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Ritual Landscapes and Borders Within Rock Art Research Stebergløkken, Berge, Lindgaard and Vangen Stuedal (Eds)
Stebergløkken, Berge, Lindgaard and Vangen Stuedal (eds) and Vangen Lindgaard Berge, Stebergløkken, Art Research within Rock and Borders Ritual Landscapes Ritual Landscapes and Ritual landscapes and borders are recurring themes running through Professor Kalle Sognnes' Borders within long research career. This anthology contains 13 articles written by colleagues from his broad network in appreciation of his many contributions to the field of rock art research. The contributions discuss many different kinds of borders: those between landscapes, cultures, Rock Art Research traditions, settlements, power relations, symbolism, research traditions, theory and methods. We are grateful to the Department of Historical studies, NTNU; the Faculty of Humanities; NTNU, Papers in Honour of The Royal Norwegian Society of Sciences and Letters and The Norwegian Archaeological Society (Norsk arkeologisk selskap) for funding this volume that will add new knowledge to the field and Professor Kalle Sognnes will be of importance to researchers and students of rock art in Scandinavia and abroad. edited by Heidrun Stebergløkken, Ragnhild Berge, Eva Lindgaard and Helle Vangen Stuedal Archaeopress Archaeology www.archaeopress.com Steberglokken cover.indd 1 03/09/2015 17:30:19 Ritual Landscapes and Borders within Rock Art Research Papers in Honour of Professor Kalle Sognnes edited by Heidrun Stebergløkken, Ragnhild Berge, Eva Lindgaard and Helle Vangen Stuedal Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 9781784911584 ISBN 978 1 78491 159 1 (e-Pdf) © Archaeopress and the individual authors 2015 Cover image: Crossing borders. Leirfall in Stjørdal, central Norway. Photo: Helle Vangen Stuedal All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. -
The Oseberg Ship
V 46 B78o A 1 1 6 8 5 4 1 1^6 OSEBERG SHIP by ANTON WILHELM BROGGER Professor of Archeeology in the University of Christiania Price Fifty Cents Reprinted from The American-Scandinavian Revi. July 1921 The Oseberg Ship By Anton Wilhelm Broggek 4^ The ships of the Viking Age discovered in Norway count among the few national productions of antiquity that have attained world wide celebrity. And justly so, for they not only give remarkable evidence of a unique heathen burial custom, but they also bear witness to a very high culture which cannot fail to be of interest to the world outside. The Oseberg discoveries, the most remarkable and abundant anti- quarian find in Norway, contain a profusion of art, a wealth of objects and phenomena, coming from a people who just at that time, ,"^ of Europe. ^ the ninth century, began to come into contact with one-half ^ It was a great period and it has given us great monuments. We have long been acquainted with its literature. Such a superb production as Egil Skallagrimson's Sonartorrek, which is one hundred years later than the Oseberg material, is a worthy companion to it. / The Oseberg ship was dug out of the earth and caused the great- est astonishment even among Norwegians. Who could know that on that spot, an out of the way barrow on the farm of Oseberg in the parish of Slagen, a little to the north of Tcinsberg, there would be excavated the finest and most abundant antiquarian discoveries of Norway? Xtj^^s in the summer of the year 1903 that a farmer at Oseberg began to dig the })arrow. -
Knut Hjalmar Stolpe's Works in Peru (1884) Ellen F
Andean Past Volume 8 Article 13 2007 Bringing Ethnography Home: Knut Hjalmar Stolpe's Works in Peru (1884) Ellen F. Steinberg [email protected] Jack H. Prost University of Illinois, Chicago, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/andean_past Part of the Archaeological Anthropology Commons Recommended Citation Steinberg, Ellen F. and Prost, Jack H. (2007) "Bringing Ethnography Home: Knut Hjalmar Stolpe's Works in Peru (1884)," Andean Past: Vol. 8 , Article 13. Available at: https://digitalcommons.library.umaine.edu/andean_past/vol8/iss1/13 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Andean Past by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. BRINGING ETHNOGRAPHY HOME: KNUT HJALMAR STOLPE’S WORK IN PERU (1884) Ellen FitzSimmons Steinberg Jack H. Prost University of Illinois at Chicago INTRODUCTION Stübel. Their intent was to document the tombs before the Necropolis was totally destroyed. The Ancón, on Peru’s central coast, is one of the results of their 1875 excavation were originally most explored, excavated, and plundered sites published between 1880 and 1887 in 15 volumes in that country. Located approximately 32 km titled Das Todtenfeld von Ancon in Peru, repub- north of Lima, the small fishing village has been lished in English as The Necropolis of Ancon in a seaside resort for more than one hundred years Peru . The next large scientific excavation at (Figure 1). Its real fame does not reside in its the site was performed by George Amos Dorsey sandy beaches but rather in its huge graveyard. -
