Issue Number 2
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Finding Neverland
BARRIE AND THE BOYS 0. BARRIE AND THE BOYS - Story Preface 1. J.M. BARRIE - EARLY LIFE 2. MARY ANSELL BARRIE 3. SYLVIA LLEWELYN DAVIES 4. PETER PAN IS BORN 5. OPENING NIGHT 6. TRAGEDY STRIKES 7. BARRIE AND THE BOYS 8. CHARLES FROHMAN 9. SCENES FROM LIFE 10. THE REST OF THE STORY Barrie and the Llewelyn-Davies boys visited Scourie Lodge, Sutherland—in northwestern Scotland—during August of 1911. In this group image we see Barrie with four of the boys together with their hostess. In the back row: George Llewelyn Davies (age 18), the Duchess of Sutherland and Peter Llewelyn Davies (age 14). In the front row: Nico Llewelyn Davies (age 7), J. M. Barrie (age 51) and Michael Llewelyn Davies (age 11). Online via Andrew Birkin and his J.M. Barrie website. After their mother's death, the five Llewelyn-Davies boys were alone. Who would take them in? Be a parent to them? Provide for their financial needs? Neither side of the family was really able to help. In 1976, Nico recalled the relief with which his uncles and aunts greeted Barrie's offer of assistance: ...none of them [the children's uncles and aunts] could really do anything approaching the amount that this little Scots wizard could do round the corner. He'd got more money than any of us and he's an awfully nice little man. He's a kind man. They all liked him a good deal. And he quite clearly had adored both my father and mother and was very fond of us boys. -
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
S.No. Film Name Genre Director 1 Last Tango in Paris (1972) Dramas Bernardo Bertolucci . 2 The Dreamers (2003) Bernardo Bertolucci . 3 Stealing Beauty (1996) H1.M Bernardo Bertolucci . 4 The Sheltering Sky (1990) I1.M Bernardo Bertolucci . 5 Nine 1/2 Weeks (1986) Adrian Lyne . 6 Lolita (1997) Stanley Kubrick . 7 Eyes Wide Shut – 1999 H1.M Stanley Kubrick . 8 A Clockwork Orange [1971] Stanley Kubrick . 9 Poison Ivy (1992) Katt Shea Ruben, Andy Ruben . 1 Irréversible (2002) Gaspar Noe 0 . 1 Emmanuelle (1974) Just Jaeckin 1 . 1 Latitude Zero (2000) Toni Venturi 2 . 1 Killing Me Softly (2002) Chen Kaige 3 . 1 The Hurt Locker (2008) Kathryn Bigelow 4 . 1 Double Jeopardy (1999) H1.M Bruce Beresford 5 . 1 Blame It on Rio (1984) H1.M Stanley Donen 6 . 1 It's Complicated (2009) Nancy Meyers 7 . 1 Anna Karenina (1997) Bernard Rose Page 1 of 303 1 Fanny Hill: Memoirs of a Woman of Pleasure (1964) Russ Meyer 9 . 2 Vixen! By Russ Meyer (1975) By Russ Meyer 0 . 2 Deep Throat (1972) Fenton Bailey, Randy Barbato 1 . 2 A STREETCAR NAMED DESIRE (1951) Elia Kazan 2 . 2 Pandora Peaks (2001) Russ Meyer 3 . 2 The Lover (L'amant) 1992 Jean-Jacques Annaud 4 . 2 Damage (1992) Louis Malle 5 . 2 Close My Eyes (1991) Stephen Poliakoff 6 . 2 Casablanca 1942 H1.M Michael Curtiz 7 . 2 Duel in the Sun (film) (1946) I1.M King Vidor 8 . 2 The Bridge on the River Kwai (1957) H1.M David Lean 9 . 3 Caligula (1979) Tinto Brass 0 . -
Peter and Alice
2018-2019 Theatre Season Tall and Twisted Tales Division of Visual/Performing Arts and Kinesiology Brenham Campus John Logan’s Peter and Alice Resource Guide This resource guide serves as an educational starting point to understanding and enjoying John Logan’s play Peter and Alice. With this in mind, please note that the interpretations of the theatrical work may differ from the original source content. Performances February 14 - 16 7 p.m. February 17 2 p.m. High School Preview Performances February 14 & 15 1 p.m. Dr. W.W. O’Donnell Performing Arts Center Brenham, Texas Tickets can be purchased in advance online at www.blinn.edu/BoxOffice, by calling 979-830-4024, or by emailing [email protected] Directed by TCCSTA Play Festival Entry Brad Nies Peter and Alice is Blinn College-Brenham’s entry to the 2019 Texas Community College Speech and Technical Theatre Direction by Theatre Association Play Festival. This state- Kevin Patrick wide organization has been actively enriching the lives of Texas Community College students since Costume, Makeup, and Hair Design by 1922. The annual Play Festival celebrates the art Jennifer Patrick of theatre in an atmosphere of friendliness and respect and provides an opportunity for two-year Produced by Special Arrangement with colleges to share their work in a festival setting, Samuel French, Inc. receiving awards and important feedback from educated theatre critics. Synopsis This remarkable new play is based on the real-life meeting of Alice Hargreaves and Peter Davies at the 1932 opening of a Lewis Carroll exhibition in a London bookshop. -
