Jabberwocky by Lewis Carroll

Total Page:16

File Type:pdf, Size:1020Kb

Jabberwocky by Lewis Carroll Jabberwocky by Lewis Carroll Jabberwocky 2. Literary aspects 3. Cognitive aspects Discussion Themes In the context of Carroll's poem, \Jabberwocky": 1. Linguistic aspects Jabberwocky 3. Cognitive aspects Discussion Themes In the context of Carroll's poem, \Jabberwocky": 1. Linguistic aspects 2. Literary aspects Jabberwocky Discussion Themes In the context of Carroll's poem, \Jabberwocky": 1. Linguistic aspects 2. Literary aspects 3. Cognitive aspects Jabberwocky Jabberwocky Figure: Illustrated by John Tenniel Jabberwocky 2. Warning 3. Hero goes on a quest 4. Arrival of the foe 5. Battle and victory 6. Hero's welcome Plot of Jabberwocky 1. Frame exposition Jabberwocky 3. Hero goes on a quest 4. Arrival of the foe 5. Battle and victory 6. Hero's welcome Plot of Jabberwocky 1. Frame exposition 2. Warning Jabberwocky 4. Arrival of the foe 5. Battle and victory 6. Hero's welcome Plot of Jabberwocky 1. Frame exposition 2. Warning 3. Hero goes on a quest Jabberwocky 5. Battle and victory 6. Hero's welcome Plot of Jabberwocky 1. Frame exposition 2. Warning 3. Hero goes on a quest 4. Arrival of the foe Jabberwocky 6. Hero's welcome Plot of Jabberwocky 1. Frame exposition 2. Warning 3. Hero goes on a quest 4. Arrival of the foe 5. Battle and victory Jabberwocky Plot of Jabberwocky 1. Frame exposition 2. Warning 3. Hero goes on a quest 4. Arrival of the foe 5. Battle and victory 6. Hero's welcome Jabberwocky Lewis Carroll Figure: 1832 to 1898 Jabberwocky I Real name: Charles Lutwidge Dodgson I Lewis Carroll: Writer of Alice in Wonderland and Through the Looking Glass I Profession:Actually a math professor at Oxford University in the mid 1800's. I Wrote many books on math and logic I Loved to teach logic to people of all ages, including young children I Taught complicated ideas in a fun way (playing games, riddles, inventing funny poems and stories) I Taught children logic [game theory, set theory] and how language is used and constructed through stories and nonsense poems Short Background on Lewis Carroll Jabberwocky Charles Lutwidge Dodgson I Lewis Carroll: Writer of Alice in Wonderland and Through the Looking Glass I Profession:Actually a math professor at Oxford University in the mid 1800's. I Wrote many books on math and logic I Loved to teach logic to people of all ages, including young children I Taught complicated ideas in a fun way (playing games, riddles, inventing funny poems and stories) I Taught children logic [game theory, set theory] and how language is used and constructed through stories and nonsense poems Short Background on Lewis Carroll I Real name: Jabberwocky I Lewis Carroll: Writer of Alice in Wonderland and Through the Looking Glass I Profession:Actually a math professor at Oxford University in the mid 1800's. I Wrote many books on math and logic I Loved to teach logic to people of all ages, including young children I Taught complicated ideas in a fun way (playing games, riddles, inventing funny poems and stories) I Taught children logic [game theory, set theory] and how language is used and constructed through stories and nonsense poems Short Background on Lewis Carroll I Real name: Charles Lutwidge Dodgson Jabberwocky I Profession:Actually a math professor at Oxford University in the mid 1800's. I Wrote many books on math and logic I Loved to teach logic to people of all ages, including young children I Taught complicated ideas in a fun way (playing games, riddles, inventing funny poems and stories) I Taught children logic [game theory, set theory] and how language is used and constructed through stories and nonsense poems Short Background on Lewis Carroll I Real name: Charles Lutwidge Dodgson I Lewis Carroll: Writer of Alice in Wonderland and Through the Looking Glass Jabberwocky Actually a math professor at Oxford University in the mid 1800's. I Wrote many books on math and logic I Loved to teach logic to people of all ages, including young children I Taught complicated ideas in a fun way (playing games, riddles, inventing funny poems and stories) I Taught children logic [game theory, set theory] and how language is used and constructed through stories and nonsense poems Short Background on Lewis Carroll I Real name: Charles Lutwidge Dodgson I Lewis Carroll: Writer of Alice in Wonderland and Through the Looking Glass I Profession: Jabberwocky I Wrote many books on math and logic I Loved to teach logic to people of all ages, including young children I Taught complicated ideas in a fun way (playing games, riddles, inventing funny poems and stories) I Taught children logic [game theory, set theory] and how language is used and