This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G

Total Page:16

File Type:pdf, Size:1020Kb

This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Inside Jacob’s story: Exploring counsellor contribution to narrative co-construction using imaginary dialogues with a Biblical character! ! ! ! Linda Louise Talbert! ! ! ! ! ! ! ! ! PhD Counselling and Psychotherapy! University of Edinburgh! April 2016" TABLE OF CONTENTS! Declaration i Acknowledgments ii Abstract iii Lay Summary v Introduction 1 Chapter 1: Background and Ethos for the ! Research Approach 8 ! Origins: How did I find my way to this research? 8 !Essential Emphases 10 !Ethical Concerns 12 Chapter 2: Locating the Research in an Interdisciplinary! Landscape 15 ! Counselling Research Context: Where does it fit? 15 !!Accessing the Co-constructed Space 17 !!Fictive Narrative Means to Co-constructed Ends 19 ! Cross-disciplinary Context: Connections and Examples 21 !!Links Between Literature and Psychology 22 !!Links Between Biblical Text, Literature ! !! and Psychotherapy 27 ! Therapeutic Practice Context: What Am I Doing with Jacob? 34 !!Reminiscence and Life Review 37 Chapter 3: Establishing the ! Epistemological/Methodological Ground 42 ! Phenomenological Hermeneutics 42 ! Gadamer 45 ! Ricoeur 49 ! Iser and Reader-Response Theory 53 ! Bakhtin and Buber: Voices in Dialogue 57 Chapter 4: Methods in Practice 61 Chapter 5: Introductory Orientation to the Iterations 68 Chapter 6: Pre-Research Iteration 73 ! Introduction 73 ! Imaginary Dialogue 78 ! Commentary 91 Chapter 7: Iteration One 101 ! Introduction 101 !Imaginary Dialogue 109 !Commentary 125 Chapter 8: Iteration Two 159 ! Introduction 159 !Imaginary Dialogue 180 !Commentary 196 Chapter 9: Iteration Three 223 !Introduction 223 !Imaginary Dialogue 242 !Commentary 255 Chapter 10: Iteration Four 271 ! Introduction 271 !Imaginary Dialogue 293 !Commentary 309 !!Imaginary Dialogue with Supervisor 310 Epilogue 337 Conclusions 346 References 360 Appendices 379 ! Appendix One: Jacob’s Family Tree 379 !Appendix Two: Jacob’s Life Story Episodes 380 !Appendix Three: Time Line of Jacob’s Life 384 !Appendix Four: Rebekah’s Letter 386 ! ! DECLARATION! ! ! This thesis has been composed by me, is my own work and has not been submitted !for any other degree or professional qualification. ! ! ! ! ! ! ! !Signed: ……………………………………………….. ! Date: …………………………………………………. ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! #i ! ACKNOWLEDGMENTS! ! I gratefully acknowledge the support of the following people without whom the study and completion of this thesis would not have been possible: ! To my supervisors: Mr. Seamus Prior, Dr Alette Willis and Dr David Reimer. For providing a rich and resonant lived experience of reader response and co- construction. Your very wise voices, in dialogue with me and with each other informed every step of this project. To my husband, Tom, who has patiently listened to me read out loud every single word of my many draft manuscripts. Your steadfast support, encouragement, and faith have made all the difference. To my children and grandchildren for believing I could do it, never complaining about how long it took and frequently providing expert tech support. To David and Sonja, (who read my tears and started me on this road), Sue, Paul and Dagmar for their insightful and helpful readings of the final draft. To many other friends and work colleagues who gave me space and time to finish this project, who asked good questions and whose eyes seldom ever glazed over at my answers. To my co-participant, Jacob and his El Shaddai who opened a door, invited me in, and gave me a voice. We wrote the story together and are writing it still. …………… This thesis is dedicated to Dr. and Mrs David Lay and Dr. and Mrs. Steven Lay, whose family legacy of integrity, generosity and enduring faith have inspired me for nearly half a century. ! #ii ! ABSTRACT ! Psychotherapeutic practice often involves the telling and retelling of a client’s stories of life in collaborative, meaning-making dialogue with a counsellor. This study demonstrates and explores the dynamics of counsellor contribution to this narrative co-construction, particularly the ways in which the counsellor’s inner conversations, reflexivity and interpretive style may emerge in practice and have an influence on the client’s understanding, re-evaluation and cohering of his or her own story. The multi-voiced, multi-layered intersubjective space and time in which this kind of narrative collaboration takes place is a difficult area to access for study but one whose potential impact on the client should make it the focus of respectful, ethical monitoring