Finding Neverland Coverpage
Discussion guide developed by Heartland Truly Moving Pictures to accompany Finding Neverland, a Truly Moving Picture Award-winning lm. A Truly Moving Picture Award winner is a lm that unlocks the vast potential of the human spirit and enables us to view stories that display courage, integrity and hope, taking entertainment to a higher level. www.TrulyMovingPictures.org One Film Can Heartland Truly Moving Pictures, a non-prot organization, recognizes and honors lms and lmmakers whose work explores the human journey by expressing hope and respect for the positive values of life. We believe that one lm can move us to laughter, to tears, or to make a dierence. Finding Neverland is a movie that demonstrates that One Film Can. Synopsis Award winners Johnny Depp, Kate Winslet, Dustin Homan and Julie Christie star in this magical tale about one of the world’s greatest storytellers and the people who inspired his masterwork, Peter Pan! Well-known playwrite James M. Barrie (Depp) nds his career at a crossroads when his latest pay ops and doubters question his future. Then by chance he met a widow (Winslet) and her four adventurous boys. Together they form a friendship that ignites the imagination needed to produce Barrie’s greatest work! An enchanting big-screen treat with an acclaimed cast of stars, Finding Neverland has been hailed as one of the year’s best motion pictures. 1 To die will be an awfully big adventure. Peter Pan James Matthew (J.M.) Barrie’s life was impacted by death. The eects of these tragedies on Barrie seem to permeate his tale, Peter Pan, also known as The Boy Who Would Never Grow Up. -
Obsessive Love and Nostalgia for Neverland: the Dark Side Of
University of North Georgia Nighthawks Open Institutional Repository Department of English Capstone Abstracts Department of English Spring 2016 Obsessive Love and Nostalgia for Neverland: The Dark Side of Fantasy Fiction in John Logan's Peter and Alice Jansen Castleberry University of North Georgia, [email protected] Follow this and additional works at: http://digitalcommons.northgeorgia.edu/eng_capstone Part of the English Language and Literature Commons Recommended Citation Castleberry, Jansen, "Obsessive Love and Nostalgia for Neverland: The aD rk Side of Fantasy Fiction in John Logan's Peter and Alice" (2016). Department of English Capstone Abstracts. 6. http://digitalcommons.northgeorgia.edu/eng_capstone/6 This Article is brought to you for free and open access by the Department of English at Nighthawks Open Institutional Repository. It has been accepted for inclusion in Department of English Capstone Abstracts by an authorized administrator of Nighthawks Open Institutional Repository. Jansen Castleberry Fall 2015 Abstract Obsessive Love and Nostalgia for Neverland: The Dark Side of Fantasy Fiction in John Logan’s Peter and Alice John Logan’s play Peter and Alice explores the relationships of the people behind Peter Pan and Alice in Wonderland. Peter Llewelyn Davies and Alice Hargreaves meet in a bookshop and reminisce about the authors and fictional characters that helped develop their identities. All characters in the play, J.M. Barrie, Lewis Carroll, Peter Pan, and Alice in Wonderland help expose dark secrets about Peter and Alice while helping them connect to one another. Throughout his play, Logan shows the reality and repercussions of fantasy fiction. Peter and Alice illustrates how the biographical backgrounds of Peter and Alice have woven together with Peter Pan and Alice in Wonderland to create a darker legacy for once lighthearted children’s stories. -