constructed through stories and nonsense poems Short Background on Lewis Carroll I Real name: Charles Lutwidge Dodgson I Lewis Carroll: Writer of Alice in Wonderland and Through the Looking Glass I Profession:Actually a math professor at Oxford University in the mid 1800's. Jabberwocky I Loved to teach logic to people of all ages, including young children I Taught complicated ideas in a fun way (playing games, riddles, inventing funny poems and stories) I Taught children logic [game theory, set theory] and how language is used and constructed through stories and nonsense poems Short Background on Lewis Carroll I Real name: Charles Lutwidge Dodgson I Lewis Carroll: Writer of Alice in Wonderland and Through the Looking Glass I Profession:Actually a math professor at Oxford University in the mid 1800's. I Wrote many books on math and logic Jabberwocky I Taught complicated ideas in a fun way (playing games, riddles, inventing funny poems and stories) I Taught children logic [game theory, set theory] and how language is used and constructed through stories and nonsense poems Short Background on Lewis Carroll I Real name: Charles Lutwidge Dodgson I Lewis Carroll: Writer of Alice in Wonderland and Through the Looking Glass I Profession:Actually a math professor at Oxford University in the mid 1800's. I Wrote many books on math and logic I Loved to teach logic to people of all ages, including young children Jabberwocky I Taught children logic [game theory, set theory] and how language is used and constructed through stories and nonsense poems Short Background on Lewis Carroll I Real name: Charles Lutwidge Dodgson I Lewis Carroll: Writer of Alice in Wonderland and Through the Looking Glass I Profession:Actually a math professor at Oxford University in the mid 1800's. I Wrote many books on math and logic I Loved to teach logic to people of all ages, including young children I Taught complicated ideas in a fun way (playing games, riddles, inventing funny poems and stories) Jabberwocky Short Background on Lewis Carroll I Real name: Charles Lutwidge Dodgson I Lewis Carroll: Writer of Alice in Wonderland and Through the Looking Glass I Profession:Actually a math professor at Oxford University in the mid 1800's. I Wrote many books on math and logic I Loved to teach logic to people of all ages, including young children I Taught complicated ideas in a fun way (playing games, riddles, inventing funny poems and stories) I Taught children logic [game theory, set theory] and how language is used and constructed through stories and nonsense poems Jabberwocky I I was very hungry last night ... I A shopping list having purple bananas would seem nonsensical I Square root of Tuesday Sense vs. Nonsense I One of the ways we make sense of things by matching cause and effect Jabberwocky I A shopping list having purple bananas would seem nonsensical I Square root of Tuesday Sense vs. Nonsense I One of the ways we make sense of things by matching cause and effect I I was very hungry last night ... Jabberwocky I Square root of Tuesday Sense vs. Nonsense I One of the ways we make sense of things by matching cause and effect I I was very hungry last night ... I A shopping list having purple bananas would seem nonsensical Jabberwocky Sense vs. Nonsense I One of the ways we make sense of things by matching cause and effect I I was very hungry last night ... I A shopping list having purple bananas would seem nonsensical I Square root of Tuesday Jabberwocky I If the poet says: Her hair was gold and her smile melted my heart I Hair made of metal? Her smile brings about a fatal heart attack? I Her hair is shiny and yellow; Her smile makes the poet feel emotional and warm Poetic/Figurative Language I We also look for meaning, even if it isn't always so Jabberwocky I Hair made of metal? Her smile brings about a fatal heart attack? I Her hair is shiny and yellow; Her smile makes the poet feel emotional and warm Poetic/Figurative Language I We also look for meaning, even if it isn't always so I If the poet says: Her hair was gold and her smile melted my heart Jabberwocky I Her hair is shiny and yellow; Her smile makes the poet feel emotional and warm Poetic/Figurative Language I We also look for meaning, even if it isn't always so I If the poet says: Her hair was gold and her smile melted my heart I Hair made of metal? Her smile brings about a fatal heart attack? Jabberwocky Poetic/Figurative Language I We also look for meaning, even if it isn't always so I If the poet says: Her hair was gold and her smile melted my heart I Hair made of metal? Her smile brings about a fatal heart attack? I Her hair is shiny and yellow; Her smile makes the poet feel emotional and warm Jabberwocky 1.