and careful reflective practice. Using phenomenological theories of reader-response and dialogical play, my research sets up an analogy between the way a reader might reflexively interact with life story episodes in a written text and the ways a counsellor might listen to and interpret a client’s stories of life over the course of a counselling contract. My project uses a comprehensive and episode-rich story of a life, the iconic ‘womb to tomb’ story of Jacob in the book of Genesis. My own hearer/reader response to the story gives rise to the creation of a set of imaginary dialogues between two interlocutors, Jacob as an elderly client reviewing his life story and myself as counsellor, listening to his stories of life. This methodology is used as a means to access an in vivo lived experience, as it might unfold in practice, of my counsellor contribution to Jacob’s story and the interplay of voices and standpoints which characterise it. Attention is drawn to the inchoate, but deeply #iii human, intersubjective aspects of narrative co-construction as a process and the value of this form of reflective practice to surface actual praxis experience for analysis. Insights surfaced by this reader-response methodology point to the significant extent to which the hermeneutical standpoints and dialogical voices of a counsellor are actively involved and implicated in narrative co-construction. ! Key Words: phenomenological hermeneutics, Biblical hermeneutics, Gadamer, Ricoeur, interdisciplinary research, narrative gerontology #iv ! LAY SUMMARY! Something deeply collaborative happens when a client and counsellor work together on what are perceived by the client as problematic parts of his or her life story. New understandings, re-evaluations, alterations and re-storying of significant life episodes are often the result of clients telling their stories and counsellors hearing and responding to them in new ways. What the counsellor’s contributions to this process are and how these spoken or unspoken responses manifest themselves are important to investigate for the impact they may have on a client’s experience of therapy, particularly on how she or he chooses to understand and narrate her or his own stories of life. My research provides an active model for exploring the counsellor’s side of this collaborative conversation; first, by using the more familiar relationship between a reader and a text as a means to simulate what it is like to be ‘inside’ another’s life story, listening to its themes and episodes as they unfold over time. The story chosen for this kind of readerly attention is the life of Jacob as recorded in the ancient book of Genesis. This story is a comprehensive account of a life, from ‘womb to tomb,’ full of the kind of familial, environmental, social and cultural issues that, though distanced by antiquity, still resonate with the kind of struggles any client may experience and bring to therapy. The second way in which this research seeks to evoke the counsellor’s side of this joint collaborative process is to use the creation of imaginary dialogues between myself as a counsellor and Jacob as an elderly client engaging in a review of his life. Using what Jacob’s story elicits for me as a reader and my own experience of counselling practice, these imaginary dialogues and my analyses of them give insight into the ways a counsellor may contribute to this profoundly human process of being inside a client’s story of life. #v The-story-of-a-life as told to a particular person is in some deep sense a joint product of the teller and the told. Jerome Bruner (1990:124) ! ! Introduction! ! Something deeply collaborative happens when human beings meet as teller and told in the stories of life. My title for this research investigation implies an intention to be the ‘particular person’ who goes inside the story-of-a-life, hears it ‘as told’ and engages with it from a counsellor’s praxis-based point of view. My chosen teller of the tale is a Biblical character named Jacob, whose long and eventful life story is drawn from the book of Genesis. Engaging with his story throughout this project is characterised not just by hearing,
Recommended publications
  • Historical Deception Gives an Excellent Overview of All Things Egyptian