Matea Justinić Petar Pan Kao Lik Vječnog Djeteta DIPLOMSKI RAD
SVEUČILIŠTE U RIJECI UČITELJSKI FAKULTET U RIJECI Matea Justinić Petar Pan kao lik vječnog djeteta DIPLOMSKI RAD Rijeka, 2019. I II SVEUČILIŠTE U RIJECI UČITELJSKI FAKULTET U RIJECI Integrirani i preddiplomski i diplomski sveučilišni učiteljski studij Petar Pan kao lik vječnog djeteta DIPLOMSKI RAD Predmet: Dječja književnost na engleskom jeziku Mentor: Ester Vidović, dr.sc. Student: Matea Justinić Matični broj: 0299009049 U Rijeci, svibanj, 2019. III Zahvala: Veliku zahvalnost dugujem svojoj mentorici dr. sc. Ester Vidović koja mi je svojim savjetima i podrškom pomogla pri izradi ovog diplomskog rada. Također, zahvaljujem se svojim prijateljima koji su mi olakšali studiranje i pisanje diplomskog rada. Na kraju, posebnu zahvalnost šaljem svojim roditeljima koji su bili uz mene tijekom cijelog školovanja jer bez njih ništa ne bi bilo moguće. Velika HVALA svima! IV Izjava o akademskoj čestitosti „Izjavljujem i svojim potpisom potvrđujem da sam diplomski/završni rad izradila samostalno, uz preporuke i savjetovanje s mentorom. U izradi rada pridržavala sam se Uputa za izradu diplomskog/završnog rada i poštivala odredbe Etičkog kodeksa za studente/studentice Sveučilišta u Rijeci o akademskom poštenju.“ _________________ Matea Justinić V SAŽETAK Ovaj diplomski rad istražuje djelo Petar Pan, odnosno sindrom vječnog djetinjstva glavnog lika. Prvo poglavlje rada bazira se na autorovu životu, prošlosti, književnom radu i postignućima. Tragična situacija u obitelji, nastala nakon smrti njegovog brata navela ga je na bavljenje književnošću i postala inspiracija za pisanje njegovog najpoznatijeg djela Petar Pan. Također je opisan sadržaj knjige „Petar Pan- dječak koji nikada ne odrasta“, koja je i originalna verzija među mnogobrojnim preradama i nastavcima. Glavni lik Petar Pan ima mnogo vrlina, ali i mana zbog kojih je jedinstven i originalan kao i njegovi odnosi s ostalim likovima u knjizi, bili oni njegovi prijatelji ili neprijatelji koji žive u Nigdjezemskoj. -
Peter Pan Is a Relative Newcomer to the World of Pantomime, Despite the Fact That It Has Been a Highly Successful Children's Play Since 1904
Peter Pan is a relative newcomer to the world of pantomime, despite the fact that it has been a highly successful children's play since 1904. When J.M. Barrie, the author created the play, it was an instant success, and for over eighty years his original work has been performed at Christmas, mainly in London, and later throughout the country. Barrie donated all the royalties of 'Peter Pan, or the boy who could not grow up' to the Great Ormond Street Hospital for Sick Children, to enable generations of children to grow and flourish. Today the hospital still receives generous donations from the producers of the play, but the copyright no longer means that only Barrie's original version has to be performed. Indeed, the Disney film 'Peter Pan' was an exception, and today it is possible to see the original in one theatre, an adaptation at the Royal National Theatre, and a 'Pantomime' style production in yet another venue. J.M. Barrie, born in 1860, befriended his neighbours, the Llewelyn-Davies family in Kensington. Peter Llewelyn Davies and his four brothers became the first to hear the tales of Peter Pan, and were all in part involved in his creation. 'I made Peter by rubbing the five of you violently together, as savages with two sticks produce a flame. Peter Pan is the spark I got from you', he told them. Barrie was also the creator of the name 'Wendy'. A colleagues daughter, Margaret called Barrie her 'Fwendy' or 'Wendy', and he used her inability to pronounce the 'r' to create the name Wendy for the very first time. -
The Church, Sin and Reconciliation – Part Iii