Recommended publications
  • Open Maryallenfinal Thesis.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ENGLISH SIX IMPOSSIBLE THINGS BEFORE BREAKFAST: THE LIFE AND MIND OF LEWIS CARROLL IN THE AGE OF ALICE’S ADVENTURES IN WONDERLAND MARY ALLEN SPRING 2020 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in English Reviewed and approved* by the following: Kate Rosenberg Assistant Teaching Professor of English Thesis Supervisor Christopher Reed Distinguished Professor of English, Visual Culture, and Women’s, Gender, and Sexuality Studies Honors Adviser * Electronic approvals are on file. i ABSTRACT This thesis analyzes and offers connections between esteemed children’s literature author Lewis Carroll and the quality of mental state in which he was perceived by the public. Due to the imaginative nature of Alice’s Adventures in Wonderland, it has been commonplace among scholars, students, readers, and most individuals familiar with the novel to wonder about the motive behind the unique perspective, or if the motive was ever intentional. This thesis explores the intentionality, or lack thereof, of the motives behind the novel along with elements of a close reading of Alice’s Adventures in Wonderland. It additionally explores the origins of the concept of childhood along with the qualifications in relation to time period, culture, location, and age. It identifies common stereotypes and presumptions within the subject of mental illness. It aims to achieve a connection between the contents of Carroll’s novel with
    [Show full text]
  • Children's Books & Illustrated Books
    CHILDREN’S BOOKS & ILLUSTRATED BOOKS ALEPH-BET BOOKS, INC. 85 OLD MILL RIVER RD. POUND RIDGE, NY 10576 (914) 764 - 7410 CATALOGUE 94 ALEPH - BET BOOKS - TERMS OF SALE Helen and Marc Younger 85 Old Mill River Rd. Pound Ridge, NY 10576 phone 914-764-7410 fax 914-764-1356 www.alephbet.com Email - [email protected] POSTAGE: UNITED STATES. 1st book $8.00, $2.00 for each additional book. OVERSEAS shipped by air at cost. PAYMENTS: Due with order. Libraries and those known to us will be billed. PHONE orders 9am to 10pm e.s.t. Phone Machine orders are secure. CREDIT CARDS: VISA, Mastercard, American Express. Please provide billing address. RETURNS - Returnable for any reason within 1 week of receipt for refund less shipping costs provided prior notice is received and items are shipped fastest method insured VISITS welcome by appointment. We are 1 hour north of New York City near New Canaan, CT. Our full stock of 8000 collectible and rare books is on view and available. Not all of our stock is on our web site COVER ILLUSTRATION - #307 - ORIGINAL ART BY MAUD HUMPHREY FOR GALLANT LITTLE PATRIOTS #357 - Meggendorfer Das Puppenhaus (The Doll House) #357 - Meggendorfer Das Puppenhaus #195 - Detmold Arabian Nights #526 - Dr. Seuss original art #326 - Dorothy Lathrop drawing - Kou Hsiung (Pekingese) #265 - The Magic Cube - 19th century (ca. 1840) educational game Helen & Marc Younger Pg 3 [email protected] THE ITEMS IN THIS CATALOGUE WILL NOT BE ON RARE TUCK RAG “BLACK” ABC 5. ABC. (BLACK) MY HONEY OUR WEB SITE FOR A FEW WEEKS.