    About the Author Moustafa Gadalla was born in Cairo, Egypt in 1944. He gradu- ated from Cairo University with a Bachelor of Science degree in civil engineering in 1967. He immigrated to the U.S.A. in 1971 to practice as a licensed professional engineer and land surveyor. From his early childhood, Gadalla pursued his Ancient Egyp- tian roots with passion, through continuous study and research. Since 1990, he has dedicated and concentrated all his time to re- searching the Ancient Egyptian civilization. As an independent Egyptologist, he spends a part of every year visiting and studying sites of antiquities. Gadalla is the author of ten internationally acclaimed books. He is the chairman of the Tehuti Research Foundation—an interna- tional, U.S.-based, non-profit organization, dedicated to Ancient Egyptian studies. Other Books By The Author [See details on pages 352-356] Egyptian Cosmology: The Animated Universe - 2nd ed. Egyptian Divinities: The All Who Are THE ONE Egyptian Harmony: The Visual Music Egyptian Mystics: Seekers of the Way Egyptian Rhythm: The Heavenly Melodies Exiled Egyptians: The Heart of Africa Pyramid Handbook - 2nd ed. Tut-Ankh-Amen: The Living Image of the Lord Egypt: A Practical Guide Testimonials of the First Edition: Historical Deception gives an excellent overview of all things Egyptian. The style of writing makes for an easy read by the non- Egyptologists amongst us. Covering a wide variety of topics from the people, language, religion, architecture, science and technol- ogy it aims to dispel various myths surrounding the Ancient Egyp- tians. If you want a much better understanding of Ancient Egypt, then you won’t be disappointed be with the straight forward, no-non- sense approach to information given in Historical Deception.
    [Show full text]
  • Lefebvre and Maritime Fiction Frank, Søren
    University of Southern Denmark Rhythms at Sea Lefebvre and Maritime Fiction Frank, Søren Published in: Rhythms Now Publication date: 2019 Document version: Final published version Document license: CC BY-NC-ND Citation for pulished version (APA): Frank, S. (2019). Rhythms at Sea: Lefebvre and Maritime Fiction. In S. L. Christiansen, & M. Gebauer (Eds.), Rhythms Now: Henri Lefebvre's Rhythmanalysis Revisited (pp. 159-88). Aalborg Universitetsforlag. Interdisciplinære kulturstudier https://aauforlag.dk/shop/e-boeger/rhythms-now-henri-lefebvres-rhythmanalysis- re.aspx Go to publication entry in University of Southern Denmark's Research Portal Terms of use This work is brought to you by the University of Southern Denmark. Unless otherwise specified it has been shared according to the terms for self-archiving. If no other license is stated, these terms apply: • You may download this work for personal use only. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying this open access version If you believe that this document breaches copyright please contact us providing details and we will investigate your claim. Please direct all enquiries to [email protected] Download date: 24. Sep. 2021 Aalborg Universitet Rhythms Now Henri Lefebvre’s Rhythmanalysis Revisited Christiansen, Steen Ledet; Gebauer, Mirjam Creative Commons License CC BY-NC-ND 4.0 Publication date: 2019 Document Version Publisher's PDF, also known as Version of record Link to publication from Aalborg University Citation for published version (APA): Christiansen, S. L., & Gebauer, M. (Eds.) (2019). Rhythms Now: Henri Lefebvre’s Rhythmanalysis Revisited.
    [Show full text]
  • Golden Blade
    A APPROACH TO CONTEMPORARY QUESTIONS IN THE LIGHT OF ANTHROPOSOPHY The Golden Blade The Occult Basis of Music RudoljSteiner A Lecture, hitherto untranslated, given at Cologne on December 3, 1906. A M u s i c a l P i l g r i m a g e Ferdinand Rauter Evolution; The Hidden Thread John Waterman The Ravenna Mosaics A. W.Mann Barbara Hepworth's Sculpture David Lewis Art and Science in the 20th Century George Adams THE Two Faces of Modern Art Richard Kroth Reforming the Calendar W alter Biihler Dramatic Poetry- and a Cosmic Setting Roy Walker With a Note by Charles Waterman The Weather in 1066 Isabel Wyatt An Irish Yew E.L.G. W. Christmas by the Sea Joy Mansfield Book Reviews hy Alfred Heidenreich, Adam Bittleston Poems by Sylvia Eckersley and Alida Carey Gulick and H. L. Hetherington Edited by Arnold Freeman and Charles Waterman 1956 PUBLISHED ANNUALLY SEVEN AND SIX The Golden Blade The Golden Blade Copies of the previous issues are available in limited numbers 1956 The contents include :— 1949 '95" The Threshold in S'niure and in Spiritual Knowledge : A Way of The Occult Basis of Music Rudolf Steiner I Man RLT50I.|' STEI.ski; Life Rudolf Steiner Tendencies to a Threefold Order Experience of liirth and Dealh A Lecture given at Cologne .A. C". Harwogi) in Childhood Kari. Konig, m.d. on Decembers, 1906. Goethe and the .Science of the Whal is a Farm ? Future riKORC.R Adams C. A. .Mier A M u s i c a l P i l g r i m a g e F e r d i n a n d R a u t e r 6 H7;n/ is a Heatlhy ."Society? Meditation and Time John Waterman 18 C i i A R L K S \ V a t i ; r .