Suffolk Institute of Archaeology and Natural History
Proceedingsof the SUFFOLK INSTITUTE OF ARCHAEOLOGY AND NATURAL HISTORY 4 °4vv.es`Egi vI V°BkIAS VOLUME XXV, PART 1 (published 1950) PRINTED FOR THE SOCIETY BY W. E. HARRISON & SONS, LTD., THE ANCIENT HOUSE, IPSWI611. The costof publishing this paper has beenpartially defrayedby a Grant from the Council for British Archeology. THE SUTTON HOO SHIP-BURIAL Recenttheoriesand somecommentsongeneralinterpretation By R. L. S. BRUCE-MITFORD, SEC. S.A. INTRODUCTION The Sutton Hoo ship-burial was discovered more than ten years ago. During these years especially since the end of the war in Europe has made it possible to continue the treatment and study of the finds and proceed with comparative research, its deep significance for general and art history, Old English literature and European archmology has become more and more evident. Yet much uncertainty prevails on general issues. Many questions cannot receive their final answer until the remaining mounds of the grave-field have been excavated. Others can be answered, or at any rate clarified, now. The purpose of this article is to clarify the broad position of the burial in English history and archmology. For example, it has been said that ' practically the whole of the Sutton Hoo ship-treasure is an importation from the Uppland province of Sweden. The great bulk of the work was produced in Sweden itself.' 1 Another writer claims that the Sutton Hoo ship- burial is the grave of a Swedish chief or king.' Clearly we must establish whether it is part of English archxology, or of Swedish, before we can start to draw from it the implications that we are impatient to draw. -
University of London Deviant Burials in Viking-Age
UNIVERSITY OF LONDON DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA Ruth Lydia Taylor M. Phil, Institute of Archaeology, University College London UMI Number: U602472 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602472 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA The thesis brings together information yielded from archaeology and other sources to provide an overall picture of the types of burial practices encountered during the Viking-Age in Scandinavia. From this, an attempt is made to establish deviancy. Comparative evidence, such as literary, runic, legal and folkloric evidence will be used critically to shed perspective on burial practices and the artefacts found within the graves. The thesis will mostly cover burials from the Viking Age (late 8th century to the mid- 11th century), but where the comparative evidence dates from other periods, its validity is discussed accordingly. Two types of deviant burial emerged: the criminal and the victim. A third type, which shows distinctive irregularity yet lacks deviancy, is the healer/witch burial. -
The Genomic Ancestry of the Scandinavian Battle Axe Culture People and Their Relation to the Broader Corded Ware Horizon
Malmström, H., Günther, T., Svensson, E. M., Juras, A., Fraser, M., Munters, A. R., Pospieszny, Ł., Tõrv, M., Lindström, J., Götherström, A., Storå, J., & Jakobsson, M. (2019). The genomic ancestry of the Scandinavian Battle Axe Culture people and their relation to the broader Corded Ware horizon. Proceedings of the Royal Society B: Biological Sciences, 286(1912), [20191528]. https://doi.org/10.1098/rspb.2019.1528 Publisher's PDF, also known as Version of record License (if available): CC BY Link to published version (if available): 10.1098/rspb.2019.1528 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via The Royal Society at https://doi.org/10.1098/rspb.2019.1528 . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ The genomic ancestry of the Scandinavian royalsocietypublishing.org/journal/rspb Battle Axe Culture people and their relation to the broader Corded Ware horizon Research Helena Malmström1,2,†, Torsten Günther1,†, Emma M. Svensson1, Anna Juras3, Cite this article: Malmström H et al. 2019 Magdalena Fraser1,4, Arielle R. Munters1, Łukasz Pospieszny5,6, Mari Tõrv7, The genomic ancestry of the Scandinavian 8 9 10 Battle Axe Culture people and their relation to Jonathan Lindström , Anders Götherström , Jan Storå the broader Corded Ware horizon. -
Silk-Weaving in Sweden During the 19Th Century. Textiles and Texts - an Evaluation of the Source Material
