five Llewelyn-Davies boys were alone. Who would take them in? Be a parent to them? Provide for their financial needs? Neither side of the family was really able to help. In 1976, Nico recalled the relief with which his uncles and aunts greeted Barrie's offer of assistance: ...none of them [the children's uncles and aunts] could really do anything approaching the amount that this little Scots wizard could do round the corner. He'd got more money than any of us and he's an awfully nice little man. He's a kind man. They all liked him a good deal. And he quite clearly had adored both my father and mother and was very fond of us boys. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Reply to Donald Rackin's Review of in the Shadow of the Dreamchild
Reply to Donald Rackin’s review of In the Shadow of the Dreamchild A number of years ago, the noted Carrollian Donald Rackin wrote a scathing review of In The Shadow Of The Dreamchild IN VICTORIAN STUDIES,(VOL. 43 no. 4). The journal refused me the right to reply, so I did so on the web... Mr Rackin's review is largely (I think he would agree), a sweeping and wholesale condemnation of my work in broad, non-specific strokes. In the Shadow of the Dreamchild is, he says, “difficult to take seriously”. He adds that it is “feebly documented”, “tendentious”, unreliable and inaccurate. He claims that I „misrepresent‟ my material both overtly and „insidiously‟. This is fairly uncompromising. He does, however, offer one opening comment on which we can both agree: If Leach's contentions were valid, our understanding of Dodgson, his particular upper-middle-class milieu, and even his literary and photographic achievements, would require substantial revision I wholly accept this. If – and I stress the „if‟ – I am correct in my contention that biography has seriously misrepresented the documentary reality of Charles Dodgson's life, and if those manifold inaccuracies and „myths‟ (as I have termed them) can be proved to exist and to diverge markedly from the documentary reality, then indeed our understanding of Dodgson would require very „substantial revision‟ indeed. So, the vital question would seem to be – am I correct? Mr Rackin would have his readers believe that the very idea is ridiculous. But in truth, all we need to do is review Carroll's biographical history, and we discover all the numerous errors and flights of fancy that combined to create the present image of Lewis Carroll. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
Exploring Wonderland with Alice
Deep Blue Deep Blue https://deepblue.lib.umich.edu/documents Research Collections Library (University of Michigan Library) 2015 "Curioser and Curioser!": Exploring Wonderland with Alice McLoone, Juli https://hdl.handle.net/2027.42/120246 Downloaded from Deep Blue, University of Michigan's institutional repository “Curiouser and Curiouser!” : Exploring Wonderland with Alice 25 August – 17 December 2015 Special Collections Exhibit Space 7th Floor • Hatcher Graduate Library University of Michigan Library Ann Arbor, Michigan PB 1 © 2015 University of Michigan Library (Special Collections Library) All rights reserved. Curators: Juli McLoone, Outreach Librarian & Curator, Special Collections Library & Jo Angela Oehrli, Learning Librarian, Children’s Literature Librarian, Learning and Teaching Unit We thank Cathleen A. Baker and Tom Hogarth of the Preservation & Conservation Department for their help in designing, preparing, and installing this exhibit; Anne Elias and Karmen Beecroft of the Special Collections Library for their assistance; Olivia Crowley and Michael McLean of Askwith Media Library for help with film editing and Mary Reilly of Services for Students with Disabilities for assistance with captioning; and Janet Crayne of International Studies for assistance with the Russian edition of Alice on display. 2 3 “Curiouser and Curiouser!” : Exploring Wonderland with Alice “It flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and, burning with curiosity, she ran across the field after it, and was just in time to see it pop down a large rabbit-hole under the hedge.” With these words, Charles Dodgson—better known as Lewis Carroll— launches his heroine down the rabbit hole and into a wonderland filled with impossible riddles, irascible characters, and constant threats to life and limb. -
Finding Neverland Coverpage
Discussion guide developed by Heartland Truly Moving Pictures to accompany Finding Neverland, a Truly Moving Picture Award-winning lm. A Truly Moving Picture Award winner is a lm that unlocks the vast potential of the human spirit and enables us to view stories that display courage, integrity and hope, taking entertainment to a higher level. www.TrulyMovingPictures.org One Film Can Heartland Truly Moving Pictures, a non-prot organization, recognizes and honors lms and lmmakers whose work explores the human journey by expressing hope and respect for the positive values of life. We believe that one lm can move us to laughter, to tears, or to make a dierence. Finding Neverland is a movie that demonstrates that One Film Can. Synopsis Award winners Johnny Depp, Kate Winslet, Dustin Homan and Julie Christie star in this magical tale about one of the world’s greatest storytellers and the people who inspired his masterwork, Peter Pan! Well-known playwrite James M. Barrie (Depp) nds his career at a crossroads when his latest pay ops and doubters question his future. Then by chance he met a widow (Winslet) and her four adventurous boys. Together they form a friendship that ignites the imagination needed to produce Barrie’s greatest work! An enchanting big-screen treat with an acclaimed cast of stars, Finding Neverland has been hailed as one of the year’s best motion pictures. 1 To die will be an awfully big adventure. Peter Pan James Matthew (J.M.) Barrie’s life was impacted by death. The eects of these tragedies on Barrie seem to permeate his tale, Peter Pan, also known as The Boy Who Would Never Grow Up.