    [Show full text]
  • THE LAND BEYOND the MAGIC MIRROR by E
    GREYHAWK CASTLE DUNGEON MODULE EX2 THE LAND BEYOND THE MAGIC MIRROR by E. Gary Gygax AN ADVENTURE IN A WONDROUS PLACE FOR CHARACTER LEVELS 9-12 No matter the skill and experience of your party, they will find themselves dazed and challenged when they pass into The Land Beyond the Magic Mirror! Distributed to the book trade in the United States by Random House, Inc. and in Canada by Random House of Canada Ltd. Distributed to the toy and hobby trade by regional distributors. Distributed in the United Kingdom by TSR Hobbies (UK) Ltd. AD&D and WORLD OF GREYHAWK are registered trademarks owned by TSR Hobbies, Inc. ©1983 TSR Hobbies, Inc. All Rights Reserved. TSR Hobbies, Inc. TSR Hobbies (UK) Ltd. POB 756 The Mill, Rathmore Road Lake Geneva, Cambridge CB14AD United Kingdom Printed in U.S.A. WI 53147 ISBN O 88038-025-X 9073 TABLE OF CONTENTS This module is the companion to Dungeonland and was originally part of the Greyhawk Castle dungeon complex. lt is designed so that it can be added to Dungeonland, used alone, or made part of virtually any campaign. It has an “EX” DUNGEON MASTERS PREFACE ...................... 2 designation to indicate that it is an extension of a regular THE LAND BEYOND THE MAGIC MIRROR ............. 4 dungeon level—in the case of this module, a far-removed .................... extension where all adventuring takes place on another plane The Magic Mirror House First Floor 4 of existence that is quite unusual, even for a typical AD&D™ The Cellar ......................................... 6 Second Floor ...................................... 7 universe. This particular scenario has been a consistent .........................................
    [Show full text]
  • ALICE's ADVENTURES in WONDERLAND Lewis Carroll
    The Jefferson Performing Arts Society Presents 1118 Clearview Parkway Metairie, LA 70001 504-885-2000 www.jpas.org 1 | P a g e Table of Contents Teacher’s Notes………………………..…………..…………..……..3 Standards and Benchmarks…………………..……………….…..5 Background………………………………………..…….………………6 Alice’s Adventures, Comparing and Contrasting ………… 12 Art, Math and Set Design: Alice in Minecraft Land...................................................33 The Science of Color Meets the White Rabbit and the March Hare...................74 Additional Resources…………………………………..…..….….106 2 | P a g e Teacher’s Notes Music and Lyrics by Sammy Fain and Bob Hilliard, Oliver Wallace and Cy Coban, Allie Wrubel and Ray Gilbert, Mack David, Al Hoffman and Jerry Livingston Music Adapted and Arranged and Additional Music and Lyrics by Bryan Louiselle Book Adapted and Additional Lyrics by David Simpatico Based on the 1951 Disney film, Alice in Wonderland, and the Lewis Carroll novels, "The Adventures of Alice in Wonderland" and "Through the Looking Glass," Lewis Carroll's famous heroine comes to life in this delightful adaptation of the classic Disney film. Lewis Carroll was the nom de plume of Charles L. Dodgson. Born on January 27, 1832 in Daresbury, Cheshire, England, Charles Dodgson wrote and created games as a child. At age 20 he received a studentship at Christ Church and was appointed a lecturer in mathematics. Dodgson was shy but enjoyed creating stories for children. Within the academic discipline of mathematics, Dodgson worked primarily in the fields of geometry, linear and matrix algebra, mathematical logic, and recreational mathematics, producing nearly a dozen books under his real name. Dodgson also developed new ideas in linear algebra (e.g., the first printed proof of the Kronecker-Capelli theorem,) probability, and the study of elections (e.g., Dodgson's method); some of this work was not published until well after his death.