Thesis for the degree of Licentiate of Philosophy SILK-WEAVING IN SWEDEN DURING THE 19TH CENTURY. Textiles and texts - An evaluation of the source material. Martin Ciszuk Translation Magnus Persson www.enodios.se Department of Product and Production Development Design & Human Factors CHALMERS UNIVERSITY OF TECHNOLOGY Gothenburg, Sweden 2012 Silk-weaving in Sweden during the 19th century. Textiles and texts - An evaluation of the source material. Martin Ciszuk © Martin Ciszuk, 2012 Technical report No. 71 ISSN 1652-9243 Department of Product and Production Development Chalmers University of Technology SE-412 96 Gothenburg SWEDEN Telephone: +46 (0)31- 772 10 00 Illustration: Brocatell, interior silk woven for Stockholm Royal pallace by Meyersson silk mill in Stock- holm 1849, woven from silk cultivated in Sweden, Eneberg collection 11.183-9:2 (Photo: Jan Berg Textilmuseet, Borås). Printed by Strokirk-Landströms AB Lidköping, Sweden, 2012 www.strokirk-landstroms.se Silk-weaving in Sweden during the 19th century. Textiles and texts - An evaluation of the source material. Martin Ciszuk Department of Product and Production Development Chalmers University of Technology Abstract Silk-weaving in Sweden during the 19th century. Textiles and texts - An evaluation of the source material. With the rich material available, 19th century silk-weaving invites to studies on industrialisation processes. The purpose of this licentiate thesis is to present and discuss an empirical material regarding silk production in Sweden in the 19th century, to examine the possibilities and problems of different kinds of materials when used as source materials, and to describe how this material can be systematized and analysed in relation to the perspective of a textile scientific interpretation. -
Birka På Björkö
45551633Gender Södertörns högskola | Institutionen för historia och samtidsstudier Masteruppsats 30 hp | Arkeologi | vårterminen 2014 Birka på Björkö Forskning, tidsanda och särställning Av: Birgitta Gärdin Handledare: Kerstin Cassel 2 Birka Hur många hedningar cirka Kan Ansgar ha kristnat i Birka? Döpte han fler än ett tjog? Var de västgötar, uppsvenskar, danskar? Är det verkligen troligt att Ansgar visste var Birka låg? Alf Henrikson Ur Tittut, 1992. Publicerad i Röster i Uppland En antologi av Göran Palm, sid 24 Teckning av Björn Berg i Svensk Historia del 1 av Alf Henrikson 1963, sid 86 ... har föranledt mig att i denna lilla uppsats, så vidt möjligt, söka undvika, att genom definitiva tolkningar af företeelserna gå en blifvande rikare erfarenhet i förväg, en försigtighet, som väl av ingen kan klandras... Ur Hjalmar Stolpens avhandling Naturhistoriska och arkeologiska underökningar på Björkö i Mälaren, 1872 Bilden på sid 1 samt bilderna på sista sidan är från Södertörns högskolas seminariegrävningar vid Båtudden, Björkö, 2008. Foto: Birgitta Gärdin och Olof Gärdin Bilden på sid 53 är hämtad från SHM Kartorna på sid 60 och sid 61 är hämtade från RAÄ 3 INNEHÅLL Inledning 5 Ett omfattande material 5 Där Birkaforskningen satt spår 6 Syfte 7 Teori 8 Metod och avgränsningar 9 Björkö – i och ur fokus 10 Stolpe startar moderna grävningar 13 Utvalt mål för att samla nationen 15 Birkaforskningen och den samtida samtiden 17 Stora ambitioner att göra fynden tillgängliga 19 New Archaeology i Birkaforskningen 20 Arkeologiintresserad kung ger pengar -
Of the Viking Age the Ornate Burials of Two Women Within the Oseberg Ship Reveals the Prominent Status That Women Could Achieve in the Viking Age
T The Oseberg ship on display in The Viking Ship Museum. Museum of Cultural History, University of Oslo Queen(s) of the Viking Age The ornate burials of two women within the Oseberg ship reveals the prominent status that women could achieve in the Viking Age. Katrina Burge University of Melbourne Imagine a Viking ship burial and you probably think homesteads and burials that tell the stories of the real of a fearsome warrior killed in battle and sent on his women of the Viking Age. The Oseberg burial, which journey to Valhöll. However, the grandest ship burial richly documents the lives of two unnamed but storied ever discovered—the Oseberg burial near Oslo—is not a women, lets us glimpse the real world of these women, monument to a man but rather to two women who were not the imaginings of medieval chroniclers or modern buried with more wealth and honour than any known film-makers. warrior burial. Since the burial was uncovered more than a century ago, historians and archaeologists have The Ship Burial tried to answer key questions: who were these women, Dotted around Scandinavia are hundreds of earth mounds, how did they achieve such prominence, and what do they mostly unexcavated and mainly presumed to be burials. tell us about women’s lives in this time? This article will The Oseberg mound was excavated in 1904, revealing that explore current understandings of the lives and deaths the site’s unusual blue clay had perfectly preserved wood, of the Oseberg women, and the privileged position they textiles, metal and bone. -