THE CHURCH, SIN AND RECONCILIATION – PART III A little over five years ago, I saw a play in London (one of five in three days!) called Peter and Alice. It was a new work by the screenplay writer for the movie Skyfall which was created with two great actors in mind—Dame Judi Dench (M in Skyfall) and Ben Whishaw (Q)—portraying the real people on whom Peter Pan and Alice in Wonderland were based. It was set in a London bookstore, the scene of a real meeting some years after WWI between Peter Llewelyn Davies, then in his thirties, and the 80 year-old Alice Liddell. The play moves back and forth between past and present, and reveals the apparent sexual abuse Peter and his younger brother suffered at the hands of J.M. Barrie (who adopted Peter and his four brothers when their parents died) and the abuse Alice endured from Lewis Carroll (real name, the Rev. Charles Dodgson), a close friend of her family. Alice, now old, widowed and having lost three sons in the war, has found a way to leave the past behind. Peter however, much younger and having lost a brother in the same war and another by apparent suicide—the youngest, who was also abused by Barrie—can’t let go of his bitterness. After ninety minutes without an intermission, the play ends with Alice walking through a door and briefly turning to the audience while the voice of her younger self tells us that she lived for another year and died peacefully at her beloved country home. -
Introduction ]
[Introduction ] Old wine is often all the better for being re- bottled; perhaps old wives’ tales are like that, too. —Big Claus and Little Claus How do you breathe new life into forms considered archaic, dated, passé, old- fashioned, or, worse yet, obsolete? Peter Davies set himself that challenge when he published The Fairies Return, an anthology described on its dust jacket as a “Christmas book written by a number of distinguished authors. It is a collection of well- known fairy stories retold for grownups in a modern setting.” Moving the tales from times past, from the nursery to the parlor, and transforming the wondrous into the quotidian (and vice versa) was a chal- lenge he issued to “several hands”—fifteen contemporaries, most of them on familiar terrain when it came to fairies and folklore. Together, they created a rich mosaic, with each vi- brant tile telling us as much about Great Britain in the era [ 1 ] following World War I as about the culture from which it was drawn. The Fairies Return offers sophisticated fare for adults rather than primal entertainment for children. Moving in a satirical mode, it delivers on the promise of what “satire” originally meant: satura, or a mixture of different things blended to suit discerning tastes.1 Not only do we have a vari- 2] ety of tales drawn from Denmark, Germany, France, and the Orient (in addition to England), but we also have authors who choose targets that include evils ranging from preda- tory behavior and political corruption to drug addiction and social ambition. -
Study Guide Prepared by Catherine Bush Barter Playwright-In-Residence
Study Guide prepared by Catherine Bush Barter Playwright-in-Residence Peter Pan Adapted by Catherine Bush from the book by J.M. Barrie *Especially for Grades K-6 The Barter Players, touring Jan. thru March 2020 Barter’s Smith Theatre– April, 2020 (NOTE: Standards listed below include those for reading the story Peter Pan, seeing a performance of the play, and completing the study guide.) Virginia SOLs English – K.1, K.5, K.7, K.8, K.11, K.12, 1.1, 1.7, 1.8, 1.9, 1.12, 1.14, 2.1, 2.6, 2.7, 2.10, 2.12, 3.1, 3.2, 3.4, 3.5, 3.8, 3.10, 4.1, 4.2, 4.4, 4.5, 4.7, 4.9, 5.1, 5.2, 5.4, 5.5, 5.7, 5.9, 6.1, 6.2, 6.4, 6.5, 5.7, 5.9 Theatre Arts – 6.5, 6.7, 6.10, 6.18, 6.21 Tennessee /North Carolina Common Core State Standards English/Language Arts - Reading Literacy: K.1, K.2,K.3, K.5, 1.1, 1.2, 1.3, 2.1, 2.2, 2.3, 3.1, 3.2, 3.3, 3.4, 3.5, 3.10, 4.1, 4.2, 4.3, 4.4, 4.5, 4.7, 4.10, 5.1, 5.2, 5.3, 5.4, 5.10, 6.1, 6.2, 6.3, 6.4, 6.7, 6.10 English Language Arts – Writing: K.1, K.3, K.4, K.5, K.8, 1.1, 1.3, 1.5, 1.8, 2.1, 2.3, 2.5, 2.8, 3.1, 3.2, 3.3, 3.7, 3.8, 4.1, 4.2, 4.3, 4.7, 4.8, 4.9, 5.1, 5.2, 5.3, 5.7, 5.8, 5.9, 6.2, 6.3, 6.7, 6.9 Tennessee Fine Arts Curriculum Standards Theatre – K.T.P1, K.T.Cr2, K.T.R1.A, K.T.R2, K.T.R3, 1.T.Cr2, 1.T.Cr3, 1.T.R1, 1.T.R2, 1.T.R3, 2.T.Cr2, 2.T.Cr3, 2.T.R1, 2.T.R2, 2.T.R3, 3.T.Cr2, 3.T.Cr3, 3.T.R1, 4.T.Cr2, 4.T.Cr3, 4.T.R1, 5.T.Cr2, 5.T.Cr2, 5.T.R1, 6.T.Cr2, 6.T.R1, 6.T.R2, 6.T.R3 North Carolina Essential Standards Theatre Arts – K.A.1, K.AE.1, 1.A.1, 1.AE.1, 1.CU.2, 2.C.2, 2.A.1, 2.AE.1, 3.C.1, 3.C.2, 3.A.1, 3.CU.1, 3.CU.2, 4.C.1, 4.A.1, 4.AE.1, 5.C.1, 5.A.1, 5.AE.1, 5.CU.2, 6.C.2, 6.A.1, 6.CU.2 Setting A children’s nursery in London and the island of Neverland… Characters Wendy – a young girl with an imagination John– Wendy’s brother Michael – Wendy’s youngest brother Mrs. -
Children and Religion: Interfaith Families and Children's Books
February 2011 | Vol. IX No. 6 One Civilized Reader Is Worth a Thousand Boneheads Children and Religion: Nancy Berg Professor of Asian and Near Eastern Languages and Literatures Interfaith Families and Children’s Books Ken Botnick Professor of Art The Center for the frank account of a teenage girl’s Director of Kranzberg Book Studio Humanities is approach- journey toward sexual maturity, Gene Dobbs Bradford Executive Director ing the fifth anniversary but the titular Margaret is also a Jazz St. Louis of its Children’s Studies religious seeker, visiting syna- Elizabeth Childs Associate Professor and Chair of Minor, and this spring gogues and churches in an effort Department of Art History and I’m teaching a new course to understand the spirituality Archaeology Mary-Jean Cowell for the minor: “Children that her Jewish father and Chris- Associate Professor of Performing Arts and Childhood in World tian mother have tried to avoid. Phyllis Grossman Religions.” My course Today, the mechanics of Mar- Retired Financial Executive Michael A. Kahn devotes a few weeks in garet’s “sanitary napkins” are Attorney, Author and turn to each of the world’s outdated, but her spiritual quest Adjunct Professor of Law major religious traditions, is still very relevant, which may Zurab Karumidze Tbilisi, Republic of Georgia but that does not always explain why the novel was reis- Peter Kastor reflect the religious reali- sued just last year. A handful Associate Professor of History and American Culture Studies Program ties of children, at least in of recent YA novels (Praying to Chris King the United States. -
Rare Books, Manuscripts, Maps & Photographs (428) Lot
Rare Books, Manuscripts, Maps & Photographs (428) Wed, 28th Jan 2015, Edinburgh Lot 270 Estimate: £2500 - £3500 + Fees J.M. Barrie interest - Sylvia Llewelyn Davies memorial album by Lizzie Caswall Smith Album of 54 copy prints relating to Sylvia Llewelyn Davies, the Llewelyn Davies children and J.M. Barrie, prints between c.23x18.5 and 5x5cm in size, 8 of the prints are copies of paintings and drawings, whilst the remainder are copies of photographs, all mounted in calf album with stamp of Lizzie Caswall Smith, Gainsborough Studios, 309, Oxford Street, to final page, no date given Provenance: Possibly Crompton and Moya Llewelyn Davies, brother and sister-in-law to Arthur Llewelyn Davies, Sylvia's husband and father of the Llewelyn Davies children. An accompanying letter from Bulmer's Cider Makers, dated 1911, thanks Crompton for help he has offered to 'the widow', whose identity is unknown. Likewise, an accompanying cheque from the National Bank Limited, dated 1911, is signed by Moya Llewelyn Davies. Neither document references the album, however. Note: Sylvia Jocelyn Llewelyn Davies, 1866-1910, née Sylvia Du Maurier, was the daughter of George Du Maurier and the aunt of the novelist Daphne Du Maurier. She married Arthur Llewelyn Davies in 1892 and the couple had five sons: George, Jack, Peter, Michael and Nicholas (Nico). Sylvia Llewelyn Davies is best known for being the 'mother of Peter Pan'. In fact, the entire family can be seen as character models for Peter Pan, the 'Lost Boys' and the Darling family. J.M. Barrie met Sylvia Llewelyn Davies at a dinner party in 1898, and during the course of the meal, realised that he had met her sons whilst walking his dog in Kensington Gardens.