    [Show full text]
  • Alice Through the Looking-Glass Is Presented by Special Arrangement with the Estate of James Crerar Reaney
    This production was originally produced at the Stratford Festival in association with Canada’s National Arts Centre in 2014. nov dec 26 19 2015 THEATRE FOR YOUNG AUDIENCES GENEROUSLY SUPPORTED BY STUDY GUIDE Adapted from the Stratford Festival 2014 Study Guide by Luisa Appolloni This production was originally produced at the Stratford Festival in association with Canada's National Arts Centre in 2014. Alice Through the Looking-Glass is presented by special arrangement with the Estate of James Crerar Reaney. 1 THEATRE ETIQUETTE “The theater is so endlessly fascinating because it's so accidental. It's so much like life.” – Arthur Miller Arrive Early: Latecomers may not be admitted to a performance. Please ensure you arrive with enough time to find your seat before the performance starts. Cell Phones and Other Electronic Devices: Please TURN OFF your cell phones/iPods/gaming systems/cameras. We have seen an increase in texting, surfing, and gaming during performances, which is very distracting for the performers and other audience members. The use of cameras and recording devices is strictly prohibited. Talking During the Performance: You can be heard (even when whispering!) by the actors onstage and the audience around you. Disruptive patrons will be removed from the theatre. Please wait to share your thoughts and opinions with others until after the performance. Food/Drinks: Food and hot drinks are not allowed in the theatre. Where there is an intermission, concessions may be open for purchase of snacks and drinks. There is complimentary water in the lobby. Dress: There is no dress code at the Royal Manitoba Theatre Centre, but we respectfully reQuest that patrons refrain from wearing hats in the theatre.
    [Show full text]
  • ARTICLE: Jan Susina: Playing Around in Lewis Carroll's Alice Books
    Playing Around in Lewis Carroll’s Alice Books • Jan Susina Mathematician Charles Dodgson’s love of play and his need for rules came together in his use of popular games as part of the structure of the two famous children’s books, Alice in Wonderland and Through the Looking-Glass, he wrote under the pseudonym Lewis Carroll. The author of this article looks at the interplay between the playing of such games as croquet and cards and the characters and events of the novels and argues that, when reading Carroll (who took a playful approach even in his academic texts), it is helpful to understand games and game play. Charles Dodgson, more widely known by his pseudonym Lewis Carroll, is perhaps one of the more playful authors of children’s literature. In his career, as a children’s author and as an academic logician and mathematician, and in his personal life, Carroll was obsessed with games and with various forms of play. While some readers are surprised by the seemingly split personality of Charles Dodgson, the serious mathematician, and Lewis Carroll, the imaginative author of children’s books, it was his love of play and games and his need to establish rules and guidelines that effectively govern play that unite these two seemingly disparate facets of Carroll’s personality. Carroll’s two best-known children’s books—Alice’s Adventures in Wonderland (1865) and Through the Looking- Glass and What Alice Found There (1871)—use popular games as part of their structure. In Victoria through the Looking-Glass, Florence Becker Lennon has gone so far as to suggest about Carroll that “his life was a game, even his logic, his mathematics, and his singular ordering of his household and other affairs.