    [Show full text]
  • Aalborg Universitet Rhythms Now Henri Lefebvre's Rhythmanalysis
    Aalborg Universitet Rhythms Now Henri Lefebvre’s Rhythmanalysis Revisited Christiansen, Steen Ledet; Gebauer, Mirjam Creative Commons License CC BY-NC-ND 4.0 Publication date: 2019 Document Version Publisher's PDF, also known as Version of record Link to publication from Aalborg University Citation for published version (APA): Christiansen, S. L., & Gebauer, M. (Eds.) (2019). Rhythms Now: Henri Lefebvre’s Rhythmanalysis Revisited. (Open Access ed.) Aalborg Universitetsforlag. Interdisciplinære kulturstudier General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from vbn.aau.dk on: October 05, 2021 Edited by Steen Ledet Christiansen & Mirjam Gebauer Edited by Steen Ledet Christiansen & Mirjam Gebauer RHYTHMS NOW Henri Lefebvre’s Rhythmanalysis Revisited AALBORG UNIVERSITETSFORLAG
    [Show full text]
  • Traditional Narratives and Sculptural Forms: Translating Narratives Into Material Expressions
    University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2017 Traditional Narratives and Sculptural Forms: Translating Narratives into Material Expressions Kathleen Stehr University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Stehr, Kathleen, Traditional Narratives and Sculptural Forms: Translating Narratives into Material Expressions, Masters of Philosophy (Research) thesis, School of the Arts, English and Media, University of Wollongong, 2017.
    [Show full text]
  • Off the Grid
    Off the Grid Off-grid isn’t a state of mind. It isn’t about someone being out of touch, about a place that is hard to get to, or about a weekend spent offline. Off-grid is the property of a building (generally a home but sometimes even a whole town) that is disconnected from the electricity and the natural gas grid. To live off- grid, therefore, means having to radically re-invent domestic life as we know it, and this is what this book is about: individuals and families who have chosen to live in that dramatically innovative, but also quite old, way of life. This ethnography explores the day-to-day existence of people living off- the-grid in each Canadian province and territory. Vannini and Taggart demonstrate how a variety of people, all with different environmental con- straints, live away from contemporary civilization. The authors also raise important questions about our social future and whether off-grid living cre- ates an environmentally and culturally sustainable lifestyle practice. These homes are experimental labs for our collective future, an intimate look into unusual contemporary domestic lives, and a call to the rest of us leading ordinary lives to examine what we take for granted. This book is ideal for courses on the environment and sustainability as well as introduction to sociology and introduction to cultural anthropology courses. Visit www.lifeoffgrid.ca, for resources, including photos of Vannini and Taggart’s ethnographic work. Phillip Vannini is Canada Research Chair in Public Ethnography and Professor in the School of Communication & Culture at Royal Roads University in Victoria, BC, Canada.