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242 Salvage Stories, Preserving Narratives, and Museum Ships Andrew Sawyer* Abstract Preserved ships and other vessels are associated with a historiography, in Europe at least, which is still marked by parochialism, antiquarianism, and celebratory narrative. Many evidence difficult histories, and they are also extremely expensive to preserve. Yet, they are clearly valued, as nations in Europe invest heavily in them. This survey examines a range of European examples as sites of cultural, political and national identity. An analytical framework foregrounding the role of narrative and story reveals three aspects to these exhibits: explicit stories connected with specific nations, often reinforcing broader, sometimes implicit, national narratives; and a teleological sequence of loss, recovery and preservation, influenced by nationality, but very similar in form across Europe. Key words: European; maritime; ships; narrative; nationalism; identity; museums. Introduction European nations value their maritime and fluvial heritage, especially as manifested in ships and boats. What may be the world’s oldest watercraft, from around 8,000 BC, is preserved at the Drents Museum in Assen, the Netherlands (Verhart 2008: 165), whilst Greece has a replica of a classical Athenian trireme, and Oslo has ships similar to those used by the Norse to reach America. Yet, such vessels are implicated in a problematic historiography (Smith 2011) tending to parochialism and antiquarianism (Harlaftis 2010: 214; Leffler 2008: 57-8; Hicks 2001), and which often (for whatever reason) avoids new historiographical approaches in favour of conventional celebratory narratives (Witcomb 2003: 74). They are also linked to well-known problematic histories of imperialism and colonialism. They are sites of gender bias: ‘Vasa has from its construction to its excavation been the prerogative and the playground of men’ (Maarleveld 2007: 426), and they are still popularly seen as providing access to ‘toys for boys’ (Gardiner 2009: 70). -
Megalithic Tombs in Western and Northern Neolithic Europe Were Linked to a Kindred Society
Megalithic tombs in western and northern Neolithic Europe were linked to a kindred society Federico Sánchez-Quintoa,1, Helena Malmströma,b,1, Magdalena Frasera,c,1, Linus Girdland-Flinkd, Emma M. Svenssona, Luciana G. Simõesa, Robert Georgee,f, Nina Hollfeldera, Göran Burenhultc, Gordon Nobleg, Kate Brittong,h, Sahra Talamoh, Neil Curtisg, Hana Brzobohatai, Radka Sumberovai, Anders Götherströmj, Jan Storåf,2, and Mattias Jakobssona,b,2 aHuman Evolution, Department of Organismal Biology, Uppsala University, SE-752 36 Uppsala, Sweden; bCentre for Anthropological Research, Department of Anthropology and Development Studies, University of Johannesburg, 2006 Auckland Park, South Africa; cDepartment of Archaeology and Ancient History, Uppsala University–Campus Gotland, SE-621 67 Visby, Sweden; dResearch Centre in Evolutionary Anthropology and Paleoecology, School of Natural Sciences and Psychology, Liverpool John Moores University, L3 3AF Liverpool, United Kingdom; eDepartment of Surgery, Royal Prince Alfred Hospital, Sydney, NSW 2050, Australia; fOsteoarchaeological Research Laboratory, Department of Archaeology and Classical Studies, Stockholm University, SE-106 91 Stockholm, Sweden; gMuseums and Special Collections, Sir Duncan Rice Library, University of Aberdeen, AB24 3AA Aberdeen, Scotland; hDepartment of Human Evolution, Max Planck Institute for Evolutionary Anthropology, 04103 Leipzig, Germany; iDepartment of Prehistorical Archaeology, Institute of Archaeology of Czech Academy of Sciences, CZ-11801 Prague, Czech Republic; and jArchaeological -
Masking Moments the Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson
Masking Moments The Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson Masking Moments The Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson Stockholm University Doctoral dissertation 2007 Department of Archaeology and Classical Studies Stockholm University 106 91 STOCKHOLM MASKING MOMENTS The Transitions of Bodies and Beings in Late Iron Age Scandinavia Ing-Marie Back Danielsson BA in Archaeology and BSc in Economics and Business Administration Maskerade ögonblick. Förvandlingar av kroppar och väsen i skandinavisk yngre järnålder. (Med en svensk sammanfattning). Abstract This thesis explores bodily representations in Late Iron Age Scandinavia (400–1050 AD). Non-human bodies, such as gold foil figures, and human bodies are analysed. The work starts with an examination and deconstruction of the sex/gender catego- ries to the effect that they are considered to be of minor value for the purposes of the thesis. Three analytical concepts – masks, miniature, and metaphor – are de- ployed in order to interpret how and why the chosen bodies worked within their prehistoric contexts. The manipulations the figures sometimes have undergone are referred to as mask- ing practices, discussed in Part One. It is shown that masks work and are powerful by being paradoxical; that they are vehicles for communication; and that they are, in effect, transitional objects bridging gaps that arise in continuity as a result of events such as symbolic or actual deaths. In Part Two miniaturization is discussed. Miniaturization contributes to making worlds intelligible, negotiable and communicative. Bodies in miniatures in compari- son to other miniature objects are particularly potent.