    [Show full text]
  • Annihilating Nihilistic Nonsense Tim Burton Guts Lewis Carroll’S Jabberwocky
    Annihilating Nihilistic Nonsense Tim Burton Guts Lewis Carroll’s Jabberwocky Alice in Wonderland seems to beg for a morbid interpretation. Whether it's Marilyn Manson's "Eat Me, Drink Me," the video game "American McGee's Alice," or Svankmajer's "Alice" and "Jabberwocky," artists love bringing out the darker elements of Alice’s adventures as she wanders among creepy creatures. The 2010 Tim Burton film is the latest twisted adaptation, featuring an older Alice that slays the Jabberwocky. However, unlike the other adaptations, Burton’s adaptation draws most of its grim outlook by gutting Alice in Wonderland of its fundamental core - its nonsense. Alice in Wonderland uses nonsense to liberate, offering frightening amounts of freedom through its playful use of nonsense. However, Burton turns this whimsy into menacing machinations - he pretends to use nonsense for its original liberating purpose but actually uses it for adult plots and preset paths. Burton takes the destructive power of Alice’s insistence for order and amplifies it dramatically, completely removing its original subversive release from societal constraints. Under the façade of paying tribute to Carroll’s whimsical nonsense verse, Burton directly removes nonsense’s anarchic freedom and replaces it with a destructive commitment to sense. This brutal change to both plot and structure turns Alice into a mindless juggernaut, slaying not only the Jabberwock, but also the realm of nonsense, non-linear narrative and real world empires. At first, nonsense in Lewis Carroll’s books seems to just a light-hearted play with language. Even before we come into Wonderland, the idea of nonsense as just a simple child’s diversion is given by the epigraph.
    [Show full text]
  • The Musical Misadventures of a Girl Named Alice Book by JAMES DEVITA Music and Lyrics by BILL FRANCOEUR Based on the Novel Through the Looking Glass by LEWIS CARROLL
    The Musical Misadventures of a Girl Named Alice based on the novel Through the Looking Glass by Lewis Carroll Book by JAMES DEVITA Music and Lyrics by BILL FRANCOEUR © Copyright 2002, JAMES DeVITA PERFORMANCE LICENSE The amateur acting rights to this play are controlled exclusively by PIONEER DRAMA SERVICE, INC., P.O. Box 4267, Englewood, Colorado 80155, without whose permission no performance, reading or presentation of any kind may be given. On all programs and advertising this notice must appear: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado.” COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. All other rights in this play, including those of professional production, radio broadcasting and motion picture rights, are controlled by Pioneer Drama Service, Inc., to whom all inquiries should be addressed. WONDERLAN D! The Musical Misadventures of a Girl Named Alice Book by JAMES DEVITA Music and Lyrics by BILL FRANCOEUR based on the novel Through the Looking Glass by LEWIS CARROLL CAST OF CHARACTERS ALICE .............................................. the same one that chased the rabbit down the hole TROUBADOUR* .............................. quite the singer MOTHER’S VOICE .......................... offstage RED KING ....................................... soporific monarch WHITE KING .................................... defender of the crown RED QUEEN .................................... vicious, nasty temper WHITE QUEEN ...............................
    [Show full text]
  • Through the Looking-Glass: Translating Nonsense
    Through the Looking-Glass: Translating Nonsense In 1871, Lewis Carroll published Through the Looking- Glass, and What Alice Found There, a sequel to his hugely popular Alice’s Adventures in Wonderland. In this sequel, Alice sees a world through her looking-glass which looks almost the same as her own world, but not quite. I'll tell you all my ideas about Looking-glass House. First, there's the room you can see through the glass – that's just the same as our drawing-room, only the things go the other way. [...] the books are something like our books, only the words go the wrong way[...] Alice goes through the mirror into the alternative world, which, not unlike Wonderland, is full of weird and wonderful characters. She finds a book there, which is “all in some language I don't know”. Below are the first few lines of the book – can you read it? Just the same, only things go the other way... ‘Some language I don’t know’, ‘the words go the wrong way’. Alice might almost be talking about the practice of translation, which makes a text accessible to a reader unfamiliar with the original language it was written in. And translation, too, can often feel like it is almost the same as the original, and yet somehow also different. We might say that translation is like Alice’s looking-glass: it reflects the original but in distorted and imaginative ways. Can you think of any other similes for translation? Translation is like ....................................................................................................................... because
    [Show full text]
  • Lewis Carroll 'The Jabberwocky'
    Lewis Carroll ‘The Jabberwocky’ 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. Rudyard Kipling ‘The Way Through The Woods’ They shut the road through the woods Seventy years ago. W eather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few) You will hear the beat of a horse’s feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods… But there is no road through the woods.