    [Show full text]
  • Aalborg Universitet Mapping Wild Rhythms Robert
    Aalborg Universitet Mapping Wild Rhythms Robert Macfarlane as Rhythmanalyst Kirk, Jens Published in: Rhythms Now Creative Commons License CC BY-NC-ND 4.0 Publication date: 2019 Document Version Publisher's PDF, also known as Version of record Link to publication from Aalborg University Citation for published version (APA): Kirk, J. (2019). Mapping Wild Rhythms: Robert Macfarlane as Rhythmanalyst. In S. L. Christiansen, & M. Gebauer (Eds.), Rhythms Now: Henri Lefebvre's Rhythmanalysis Revisited (pp. 127-141). Aalborg Universitetsforlag. Interdisciplinære kulturstudier General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. ? Users may download and print one copy of any publication from the public portal for the purpose of private study or research. ? You may not further distribute the material or use it for any profit-making activity or commercial gain ? You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us at [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from vbn.aau.dk on: November 25, 2020 Aalborg Universitet Rhythms Now Henri Lefebvre’s Rhythmanalysis Revisited Christiansen, Steen Ledet; Gebauer, Mirjam Creative Commons License CC BY-NC-ND 4.0 Publication date: 2019 Document Version Publisher's PDF, also known as Version of record Link to publication from Aalborg University Citation for published version (APA): Christiansen, S.
    [Show full text]
  • Thesis Presented for the Degree of Phd (Media and Communications) Goldsmiths College, University of London
    The Rhythm-Image: Aestheticexperience in the work of Theo Angelopoulosand Bill Viola Thesis presented for the degree of PhD (Media and Communications) Goldsmiths College, University of London Maria Lakka London, March 2006 gSýL ýRýýýrt, WUý-ýýýý. I declare that the work presented in this thesis is the candidate's own. Maria Lakka Abstract Following the secularization of the world in modernity, art's concomitant fate was the separation of form and content, which has founded art on a split that has entailed the inheritance of an abyss of incommunicability. Secularization, however, has not liberated art from the model of representation, which has now assumed the form of the identification of a self-referential beauty. Moreover, the modernist doctrine of autonomy has deprived art of the possibility of infusing the vital powers of being and society, subsuming it to the demands of the institution and the art market. Nevertheless, twentieth-century art is driven by the will to overcome the schism (form/content, art/society), to touch the viewer, and to become an experience rather than merely an object of vision. Responding to this problem, this thesis explores the notion of rhythm, drawn from Bergson's concept of la duree and Deleuze's rethinking of immanence as difference and repetition. Rhythm, which grants the communicability of the work of art, emphasizes that art can only live in the experience; to conceive it solely in-itself as modernism has done unavoidably leads to its reification. Rhythm considers art in terms of intensity of the work and of the encounter, rather than in identifying art's spatial qualities.
    [Show full text]
  • Public Public of Variety a Includes Brochure *This % Friday
    CL HQ DU Michael T. Hensley, Outside In Mural In Outside Hensley, T. Michael Esplanade Eastbank Katz Vera the along RIGGA, , Gate Echo , at Central Library Central at , Stair Garden Kirkland, Larry CN ! GL , at the Portland Center for the Performing Arts Performing the for Center Portland the at , Bollards Folly Otani, Valerie Park Waterfront McCall Tom , Shift River Gregoire, Mathieu in the North Park Blocks Park North the in Bao Bao Xi'an & Tung Da as well. as artworks commissioned by other agencies agencies other by commissioned artworks *This brochure includes a variety of public public of variety a includes brochure *This % Friday. through Monday 8:00-6:00, are IL GQ CN Manuel Izquierdo, Izquierdo, Manuel Ilan Averbuch, Ilan Averbuch, Dana LynnLouis, James Carpenter, Portland Building at 1120 SW 5th. Hours 5th. SW 1120 at Building Portland Art Gallery on the second floor of the of floor second the on Gallery Art www.racc.org/publicart or visit the Public the visit or www.racc.org/publicart Terra Incognita to go collection, the about more out Spectral Dome Light Metabolic Shift Metabolic Dreamer leading Percent-for-Art programs.* To find To programs.* Percent-for-Art leading County, and manages one of the country’s the of one manages and County, , Pettygrove Park , Pettygrove , Rose Quarter , Rose Multnomah and Portland of City the for art , Pearl District commissions and maintains public maintains and commissions (RACC) , PCPA Regional Arts & Culture Council Culture & Arts Regional The P ORTLAND C ULTURAL T OURS EN J. Seward Johnson, Allow Me, in Pioneer Courthouse Square.