    [Show full text]
  • Ambivalent Texts, the Borderline, and the Sense of Nonsense in Lewis Carroll’S “Jabberwocky”
    International Journal of IJES English Studies UNIVERSITY OF MURCIA http://revistas.um.es/ijes Ambivalent texts, the borderline, and the sense of nonsense in Lewis Carroll’s “Jabberwocky” MICHAEL TEMPLETON Princess Nourah bint Abdulrahman University (Saudi Arabia) Received: 13/11/2017. Accepted: 18/08/2018. ABSTRACT Taking Carroll‘s ―Jabberwocky‖ as emblematic of a text historically enjoyed by both children and adults, this article seeks to place the text in what Kristeva defines as the borderline between language and subjectivity to theorize a realm in which ambivalent texts emerge as such. The fact that children‘s literature remains largely trapped in the literary–didactic split in which these texts are understood as either learning materials and primers for literacy, or as examples of poetic or historical modernist discourse. This article situates Carroll‘s text in the theories of language, subjectivity, and clinical discourse toward a more complex reading of a children‘s poem, one that finds a point of intersection between the adult and the child reader. KEYWORDS: Ambivalent text, The borderline, Children‘s literature, Nonsense poems. 1. INTRODUCTION Maria Nikolajeka demonstrates that children‘s literature occupies a middle place in the world of literary studies. Children‘s literature is either studied exclusively as a didactic tool—a literary form that exists entirely to provide stepping stones toward literacy for young readers—or else children‘s literature is understood as a projection of the author‘s imagination, a nostalgic portrait of some feature of the author‘s own youth. This is commonly referred to as the ―literary–didactic split‖ (Nikolajeka, 2005: xi).
    [Show full text]
  • Alice's Adventures in Wonderland
    digital edition to that of the The world’s original. After weeks of toil he most precise created an exact replica of the A LICE’S original! The book was added replica to VolumeOne’s print-on- Adventures in Wonderland demand offering. While a PDF of the world’s version is offered on various portals of the Net, BookVirtual most famous took the project to heart and children’s book! added its interface designs and programming. Welcome to the world’s most precise all-digital In 1998, Peter Zelchenko replica of the world’s most began a project for Volume- famous children’s book. Thank One Publishing: to create an you, Peter. exact digital replica of Lewis Carroll’s first edition of Alice. BookVirtual™ Working with the original Books made Virtual. Books made well. 1865 edition and numerous www.bookvirtual.com other editions at the Newberry Library in Chicago, Zelchenko created a digital masterpiece in his own right, a testament to NAVIGATE the original work of Lewis Carroll (aka Prof. Charles Dodgson) who personally CONTROL directed the typography for the first Alice. CLOSE THE BOOK After much analyis, Peter then painstakingly matched letter to letter, line to line, of his new TURN THE PAGE BY LEWIS CARROLL ILLUSTRATED BY JOHN TENNIEL RABBIT-HOLE. 1 Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND Navigate Control Internet Digital InterfaceInterface by byBookVirtual BookVirtual Corp. Corp. U.S. U.S. Patent Patent Pending. Pending. © 2000' 2000 All AllRights Rights Reserved. Reserved. Fit Page Full Screen On/Off Close Book ALICE’S ADVENTURES IN WONDERLAND BY LEWIS CARROLL WITH FORTY-TWO ILLUSTRATIONS BY JOHN TENNIEL VolumeOne Publishing Chicago, Illinois 1998 A BookVirtual Digital Edition, v.1.2 November, 2000 Navigate Control Internet Digital Interface by BookVirtual Corp.
    [Show full text]