    [Show full text]
  • Influences of Pre-Christian Mythology and Christianity on Old Norse Poetry
    Infl uences of Pre-Christian Mythology and Christianity on Old Norse Poetry NORTHERN MEDIEVAL WORLD EDITORIAL BOARD Carolyne Larrington (Chair) St. John’s College, Oxford Oren Falk Cornell University Dawn Hadley University of Sheffi eld Jana Schulman Western Michigan University Jón Viðar Sigurðsson Universitetet i Oslo Medieval Institute Publications is a program of Th e Medieval Institute, College of Arts and Sciences WESTERN MICHIGAN UNIVERSITY Infl uences of Pre-Christian Mythology and Christianity on Old Norse Poetry A Narrative Study of Vafþrúðnismál Andrew McGillivray Northern Medieval World MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2018 Walter de Gruyter GmbH, Berlin/Boston Library of Congress Cataloging-in-Publication Data are available from the Library of Congress. ISBN: 9781580443357 eISBN: 9781580443364 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in, or introduced into a retrieval system, or trans- mitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Contents Abbreviations vii Acknowledgments ix 1. Vafþrúðnir Who? 1 2. Critical Contexts 25 3. At Home in Ásgarðr 53
    [Show full text]
  • Plato and the Four Inspirations
    PLATO AND THE FOUR INSPIRATIONS I. THE NATURE OF INSPIRATION The part played by Inspiration in perfecting the soul and in restoring her to her true home has been recognized, implicitly or explicitly, by every great religion and philosophy. The ancient Druids aspired to obtain Awen (or Inspirational Genius) from God, while, in the legend of Taliesin, Ceridwen, who symbolizes the Great World-Mother, is said to have boiled a cauldron of inspiration and science, by means of which her ill-favoured son was to be transformed to radiant beauty. The skalds of the Norsemen prayed to drink from the egg-white well of Mimir, who is inspiration and memory, that well by which the All-Father Odin forever broods on the mysteries of life and death. All true art depends upon inspiration, the mysterious something which, as every artist knows, can neither be commanded nor restrained, but which comes and goes elusive as the wind. Many have been the expedients to which men have resorted in order to make themselves receptive of inspiration, and some have failed lamentably merely through ignorance of its true nature and the means whereby it may be evoked. Art is the process whereby the eternal ideas and realities of the ideal world are perpetually made manifest in the worlds of form, so that even in the realms of time and space man may be reminded of the beauty of his original home. Inspiration is the stirring within the soul of this ideal beauty of the intelligible world; it is the inbreathing into the soul of transcendent ideas of beauty, goodness, or truth, so that the soul which is possessed by it is lifted up to that which is above itself.
    [Show full text]
  • In the Balance
    In the Balance In the Balance Indigeneity, Performance, Globalization Edited by Helen Gilbert, J.D. Phillipson and Michelle H. Raheja Liverpool University Press First published 2017 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2017 Liverpool University Press The right of Helen Gilbert, J.D. Phillipson and Michelle H. Raheja to be identified as the editors of this book has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN 978-1-78694-034-6 paperback https://doi.org/10.3828/9781786940803 Typeset by Carnegie Book Production, Lancaster Printed and bound in Poland by BooksFactory.co.uk Contents Contents Introduction Helen Gilbert 1 1. Inside the Machine: Indigeneity, Subversion and the Academy Michael Greyeyes 25 2. Beyond the ‘Nação mestiça’: Post-Racial Performance, Native Sovereignty and Political Community in Contemporary Brazil Tracy Devine Guzmán 45 3. Assimilating Globalization, Performing Indigeneity: Richard Loring’s African Footprint Arifani Moyo 65 4. Repatriation, Rights and the Political Lives of the Dead Margaret Werry 83 5. Indigenous Cinema, Hamlet and Québécois Melancholia Kester Dyer 105 6. Beyond the Burden in Redfern Now: Global Collaborations, Local Stories and ‘Televisual Sovereignty’ Faye Ginsburg 123 • v • In the Balance 7. Her Eyes on the Horizon and Other (un)Exotic Tales from Beyond the Reef Rosanna Raymond 143 8.
    [Show full text]